Trivia: A self-described B-movie actor, Bruce Campbell can claim to have scaled the casualty-littered mountain of cult movie stardom. First attaining more notoriety than fame for his performance in Sam Raimi's The Evil Dead (1983), which he also executive produced, Campbell went on to star in that movie's two sequels and a number of other schlock-tastic films. He has also occasionally ventured into more reputable territory, thanks to such films as the Coen brothers' The Hudsucker Proxy (1994).Hailing from Royal Oak, MI, where he was born June 22, 1958, Campbell attended Western Michigan University. When he was only 21, he and two of his Detroit friends, Sam Raimi and Rob Tapert, scraped together 350,000 dollars to make a low-budget horror film. The result, completed piecemeal over four years, was The Evil Dead, an exuberantly awful piece of filmmaking that featured Campbell as its demon-battling hero. The film first earned notoriety in England, and after being personally endorsed by author Stephen King when it was screened at Cannes, it was eventually released in the U.S. in 1983.The Evil Dead II: Dead By Dawn followed in 1987, and the third installment in the series, Army of Darkness, was released in 1992. Both were enthusiastically embraced by fans of the series and less so by critics, but one thing that impressed both groups was Campbell's work in both films, thanks in part to his uncanny ability to make it through an entire performance without blinking once.In addition to the Evil Dead films, Campbell has acted in a number of other low-budget films, and, in the case of the Coens' The Hudsucker Proxy and a blink-and-you-miss-it cameo in Fargo (1996), a handful of fairly respectable projects as well. He has also acted frequently on television, most notably in the weekly Western The Adventures of Brisco County, Jr. and Jack of all Trades. In 2001 Campbell made his literary debut with If Chins Could Kill: Confessions of a B-Movie Actor. A humorously detailed account of his rise to B-movie stardom, If Chins Could Kill detailed, among other things, Campbell's uniquely diverse fanbase as well as his relationship with longtime friend and frequent collaborator Sam Raimi. When fans embraced the freewheeling semi-autobiography with more zeal than even Campbell himself may have anticipated, a succesful speaking tour was soon followed by a sophomore novel, the satirical Make Love the Bruce Campbell Way. A highly fictionalized look at what it may be like for Campbell to land a substantial role in a high-profile Hollywood production, Make Love the Bruce Campbell way found the sarcastic B-movie idol hobnobbing with co-star Richard Gere and offering directorial advice to veteran director Mike Nichols. Yet Campbell was hardly one to forget where his bread was truly buttered, and following his brief literary detour, it was time to head back to the big screen for a pair of memorable cameos in pal Raimi's Spider-Man and Spider-Man 2, the longtime actor and emerging producer was finally ready to make his feature directorial debut with the outlandish sci-fi comedy The Man with the Screaming Brain. Despite helming the occasional Xena and Hewrcules episode, Campbell had yet to tackle feature films and when the opportunity arose to direct a script that he himself had written, everything just seemed to fall into place. Though the critics weren't so kind, fans were more than willing to indulge as their favorite film and television star finally got a chance to shine on his own. After voicing his most famous character in a pair of Evil Dead videogames, it was finally time for Campbell to return to the role of Ash on the big screen - albiet in a decidedly meta-manner - when he stepped into the role of an actor named Bruce Campbell who is mistaken for the demon-slayer that he played in the movies and forced to to battle with the legions of hell in the 2006 horror comedy They Call Me Bruce; a film that also afforded Campbell his sophomore feature directorial credit. That same year, Campbell would also team with May director Lucky McKee for the chilling horror film The Woods. Campbell found television success in the role of a good natured ex-Navy Seal on Burn Notice beginning in 2007, and lent his voice to animated features including Cloudy with a Chance of Meatballs and Cars 2. Campbell reunited with Raimi for Oz the Great and Powerful (2013), and helped produce the 2013 revamp of The Evil Dead.

Trivia: A native of rural Humboldt, IA, character actor Christian Clemenson left his home state when a scholarship that he netted as part of his paperboy route afforded him the opportunity to attend the prestigious Phillips Academy preparatory school in Andover, MA. That experience imparted Clemenson with a deep-seated love of theatrics, and he spent his Iowan summers during college acting in local stage productions. The upstart subsequently attended Harvard as an undergraduate and Yale Drama School as a grad student, then moved to Los Angeles in the mid-'80s, where he accepted a long series of bit parts and supporting roles in A-list features, typically cast as nebbishy professional types. Early films in which Clemenson appeared included Heartburn (1986), Legal Eagles (1986), Hannah and Her Sisters (1986), and Broadcast News (1987).Beginning in the late '90s, Clemenson began placing a stronger emphasis on television work, with guest roles in series including Ally McBeal, Buffy the Vampire Slayer, The West Wing, and NYPD Blue. He received critical kudos for his portrayal of ill-fated executive Thomas E. Burnett Jr., a victim of the September 11th terrorist attacks, in Paul Greengrass' feature United 93 (2006), then joined William Shatner, Candice Bergen, and James Spader of David E. Kelley's offbeat seriocomedy Boston Legal in a recurring capacity during the show's second season; on the program, Clemenson played Jerry "Hands" Espenson, a troubled lawyer plagued by Asperger's Syndrome. He went on to win Best Guest Actor in a Drama Series in 2006 for that role, and continued to appear on the show, later attaining regular status and staying with the series until it folded in 2009. Clemenson would continue to appear regularly on screen as the years went on, appearing on shows like CSI: Miami and Harry's Law.

Trivia: Supporting actor in Hollywood films, onscreen from the '50s.

Trivia: Alternately termed "smoldering" and "babelicious" by TV Guide, the 5'8" U.S. actress Kelly Rutherford -- who spent her adolescence as something of a sports nut instead of a très féminine prima donna -- ironically broke through to the public with a series of white-hot-sexy small-screen roles: barroom chanteuse Dixie Cousins on The Adventures of Brisco County, Jr.; onetime-prostitute Megan Lewis on Melrose Place; and sensuous bartender Judy Owen on the post-WWII drama Homefront. Born in Elizabethtown, KY, in the late '60s (and only two years old at the time of her parents' divorce), Rutherford spent years moving from town to town across the country, under the guardianship of her fashion-model mother, Ann Edwards, until she reached her teenage years. At that point, Rutherford, Edwards, and the family's oldest child, Anthony, settled in Newport Beach, CA. Rutherford made a beeline for New York City after graduating from high school in the late '80s, where she planned to enroll in a formal drama program; instead, she signed to do several commercials and appeared on the daytime soapers Loving (opposite Luke Perry) and Generations. Returning to the West Coast, Rutherford subsequently trained at the Beverly Hills Playhouse, where a drama coach reportedly advised her to "work on [her] sexuality" -- a suggestion that helped her immensely. Though Rutherford's feature debut was a bit part in the undistinguished James Glickenhaus-directed actioner Shakedown (1988) -- starring Sam Elliott and Peter Weller -- the 1994 romantic comedy-mystery I Love Trouble constituted both her first significant assignment and the type of material she most warmed to: contemporary throwbacks to golden-age Hollywood cinema. Following a string of banal telemovies between 1994 and 1997, Rutherford joined the cast of the slasher movie sequel Scream 3 (2000) and the political drama Chaos Factor (2000), directed by Terry Cunningham. She received second billing (her highest, up through that time) in the direct-to-video police detective thriller Angels Don't Sleep Here (2001), opposite Roy Scheider and Robert Patrick.It was on television, though, that Rutherford continued to find greatest success. Beginning in the early 2000s, the actress garnered prominant roles a series of programs, starting with a recurring role as Deputy Mayor Melinda Lockhart on The District. She next played Special Agent Frankie Ellroy Kilmer on the counterterrorism thriller Threat Matrix, followed by a role as Samantha "Sonny" Liston on the similarly themed political drama E-Ring. Despite Rutherford's impressive ability to make it into the casts of highly-touted prime-time series, those programs also tended to be disappointingly short-lived. That all changed in 2007, when she was cast as Lily van der Woodsen, mother of the troubled Serena (Blake Lively), on Gossip Girl, a teen-oriented prime-time soap on the fledgling CW network. Taking a cue from previous rich-kid drama The O.C., Gossip Girl devoted a portion of its storyline to the main characters' parents, and Lily had no shortage of drama and relationship issues.

Trivia: Manchester native David Warner supported himself as a book salesman while studying at the Royal Academy of Dramatic Arts. Warner made his stage bow at the Royal Court Theater in 1962, the same year that he first appeared on television. In 1965, Warner became the youngest-ever member of the Royal Shakespeare Company to tackle the role of Hamlet. In films from 1963 (he played Master Blifil in Tom Jones), Warner achieved international fame for his star turn as the certifiably insane protagonist of Morgan! (1966). His appearance as the village idiot in Straw Dogs (1971) went uncredited due to an injury that rendered him uninsurable on the set; but this was the only time that Warner's contribution to a film would ever go unofficially unheralded. Seldom settling for a normal, sedate characterization, Warner has been seen as Jack the Ripper in Time After Time (1981), the Evil Genius in Time Bandits (1983), Dr. Alfred Necessiter (who had some interior decorator!) in The Man With Two Brains (1984), and genially eccentric Professor Jordan Perry (a good guy, for a change) in Teenage Mutant Ninja Turtles 2 (1992). He has also played two different roles in two consecutive Star Trek films. On television, David Warner has played Heydrich in Holocaust (1978), Pomponius Falco (a performance that won him an Emmy) in Masada (1981), and Bob Cratchit (what-not Scrooge?) in the 1984 adaptation of A Christmas Carol.

Trivia: Began studying ballet at age 6; and left home at age 15 to become a ballerina with the San Francisco Ballet. Among her highlights: performing at the Metropolitan Opera House in New York, Left ballet after three years to pursue acting; and supported herself as a bartender while taking acting classes. Is a trained stunt driver; and is also proficient with firearms. Served as Julia Roberts' body double in the opening scenes of the 1990 movie Pretty Woman. Supports an array of charities, including the National Hospice Palliative Care Organization; My Good Friend; The Michael J. Fox Foundation for Parkinson's Research; and Project Angel Food.