Trivia: A self-described B-movie actor, Bruce Campbell can claim to have scaled the casualty-littered mountain of cult movie stardom. First attaining more notoriety than fame for his performance in Sam Raimi's The Evil Dead (1983), which he also executive produced, Campbell went on to star in that movie's two sequels and a number of other schlock-tastic films. He has also occasionally ventured into more reputable territory, thanks to such films as the Coen brothers' The Hudsucker Proxy (1994).Hailing from Royal Oak, MI, where he was born June 22, 1958, Campbell attended Western Michigan University. When he was only 21, he and two of his Detroit friends, Sam Raimi and Rob Tapert, scraped together 350,000 dollars to make a low-budget horror film. The result, completed piecemeal over four years, was The Evil Dead, an exuberantly awful piece of filmmaking that featured Campbell as its demon-battling hero. The film first earned notoriety in England, and after being personally endorsed by author Stephen King when it was screened at Cannes, it was eventually released in the U.S. in 1983.The Evil Dead II: Dead By Dawn followed in 1987, and the third installment in the series, Army of Darkness, was released in 1992. Both were enthusiastically embraced by fans of the series and less so by critics, but one thing that impressed both groups was Campbell's work in both films, thanks in part to his uncanny ability to make it through an entire performance without blinking once.In addition to the Evil Dead films, Campbell has acted in a number of other low-budget films, and, in the case of the Coens' The Hudsucker Proxy and a blink-and-you-miss-it cameo in Fargo (1996), a handful of fairly respectable projects as well. He has also acted frequently on television, most notably in the weekly Western The Adventures of Brisco County, Jr. and Jack of all Trades. In 2001 Campbell made his literary debut with If Chins Could Kill: Confessions of a B-Movie Actor. A humorously detailed account of his rise to B-movie stardom, If Chins Could Kill detailed, among other things, Campbell's uniquely diverse fanbase as well as his relationship with longtime friend and frequent collaborator Sam Raimi. When fans embraced the freewheeling semi-autobiography with more zeal than even Campbell himself may have anticipated, a succesful speaking tour was soon followed by a sophomore novel, the satirical Make Love the Bruce Campbell Way. A highly fictionalized look at what it may be like for Campbell to land a substantial role in a high-profile Hollywood production, Make Love the Bruce Campbell way found the sarcastic B-movie idol hobnobbing with co-star Richard Gere and offering directorial advice to veteran director Mike Nichols. Yet Campbell was hardly one to forget where his bread was truly buttered, and following his brief literary detour, it was time to head back to the big screen for a pair of memorable cameos in pal Raimi's Spider-Man and Spider-Man 2, the longtime actor and emerging producer was finally ready to make his feature directorial debut with the outlandish sci-fi comedy The Man with the Screaming Brain. Despite helming the occasional Xena and Hewrcules episode, Campbell had yet to tackle feature films and when the opportunity arose to direct a script that he himself had written, everything just seemed to fall into place. Though the critics weren't so kind, fans were more than willing to indulge as their favorite film and television star finally got a chance to shine on his own. After voicing his most famous character in a pair of Evil Dead videogames, it was finally time for Campbell to return to the role of Ash on the big screen - albiet in a decidedly meta-manner - when he stepped into the role of an actor named Bruce Campbell who is mistaken for the demon-slayer that he played in the movies and forced to to battle with the legions of hell in the 2006 horror comedy They Call Me Bruce; a film that also afforded Campbell his sophomore feature directorial credit. That same year, Campbell would also team with May director Lucky McKee for the chilling horror film The Woods. Campbell found television success in the role of a good natured ex-Navy Seal on Burn Notice beginning in 2007, and lent his voice to animated features including Cloudy with a Chance of Meatballs and Cars 2. Campbell reunited with Raimi for Oz the Great and Powerful (2013), and helped produce the 2013 revamp of The Evil Dead.

Trivia: A native of rural Humboldt, IA, character actor Christian Clemenson left his home state when a scholarship that he netted as part of his paperboy route afforded him the opportunity to attend the prestigious Phillips Academy preparatory school in Andover, MA. That experience imparted Clemenson with a deep-seated love of theatrics, and he spent his Iowan summers during college acting in local stage productions. The upstart subsequently attended Harvard as an undergraduate and Yale Drama School as a grad student, then moved to Los Angeles in the mid-'80s, where he accepted a long series of bit parts and supporting roles in A-list features, typically cast as nebbishy professional types. Early films in which Clemenson appeared included Heartburn (1986), Legal Eagles (1986), Hannah and Her Sisters (1986), and Broadcast News (1987).Beginning in the late '90s, Clemenson began placing a stronger emphasis on television work, with guest roles in series including Ally McBeal, Buffy the Vampire Slayer, The West Wing, and NYPD Blue. He received critical kudos for his portrayal of ill-fated executive Thomas E. Burnett Jr., a victim of the September 11th terrorist attacks, in Paul Greengrass' feature United 93 (2006), then joined William Shatner, Candice Bergen, and James Spader of David E. Kelley's offbeat seriocomedy Boston Legal in a recurring capacity during the show's second season; on the program, Clemenson played Jerry "Hands" Espenson, a troubled lawyer plagued by Asperger's Syndrome. He went on to win Best Guest Actor in a Drama Series in 2006 for that role, and continued to appear on the show, later attaining regular status and staying with the series until it folded in 2009. Clemenson would continue to appear regularly on screen as the years went on, appearing on shows like CSI: Miami and Harry's Law.

Trivia: American actor John Astin was the son of Dr. Allen V. Astin, director of the National Bureau of Standards. Evidently inheriting his intellectual bent from his father, Astin was a voracious reader and mathematician, at one point in his high school career mastering an entire semester's worth of study in one evening (that's his story, anyway). A part in the senior play at Johns Hopkins University (where he was majoring in math) cemented his desire to act, and in 1952 Astin did graduate work in dramatics at the University of Minnesota, where he appeared in 40 plays in and around the campus, played the violin, and gambled incessantly (and badly). With $100 in his pocket, Astin headed to New York, where he did janitorial work in theatres until securing a role in the off-Broadway Threepenny Opera for a princely $15 per week. Better money came Astin's way when he started doing voice-over work for animated commercials; in 1961 he extended his acting skills to films in a small but memorable part as a smarmy social worker in the Oscar-winning West Side Story. In 1962, Astin was teamed with Marty Ingels on the blue-collar sitcom I'm Dickens, He's Fenster, which despite a loyal following failed to garner ratings. The show did, however, establish Astin as a reliable laugh-getter, leading to a more successful run as Gomez Addams, the macabre but passionate paterfamilias on The Addams Family. This series ran from 1964 to 1966, after which Astin spent a great deal of time touring the country in theatrical productions - often living out of a van, a lifestyle he seemed to thrive upon. Joining Astin during his barnstorming days was his second wife, actress Patty Duke, who called herself Patty Duke Astin for the duration (Astin and Duke raised a son, Sean Astin, who grew up to become a popular film actor in his own right). The marriage ultimately dissolved due in part to Astin's bohemian point of view, though while the union lasted both Astin and Duke were tireless workaholics who were rarely without acting gigs. His many credits during this time period include 1974's Skyway to Death, and playing the dad in the original version of Freaky Friday. He directed and appeared in the TV movie Operation Petticoat. In the 1980's he landed recurring roles on both Murder, She Wrote and the sitcom Night Court. His marriage to Patti Duke ended in 1985, but Astin maintained a busy schedule appearing as a game-show host in National Lampoon's European Vacation, Teen Wolf Two, and Return of the Killer Tomatoes! As the 90s got under way he made two more Killer Tomatoes movies, appeared on the TV shows Mad About You and The Adventures of Brisco County Jr., and earned favorable reviews for his appearance in The Frighteners.

Trivia: Became a member of The American Conservatory Theatre when he was 16.Was a member of the Sigma Nu while at University of Southern California.Studied acting with legendary acting teacher Peggy Feury at the Loft Studio, alongside Sean Penn, Forest Whitaker, Meg Ryan, Michelle Pfeiffer and Nicolas Cage.First acting credit was on the 1983 episode "But It's Not My Fault" of ABC Afterschool Specials.Frequently does writing projects with his writing partner and wife Marcia Blake, for screenwriter Robert Towne, Tom Cruise's production companies, HBO, among others.

Trivia: A longtime character actor who uniquely parlayed his job as a newspaper delivery man into a successful acting career, Dennis Fimple never failed to end his daily route by dropping a free newspaper and headshot at the office of General Services Studios' casting director. The gamble paid off, and the casting director eventually offered young Fimple a series of small roles in Petticoat Junction. Born to an electrician and beautician in Ventura, CA, and raised in nearby Taft, the aspiring young actor decided to pursue a career on stage and screen after portraying Tom Sawyer in a junior high school play. Enchanted with his ability to goof off on-stage without getting into trouble, Fimple would eventually earn a scholarship to San Jose State and major in speech and drama in addition to earning his teaching credential. Residing in the San Francisco Bay area and working in a Cheetos factory by day, the nighttime found the tireless Fimple appearing in dinner theaters. Realizing that in order to make it, a relocation was in order, Fimple packed his bags for Hollywood with initially discouraging results. A teacher by day and newspaper delivery man by night, Fimple would follow appearances in Petticoat Junction with roles in such popular small-screen series as Gomer Pyle, U.S.M.C. and Here Come the Brides. Roles in such features as Cactus in the Snow (1970) and Truck Stop Women (1974) followed shortly thereafter, and appearances in the following year's The Apple Dumpling Gang and the remake of King Kong (1976) found the rugged-looking actor's face gaining increasing exposure. Often cast as rough-and-tumble rural folk, Fimple remained a staple of television and film well into the new millennium. Following his final appearance in horror-rocker Rob Zombie's throwback fright-fest House of 1000 Corpses, Fimple died of natural causes at his Frazier Park, CA, home. He was 61.