Trivia: David Carradine was born John Arthur Carradine, eldest son of John Carradine, the beloved and very busy character actor, whose roles encompassed everything from John Steinbeck's Reverend Casey to Bram Stoker's Dracula. David Carradine's early adult life was one of exploration -- though born in Hollywood, he tried on a lot of sides of living before he finally turned to acting as a profession. He worked with various community and semi-professional dramatic companies in San Francisco; hitchhiked his way to New York; did Shakespeare in Akron, OH, and parts of New Jersey; and all of the other things that aspiring would-be actors are supposed to do. He got a few early screen credits in television productions such as Armstrong Circle Theater ("Secret Document"), and in various series produced by Universal Pictures' ReVue television division, including episodes of The Virginian, Wagon Train, and Arrest & Trial, plus The Alfred Hitchcock Hour. He also made his big-screen debut thanks to Universal with a small role in the R.G. Springsteen-directed western Taggart (1964). His real professional breakthrough came a year later on the Broadway stage, however, in Peter Shaffer's The Royal Hunt of the Sun, in a cast headed by Christopher Plummer. He enjoyed an extended run in the Broadway production, which was accompanied by the first round of publicity for Carradine, even then focusing on his unpredictable, iconoclastic nature. He was lured back to Hollywood by the chance to star in the series Shane, based on the George Stevens movie and the Jack Schaefer novel. He was able to put his own stamp on the role, quite different from the portrayal that Alan Ladd had delivered in the film; but the viewing public had been swamped by westerns for a decade, and the series never had a chance to find an audience, lasting only 16 episodes. From 1967 until 1972, he was occasionally seen in one-off roles in dramatic series such as Coronet Blue and The Name of the Game, and was in a remake of Johnny Belinda with Mia Farrow and Ian Bannen, but was most often seen in westerns, including The Violent Ones (1967) and The McMasters (1969) (playing a Native American in the latter). In 1972 he was approached about the possibility of starring in a proposed series that was easily the most offbeat western ever considered by a network up to that time: Kung Fu. The public had long since lost interest in traditional westerns, but here was a story that combined a quest with a tale of pursuit and necessarily included philosophical conflict never before addressed in series television. The role appealed to Carradine, and he got the part of Kwai Chang Caine, the Chinese-American hero, despite knowing nothing of martial arts. Drawing on his ability as a dancer at his meeting with the producers, he was able to prove with one well-placed kick at a point above his head that he could pull it off. The series ran for three seasons, during which time Carradine put an increasing amount of himself into the portrayal. And the public responded, especially viewers under 40, who resonated to the character and the man behind it. Kung Fu became one of those odd cult shows, the fans of which were devoted beyond the usual casual weekly viewing. Carradine saw to it, however, even during the run of the series, that he kept busy on other projects, including the Martin Scorsese-directed Boxcar Bertha (1972), starring his paramour Barbara Hershey, and small roles in the Robert Altman revisionist detective film The Long Goodbye (1973) and Scorsese's Mean Streets (1973).Kung Fu made Carradine a star, but he eventually left the series, owing to disagreements with the producers. His withdrawal from the series could have damaged his career, but Carradine was fortunate enough to latch on to a script that Roger Corman was planning to produce -- a new kind of action movie, Death Race 2000 (1975), became a huge underground hit and proved that Carradine had some measure of big-screen appeal. He followed this up with Cannonball (1976) and other action pictures done for Corman. In the midst of those movies, he found the opportunity to star for the first time in a major, big-budget Hollywood feature, Bound for Glory (1976), portraying legendary folk singer/songwriter Woody Guthrie. Carradine put a lot of his own experience in music into the portrayal, and the movie was a critical success, though a box office disappointment. Good roles kept coming his way, however, not only through Corman but also from an unexpected quarter, Ingmar Bergman, who cast Carradine, in memorable turn, as a Jewish trapeze artist in The Serpent's Egg (1977), co-starring Liv Ullmann. Even some of the most routine movies in which he appeared during this period were often worth seeing solely for Carradine's performances, never more so than his work as Captain Gates in the submarine rescue drama Gray Lady Down (1978). Carradine made his directorial debut on a handful of episodes of Kung Fu. Upon leaving the series, he directed his first feature film, the drama You and Me (1975). The latter film co-starred Barbara Hershey and his brothers Keith Carradine and Robert Carradine were in the cast. His career across the next few decades involved a mix of major feature films, such as The Long Riders (1980), and offbeat smaller scale pictures such as Q (1982), interspersed with more personal projects such as Americana (1981), for which he served as screenwriter, director, and producer, as well as starring as a taciturn Vietnam veteran who heals himself and a troubled Midwestern town by refurbishing an old carousel. During the 1990s, he also returned to the role of Kwai Chang Caine in the series Kung Fu: The Legend Continues. Among the best elements of the series were Carradine's interactions with his co-star, Robert Lansing (another Hollywood iconoclast), especially in the late episodes, when the latter actor was terminally ill. Even when he was doing action features such as Lone Wolf McQuade (1983) -- in which he played the antagonist to real-life martial arts expert Chuck Norris' hero -- Carradine maintained a reputation for quality in the nature of his own work, which served him in good stead in the years to come. Longtime fans, appreciative of his work since his days on Kung Fu, could always depend on him to deliver a worthwhile performance, even if the vehicles in which he worked were less than stellar, as was often the case -- outside of Kung Fu: The Legend Continues -- in the 1990s. The stars finally lined up in his favor again in 2003, when Carradine appeared in Quentin Tarantino's Kill Bill Vol. 1 with Uma Thurman, which led to his much-expanded part in the follow-up movie. Since those films, he has been busier than at any time in his career, with dozens of screen credits in the years that followed.Carradine has written two books, Spirit of Shaolin and the autobiography Endless Highway, and has made a pair of popular instructional videos, David Carradine: T'ai Chi Workout and David Carradine: Kung Fu Workout. When not working, the actor enjoys painting, sculpting, and performing music. He also wrote several songs for the 2003 film American Reel, in which he starred as struggling singer/songwriter James Lee Springer. Carradine has three children, one each from his first two marriages, to Donna Lee Brecht (1960-1968) and Linda Gilbert (1977-1983), and one with Barbara Hershey, with whom he lived from 1972 to 1975. In 2009, he was found dead, hanged in a Bangkok hotel. He was 72 years old.

Trivia: Born in Vancouver, British Columbia, in 1931, Robert Ito has spent his film career as a character actor, often in the science fiction genre. He enjoyed success on the long-running television series Quincy, and his voice has been used in many animated films, such as Batman and Superman.Robert Ito's first performances were on the stage as a dancer in the National Ballet of Canada. After a decade with the company, Ito moved to New York in the 1960s, to dance on Broadway in The Flower Drum Song.Ito moved to Hollywood and began his film career in 1966 with some forgettable science fiction vehicles, such as Women of the Prehistoric Planet and Dimension 5. The B-movie genre often turned to Ito when it wanted an actor to portray someone of his Japanese heritage. Over the years, he played many such roles, the most outstanding of which was his performance as Professor Hikita, the kidnapped scientist in the 1984 cult classic The Adventures of Buckaroo Banzai Across the 8th Dimension.Ito fared well in television, in which he was given roles that showcased his talents in made-for-television movies and series. He appeared in some memorable dramas, such as Helter Skelter (1976), American Geisha (1986), and The War Between Us (1996). The latter film starred Ito as a Canadian World War I veteran and patriarch of a family of Japanese descent, forced to leave his home in Vancouver during the dark days of Japanese resettlement following Pearl Harbor.Ito also gained distinction for his role as Fong in the Kung Fu series, as well as on popular show Quincy. He made cameo appearances in many other television shows including Magnum, P.I. and Star Trek, which featured him in a 2001 production.

Trivia: Upon earning his BA degree from the University of Chicago, Fritz Weaver began his formal acting training at the H-B studios. Paying his dues with such regional stock companies as Virginia's Barter Theatre and Massachussett's Group 20 Players, Weaver made his first off-Broadway appearance in a 1954 production of The Way of the World. His inaugural Broadway effort was 1955's The Chalk Circle. Weaver went on to appear in such classic stage roles as Hamlet and Peer Gynt, and also amassed a remarkable list of film credits, including two Twilight Zone appearances. In 1964, he made his film debut as the unstable Colonel Caserio in the doomsday thriller Fail Safe. The following year, he starred on Broadway in Baker Street, a musicalization of Conan Doyle's Sherlock Holmes stories. In 1970, he won the Tony award for his work as Jerome Malley in Child's Play. Most often cast as aristocratic villains in films (his resemblance to William F. Buckley has not gone unnoticed by producers), Fritz Weaver made his biggest international impact in the sympathetic role of Josef Weiss in the TV miniseries Holocaust (1978). Weaver worked mostly in television for the rest of his career (save for a supporting role in 1999's The Thomas Crown Affair), with guest spots in shows like The Love Boat, Murder, She Wrote, The X-Files, Frasier and Law & Order. Weaver died in 2016, at age 90.

Trivia: A rugged, craggy-faced, bushy-browed lead actor and character player, he began his stage career in 1937, which was interrupted by service in World War Two. He debuted onscreen in Winged Victory (1944), but did not begin regularly appearing in films until 1949; he was usually cast as grim, determined, humorless men in action features. From 1950-60 he was married to actress Bette Davis, with whom he appeared in three films. His many TV credits include a role in the series Young Dr. Kildare. He was politically active in liberal causes, and played a part in rejuvenating Maine's Democratic party; he also helped elect Edmund Muskie to governor of that state in 1953. In 1965 he took part in the Selma-Montgomery civil rights march. At odds with President Johnson's Vietnam policy, he switched parties and in 1968 tried unsuccessfully to win a Republican nomination to the Maine legislature as an anti-war, pro-environmentalist primary candidate. He authored an autobiography, Bette, Rita and the Rest of My Life (1989); "Rita" refers to actress Rita Hayworth, with whom he'd had a romantic affair.

Trivia: A veteran actor whose longtime association with the Screen Actor's Guild found him the recipient of the prolific Ralph Morgan Award for Distinguished Service to the Hollywood Branch of SAG, Ron Soble's decade-long association with the guild followed years as a popular actor in television and film as well as a notable athletic career. A native of Chicago, Soble took to sports early in life, becoming a Golden Gloves champion in 1944 before moving on to play football with the University of Michigan. His early acting career marked by numerous Western appearances, Soble made his film debut in 1959's Al Capone before appearing onscreen in such beloved John Wayne oaters as True Grit (1969) and Chisum (1970). On the small screen, Soble continued his career as a cowboy with frequent appearances on Rawhide, The Virginian, and The Monroes (the actor would also parlay his spurs into science fiction territory with an appearance as Wyatt Earp in an episode of the original Star Trek series). Moving into a more modern era (at least at the time) with appearances in Charlie's Angels, ChiPs, and Knight Rider, Soble's later roles in such features as Pterodactyl Woman From Beverly Hills (1994) and Deuce Bigalo: Male Gigalo (1999) were a healthy indicator that after years in the business Soble had not lost his sense of humor. Following an extended battle with both lung and brain cancer, Ron Soble died in Los Angeles on May 2, 2002. He was 74.