Trivia: Over the course of his extraordinary life, Audie Murphy went from being a poor Texas sharecropper's son to America's most decorated WWII hero to a popular Western and action movie star. Though he died in 1971, his accomplishments are still commemorated in a variety of ways that range from his native Hunt County's annual Audie Murphy Day celebration to his induction into the National Cowboy Hall of Fame and the Country Music Association of Texas. His name also appears on a VA hospital, a library room, a stretch of U.S. Highway 69 in Texas, and a San Antonio division of the Army. Murphy was born to a family of cotton growers near Kingston, TX. Boyish-looking and slender, he appeared an unlikely war hero, but while stationed in Europe with his infantry unit, Murphy was credited with killing 240 Germans, was promoted to lieutenant, and earned at least 24 medals, including a Purple Heart for a gunshot wound that shattered his hip and the coveted Congressional Medal of Honor. Following the war, Murphy worked as a clerk and a garage attendant before James Cagney invited him to his Hollywood home. Murphy stayed for 18 months and made his screen debut in Beyond Glory (1948), playing a guilt-ridden soldier. He had his first starring role in Bad Boy (1949) and was praised for his naturalistic acting style. Some critics chided him for only playing himself, but Murphy never claimed any acting ability. For audiences impressed with his war record and charmed by his charisma, Murphy playing himself was enough to sustain his busy film career for two decades. By the early '50s, Murphy was appearing in second-string Westerns. In 1953, distinguished director John Huston, whom Murphy regarded as a friend and mentor, starred him as the young soldier in his adaptation of Stephen Crane's The Red Badge of Courage (1953). He would again work with Huston in 1960s' The Unforgiven. In 1955, Murphy appeared in his signature film, To Hell and Back, a chronicle of his war experiences based on his published autobiography. This film's box-office success allowed Murphy to appear in larger-budget films through the early '60s when he once again returned to B-movies. All told, during his heyday, Murphy worked with some of the era's most prominent stars including Jimmy Stewart, Broderick Crawford, and Audrey Hepburn. But while Murphy's professional life flourished, he had to grapple with some tough situations in his personal life. In the late '60s, an Algerian oil field he'd purchased was blown up during the Seven Day War. Murphy lost around 250,000 dollars. In 1970, he was tried and acquitted for beating up and threatening to kill a man during a heated fight, the precise circumstances of which remain muddled. Despite this courtroom victory, rumors circulated that Murphy was suffering personal problems resulting from his war experiences. Murphy was once briefly married to actress Wanda Hendrix with whom he had appeared in Sierra (1950). In 1951, Murphy married Pamela Archer and they remained happily wed until he accidentally crashed his plane into a Virginia mountainside on Memorial Day 1971. Murphy was given a full military burial and was interred in Arlington Cemetery.

Trivia: Linda Lawson was a singer/actress who enjoyed a busy career from the end of the 1950s until the start of the 1970s. Born in Ann Arbor, MI, in 1936, she was three when her family moved to Fontana, CA, and she began singing while still a child. By the end of her teen years, she'd turned professional and had even managed to land an engagement at the Sands Hotel in Las Vegas. Her singing and her memorably dark, voluptuous good looks, coupled with some natural acting ability, led to Lawson getting roles on such series as 77 Sunset Strip, Maverick, Alfred Hitchcock Presents, One Step Beyond, M Squad, The Rifleman, and Sea Hunt in her early twenties, and she made the jump to feature films in 1960 with a role in the thriller The Threat. She also found time to record an excellent jazz-pop album during this period, but eventually acting supplanted singing as the focus of her career. Lawson's best screen role was in her second film, as the doomed, tormented Mora in Curtis Harrington's hauntingly beautiful Night Tide (1961). She remained busy throughout the 1960s, including a regular role on Adventures in Paradise for one season, and on series such as The Virginian, interspersed with occasional feature-film work, and she married producer John Foreman (1925-1992), who subsequently became business partners with actor Paul Newman. Lawson's last major screen role was in Newman's Sometimes a Great Notion (1971). She wasn't seen on the screen for several decades after that, but her daughters, Julie Foreman and Amanda Foreman, entered the movie business during the start of the 21st century; Lawson was seen again onscreen in the made-for-television feature Another Woman's Husband (2000) and in a 2005 episode of ER.

Trivia: Actor Michael Dante was first seen in a secondary role in Somebody Up There Likes Me (1956). A bit too "threatening" for romantic leads, Dante was more effectively cast in antagonistic roles, notably Chief Crazy Horse in the 1967 TV series Custer and the 1990 theatrical feature Crazy Horse and Custer: The Untold Story. Even when ostensibly cast as a good guy in Samuel Fuller's The Naked Kiss (1965), he turned out to be a heel in the film's final scenes. Star Trek devotees will recall Michael Dante as Maab in the 1967 episode "Friday's Child."

Trivia: What do actors Gig Young, Anne Shirley, and L.Q. Jones have in common? All of them lifted their show-biz names from characters they'd portrayed on screen. In 1955, University of Texas alumnus Justice McQueen made his film debut in Battle Cry, playing a laconic lieutenant named L.Q. Jones. McQueen liked his character so much that he remained L.Q. Jones offscreen ever after (though he never made it legal, still listing himself as Justice Ellis McQueen in the 1995 edition of Who's Who). A natural for westerns both vocally and physically, Jones played supporting roles in several big-screen oaters, and was seen on TV as Smitty on Cheyenne (1955-58) and as Belden on The Virginian (1964-67). Jones gained a measure of prominence in the films of Sam Peckinpah, notably Ride the High Country (1961) and The Wild Bunch (1969). Turning to the production side of the business in the early 1970s, L. Q. Jones produced and co-starred in the 1971 film Brotherhood of Satan; he also co-produced, directed, adapted and played a cameo (as a porn-movie actor!) in the fascinating 1975 cinemazation of Harlan Ellison's A Boy and His Dog, a tour de force that won Jones a Hugo Award from America's science fiction writers.

Trivia: Character actor, onscreen from the '50s; he often played military men, sheriffs, or policemen.

Trivia: Character actor Joseph Vitale had a busy career in feature films and on 1950s and 1960s television in shows such as Superman, The Lone Ranger, Wagon Train, and Rawhide.

Trivia: The background of Irish-born comic actor J. Pat O'Malley has frequently been misreported in source books because his credits have been confused with those of silent film star Pat O'Malley. J. Pat started out in the British musical halls, then came to the U.S. at the outbreak of WWII. Achieving radio fame for his versatile voicework, O'Malley carried over this talent into the world of animated cartoons, providing a multitude of vocal characterizations in such Disney cartoon features as Alice in Wonderland (1951) and 101 Dalmatians (1961), among others. The portly, leprechaunish O'Malley essayed on-camera character parts in films like Witness for the Prosecution (1957) and Mary Poppins (1965). He was a near-habitual TV guest star, with appearances in several fondly remembered Twilight Zone episodes; he also worked extensively on Broadway. J. Pat O'Malley had regular roles on the TV sitcoms Wendy and Me (1964) and A Touch of Grace (1973).

Trivia: Rotund, moon-faced character actor Charles Watts made a mini-career out of portraying glad-handing politicians, voluble businessmen and salesmen, crafty bankers, and cheerful or cynical parents, uncles, family friends, and other supporting players. He never had a starring role, or even a co-starring role, in a motion picture, but his physical presence and voice made for some memorable moments. Born in Clarksville, TN, in 1912, Watts was a high-school teacher -- handling both business law and drama -- for a time during his mid-twenties, working in Chattanooga. He worked in local theater and tent shows early in his career, and after World War II was also in demand for industrial shows. Watts didn't start doing movie or television appearances until 1950, and in that first year he played small, uncredited roles in such serious dramas as The Killer That Stalked New York (1950), as a mailman, and Storm Warning (1951), as a lunch-counter proprietor -- and somewhat larger parts, as a sheriff, in three episodes of The Lone Ranger. Over the next 16 years, he was seen in nearly 100 movies and television shows. His most prominent big-screen role was that of Judge (and later United States Senator) Oliver Whiteside in George Stevens' Giant (1956), where his rich, melodious voice and cheerful demeanor were put to extensive use. Watts was also an uncredited man in the crowd in Stuart Heisler's I Died a Thousand Times, a police sergeant in Philip Dunne's The View From Pompey's Head (both 1955), and Mr. Schultz, the salesman from the suspender company, in Billy Wilder's The Spirit of St. Louis (1957). Watts even found his way into two big-scale musicals -- Million Dollar Mermaid (1952) and Jumbo (1962) -- a decade apart. When he had a role with dialogue of any length, he was often used -- or so it seemed -- for his tendency to speechify, and to make even ordinary words stand out in relief. As active on television as he was in movies, Watts was familiar to several generations of young viewers for his role as Bill Green, the skeptical anti-superstition league leader in the Adventures of Superman episode "The Lucky Cat" (1955). He also played a small but key role in the Father Knows Best episode "24 Hours in Tyrantland," done on behalf of the Treasury Department to sell U.S. Savings Bonds, as the Andersons' skeptical neighbor, whose brief, cynical talk to son Bud finally pushes Jim Anderson (Robert Young) to straighten his kids out about the importance of savings bonds. Watts remained busy into the mid-'60s, and died of cancer in 1966.

Trivia: American singer and character actor Howard Wright was best known for starring in stage musicals following WWI. Much later, he began performing on radio, television, and in movies of the '50s and '60s.

Trivia: A tall (reportedly 6'4") stuntman from Texas, Fred Carson played scores of bit parts in both films and television while doubling the likes of Rod Cameron, Victor Mature, and Marlon Brando in The Wild One (1954). He later functioned as stunt coordinator on such films as The Big Circus (1959), More Dead Than Alive (1969), and the made-for-television movie Tarantula: The Deadly Cargo (1977).

Trivia: Brought to Hollywood on the strength of a talent contest, Ralph Bowman didn't change his name to John Archer until after appearing in a handful of films produced between 1938 and 1940. While he was generally tucked amongst the supporting players in such big-budgeters as Guadalcanal Diary (1943) and White Heat (1949), Archer could count on star billing and plenty of screen time in such "B"s as King of the Zombies (1941) and Bowery at Midnight (1942). In the mid-1940s, Archer starred on the weekly radio melodrama The Shadow. At one time married to actress Marjorie Lord, John Archer is the father of 1990s leading lady Anne Archer.