Trivia: Texas born-and-bred musical legend Willie Nelson cracked into showbiz as a disc jockey in Fort Worth. He went on to join the Ray Price band, writing tunes for Price as well as a slew of other artists (Nelson's the man who penned Patsy Cline's signature tune "Crazy"). Fronting his own group, The Outlaws, Nelson played the tanktown and honky-tonk circuit before scoring with his 1975 hit "Blue Eyes Cryin' in the Rain." In 1979, he made a laudable film debut as Robert Redford's sidekick in The Electric Horseman; one year later, he starred in the C&W "Intermezzo" clone Honeysuckle Rose (1980), for which he also wrote the score, including the chartbuster "On the Road Again." Nelson's acting resumé includes several made-for-TV westerns, among them 1990's A Pair of Aces and its 1992 sequel, and a 1987 remake of Stagecoach; he also appeared as "himself"--and a very weather-beaten self it was--in a 1995 TV-movie biopic of country star Dottie West. Nelson has been awarded five Grammy Awards, and in the early 1980s he organized the annual Farm Aid Benefit, which earned him a Special Humanitarian Award.

Trivia: Although American leading man Gary Busey has made distinguished appearances in many films, he has yet to attain the consistent popularity that would make him a major star. Born in Texas, Busey first few years were spent on an Oklahoma ranch where he learned to be a bull rider. He attended three different colleges before finally graduating in 1963, the year he became a professional drummer with the rock group The Rubber Band. Later, he billed himself as Teddy Jack Eddy and played percussion for Leon Russell, Kris Kristofferson, and Willie Nelson. In 1970, Busey made his acting debut in an episode of the TV western High Chaparel. This led to his feature film debut as a biker in Angels Hard as They Come the following year. After that Busey went on to play supporting roles (typically cast as renegades, daredevils, or good ol' boys with dubious morals) until 1978 when he made a major splash playing the lanky lead in The Buddy Holly Story, for which he did all the guitar and vocal work. His impersonation of Holly was remarkable and won him considerable acclaim and an Oscar nomination for Best Actor. Busey then went on to play leads in many films of varying quality during the early to mid-1980s. In the late '80s he returned to supporting roles and co-leads. In 1988, Busey almost died in a motorcycle accident and his near death resulted in enactment of tougher helmet laws in California.

Trivia: Born Luis Antonio Damaso De Alonso, this Mexican-born Latin lover appeared in silent and sound films. He trained to be a bullfighter (his father's profession) but gave it up for acting after his family moved to the U.S. At age 13 he debuted onscreen as an extra; he made his screen acting debut seven years later in The Plastic Age (1925). In the mid '20s he frequently played dashing romantic leading men, notably in Camille (1927) opposite Norma Talmadge. In the sound era he played leads and then later character and supporting roles in many films; he continued working until the late '70s. He was married to actress Constance Bennett.

Trivia: A supporting actor, Danny DeLa Paz has appeared onscreen since the '80s.

Trivia: Actor George Voskovec made his first stage appearance in his native Czechoslovakia, where he also made his first film, Powder and Gas (1930). Emigrating to America after Czechoslovakia fell to Hitler's armies, Voskovec quickly gained a Broadway reputation as an actor, playwright, and musical composer. Though he spoke with very little accent, Voskovec was frequently cast as foreigners, usually Teutonic or Slavic in nature. George Voskovec maintained a busy schedule to the end of his life, appearing in films (1980's Somewhere in Time was his last), plays, and a lot of television; in the latter medium, Voskovec was seen on a regular basis as Fritz the butler (his last role) on the 1981 TV series Nero Wolfe.

Trivia: Black character actor Harry Caesar appeared onscreen from the '70s.

Trivia: Howland Chamberlain was the quintessential character actor who turned his expertise at playing nervous, fidgety roles into an array of memorable portrayals in some of the most important movies of the late '40s and early '50s. At that time, just as he'd appeared in one of the most acclaimed movies of the decade, High Noon, his screen career came to a halt after he was called as a witness before the House Un-American Activities Committee, where he took the Fifth Amendment rather than testify. Chamberlain, whose name was sometimes spelled Chamberlin in film credits (and in his Variety obituary), was born in New York City and moved to California in the 1930s, where he went to work with the WPA's Federal Theater Project in Los Angeles and met his future wife Leona. According to a 1976 SoHo Weekly News article by Jennifer Merlin, they delayed their wedding as a matter of economic survival, as a married couple couldn't both have jobs with the WPA. In the late '30s, Chamberlain became a member of the Pasadena Playhouse, which was something of a minor league "farm team" for aspiring Hollywood actors. In the mid-'40s, Chamberlain began appearing onscreen in character roles, starting with The Best Years of Our Lives as Mr. Thorpe. His career over the next six years carried him into the casts of a surprising number of crime dramas and film noirs, among them Michael Gordon's The Web, Abraham Polonsky's Force of Evil, Fritz Lang's House by the River, and Hugo Haas' Pickup; these were broken up by work in the occasional comedy, such as A Song Is Born (in which he played a nervous lawyer). Chamberlain also did television work. One example which has endured as his best work was as a pair of identical twins involved in a radium smuggling scheme in the episode "Double Trouble" from The Adventures of Superman. His two most notable screen appearances were in Force of Evil and High Noon, as the vengeful hotel clerk who wishes harm to Marshal Kane. In 1956, after the House Un-American Activities Committee incident, Chamberlain and his family moved to New York, where he resumed his acting career on the stage. Chamberlain appeared in dozens of plays on tour (including A Raisin in the Sun), on Broadway and off-Broadway (in Children of Darkness and The Courageous One), and the Festival in the Park (including Julius Caesar and Anthony and Cleopatra). The Chamberlains later acted together in off-Broadway theater as well, including a production of Morton Lichter's Old Timer's Sexual Symphony (and other notes). He had appeared in small roles again on television as early as 1960, on programs like Bonanza, and by the mid-'70s he was acting regularly in Los Angeles, including productions at the Mark Taper Forum. It wasn't until the end of the 1970s, with Kramer vs. Kramer (in which he played Judge Atkins), 27 years after his last film appearance, that Chamberlain did any more movie work. He kept working in movies such as Fred Schepisi's Barbarosa and Steve Barron's Electric Dreams, until his death from heart and related problems in the late summer of 1984.

Trivia: Part of a burgeoning "second generation" of Hollywood actors, Jake Busey, the long-limbed son of Gary Busey, established himself as a reliable character actor in the 1990s. Though he made his film debut at age five in Straight Time (1978), Busey had no plans to become an actor until he took a drama class "on a whim" while attending Santa Barbara College. Busey spent three years auditioning before he finally broke through in the early '90s. Despite the slow start, Busey worked steadily throughout the decade, alternating between small roles in high profile studio movies, including I'll Do Anything (1994) and Twister (1996), and more substantial parts in smaller films, such as S.F.W. (1994) and Tail Lights Fade (1999). Busey starred a member of the gung ho young battalion in Paul Verhoeven's ironic, effects-laden science fiction adventure Starship Troopers (1997), but he was back to supporting duties in big movies when he and the more diminutive second generationer Scott Caan were paired as government assassins in Enemy of the State (1998). Happy to do more than dodge special effects, Busey played Luke Wilson's bully older brother in the romantic comedy Home Fries (1998) and co-starred with Jamie Foxx in the crime comedy Held Up (2000). Busey's foray into series TV as the laid-back Dennis on UPN's Shasta McNasty (1999) proved short-lived. Returning to movies after his unfortunate foray into series TV, Busey appeared in the weak Jamie Foxx comedy Held Up (2000). Busey then co-starred as a resolute bachelor moved to compete with Jerry O'Connell for Shannon Elizabeth's love in the tasteless comedy Tomcats (2001). Tomcats, however, mercifully failed at the box office. Busey's next comedy, the office farce The First $20 Million Is Always the Hardest (2002), suffered a similar fate. Busey finally added a success to his resume, though, with the creepy murder by numbers thriller Identity (2003). Featuring Busey as a snarling convict trapped in a motel with other Agatha Christie-esque little Indians John Cusack, Amanda Peet, Ray Liotta and Clea DuVall, Identity reveled in movie-literate scares and deftly survived the pre-summer blockbuster late spring box office lull.