Trivia: Having spent much of his youth on his father's Missouri cattle ranch, it is not surprising that supporting and leading actor of stage, screen, and television Chris Cooper has specialized in playing cowboys, ranchers, and other hardworking men. His rugged Everyman demeanor has best been put to use by filmmaker John Sayles, who cast him in a number of his films, beginning with 1987's Matewan.Cooper's interest in the theater began in his late teens, when he designed and constructed sets for a community group. Following high school, he studied agriculture and acting at the University of Missouri before moving to New York City in hopes of making it on the stage. It took awhile, but by 1980 he was starring in productions like Of the Fields Lately, The Ballad of Soapy Smith, and Cobb, in which he played the title role. His film debut came in 1980, in Nicholas Roeg's Bad Timing: A Sensual Obsession. He didn't get his big break until seven years later, when Sayles cast him as Joe Kenehan, a member of the coalminer's union who is sent to a tiny mountain town to organize the workers in Matewan (1987). He again worked with Sayles in City of Hope (1991) and then in Lone Star (1996), for which he won great acclaim playing the enigmatic Sam Deeds, the prodigal son of a tiny Texas town's sheriff who solves a mystery and comes to grips with his relationship with his late father. Subsequently, Cooper -- who had also made his mark on the small screen as cowboy July Johnson in Lonesome Dove (1989) -- appeared as a deputy in a A Time to Kill (1996), Robert Redford's younger brother in The Horse Whisperer (1998), and Ethan Hawke's brother-in-law in Great Expectations. In 1999, the actor again demonstrated his impressive range, first playing a coalminer in October Sky and then turning in a chilling performance as Kevin Spacey's unbalanced neighbor in American Beauty. If Cooper was somewhat lost in the shuffle of 2002's Interstate 60, his Oscar winning performance in that same years' Adaptation would find Cooper receiving lavish praise for his portrayal of a lively orchid hunter. Cast opposite Meryl Streep, Cooper's toothless performance was in turns hilarious, sad and poetic, providing the perfect showcase for his impressive range. In 2003, Cooper was nominated for Best Supporting Actor by the Screen Actors Guild for his turn as a soft-spoken horse trainer in Seabiscuit. Cooper worked steadily through the early 2000s, largely in a supporting capacity. He won no small amount of praise for his work in Syriana and Capote (both 2005), and showed demonstrated his range as an actor in 2007, when he co-starred in The Kingdom, Married Life, and Breach. Cooper lent his voice to Spike Jonze's remake of Maurice Sendak's classic children's novel Where the Wild Things Are, and joined Ben Affleck for a supporting role in The Town, a 2010 crime thriller based on author Chuck Hogan's novel Prince of Thieves. Cooper found more success, however, for his role in Amiga (2010) John Sayles' war drama, in which he played an American military colonel deeply prejudiced against Filipinos. The actor took on a decidedly less serious role as a dastardly villain extraordinaire in The Muppets (2011).

Trivia: Like so many others before him, Kris Kristofferson pursued Hollywood success after first finding fame in the pop music arena. Unlike the vast majority of his contemporaries, however, he could truly act as well as make music, delivering superb, natural performances in films for directors like Martin Scorsese, Sam Peckinpah, and John Sayles. Born June 22, 1936, in Brownsville, TX, Kristofferson was a Phi Beta Kappa at Pomona College, earning a degree in creative writing. At Oxford, he was a Rhodes Scholar, and while in Britain he first performed his music professionally (under the name Kris Carson). A five-year tour in the army followed, as did a stint teaching at West Point. Upon exiting the military, he drifted around the country before settling in Nashville, where he began earning a reputation as a gifted singer and songwriter. After a number of his compositions were covered by Roger Miller, Kristofferson eventually emerged as one of the most sought-after writers in music. In 1970, Johnny Cash scored a Number One hit with Kristofferson's "Sunday Mornin' Comin' Down," and that same year he released his debut LP, Kristofferson. Upon composing two more hits, Janis Joplin's "Me and Bobby McGee" and Sammi Smith's "Help Me Make It Through the Night," Kristofferson was a star in both pop and country music. In 1971, his friend, Dennis Hopper, asked him to write the soundtrack for The Last Movie, and soon Kristofferson was even appearing onscreen as himself. He next starred -- as a pop singer, appropriately enough -- opposite Gene Hackman later that year in Cisco Pike, again composing the film's music as well. Another role as a musician in 1973's Blume in Love threatened to typecast him, but then Kristofferson starred as the titular outlaw in Sam Peckinpah's superb Western Pat Garrett and Billy the Kid. For Peckinpah, Kristofferson also appeared in 1974's Bring Me the Head of Alfredo Garcia, followed by a breakthrough performance opposite Oscar-winner Ellen Burstyn in Martin Scorsese's acclaimed Alice Doesn't Live Here Anymore. After a two-year hiatus to re-focus his attentions on music, he followed with a villainous turn in the little-seen Vigilante Force and the much-hyped The Sailor Who Fell From Grace With the Sea. Amid reports of a serious drinking problem, Kristofferson next starred as an aging, alcoholic rocker opposite Barbra Streisand in the 1976 remake of A Star Is Born, an experience so grueling, and which hit so close to home, that he later claimed the picture forced him to go on the wagon. In 1977, Kristofferson teamed with Burt Reynolds to star in the football comedy Semi-Tough, another hit. He next reunited with Peckinpah for 1978's Convoy. Hanover Street was scheduled to follow, but at the last minute Kristofferson dropped out to mount a concert tour. Instead, he next appeared with Muhammad Ali in the 1979 television miniseries Freedom Road. He then starred in Michael Cimino's legendary 1981 disaster Heaven's Gate, and when the follow-up -- Alan J. Pakula's Rollover -- also failed, Kristofferson's film career was seriously crippled; he received no more offers for three years, appearing only in a TV feature, 1983's The Lost Honor of Kathryn Beck, and performing his music. His comeback vehicle, the 1984 thriller Flashpoint, earned little attention, but Alan Rudolph's Songwriter -- also starring Willie Nelson -- was well received. In 1986, Kristofferson reunited with Rudolph for Trouble in Mind, and starred in three TV movies: The Last Days of Frank and Jesse James, Blood and Orchids, and a remake of John Ford's Stagecoach.Remaining on television, Kristofferson co-starred in the epic 1987 miniseries Amerika. The year following, he appeared in a pair of Westerns, The Tracker and Dead or Alive, and unexpectedly co-starred in the comedy Big-Top Pee-Wee. The 1989 sci-fi disappointment Millennium was his last major theatrical appearance for some years. In the early '90s, the majority of his work was either in television (the Pair of Aces films, Christmas in Connecticut) or direct-to-video fare (Night of the Cyclone, Original Intent). In many quarters, Kristofferson was largely a memory by the middle of the decade, but in 1995 he enjoyed a major renaissance; first, he released A Moment of Forever, his first album of new material in many years, then co-starred in Pharoah's Army, an acclaimed art-house offering set during the Civil War. The following year, Kristofferson delivered his most impressive performance as a murderous Texas sheriff in John Sayles' Lone Star. He turned in another stellar performance two years later in James Ivory's A Soldier's Daughter Never Cries. After a turn in the Mel Gibson vehicle Payback and Father Damien, Kristofferson again collaborated with Sayles, playing a pilot of dubious reputation in 1999's Limbo. In the decades to come, Kristofferson would remain active on screen, appearing in movies like He's Just Not That Into You, Fastfood Nation, and Dolphin Tale.

Trivia: Born and raised in New Orleans, deep-voiced actress Patricia Clarkson studied drama at Yale. She stayed on the East coast working in theater productions before her feature film debut in The Untouchables (1987) as the wife of Elliot Ness. Continuing to work in film, she gained attention for her role as the drug-addicted Greta in the independent film High Art. Also working in TV, she had reoccuring roles on Wonderland and Fraser, and even won an Emmy award for her role as Sarah on the HBO drama Six Feet Under. She gave memorable performances in her smaller film roles, such as the bedridden wife in The Green Mile. Her career really picked up in 2002 with appearances in such films as the Russo brothers' Welcome to Collinwood, Todd Haynes' Far From Heaven, and Lars von Trier's Dogville. In 2003, Clarkson appeared in several films at the Sundance Film Festival, where she won the Outstanding Performance award for her work in All the Real Girls, The Station Agent, and Pieces of April. She continued to work steadily in projects such as the inspirational hockey drama Miracle, and George Clooney's Oscar-nominated Good Night, and Good Luck. She was part of the high-powered ensemble put together for the box-office disappointment All the King's Men, but remained one of the most in-demand character actresses of her time, In 2007 she appeared in Lars and the Real Girl, Married Life, and No Reservations. In 2008 she began a working relationship with Woody Allen when she was cast in Vicky Cristina Barcelona that continued with Whatever Works. She had a single scene in Martin Scorsese's paranoid thriller Shutter Island in 2010, the same year she appeared in the sleeper hit Easy A. The next year she acted in the romantic drama One Day as well as the comedy Friends With Benefits.

Trivia: Lead actor, onscreen from the late '80s.

Trivia: Canadian actor Robert Joy has been appearing in films on both sides of the Canada/U.S. border since the 1970s. He has always been a welcome presence, even when the scripts took pains not to make him feel welcome. As Susan Sarandon's husband in Atlantic City (1981), Joy stuck around just long enough to be bumped off by drug dealers. And as demented socialite Harry K. Thaw in Ragtime (1981), Joy existed principally to shoot Stanford White (Norman Mailer) full of holes and then get thrown in the looney bin. One of Robert Joy's largest, and most unorthodox, film assignments was as the would-be political demagogue (and one-time flamenco dancer) in the Newfoundland-based The Adventures of Faustus Bidgood (1986). Over the next several years, Joy would continue to remain an ongoing force on screen, appearing in films like Joe Somebody, Pretty Persuasion, Land of the Dead, and Superhero Movie. He would find success with a starring role on the long running crime proceedural CSI: NY.

Trivia: Born George Fox, child actor Huckleberry Fox first made an impression among the Oscar-studded cast of Terms of Endearment (1983).