Trivia: Born July 5th, 1980, Eva Green eventually became a rare example of an actress who begun her career well into her adult life. Her first feature-film role was the female lead in Bernardo Bertolucci's 2003 erotic drama The Dreamers, when she was 22. Green made quite an impression with her debut performance, working with a legendary director and appearing in so many nude and/or sexually explicit scenes that the film originally received an NC-17 rating. The young actress was praised for her tremendous presence onscreen, and the delicateness with which she portrayed both fierceness and vulnerability. Audiences, perhaps inescapably, also noted her exquisite beauty, as well as the ease with which she brought her own sensuality to the sexually charged film, never compromising her character in the process. Achieving such exposure (so to speak) at the very beginning of her film career, Green was in no hurry to become a superstar. For her next role, she starred alongside Kristin Scott Thomas in the French adventure Arsene Lupin, a modest, low-profile project. Her next film, however, Ridley Scott's Kingdom of Heaven, was anticipated to be the big-budget blockbuster of its season. While Green's performance as Sybilla of Jerusalem was respectable, the film was panned by critics and audiences alike. This hardly effected Green, who continued to take interest in whatever films appealed to her, rather than those that promised to advance her career. She signed on to take part in the fantasy film The Golden Compass, alongside the likes of Nicole Kidman and Daniel Craig, but before filming began for this niche adventure, she would appear with Craig in another film, and one much more mainstream. Taking the role of Bond girl Vesper Lynd in 2006's hotly anticipated Casino Royale, Green added tremendous vivacity to an effort that promised to breath new life into the James Bond franchise, as the film marked not only her first foray into the action genre, but the first film with Craig in the role of 007. As fans and critics speculated over whether the actor would be a good fit, only enthusiasm swelled around anticipation of Green's performance, as the actress's onscreen combination of intellect and sex appeal left little doubt about her capacity as a femme fatale.In 2011, the actress took on the role of sorceress Morgan in the television fantasy drama series Camelot, and co-starred with Johnny Depp in filmmaker Tim Burton's Dark Shadows.

Trivia: British-born Asa Butterfield began his acting career when he was eight years old, playing the role of Andrew in the 2006 TV movie After Thomas. He would make a bigger splash the next year, with a role in the indie comedy Son of Rambow, and again the next year, in the Holocaust drama The Boy in the Striped Pyjamas. Butterfield then took on the role of Mordred in the TV series Merlin, before joining the cast of the 2010 family film Nanny McPhee and the Big Bang. While his role in the latter did offer the charismatic youngster a respectable amount of exposure to the tween set, it was Butterfield's next big role -- as the eponomous orphan in Martin Scorsese's Oscar-winning film Hugo -- that truly cemented his reputation as a rising star. On the heels of that resounding success, Butterfield made Hollywood headlines when it was announced that he would next take the lead in Enders Game, a big-budget adaptation of Orson Scott Card's celebrated sci-fi novel.

Trivia: Represented Roscommon in Gaelic Football at under-16, minor and under-21 level. Studied politics and sociology in college; and wrote for the college newspaper, the University Observer. Worked construction, in bars and at call centers while pursuing an acting career in London. Won a 2005 BAFTA Scottish Award for his leading role in Festival. Wrote the 2012 series Moone Boy, which is partly based on his childhood in Ireland during the late 1980s. Played Lennie in the 2014 Broadway revival of Of Mice and Men with James Franco and Leighton Meester.

Trivia: One of the most talented -- and often underappreciated -- character actresses of the late 1990s, Allison Janney first began courting critical attention with roles in such acclaimed films as Big Night (1996) and American Beauty (1998). Able to play characters ranging from a name-dropping Manhattan socialite to a withdrawn, abused wife, the 6'0" Janney infuses all of her portrayals with equal parts poignancy and unforced gusto.A product of Dayton, Ohio, where she was born November 19, 1959, Janney was raised as the daughter of a homemaker and the president of a real estate firm. She aspired to be a champion figure skater from a young age, but any hopes of pursuing a skating career were halted by a freak accident that badly damaged Janney's leg when she was in her mid-teens. As a student at Kenyon College, she became interested in acting, and got her first break when she successfully auditioned for a play being directed by Kenyon alum Paul Newman. After impressing Newman, a racing enthusiast, with both her acting skills and her love of fast cars, Janney went on to impress his wife, Joanne Woodward, who directed her in a number of off-off-Broadway plays during the early 1980s.Although she enjoyed early stage success, Janney had difficulty starting her career, something that was hindered by her height: one disparaging casting agent went so far as to tell her that the only roles she was suitable for were lesbians and aliens. Thankfully, the actress pressed on in the face of such idiocy, waitressing and scooping ice cream to support herself during dry spells. Her luck began to change for the better in the late 1990s, when she started garnering luminous reviews for her work both on Broadway -- where she earned a Tony nomination for her role in 1998's A View from the Bridge -- and onscreen in such films as Big Night (1996) and Mike Nichols' Primary Colors (1998). In the former film, she appeared as the quiet, capable love interest of Tony Shalhoub's struggling Italian chef, while the latter featured the actress in the minor but poignant role of a painfully-awkward schoolteacher who is seduced by John Travolta's libidinous Presidential candidate. Janney, who had been appearing on television and in films since the early '90s, went on to do reliably excellent work in a variety of films that ranged from The Object of My Affection (1998), in which she played the supercilious, name-dropping wife of a high-powered literary agent (Alan Alda); to Drop Dead Gorgeous (1999), which featured her as a beehived, chain-smoking trailer park resident; to American Beauty (1999), in which she gave a quietly powerful portrayal of the abused wife of a tyrannical ex-Marine (Chris Cooper). Janney's talents have also been put on ample display on the small screen: in 1999, she joined the cast of the acclaimed NBC White House drama The West Wing, originating the role of tough press secretary C.J. Cregg.In addition to continuing her work on The West Wing, Janney played a supporting role in the award winning psychological drama The Hours (2002), and voiced Peach the Starfish in Pixar's wildly successful Finding Nemo (2003). The actress' would play the neighbor of protagonist Jim Winters (Anthony LaPaglia) in 2004's drama Winter Solstice, and continued to play small, yet meaty roles throughout the coming years (among them include On Our Very Own and Hairspray), she earned mainstream attention and critical praise for her role as the parent of a pregnant teen (Ellen Page) in Juno. Ironically, in light of her Juno success, Janney was also critically recognized for her performance as an emotionally detached mother in Sam Mendes' bittersweet comedy Away We Go (2009).

Trivia: A wickedly debonair blend of Cary Grant and Joan Crawford, British actor Rupert Everett almost single-handedly conquered Hollywood with his turn as the man who dances off into the sunset with Julia Roberts in My Best Friend's Wedding. As the handsome, elegant, and gay George, Everett (who had been openly gay for some years) ushered in a different kind of gay sensibility in Hollywood, one that, rather than begging audiences for acceptance, flatly told them to get over it.Born in Norfolk, England, to a wealthy family on May 29, 1959, Everett was sent away for schooling at the age of seven. Taught by Benedictine monks at Amplesforth College, he was a good student and trained to be a classical pianist. After he discovered acting at the age of 15, he dropped out of school and ran off to London, where he supported himself as a prostitute for a couple of years (something he admitted in a 1997 interview with US magazine) and eventually enrolled at the Central School of Speech and Drama. Unfortunately, Everett clashed frequently with instructors and eventually dropped out, choosing to flee to Scotland. It was there that he got his first professional job as an apprentice with the Citizen's Theatre of Glasgow, and in the early '80s, his career began to bud. In 1982, he created the role of Guy Bennett for the West End production of Another Country, which also featured a very young Kenneth Branagh. Everett won raves for his portrayal of the younger version of real-life spy Guy Burgess, and in 1984 re-created the role for the play's film version. The following year, he starred with Miranda Richardson in Dance With a Stranger, turning in a strong performance in the critically acclaimed film. Although it seemed Everett's career was on the rise, the actor unfortunately opted for near-nonentity status with his 1987 U.S. film debut in Hearts of Fire, a rock & roll drama co-starring Bob Dylan. Following this flop, Everett disappeared for a while, taking up residence in Paris and writing a semi-autobiographical novel, Hello, Darling, Are You Working?.In 1991, Everett resurfaced with a lead role in The Comfort of Strangers opposite Natasha Richardson before appearing in 1993's Inside Monkey Zetterland, a film featuring a bizarre title, large ensemble cast (which included Patricia Arquette and Sandra Bernhard), and miserable reviews. Everett's subsequent feature, Prêt-à-Porter (1994), also featured an unconventional title, a large ensemble cast (including Julia Roberts, Sophia Loren, Stephen Rea, and Tim Robbins), and miserable reviews, but in its favor, it also featured a director named Robert Altman. Furthermore, Everett actually managed to make a favorable impression as a philandering fashion house scion, favor that was magnified, during the same year, with his hilarious turn as the fat and lazy Prince of Wales in Nicholas Hytner's The Madness of King George. However, for all of the positive attention he received, Everett incurred only bafflement with his next two films, the Italian schlock-fest Dellamorte, Dellamore (1994) and Dunston Checks In (1996), in which the actor starred with Faye Dunaway and an orangutan.1997 marked the turning point in Everett's career, as it brought with it his star-making role in My Best Friend's Wedding. The actor caused something of a sensation among male and female filmgoers alike, who wanted more of the handsome actor with the languorous wit. They got more of him the following year, in Shakespeare in Love, in which Everett had a supporting role as playwright Christopher Marlowe, and in B. Monkey, in which he played Jonathan Rhys Meyers' criminal lover. 1999 proved to be a very fruitful year for the actor -- who by this time was being hailed as Hollywood's Gay Prince -- as it featured the actor in leading roles in three films. He first played Oberon in Michael Hoffman's A Midsummer Night's Dream, in which he was part of an all-star cast including Michelle Pfeiffer, Kevin Kline, Christian Bale, and Calista Flockhart. Next came Oliver Parker's adaptation of Oscar Wilde's An Ideal Husband, for which Everett netted positive reviews in his central role as the delightfully idle Lord Goring. Finally, he camped and vamped it up as the resident villain of Inspector Gadget, once again demonstrating to audiences why it could feel so good to be so bad.In 2000 he appeared opposite Madonna in the comedy The Next Best Thing. Two years later he was cast in The Importance of Being Earnest, and followed that up with parts in Stage Beauty, Separate Lies, and People as well as lending his voice to effects heavy and animated projects like The Chronicles of Narnia and Shrek the Third. In 2011 he had a scene-stealing turn in the period sex comedy Hysteria.

Trivia: Rough-hewn and soulful, Terence Stamp was one of the most recognizable faces of 1960s British cinema. During that decade, he became immortalized on the screen and off, his working-class charisma and battered good looks making him both a natural for leading man roles and a poster boy for the swinging Sixties lifestyle.Born in Stepney, London on July 22, 1939, Stamp made his film debut in 1962 as the martyred hero in Peter Ustinov's adaptation of Herman Melville's Billy Budd. He turned in a star-making performance that earned him an Oscar nomination and established him as part of a new wave of talent in British cinema. Stamp next made his mark in William Wyler's The Collector (1965), winning a Best Actor award at the Cannes Film Festival for his portrayal of a warped recluse who kidnaps an art student he has lusted after from afar. Stamp spent the rest of the decade earning recognition for both his work and real-life exploits. On the screen, he worked with the likes of John Schlesinger (Far From the Maddening Crowd), Joseph Losey (Modesty Blaise), Ken Loach (Poor Cow), Pier Paolo Pasolini (Teorema), and, for Tre Passi nel Delirio, Federico Fellini, Roger Vadim, and Louis Malle. Off the screen, Stamp was known for his friendships with the likes of Michael Caine and his relationships with such preeminent beauties as Julie Christie and model Jean Shrimpton. He and Christie were immortalized in Ray Davies's song "Waterloo Sunset" in the lines, "Terry and Julie cross over the river, where they feel safe and sound."Despite the promise of his early career, Stamp spent much of the next couple of decades in relative obscurity. He popped up in a number of fairly forgettable films and was cast as a villain in the first two Superman movies. He also appeared in such disparate projects as Legal Eagles (1986), Wall Street (1987), and Young Guns (1988). In 1994, Stamp truly re-entered the filmgoing consciousness, going delightfully against type to play a world-weary transsexual in The Adventures of Priscilla, Queen of the Desert. The film was a surprise success, and Stamp's portrayal was singled out for particular notice. Once one of the cinema's most reliable hard men, Stamp revived his career with a poignent portrayal of a character who wore more make-up than most of the screen's actresses put together.Stamp followed this success with a turn as a mysterious tantric sex therapist in Bliss (1996). In 1999, he could be seen doing supporting work in Bowfinger, in which he had a hilarious turn as a L. Ron Hubbard-esque "guru;" and Star Wars: Episode I-The Phantom Menace. That same year, he starred in Steven Soderbergh's The Limey, back in top form as a grizzled ex-con bent on avenging his daughter's death. One of the film's highlights was the inclusion of footage from the 1968 Poor Cow, which allowed Stamp to appear as a younger version of himself. Building off the best buzz he'd had in quite some time, Stamp began the 21st century in Red Planet, and voiced Jor-El on the television series Smallville, before appearing in Get Smart, Valkyrie, Yes Man, The Adjustment Bureau, and Song for Marion.

Trivia: In 2008, she beat hundreds of girls for a role in Oliver! at the Theatre Royal, Drury Lane in London, and remained in the stage production for a year. Said Keira Knightley acted "like a big sister" when Purnell played a younger version of the actress in the movie Never Let Me Go. Had her first onscreen kiss with Charlie Rowe. Named in 2010 by Screen International as one of its hot up-and-coming UK Stars of Tomorrow. Handpicked by Angelina Jolie to play a teenage version of the Oscar-winning actress in Maleficent.

Trivia: One of Britain's most respected and popular actresses, Judi Dench can claim a decades-old career encompassing the stage, screen, and television. A five-time winner of the British Academy Award, she was granted an Order of the British Empire in 1970 and made a Dame of the British Empire in 1988.Born in York, England, on December 9, 1934, Dench made her stage debut as a snail in a junior school production. After attending art school, she studied acting at London's Central School of Speech and Drama. In 1957, she made her professional stage debut as Ophelia in the Old Vic's Liverpool production of Hamlet. A prolific stage career followed, with seasons spent performing with the likes of the Royal Shakespeare Company and the National Theatre. Dench broke into film in 1964 with a supporting role in The Third Secret. The following year, she won her first BAFTA, a Most Promising Newcomer honor for her work in Four in the Morning. Although she continued to work in film, Dench earned most of her recognition and acclaim for her stage work. Occasionally, she brought her stage roles to the screen in such film adaptations as A Midsummer Night's Dream (1968) and Macbeth (1978), in which she was Lady Macbeth to Ian McKellen's tormented king. It was not until the mid-'80s that Dench began to make her name known to an international film audience. In 1986, she had a memorable turn as a meddlesome romance author in A Room with a View, earning a Best Supporting Actress BAFTA for her tart portrayal. Two years later, she won the same award for her work in another period drama, A Handful of Dust.After her supporting role as Mistress Quickly in Kenneth Branagh's acclaimed 1989 adaptation of Henry V, Dench exchanged the past for the present with her thoroughly modern role as M in GoldenEye (1995), the first of the Pierce Brosnan series of James Bond films. She portrayed the character for the subsequent Brosnan 007 films, lending flinty elegance to what had traditionally been a male role. The part of M had the advantage of introducing Dench to an audience unfamiliar with her work, and in 1997 she earned further international recognition, as well as an Oscar nomination and Golden Globe award, for her portrayal of Queen Victoria in Mrs. Brown.While her screen career had taken on an increasingly high-profile nature, Dench continued to act on both television and the stage. In the former medium, she endeared herself to viewers with her work in such series as A Fine Romance (in which she starred opposite real-life husband Michael Williams) and As Time Goes By. On the stage, Dench made history in 1996, becoming the first performer to win two Olivier Awards for two different roles in the same year. In 1998, Dench won an Oscar, garnering Best Supporting Actress honors for her eight-minute appearance as Queen Elizabeth in the acclaimed Shakespeare in Love. Her win resulted in the kind of media adulation usually afforded to actresses one-third her age. Dench continued to reap both acclaim and new fans with her work in Tea with Mussolini and another Bond film, The World is Not Enough. For her role as a talented British writer struggling with Alzheimer's disease in Iris (2001), Dench earned her third Oscar nomination. Sadly, that same year Dench's husband died of lung cancer at the age of 66.The prophetic artist continued to act in several films a year, wowing audiences with contemporary dramas like 2001's The Shipping News and period pieces like 2002's Oscar Wilde comedy The Importance of Being Earnest. She reprised the role of M again that same year for Brosnan's last Bond film Die Another Day, before appearing in projects in 2004 and 2005 such as The Chronicles of Riddick, Pride & Prejudice, and an Oscar- and Golden Globe-nominated performance as a wealthy widow who shocks 1930s audiences by backing a burlesque show in Mrs. Henderson Presents. In 2006, she followed the Bond franchise into a new era, maintaining her hold on the role of M as Brosnan retired from playing the title character and Daniel Craig took over. Casino Royale was the first Bond movie to be based on an original Ian Fleming 007 novel in 30 years, and it was a great success. In 2008, Dench rejoined the Bond franchise for Quantum of Solace.Dench shared the screen with Cate Blanchett for the critical smash Notes on a Scandal (2006). The film's emotional themes ran the gamut from possession and desire to loathing and disgust, and Dench rose to the challenge with her usual strength and grace, earning her a sixth Oscar nomination and seventh Golden Globe nomination.Dench joined the cast of 2011's Pirates of the Carribean: On Stranger Tides, as well as taking on the pivotal role of Mrs. Fairfax in Cary Fukunaga's adaptation of Jane Eyre. The actress also joined Leonardo DiCaprio to play the intimidating mother of J. Edgar Hoover in J. Edgar (2011). In 2012, Dench starred alongside fellow film great Maggie Smith in The Best Exotic Marigold Hotel, a compassionate comedy-drama following a group of senior citizens' experience with a unique retirement program in India.

Trivia: After spending the 1980s playing a series of drug addict and character parts, Samuel L. Jackson emerged in the 1990s as one of the most prominent and well-respected actors in Hollywood. Work on a number of projects, both high-profile and low-key, has given Jackson ample opportunity to display an ability marked by both remarkable versatility and smooth intelligence.Born December 21, 1948, in Washington, D.C., Jackson was raised by his mother and grandparents in Chattanooga, TN. He attended Atlanta's Morehouse College, where he was co-founder of Atlanta's black-oriented Just Us Theater (the name of the company was taken from a famous Richard Pryor routine). Jackson arrived in New York in 1977, beginning what was to be a prolific career in film, television, and on the stage. After a plethora of character roles of varying sizes, Jackson was discovered by the public in the role of the hero's tempestuous, drug-addict brother in 1991's Jungle Fever, directed by another Morehouse College alumnus, Spike Lee. Jungle Fever won Jackson a special acting prize at the Cannes Film Festival and thereafter his career soared. Confronted with sudden celebrity, Jackson stayed grounded by continuing to live in the Harlem brownstone where he'd resided since his stage days. 1994 was a particularly felicitous year for Jackson; while his appearances in Jurassic Park (1993) and Menace II Society (1993) were still being seen in second-run houses, he co-starred with John Travolta as a mercurial hit man in Quentin Tarantino's Pulp Fiction, a performance that earned him an Oscar nomination. His portrayal of an embittered father in the more low-key Fresh earned him additional acclaim. The following year, Jackson landed third billing in the big-budget Die Hard With a Vengeance and also starred in the adoption drama Losing Isaiah. His versatility was put on further display in 1996 with the release of five very different films: The Long Kiss Goodnight, a thriller in which he co-starred with Geena Davis as a private detective; an adaptation of John Grisham's A Time to Kill, which featured him as an enraged father driven to murder; Steve Buscemi's independent Trees Lounge; The Great White Hype, a boxing satire in which the actor played a flamboyant boxing promoter; and Hard Eight, the directorial debut of Paul Thomas Anderson.After the relative quiet of 1997, which saw Jackson again collaborate with Tarantino in the critically acclaimed Jackie Brown and play a philandering father in the similarly acclaimed Eve's Bayou (which also marked his debut as a producer), the actor lent his talents to a string of big-budget affairs (an exception being the 1998 Canadian film The Red Violin). Aside from an unbilled cameo in Out of Sight (1998), Jackson was featured in leading roles in The Negotiator (1998), Sphere (1998), and Deep Blue Sea (1999). His prominence in these films added confirmation of his complete transition from secondary actor to leading man, something that was further cemented by a coveted role in what was perhaps the most anticipated film of the decade, Star Wars: Episode I - The Phantom Menace (1999), the first prequel to George Lucas' Star Wars trilogy. Jackson followed through on his leading man potential with a popular remake of Gordon Parks' seminal 1971 blaxploitation flick Shaft. Despite highly publicized squabbling between Jackson and director John Singleton, the film was a successful blend of homage, irony, and action; it became one of the rare character-driven hits in the special effects-laden summer of 2000.From hard-case Shaft to fragile as glass, Jackson once again hoodwinked audiences by playing against his usual super-bad persona in director M. Night Shyamalan's eagerly anticipated follow-up to The Sixth Sense, Unbreakable (2000). In his role as Bruce Willis' brittle, frail antithesis, Jackson proved that though he can talk trash and break heads with the best of them, he's always compelling to watch no matter what the role may be. Next taking a rare lead as a formerly successful pianist turned schizophrenic on the trail of a killer in the little-seen The Caveman's Valentine, Jackson turned in yet another compelling and sympathetic performance. Following an instance of road rage opposite Ben Affleck in Changing Lanes (2002), Jackson stirred film geek controversy upon wielding a purple lightsaber in the eagerly anticipated Star Wars II: Attack of the Clones. Despite rumors that the color of the lightsaber may have had some sort of mythical undertone, Jackson laughingly assured fans that it was a simple matter of his suggesting to Lucas that a purple lightsaber would simply "look cool," though he was admittedly surprised to see that Lucas had obliged him Jackson eventually saw the final print. A few short months later filmgoers would find Jackson recruiting a muscle-bound Vin Diesel for a dangerous secret mission in the spy thriller XXX.Jackson reprised his long-standing role as Mace Windu in the last segment of George Lucas's Star Wars franchise to be produced, Star Wars Episode III: Revenge of the Sith (2005). It (unsurprisingly) grossed almost four hundred million dollars, and became that rare box-office blockbuster to also score favorably (if not unanimously) with critics; no less than Roger Ebert proclaimed it "spectacular." Jackson co-headlined 2005's crime comedy The Man alongside Eugene Levy and 2006's Joe Roth mystery Freedomland with Julianne Moore and Edie Falco, but his most hotly-anticipated release at the time of this writing is August 2006's Snakes on a Plane, a by-the-throat thriller about an assassin who unleashes a crate full of vipers onto a aircraft full of innocent (and understandably terrified) civilians. Produced by New Line Cinema on a somewhat low budget, the film continues to draw widespread buzz that anticipates cult status. Black Snake Moan, directed by Craig Brewer (Hustle and Flow) dramatizes the relationship between a small-town girl (Christina Ricci) and a blues player (Jackson). The picture is slated for release in September 2006 with Jackson's Shaft collaborator, John Singleton, producing.Jackson would spend the ensuing years appearing in a number of films, like Home of the Brave, Resurrecting the Champ, Lakeview Terrace, Django Unchained, and the Marvel superhero franchise films like Thor, Iron Man, and The Avengers, playing superhero wrangler Nick Fury.

Trivia: Studied acting at Youngblood Theatre Company in the U.K.His performance in Mr. Holmes (2015) earned him multiple award nominations, including a Saturn Award nomination for Best Performance by a Younger Actor, a British Independent Film Award nomination for Most Promising Newcomer and a Critics Choice Award nomination for Best Young Actor/Actress.Was accompanied by his father in Corfu while filming The Durrells in Corfu.In The Durrells in Corfu, played 12-year-old Gerald Durrell although he was 15 in real life.In 2016, became a Global Ambassador for Durrell Wildlife Conservation Trust.

Trivia: Though born far from the city, deep in the Heart of Dixie, actress Kim Dickens got an ambitious start to her career in film and television as a student at Vanderbilt University, where she made her stage debut in a student production of David Mamet's Sexual Perversity in Chicago.Born in Huntsville, AL, Dickens spent much of her active high school career involved with such activities as varsity softball and tennis, the National Honor Society, and receiving such honors as Senior Class Favorite before graduating in 1983. Later earning her B.A. in communication from Vanderbilt University, Dickens also studied at the Lee Strasberg Theater Institute, is a graduate of the American Academy of Dramatic Arts, and is a member of the Open Stage theater company.Making her feature debut in 1995, with the bumbling crime comedy Palookaville, Dickens spent the next few years acting in such made-for-television movies as Crimes of Passion: Voice From the Grave (1996), before returning to the big screen with Palookaville cohort Vincent Gallo, in Kiefer Sutherland's Truth or Consequences, NM and the 1998 update of Charles Dickens' classic Great Expectations. Bringing in the new millennium with roles in such thrillers as The Hollow Man and The Gift, Dickens took a turn back to the small screen in 2001, for a role in the ambitious but short-lived series Big Apple. The resilient actress bounced back to the big screen again, later that year, with Last Call. Over the coming years, Dickens would appear in a number of films, like House of Sand and Fog, Thank You for Smoking, and Red, as well as TV series like Deadwood, Lost, Friday Night Lights, and Treme.