Trivia: For an actor almost universally associated with a single character -- Captain James Tiberius Kirk of the U.S.S. Enterprise -- William Shatner has found diverse ways to stay active in the public eye, even spoofing his overblown acting style in a way far more hip than desperate. Years after he last uttered "warp speed," Shatner remains a well-known face beyond Star Trek conventions, re-creating himself as the spoken-word pitchman for priceline.com, and starring in a popular series of smoky nightclub ads that featured some of the most cutting-edge musicians of the day.The Canadian native was born on March 22, 1931, in Montréal, where he grew up and attended Verdun High School. Shatner studied commerce at McGill University before getting the acting bug, which eventually prompted him to move to New York in 1956. He initially worked in such live television dramatic shows as Studio One and The United States Steel Hour in 1957 and 1958, as well as on Broadway. His big screen debut soon followed as Alexei in the 1958 version of Dostoyevsky's The Brothers Karamazov.Throughout the 1960s, Shatner worked mostly in television. His most memorable appearance came in a 1963 episode of The Twilight Zone entitled "Nightmare at 20,000 Feet," in which he plays a terrified airline passenger unable to convince the crew that there's a mysterious gremlin tearing apart the wing. He also appeared in such films as Judgment at Nuremberg (1961) and the bizarrely experimental Esperanto-language horror film Incubus (1963). In 1966, he got his big break, though neither he nor anyone else knew it at the time. Shatner was cast as the macho starship captain James Kirk on Star Trek, commanding a crew that included an acerbic doctor, a Scottish engineer, and a logician with pointy ears, on a mission "to boldly go where no man has gone before." However, the show lasted only three seasons, considered by many to be high camp. After providing a voice on the even shorter-lived animated series in 1973, Shatner must have thought Star Trek too would pass. A costly divorce and a lingering diva reputation from Star Trek left him with few prospects or allies, forcing him to take whatever work came his way. But in 1979, after a decade of B-movie labor in such films as The Kingdom of Spiders (1977) and a second failed series (Barbary Coast, 1975-1976), Shatner re-upped for another attempt to capitalize on the science fiction series with Star Trek: The Motion Picture. This time it caught on, though the first film was considered a costly disappointment. With dogged determination, the producers continued onward with Star Trek II: The Wrath of Khan (1982), at which point fans finally flocked to the series, rallying behind the film's crisp space battles and the melodramatic tête-à-tête between Shatner and Ricardo Montalban.Shatner had to wrestle with his advancing age and the deaths of several characters in Star Trek II and Star Trek III: The Search for Spock (1984), but by Star Trek IV: The Voyage Home (1986), the actor got to indulge in his more whimsical side, which has since characterized his career. As the series shifted toward comedy, Shatner led the way, even serving as director of Star Trek V: The Final Frontier (1989), which many considered among the series' weaker entries. During this period, Shatner also began parodying himself in earnest, appearing as host of Saturday Night Live in a famous sketch in which he tells a group of Trekkies to "Get a life." He also turned in a wickedly energetic mockery of a moon base captain in Airplane II: The Sequel (1982). Shatner made one final appearance with the regular Star Trek cast in Star Trek VI: The Undiscovered Country (1991), then served as one of the crossovers to the new series of films in Star Trek: Generations (1994), in which endlessly theorizing fans finally learned the fate of Captain Kirk.The success of the Trek movies reenergized Shatner's TV career, even if it didn't immediately earn him more film roles. Shatner played the title role on the successful police drama T.J. Hooker from 1982 to 1987, directing some episodes, then began hosting the medical reality series Rescue 911 in 1989. Shatner returned to the movies with another parody, Loaded Weapon I, in 1993, and in 1994 began directing, executive producing, and acting in episodes of the syndicated TV show TekWar, based on the popular series of Trek-like novels he authored. In the later '90s, Shatner was best known for his humorously out-there priceline.com ads, but also guested on a variety of TV shows, most notably as the "Big Giant Head" on the lowbrow farce Third Rock From the Sun. He also appeared as game show hosts both in film (Miss Congeniality, 2000) and real life (50th Annual Miss America Pageant, 2001). In 1999, Shatner suffered public personal tragedy when his third wife, Nerine, accidentally drowned in their swimming pool. The champion horse breeder and tennis enthusiast owns a ranch in Kentucky and remains active in environmental causes. Shatner took on a small role for 2004's Dodgeball: A True Underdog Story, and voiced the villainous wildebeest Kazar in Disney's animated adventure The Wild in 2006. Shatner returned to television for a starring role on the popular dramady Boston Legal, in which he plays Denny Crane, a once unbeatable lawyer who co-founded the successful law firm where he continues to work despite his reputation as an eccentric old man.

Trivia: The son of a Boston barber, Leonard Nimoy was a star at the age of 8, when he played Hansel in a children's theatre production of Hansel and Gretel. Nimoy remained with his local kiddie theater troupe until 16 (one of his directors during this period was Boris Sagal). After studying drama at Boston College and Antioch College, he took acting lessons from Jeff Corey at the Pasadena Playhouse. In films from 1950, Nimoy played the title character in the low-budget Kid Monk Baroni and essayed bits and minor roles in such productions as Zombies of the Stratosphere (1951), Rhubarb (1951) and Them! (1954). In between acting assignments, he held down a dizzying variety of jobs: soda jerk, newspaper carrier, vacuum-cleaner salesman, vending machine mechanic, pet-shop clerk, cabbie and acting coach. During his 18 months in Special Services at Fort McPherson, Georgia, he acted with Atlanta Theater Guild when he could spare the time. Back in Hollywood in 1956, he became virtually a regular at the Ziv TV studios, playing villains in programs like Highway Patrol and Sea Hunt. For a short while, he specialized in the plays of Jean Genet, appearing in both the stage and film productions of The Balcony and Deathwatch. Impressed by Nimoy's guest turn on a 1963 episode of The Lieutenant, producer Gene Roddenberry vowed to cast the saturnine, mellow-voiced actor as an extraterrestrial if ever given the chance. That chance came two years later, when Roddenberry signed Nimoy to play Vulcanian science officer Spock on Star Trek. At first pleased at the assignment, Nimoy came to resent the apparent fact that the public perceived him as Spock and nothing else: indeed, one of his many written works was the slim autobiography I Am Not Spock. After Star Trek's cancellation, Nimoy joined the cast of Mission: Impossible in the role of "master of disguise" Paris (he replaced the series' previous master of disguise Martin Landau, who ironically had originally been slated to play Spock). In the early 1970s, Nimoy began racking up directorial credits on such series as Night Gallery. He also made his first Broadway appearance in 1973's Full Circle. And, perhaps inevitably, he returned to Spock, thanks to the popular demand engendered by the then-burgeoning Star Trek cult. His initial reacquaintance with the role was as voiceover artist on the 1973 Saturday-morning cartoon version of Star Trek. Then Spock went on the back burner again as Nimoy devoted himself to his theatrical commitments (a touring production of Sherlock Holmes, his one-man show Vincent), his writing and directing activities, and his hosting chores on the long-running (1976-82) TV documentary series In Search Of.... Finally in 1978, Nimoy was back in his Enterprise uniform in the first of several Star Trek theatrical features. The Spock character was killed off in the second Trek picture The Wrath of Khan, but Nimoy stayed with the franchise as director of the next two feature-length Trek entries (PS: Spock also came back to life). He went on to direct such non-Trek filmic endeavors as 3 Men and a Baby (1987), The Good Mother (1988), Funny About Love (1990) and Holy Matrimony (1994). He also produced and acted in the 1991 TV movie Never Forget, and served as executive producer of the 1995 UPN network series Deadly Games. Perhaps because he will always have dozens of professional irons in the fire, Leonard Nimoy now seems resigned to being forever associated with the role that brought him international fame; his most recent autobiographical work was aptly titled I Am Spock. In 2009 he returned to his iconic role portraying Spock in J.J. Abrams smash-hit reboot of the Star Trek franchise. He next took on a recurring role in the sci-fi series Fringe, playing scientist William Bell. Nimoy made a final cameo appearance in Star Trek Into Darkness (2013). He died in 2015, at age 83.

Trivia: The son of a Baptist minister, actor DeForest Kelley was one of the lucky few chosen to be groomed for stardom by Paramount Pictures' "young talent" program in 1946. He served an apprenticeship in 2-reel musicals like Gypsy Holiday before starring as a tormented musician in Fear in the Night (47). Unfortunately, a sweeping cancellation of Paramount young talent contracts ended Kelley's stardom virtually before it began. By the mid-1950s, he was scrounging up work on episodic TV and playing bits in such films as The Man in the Grey Flannel Suit (56) (this film, by the way, is the first in which Kelley uttered his now-famous line, "He's dead, captain"). Producer/writer Gene Roddenberry took a liking to Kelley and cast the actor in the leading role of a flamboyant criminal attorney in the 1959 TV pilot film 333 Montgomery. The series didn't sell, but Roddenberry was still determined to help Kelley on the road back to stardom. One of their next collaborations was Star Trek (66-69), in which (as everybody in the galaxy knows) Kelley appeared as truculent ship's doctor Leonard "Bones" McCoy. Virtually all of Kelley's subsequent film appearances have been as McCoy in the seemingly endless series of elaborate Star Trek feature films. And on the pilot for the 1987 syndie Star Trek: The Next Generation, DeForrest Kelley was once more seen as "Bones" -- albeit appropriately stooped and greyed.

Trivia: Canadian-born actor James Doohan trained for his career at New York's Neighborhood Playhouse and built much of his reputation upon his uncanny skill at foreign dialects. It was director James Goldstone who in 1965 suggested that Doohan audition for the supporting role of chief engineer of the U.S.S. Enterprise on Star Trek. After trying out a variety of accents during the audition, Doohan latched onto a Scottish brogue which tickled the fancy of Trek producer Gene Roddenberry. Thus, the chief engineer was dubbed Scotty -- or, more formally, Lt. Montgomery Scott (Montgomery happened to be Doohan's middle name). The actor remained in the role until Star Trek's cancellation in 1969, subsequently reviving the character for the 1974 cartoon series and the many theatrical films. Though he most assuredly had a career outside of Scotty (among many other projects, he was one of the stars of the 1979 Saturday-morning TV series Jason of Star Command), Doohan has frequently been called upon to play variations of the character in film and TV projects ranging from National Lampoon's Loaded Weapon 1 to Knight Rider 2000.

Trivia: American actor Stephen Collins was endowed with the sort of prep-school handsomeness that could adapt to heroics and villainy with equal aplomb. A graduate of Amherst and a veteran of the Broadway stage, Collins made his film bow in a microscopic role in All the President's Men (1976). He was seen to better advantage with a whole crop of relative newcomers in Joan Micklin Silver's low-budget Between the Lines (1977), then graduated to "A" parts in "A" pictures, such as the role of Decker in Star Trek: The Motion Picture (1978). Television has always been kind to Stephen Collins: he received substantial acting assignments in the 1977 anthology Best Sellers (as David Spaulding in the "Rhineman Exchange" story arc), the 1982 Indiana Jones derivation Tales of the Gold Monkey (lead role, as Jake Cutter), the 1988 weekly Tattinger's (title role), and the 1990 middle-age-angst sitcom Working it Out (as David Stewart). Eventually he became known for his role as the family patriarch in the Christian-oriented series 7th Heaven (1996-2003). In 2012, Collins played a supporting role in The Farrelly brothers' film reboot of Three Stooges. He would continue to work on television as well, taking guest spots on shows like The Office and Devious Maids, and a recurring role on the second season of Revolution.

Trivia: Asian-American actor George Takei studied architecture at the University of California and theatre arts at UCLA. Takei's first film appearance was in the 1960 Warner Bros. feature Ice Palace He appeared with regularity on series television in the early 1960s; his most controversial TV role was the son of a World War II traitor in the 1964 Twilight Zone episode "The Encounter," which was withdrawn from the series' syndicated package due to charges of misrepresentation from several Japanese-American groups. In 1966, Takei began what was to become a lifelong assignment when he was cast as chief navigator Hikaru Sulu on the evergreen science-fiction series Star Trek. He has extended this characterization into seven Star Trek feature films, as well as a Saturday morning cartoon series. Erudite and socially correct at all times, Takei nonetheless enjoyed a reputation as Star Trek's most aggressive on-set practical joker. The show's three-year run ended, and although Takai appeared in a smattering of pictures including The Green Berets and Which Way to the Front?, he didn't find steady work on screen until the Star Trek film franchise got under way in 1979. The ongoing love for the series, and Takai's own ability to stay in the public eye thanks in part to his ongoing association with Howard Stern's radio show, helped him find steady work throughout the nineties, eventually finding a very lucrative career using his quite recognizable, resonant voice in a variety of animated endeavors. He announced in a 2005 interview that he's been in a long-term relationship with another man for nearly 20 years, and this news did nothing to halt his career or the public's goodwill toward him. Among his most high-profile acting gigs apart from Star Trek have been the television show Heroes, okaying Le Duc Tho in Kissinger and Nixon, and playing a quirky economics teacher in the Tom Hanks directed Larry Crowne.

Trivia: Actor Walter Koenig is best known as Ensign Chekhov on the evergreen TV series Star Trek. Before his tenure on Star Trek he'd done some acting, both in his native Chicago and in New York. Absent from Star Trek's first season, Koenig was signed on in 1967 as Russian-born Pavel Chekhov when the NBC "suits" decided that a new, young regular was needed to woo the female teenaged viewers. The role turned out to be Koenig's life's work: he has portrayed Chekhov in every Star Trek feature film since. Oddly, he did not appear in the 1975 Saturday morning Star Trek cartoon spin-off, though he did contribute one of that series' scripts. Firmly entrenched in the science-fiction mode into the 1990s, Walter Koenig has appeared as Mr. Bester in the syndicated series Babylon 5.

Trivia: African American actress/singer Nichelle Nichols was born in Robbins, a progressive Illinois community founded by blacks in the 1890s. Nichelle sang with the Duke Ellington and Lionel Hampton bands, then performed as a single in nightclubs. Garnering acting experience in supporting roles in such films as Mister Buddwing (1965) and Doctor, You've Got to Be Kidding!(1966), Ms. Nichols was cast in her signature role in 1966: Lieutenant Nyota Uhura on Star Trek. Much was made in the mainstream press over the fact that here was the first TV science-fiction series to feature a black regular. Much more was made on the set of Trek by Nichols, who issued public complaints about the paucity of her character's screen time. She also seethed inwardly whenever star William Shatner, laboring under the assumption that every move he made was for the good of the series, ordered that Nichelle's lines be cut or altered because they "didn't fit her character." At the end of the first season, Nichols was poised to quit the series. She was persuaded to stay--by one of Star Trek's biggest fans: Dr. Martin Luther King, who felt that Uhura was a positive role model for black women. Before the series' three-year run was out, Nichols made television history by participating in an interracial kiss with William Shatner (though the scene itself was "fudged" so as not to offend those bigots who found such things offensive). In all her subsequent Trek endeavors, including the six theatrical features and the 1972 animated cartoon spin-off, Nichols saw to it that Uhura's contributions were of ever-increasing importance. In recent years, Nichelle Nichols has been active in several educational and pro-social organizations, and has been a guest host on the Sci-Fi cable channel's Inside Space; in 1994, she published her autobiography, Beyond Uhura: Star Trek and Other Memories. In 1996 she made a memorable appearance at a roast of her former captain William Shatner.

Trivia: India-born lead actress, onscreen from 1975.

Trivia: Fans of the original Star Trek and its movie spin-offs will recognize Mark Lenard for playing Sarek, the Vulcan father of first officer Mr. Spock. Lenard was also a respected theatrical actor and had appeared in other feature films and television shows. He first appeared on Star Trek as a Romulan commander in "Balance of Terror" (1966) and did not play Sarek until the following year in "Journey to Babel." He appeared a Klingon captain in Star Trek: The Movie (1979) before reprising his role as Sarek in parts III, IV and VI, as well as in two episodes of Star Trek: The Next Generation.Lenard launched his professional career on-stage and first bowed on Broadway in Carson McCullers' Square Root of Wonderful (1957). He went on to play supporting and co-leads in many highly regarded plays, including Much Ado About Nothing opposite John Gielgud. Lenard made his feature film debut in The Greatest Story Ever Told (1965). Prior to that, he had played a regular role on the soap opera Search for Tomorrow during the 1959-1960 season. After Star Trek, Lenard was a supporting regular on several other television series including Here Come the Brides (1968-1970) and Planet of the Apes (1974). Lenard died of multiple myeloma at the age of 68.

Trivia: Susan Sullivan is an Emmy-nominated actress who has proved equally adept at drama or comedy. She is best known for her eight years portraying Maggie Gioberti on the television series Falcon Crest, a prime-time network soap opera in a vein similar to that of Dallas and Dynasty, but she has also shown her comedic skills on sitcoms such as It's a Living and The George Carlin Show. Born Susan Michaela Sullivan in New York City in 1942 (some sources say 1944), she put herself through college by working as a Playboy bunny in the early '60s. Indeed, Sullivan was among the first Playboy bunnies employed by the newly opened Playboy Club in New York; as she has recalled in interviews, this was a most intellectually impressive and ambitious array of women, somewhat different from what the Playboy bunnies subsequently became, many of them aspiring to careers in law and other professions, and financing their educations by working at the club. Her television career began when she joined the cast of the daytime drama Another World in the role of Lenore Curtin, who she portrayed for four seasons. Sullivan based her career in New York, and was appearing in an off-Broadway play when she was spotted by an agent who offered to represent her if she moved to Hollywood. She accepted and thus began her career in prime-time television. Sullivan (who was sometimes billed as Susan J. Sullivan early in her career to distinguish her from another late-'60s actress named Susan Sullivan) appeared on television series such as Medical Center, McMillan & Wife, Kojak, and Petrocelli during the early '70s before landing the role that would establish her acting credentials, as Peter Strauss' lover in Rich Man, Poor Man--Book II (1976), which earned her an Emmy nomination. That same year, she moved into feature films, playing opposite Charlton Heston in Jack Smight's feature film Midway; she only had ten minutes of screen time in the movie, but hers were some of the best and most dramatically involving scenes in a movie that was otherwise largely devoid of character development or depth. Her sequences were used exclusively for the two-part television version of the movie, which means that theatrical audiences never saw her; Sullivan's scenes were missing from every home video version of the film until the October 2001 DVD reissue of Midway, which contained her footage. She spent most of the rest of the '70s in good guest-starring roles on series such as Taxi (where, in the episode "What Price Bobby," she proved herself capable of getting laughs and being sexually provocative at the same time, portraying an amorously predatory theatrical agent), and she turned in an exceptional dramatic performance in the pilot film for The Incredible Hulk, portraying a research scientist and friend of stricken hero David Banner (Bill Bixby). Her star continued to rise when she was cast in the lead role, as a gynecologist, in the made-for-television feature Having Babies and a sequel, which led to Sullivan playing the lead role in the subsequent ABC network series of the same name. From there, she was cast in the sitcom It's a Living, playing the most mature and sensible member of a group of waitresses at an upscale restaurant. It was after leaving It's a Living in 1981 that Sullivan earned the lead role of Maggie Gioberti on the drama Falcon Crest, which she played for eight seasons. Since leaving that series in 1989, a year before the end of its run, Sullivan has continued to act in both comedy and drama, and appeared on television on behalf of various charitable causes, as well as serving as the commercial spokesperson for Tylenol. She was a co-star on the George Carlin Show and has appeared on sitcoms such as Dharma & Greg. In the 2st century she found a regular gig voicing Hippolyta on the animated Justice League series, and enjoyed recurring roles on both The Drew Carey Show and Castle.

Trivia: Supporting actor Seales is best known as Dexter Stuffins in the TV sitcom Silver Spoons.