Trivia: With his passionate, deep-set eyes, classical features, and ultra-suave manner, it is small wonder that French actor Charles Boyer was known as one of the great cinematic lovers. During the 1920s, Boyer made a few nondescript silent films but was primarily a theatrical actor. From 1929-31 he made an unsuccessful attempt to make it in Hollywood, before returning to Europe until 1934 when his films began to win public favor. He became a true star with Garden of Allah (1936), and went on to play opposite the most alluring actresses of the '30s and '40s, including Ingrid Bergman and Greta Garbo. During World War II, he became active in encouraging French-American relations and established the French Research Foundation, for which he was awarded a special Academy Award in 1942 for "progressive cultural achievement" (he was nominated as an actor four times but never won). Later Boyer became an American citizen and went on to play more mature roles, including the occasional stage appearance (notably in Shaw's Don Juan in Hell). With actors Dick Powell and David Niven, Boyer co-founded Four Star Television in 1951, starring in many of the company's TV productions during the '50s and '60s. His career tapered off after the suicide of his 21-year-old son in 1965, after which he mostly made European films, though he returned to America to appear as the ancient High Lama in the musical remake of Lost Horizon (1973). He won the New York Film Critics Circle Award for his work in Stavisky, his final performance. Two days after his wife of forty-plus years, actress Patricia Peterson, died of cancer in 1978, he took his own life with an overdose of Seconal.

Trivia: Educated in London and Paris, the breathtakingly beautiful Maureen O'Sullivan was discovered for films by director Frank Borzage while both were attending a horse show in Dublin. She made her screen debut in 1930 opposite Irish tenor John McCormick in Song O' My Heart, which earned her a contract with Fox studios. After appearing in such Fox blockbusters as Just Imagine (1930) and A Connecticut Yankee (1931), she moved to MGM, where her first assignment was the role of Jane Parker in Tarzan the Ape Man (1932). She repeated this characterization in Tarzan and His Mate (1934), causing a minor sensation with her bikini-like costume and a nude swimming scene. Somewhat more modestly garbed, she went on to co-star in four more Tarzan pictures over the next eight years. Though MGM kept her busy in a variety of films, ranging from such costume dramas as The Barretts of Wimpole Street (1934) and David Copperfield (1935) to the Marx Brothers' A Day at the Races (1937), she is best remembered for her appearances as Jane, a fact that has been a source of both pride and irritation for the actress (she liked her co-star Johnny Weissmuller but despised Cheeta the chimpanzee, who bit her more than once). She retired from films in 1942 to devote her time to her husband, director John Farrow, and her many children, two of whom grew up to be actresses Mia Farrow and Tisa Farrow. She returned to the screen in 1948, averaging a film every two years until 1958. An early arrival on TV, she hosted a local children's program in New York and the syndicated series Irish Heritage, and in 1964 was hired by NBC to co-anchor The Today Show (her replacement the following year was Barbara Walters). In 1964 she starred with Paul Ford in the Broadway production Never Too Late, playing a fortysomething suburbanite who suddenly finds herself pregnant; the following year she and Ford repeated their roles in the screen version. Widowed in 1963, she remarried 20 years later, sporadically reviving her screen activities in such films as Hannah and Her Sisters (1985), in which she and Lloyd Nolan played the combative parents of her real-life daughter Mia Farrow. As regally beautiful as ever, Maureen O'Sullivan showed up again on TV in the mid-'90s as one of the interviewees in a Tarzan retrospective.

Trivia: Throughout Hollywood's golden age and TV's "typecasting" era of the '50s and '60s, there would always be a demand for American actor Dan Tobin. After all, somebody had to play all those stuffed-shirt executives, snotty desk clerks, officious male secretaries, tight-fisted bankers and tuxedoed, mustachioed stiffs to whom the heroine was unhappily engaged before the hero came along. Tobin was a welcome if slightly pompous presence in such films as Woman of the Year (1941), Bachelor and the Bobbysoxer (1947) The Big Clock (1948) and The Love Bug Rides Again (1973). On television, Tobin had semiregular stints on I Married Joan, My Favorite Husband and Perry Mason, as well as innumerable guest bits on sitcoms and anthologies. Dan Tobin was also a frustrated screenwriter, at least according to scenarist George Clayton Johnson; while working together on a 1960 episode of Twilight Zone, Tobin cornered Johnson and described his concept for a fantasy script about a gambler who could read his opponent's minds -- a talent which failed when he came up against an opponent who couldn't speak English!

Trivia: A sadly neglected supporting actress, Ann Doran played everything from Charley Chase's foil in Columbia two-reelers of the late '30s to James Dean's mother in Rebel Without a Cause (1955) and also guest starred in such television shows as Superman, Petticoat Junction, Bewitched, and The A Team. A former child model and the daughter of silent screen actress Rose Allen (1885-1977), Doran made her screen bow in Douglas Fairbanks' Robin Hood (1922) but then spent the next 12 years or so getting herself an education. She returned to films in 1934 and joined the Columbia short subject department two years later. While with Columbia, Doran worked on all of Frank Capra's films save Lost Horizon (1937) and she later toiled for both Paramount and Warner Bros., often receiving fine reviews but always missing out on the one role that may have made her a star. Appearing in more than 500 films and television shows (her own count), Doran worked well into the 1980s, often unbilled but always a noticeable presence.

Trivia: Of Swedish-American heritage, Virginia Christine (born Virginia Kraft) grew up in largely Scandinavian communities in Iowa and Minnesota. As a high schooler, Christine won a National Forensic League award, which led to her first professional engagement on a Chicago radio station. When her family moved to Los Angeles, Christine sought out radio work while attending college. She was trained for a theatrical career by actor/director Fritz Feld, who later became her husband. In 1942, she signed a contract with Warner Bros., appearing in bits in such films as Edge of Darkness (1943) and Mission to Moscow (1944). As a free-lance actress, Christine played the female lead in The Mummy's Curse (1945), a picture she later described as "ghastly." Maturing into a much-in-demand character actress, Christine appeared in four Stanley Kramer productions: The Men (1950), Not as a Stranger (1955), Judgment at Nuremberg (1961) and Guess Who's Coming to Dinner (1967). Other movie assignments ranged from the heights of Invasion of the Body Snatchers (1956) to the depths of Billy the Kid Meets Dracula (1978). To a generation of Americans who grew up in the 1960s and 1970s, Christine will forever be Mrs. Olson, the helpful Swedish neighbor in scores of Folger's Coffee commercials.