Trivia: Red-headed, freckle-faced Martin Milner was only 15 when he made his screen debut in Life With Father (1947), and would continue to play wide-eyed high schoolers and college kids well into the next decade. His early film assignments included the teenaged Marine recruit in Lewis Milestone's The Halls of Montezuma (1951) and the obnoxious suitor of Jeanne Crain in Belles on Their Toes (1952). His first regular TV series was The Stu Erwin Show (1950-1955), in which he played the boyfriend (and later husband) of Stu's daughter Joyce. More mature roles came his way in Marjorie Morningstar (1957) as Natalie Wood's playwright sweetheart and in The Sweet Smell of Success (1957) as the jazz musician targeted for persecution by Winchell-esque columnist Burt Lancaster. Beginning in 1960, he enjoyed a four-year run as Corvette-driving Tod Stiles on TV's Route 66 (a statue of Milner and his co-star George Maharis currently stands at the Corvette Museum in Bowling Green, KY). A longtime friend and associate of producer/director/actor Jack Webb, Milner was cast as veteran L.A.P.D. patrolman Pete Malloy on the Webb-produced TV weekly Adam-12, which ran from 1968 to 1975. His later TV work included a short-lived 1970s series based on Johan Wyss' Swiss Family Robinson. Later employed as a California radio personality, Martin Milner continued to make occasional TV guest appearances; one of these was in the 1989 TV movie Nashville Beat, in which he was reunited with his Adam-12 co-star Kent McCord. He made an appearance on the short-lived series The New Adam-12 and had recurring roles on shows like Life Goes On and Murder, She Wrote. Milner died in 2015, at age 83.

Trivia: Supporting actor Kent McCord is best known for co-starring in the long-running series Adam-12 (1968-1975). McCord made his film debut in the made-for-television movie The Outsider (1967). Following the demise of Adam-12, McCord continued appearing in TV films and in low-budget features such as Unsub (1985) and Return of the Living Dead 3 (1993).

Trivia: The oldest son of singer Bing Crosby, American actor Gary Crosby was named for Bing's good friend Gary Cooper. Crosby, along with his three brothers, began his show-biz career as a child on his father's radio program. In 1942 he appeared in the movie musical Star Spangled Rhythm, where he was kissed by Betty Grable. For the next few years he was only seen in film sporadically. In 1962, with the encouragement of his wife, Gary began pursuing a performing career in earnest, first as part of a nightclub act with his brothers, then as a solo singer. In 1963 Crosby was signed for a two-year continuing role on the TV sitcom The Bill Dana Show. After its 1965 cancellation his career went on hold until director Hollingsworth Morse persuaded TV actor/producer Jack Webb to take a chance with Gary and give him a few supporting roles on the 1960s version of Dragnet.Webb liked Crosby and retained him in the role of Officer Ed Wells on Adam-12, which debuted in 1968. With three years of Adam-12 under his belt, Crosby took on the role of Officer Ed Rice on the short-lived cop show Chase (1974). While his father was still alive, Crosby was usually guarded in his comments about his relationship with his father, but after his father died in 1977, Gary found himself an object of much media scrutiny and in 1983, six years after his father's death, he published a scathing account of his troubled upbringing in Going My Own Way. The book not only generated public controversy, it also created turmoil amongst his brothers and his step family.

Trivia: Trained as a musician, Virginia Gregg drew her first professional paychecks with the Pasadena Symphony. Gregg was sidetracked into radio in the 1940s, playing acting roles in an abundance of important California-based network programs. Her extensive radio credits include Gunsmoke, Suspense, Yours Truly Johnny Dollar, and Richard Diamond. Her first film was 1946's Notorious, directed by Alfred Hitchcock, who last cast Gregg as the voice of "Mother" in his classic chiller Psycho (1960). Virginia Gregg was most closely associated with the output of actor/producer/director Jack Webb: she co-starred in both of Webb's film versions of his popular radio and TV series Dragnet, and guest-starred in virtually every other episode of the 1967-70 Dragnet TV revival.

Trivia: American actor, singer, and dancer Ralph Montgomery played character roles in vaudeville, radio, and television. Montgomery also appeared in numerous feature films from the '40s through the mid-'70s. In addition to performing, he also worked as a drama coach. His daughter is an actress and his son, Phil Montgomery, is an actor and producer.

Trivia: Actor and stunt man Fred Stromsoe worked in both television and feature films. His television credits include a regular role as Officer Woods on Adam-12 between 1974 and 1975. He also appeared in segments of Wild, Wild West and Gunsmoke.

Trivia: Born into a family of travelling show folk, Lyle Talbot toured the hinterlands as a teen-aged magician. Talbot went on to work as a regional stock-company actor, pausing long enough in Memphis to form his own troupe, the Talbot Players. Like many other barnstorming performers of the 1920s, Talbot headed to Hollywood during the early-talkie era. Blessed with slick, lounge-lizard good looks, he started out as a utility lead at Warner Bros. Talbot worked steadily throughout the 1930s, playing heroes in B pictures and supporting parts in A pictures. During a loanout to Monogram Pictures in 1932, he was afforded an opportunity to co-star with Ginger Rogers in a brace of entertaining mysteries, The 13th Guest and The Shriek and the Night, which were still making the double-feature rounds into the 1940s. In 1935, Talbot and 23 other film players organized the Screen Actors Guild; to the end of his days, he could be counted upon to proudly display his SAG Card #4 at the drop of a hat. As his hairline receded and his girth widened, Talbot became one of Hollywood's busiest villains. He worked extensively in serials, playing characters on both sides of the law; in 1949 alone, he could be seen as above-suspicion Commissioner Gordon in Batman and Robin and as duplicitous Lex Luthor in Atom Man Vs. Superman. He remained in harness in the 1950s, appearing on Broadway and television. Two of his better-known assignments from this period were Joe Randolph on TV's The Adventures of Ozzie and Harriet and as Bob Cummings' lascivious Air Force buddy Paul Fonda on Love That Bob. Seemingly willing to work for anyone who met his price, Talbot had no qualms about appearing in the dregs of cheapo horror films of the fifties. He was prominently cast in two of the estimable Edward D. Wood's "classics," Glen or Glenda (1953) and Plan Nine From Outer Space (1955). When asked what it was like to work for the gloriously untalented Wood, Talbot would recall with amusement that the director never failed to pay him up front for each day's work with a handful of stained, crinkly ten-dollar bills. Though he made his last film in 1960, Lyle Talbot continued touring in theatrical productions well into the late 1970s, regaling local talk-show hosts with his bottomless reserve of anecdotes from his three decades in Hollywood.

Trivia: At the risk of incurring groans for a clumsy pun, we must note that African-American actress Maidie Norman has been consigned to numerous "maid-y" parts in her long screen career. Most of Maidie's film assignments have been as domestics of some sort or other, which was unfortunately to be expected in the white-bread '50s; a handful of the actress' role were, however, wholly worthy of her talents. Her first film was The Burning Cross (1948), a sincere if low-budget attack on the KKK in which she played the wife of that ubiquitous black character actor Joel Fluellen. Maidie followed this with The Well (1951), another of a brief cycle of '50s films to explore black-white relationships. But once such films were labelled as "leftist" by the Communist hunters of the era, Maidie found herself accepting more and more roles where she played subserviently to white stars. Busy in both films and TV into the '70s, Maidie surprisingly continued to play maids even as Hollywood became more sensitive towards stereotyping; as Olivia De Havilland's faithful servant in Airport '77, she endured a Hattie McDaniel-like scene in which she died in her employer's arms. Maidie's best screen appearance, Whatever Happened to Baby Jane (1962), was as yet another domestic. Playing the no-nonsense housekeeper of Bette Davis and Joan Crawford, Maidie discovers Davis' potentially homicidal intentions for Joan, whereupon she defiantly announces her plans to go to the police. Since this happens at the film's halfway point, just guess how the homicidal Davis "serves notice" to the hapless Maidie Norman.