Trivia: Angela Lansbury received an Oscar nomination for her first film, Gaslight, in 1944, and has been winning acting awards and audience favor ever since. Born in London to a family that included both politicians and performers, Lansbury came to the U.S. during World War II. She made notable early film appearances as the snooty sister in National Velvet (1944); the pathetic singer in The Picture of Dorian Gray (1945), which garnered her another Academy nomination; and the madam-with-a-heart-of-gold saloon singer in The Harvey Girls (1946). She turned evil as the manipulative publisher in State of the Union (1948), but was just as convincing as the good queen in The Three Musketeers (1948) and the petulant daughter in The Court Jester (1956). She received another Oscar nomination for her chilling performance as Laurence Harvey's scheming mother in The Manchurian Candidate (1962) and appeared as the addled witch in Bedknobs and Broomsticks (1971), among other later films. On Broadway, she won Tony awards for the musicals Mame (1966), Dear World (1969), the revival of Gypsy (1975), Sweeney Todd (1979) and, at age 82, for the play Blithe Spirit (2009). Despite a season in the '50s on the game show Pantomime Quiz, she came to series television late, starring in 1984-1996 as Jessica Fletcher in Murder, She Wrote; she took over as producer of the show in the '90s. She returned to the Disney studios to record the voice of Mrs. Potts in Beauty and the Beast (1991) and to sing the title song and later reprised the role in the direct-to-video sequel, The Enchanted Christmas (1997). Lansbury is the sister of TV producer Bruce Lansbury.

Trivia: British actor Patrick Macnee barely had time to earn his Eton school tie when he began training for his career on a scholarship to the Webber Douglas School of Dramatic Art. While serving with the Royal Navy during World War II, Macnee made his first film appearance with a small role in The Life and Death of Colonel Blimp (1943). He continued essaying such featured roles as Young Marley in the 1951 Christmas Carol before coming to Broadway with the Old Vic troupe in 1954. He decided to stay in Hollywood a while, appearing in several TV shows and such films as Les Girls (1957). He would later describe most of his roles during this period as "villainy in a tri-corner hat." In 1960, Macnee traded his period duds for a bowler and three-piece suit when he began his long run as sophisticated secret agent John Steed on the British TV series The Avengers (incidentally, the murder that Macnee was "avenging" in the early episodes was that of a woman played by his then-wife Kate Woodville). He remained the one permanent fixture on The Avengers until its demise in 1968, appearing opposite three different jumpsuit-clad leading ladies: Honor Blackman, Diana Rigg and Linda Thorson. Macnee also showed up as a supervisor of sort in the 1977 "retro" series The New Avengers, leaving the karate and gunplay to Joanna Lumley and Gareth Hunt. In America, Patrick Macnee appeared regularly on the TV series Gavilan (1982), Empire (1984), and Lightning Force (1991). Macnee continued working through the 2000s, including a voice appearance in the 1998 Avengers movie. Patrick Macnee passed away in 2015, at age 93.

Trivia: Born in Argentina to British parents, dark-eyed actress Olivia Hussey was "introduced" in Franco Zeffirelli's 1968 production of Romeo and Juliet; in point of fact, she had been in films from 1965, though never in any sort of starring capacity. Much was made at the time of the extreme youth of Hussey and her Romeo, Leonard Whiting. It was said that she was the first movie Juliet who was a genuine teenager rather than an established, venerated screen star; even so, at 16 Hussey was still two or three years older than Shakespeare's Juliet. Few of her subsequent films were on the same artistic or box-office level as Romeo and Juliet, though Hussey was a most fetching damsel in distress in 1978's Death on the Nile and a competent "femme fatale" in 1980's The Man With Bogart's Face. Olivia Hussey has been married to actor/tennis player Dean Paul Martin and Japanese recording artist Akira Fuse, respectively.

Trivia: Throaty-voiced, kittenish leading lady Glynis Johns was the daughter of British stage actor Mervyn Johns; she was born while her father and concert-pianist mother were on a tour of South Africa. Enrolled in the London ballet school at age 6, Johns had by age 10 progressed to the point that she was certified to teach ballet. At 12, she made her stage debut in the role of Napoleon's daughter in Saint Helena; at 13, she was cast in the pivotal role of the spiteful schoolgirl in the London production of Lillian Hellman's The Children's Hour. This led to her first film, 1937's South Riding, in which she played another petulant, foot-stamping adolescent. Johns graduated to coquettish leading roles in the 1940s, most famously as the alluring mermaid in Miranda (1946). Her best-known Hollywood assignments include the roles of Maid Jean in Danny Kaye's The Court Jester (1956) and the suffragette Mrs. Banks in Disney's Mary Poppins (1964) (Johns was the only cast member to have the foresight to demand a portion of the royalties for the Poppins soundtrack record). In 1963, she starred in Glynis, a lukewarm TV comedy/mystery series. Eight years later, she won a Tony award for her performance in Broadway's A Little Night Music. Still active into the 1990s, Glynis Johns was recently seen as a belligerent in-law in The Ref (1994) and as a deliciously dotty aunt in While You Were Sleeping (1995).

Trivia: While growing up in Chicago, Tom Bosley dreamed of becoming the star left-fielder for the Cubs. As it turned out, the closest Bosley got to organized athletics was a sportscasting class at DePauw University. After additional training at the Radio Institute of Chicago and two years' practical experience in various dramatic radio programs and stock companies, he left for New York in 1950. Five years of odd jobs and summer-theater stints later, he landed his first off-Broadway role, playing Dupont-Dufort in Jean Anouilh's Thieves' Carnival. Steadier work followed at the Arena Theatre in Washington, D.C.; then in 1959, Bosley landed the starring role in the Broadway musical Fiorello!, picking up a Tony Award, an ANTA Award, and the New York Drama Critics Award in the bargain. In 1963, he made his film bow as Natalie Wood's "safe and secure" suitor Anthony Colombo in Love With the Proper Stranger. Occasionally cast as two-bit criminals or pathetic losers (he sold his eyes to blind millionairess Joan Crawford in the Spielberg-directed Night Gallery TV movie), Bosley was most often seen as a harried suburban father. After recurring roles on such TV series as That Was the Week That Was, The Debbie Reynolds Show, and The Sandy Duncan Show, Bosley was hired by Hanna-Barbera to provide the voice of flustered patriarch Howard Boyle on the animated sitcom Wait Til Your Father Gets Home (1972-1973). This served as a dry run of sorts for his most famous series-TV assignment: Howard Cunningham, aka "Mr. C," on the immensely popular Happy Days (1974-1983). The warm, familial ambience of the Happy Days set enabled Bosley to weather the tragic death of his first wife, former dancer Jean Elliot, in 1978. In addition to his Happy Days duties, Bosley was narrator of the syndicated documentary That's Hollywood (1977-1981). From 1989 to 1991, he starred on the weekly series The Father Dowling Mysteries, and thereafter was seen on an occasional basis as down-to-earth Cabot Cove sheriff Amos Tupper on Murder, She Wrote. Reportedly as kind, generous, and giving as his Happy Days character, Tom Bosley has over the last 20 years received numerous honors for his many civic and charitable activities.

Trivia: The son of actress Viveca Lindfors and director Don Siegel, Tabori made his film debut as a child in Lindfors' 1958 drama Weddings and Babies. He began acting in theater in the '60s, and by the end of the decade was playing bit parts in films such as Siegel's Coogan's Bluff, Bob Fosse's Sweet Charity; and Peter Yates' John and Mary. In the '70s, Tabori starred in John Erman's Making It and Tom Gries' Journey Through Rosebud; his other notable films include John Dexter's Sidelong Glances of a Pigeon Kicker and Claudia Weill's Girlfriends. A regular stage actor, Tabori has also worked frequently in television, including productions of Arthur Miller's A Memory Of Two Mondays and Christopher Fry's The Lady's Not For Burning, as well as numerous television films, such as the Aldous Huxley adaptation Brave New World and Gries' The Glass House and QBVII.

Trivia: Lead actress Sarah Douglas first appeared onscreen in the '70s.