Trivia: Darren McGavin dropped out of college after one year and moved to New York, where he trained for the stage at the Neighborhood Playhouse and the Actors Studio. In the mid '40s he began landing small roles in occasional films, but worked primarily onstage. He first made an impression onscreen as a painter in David Lean's Summertime and a drug pusher in Otto Preminger's The Man with the Golden Arm (both 1955); nevertheless, his subsequent film work tended to occur in intermittent spurts, with long periods off-screen between roles. He is best known as a TV actor; he starred in the TV series Crime Photographer, Mike Hammer, Riverboat, The Outsider, and Kolchak: The Night Stalker, and also appeared in a number of TV movies. He occasionally directed episodes of his TV shows, and directed and produced the film Happy Mother's Day, Love George (1973), whose title was later changed to Run, Stranger, Run.

Trivia: After her eye-catching debut as Nurse Dish in the 1970 film version of MASH, American leading lady Jo Ann Pflug remained on call for sexy, come-hither roles. Pflug spent the bulk of her career on television, playing regular roles on Operation Petticoat (1978-79, as Lieutenant Katherine O'Hara) and The Fall Guy (1981-82 as "Big Jack"). She also played Nora Charles in an abortive mid-1970s attempt to revive The Thin Man as a weekly series. While starring as Taylor von Platen on the syndicated soap opera Rituals (1984), Jo Ann Pflug became a born-again Christian; rebelling against the prurient content of Rituals, Pflug quit the program, thereafter devoting herself to religious radio and television projects.

Trivia: A former violinist, character actor Simon Oakland made his Broadway debut in 1948's The Skipper Next to God. Oakland's later stage credits include Light Up the Sky, The Shrike and Inherit the Wind. In films from 1957, Oakland was often cast as an outwardly unpleasant sort with inner reserves of decency and compassion. In I Want to Live (1958) for example, he played a journalist who first shamelessly exploited the murder trial of death-row inmate Susan Hayward, then worked night and day to win her a reprieve. And in Hitchcock's Psycho (1960), he had a memorable curtain speech as a jumpy, jittery, apparently neurotic psychiatrist who turned out to be the only person who fully understood transvestite murderer Anthony Perkins. Conversely, Oakland played his share of out-and-out villains, notably the bigoted Officer Schrank in West Side Story (1961). Far busier on television than in films--he once estimated that he'd appeared in 550 TV productions--Oakland was seen almost exclusively on the small screen after 1973. Within a five-year period, he was a regular on four series: Kolchak: The Night Stalker, Toma, Black Sheep Squadron and David Cassidy, Man Undercover. After a long losing bout with cancer, Simon Oakland died one day after his 63rd birthday.

Trivia: A onetime lumberjack, Scott Brady distinguished himself as a Navy boxing champion during the war. After VJ Day, Brady took drama classes, appearing in his first film, Canon City, in 1948. Usually assigned rough-and-tumble roles (many villainous in nature), Brady exhibited a normally untapped comic prowess in the 1952 film The Model and the Marriage Broker. He continued taking lead roles in cheap westerns, horror films and science-fiction pictures into the 1960s, occasionally surfacing in "A" films like Marooned (1969) and Gremlins (1985, his last film). In 1959, Brady starred in a syndicated western series, Shotgun Slade, which allowed him the opportunity to act opposite several of his non-showbiz idols, including war hero Pappy Boyington and athlete Elroy "Crazylegs" Hirsch; he also had a recurring role in the 1970s anthology Police Story. Scott Brady is the younger brother of Lawrence Tierney, an actor best known for his gangster portrayals.

Trivia: Following his screen debut in 1949's Twelve O'Clock High, Richard Anderson was groomed for stardom at MGM. His stature in Hollywood seemed assured when he married the daughter of former MGM luminary Norma Shearer. But Anderson was -- by his own admission -- a less-than-noble figure in his younger days, losing both prestige and several plum film roles through his arrogance, his explosive temper, and his after-hours carousing. A kinder, mellower Richard Anderson resurfaced on television in the 1970s, gaining a modest but loyal fan following thanks to his weekly appearances as Oscar Goldman in The Six Million Dollar Man. Anderson also played Goldman on the spin-off series The Bionic Woman -- the result being that, for several years in the mid-1970s, he was simultaneously co-starring on two different TV series in the same role. Richard Anderson's additional TV-series stints included Mama Rosa (1950), Bus Stop (1961), Dan August (1970), Cover-Up (1984) and Dynasty (1986-87 season).

Trivia: American actor Wally Cox looked and played the role of the bespectacled, introverted intellectual both before the cameras and in life. Fascinated with all things scientific and devoted to the study of insects, Cox seemed as unlikely a candidate for major stardom as he was an improbable roommate for Marlon Brando. In fact, he was both. While building his reputation in small clubs as a monologist, Cox shared quarters with Brando, his best friend since childhood. Cox didn't really tell jokes in his club act; he would relate the offbeat exploits of his boyhood pal Dufo or do a dead-on imitation of his humorless, doltish Army drill sergeant; these were characterizations rather than routines, a gentler version of the sort of work done years later by Whoopi Goldberg. Playing occasional small parts on TV (he appeared very briefly as a baker in the 1952 film The Sniper, minus his familiar eyeglasses), Cox was tapped by producer Fred Coe to appear in a 1952 summer-replacement comedy series on NBC, Mr. Peepers, where he played Robinson Peepers, the shy, knowledgeable high school teacher at Jefferson High. Mr. Peepers garnered excellent ratings and won numerous awards, including an Emmy for Cox. As big a star as he would ever be, Cox was rushed into numerous nightclub engagements, which unfortunately fell flat because of inappropriate bookings and because audiences didn't want to see Cox as anyone other than Peepers. A 1955 sitcom, The Adventures of Hiram Holliday, starred Wally as an unlikely globe-trotting adventurer; alas, it was scheduled directly opposite ABC's powerhouse Disneyland. Cox would spend most of the rest of his career playing variations of Peepers on other star's sitcoms and variety series, occasionally breaking the mold by playing a murderer or bon vivant. He also tried his hand as a playwright, a field in which he displayed considerable skill. Once again under contract to NBC in the mid '60s, Cox became a regular on the comedy quiz show Hollywood Squares, where he adopted the image of a bored know-it-all. It is this Wally Cox that most viewers remember, not the brilliant comic actor who convinced his '50s fans that he was Mr. Peepers, not just a man playing a part. Wally Cox died of a sudden heart attack in 1973; he was cremated, and his ashes were discreetly scattered at an undisclosed spot (and in defiance of municipal laws) by his old friend and ex-roommate Marlon Brando.

Trivia: A kindergarten teacher in her native Cleveland, Margaret Hamilton began her acting career there in community theatre and with the prestigious Cleveland Playhouse. In 1933, Hamilton was invited to repeat her stage role of the sarcastic daughter-in-law in the Broadway play Another Language for the MGM film version. Though only in her early '30s, the gloriously unpretty Hamilton subsequently played dozens of busybodies, gossips, old maids, and housekeepers in films bearing such titles as Hat, Coat and Glove (1934), Way Down East (1935) and These Three (1936). She proved an excellent foil for such comedians as W.C. Fields (in 1940's My Little Chickadee) and Harold Lloyd (in 1946's The Sin of Harold Diddlebock). Her most famous film assignment was the dual role of Elvira Gulch and the Wicked Witch of the West in the imperishable 1939 gem The Wizard of Oz -- a role which nearly cost her her life when her green copper makeup caught fire during one of her "disappearance" scenes. She played several smaller but no less impressive roles at 20th Century-Fox, including the first-scene plot motivator in People Will Talk (1951) and Carrie Nation in Wabash Avenue (1950). She alternated her film work with stage assignments in the 1950s and 1960s, frequently returning to her home base at the Cleveland Playhouse. Achieving "icon" status in the 1970s by virtue of The Wizard of Oz, Hamilton sometimes found herself being cast for "camp" effect (e.g. Robert Altman's Brewster McCloud), but also enjoyed some of her best-ever parts, including the role of professorial occult expert in the 1972 TV movie The Night Strangler. Despite her menacing demeanor, Hamilton was a gentle, soft-spoken woman; she was especially fond of children, and showed up regularly on such PBS programs as Sesame Street and Mister Rogers. In the 1970s, Margaret Hamilton added another sharply etched portrayal to her gallery of characters as general-store proprietor Cora on a popular series of Maxwell House coffee commercials -- one of which ran during a telecast of The Wizard of Oz!

Trivia: Though best known to modern filmgoers as a horror star, cadaverous John Carradine was, in his prime, one of the most versatile character actors on the silver screen. The son of a journalist father and physician mother, Carradine was given an expensive education in Philadelphia and New York. Upon graduating from the Graphic Arts School, he intended to make his living as a painter and sculptor, but in 1923 he was sidetracked into acting. Working for a series of low-paying stock companies throughout the 1920s, he made ends meet as a quick-sketch portrait painter and scenic designer. He came to Hollywood in 1930, where his extensive talents and eccentric behavior almost immediately brought him to the attention of casting directors. He played a dizzying variety of distinctive bit parts -- a huntsman in Bride of Frankenstein (1935), a crowd agitator in Les Miserables (1935) -- before he was signed to a 20th Century Fox contract in 1936. His first major role was the sadistic prison guard in John Ford's Prisoner of Shark Island (1936), which launched a long and fruitful association with Ford, culminating in such memorable screen characterizations as the gentleman gambler in Stagecoach (1939) and Preacher Casy ("I lost the callin'!") in The Grapes of Wrath (1940). Usually typecast as a villain, Carradine occasionally surprised his followers with non-villainous roles like the philosophical cab driver in Alexander's Ragtime Band (1938) and Abraham Lincoln in Of Human Hearts (1938). Throughout his Hollywood years, Carradine's first love remained the theater; to fund his various stage projects (which included his own Shakespearean troupe), he had no qualms about accepting film work in the lowest of low-budget productions. Ironically, it was in one of these Poverty Row cheapies, PRC's Bluebeard (1944), that the actor delivered what many consider his finest performance. Though he occasionally appeared in an A-picture in the 1950s and 1960s (The Ten Commandments, Cheyenne Autumn), Carradine was pretty much consigned to cheapies during those decades, including such horror epics as The Black Sleep (1956), The Unearthly (1957), and the notorious Billy the Kid Meets Dracula (1966). He also appeared in innumerable television programs, among them Twilight Zone, The Munsters, Thriller, and The Red Skelton Show, and from 1962 to 1964 enjoyed a long Broadway run as courtesan-procurer Lycus in A Funny Thing Happened on the Way to the Forum. Though painfully crippled by arthritis in his last years, Carradine never stopped working, showing up in films ranging from Everything You Always Wanted to Know About Sex But Were Afraid to Ask (1972) to Peggy Sue Got Married (1984). Married four times, John Carradine was the father of actors David, Keith, Robert, and Bruce Carradine.

Trivia: There is more to character actor Al Lewis than meets the eye. Best known to baby boomers for playing the roles of Officer Schnauzer in Car 54 Where Are You? and Grandpa in The Munsters, he holds a doctorate in child psychology from Columbia University, has penned two children's books, produced a kid-oriented home video, and once hosted a series of Saturday morning television shows on WTBS. He has also been a circus performer, a school teacher, and a vaudevillian. Lewis became an actor after earning his degree, teaching, and writing his books. He studied with the Paul Mann Actor's Workshop in New York. On television, he first appeared in "Trouble-In-Law" on The U.S. Steel Hour (1959). The following year, Lewis appeared in the feature film Naked City and then was cast opposite Fred Gwynne in Car 54, Where Are You? The show ran until 1963 and within a year, he was playing the vampiric Grandpa against Gwynne's Frankenstein, Herman Munster. Though The Munsters lasted two years, it has developed a cult following and has re-aired endlessly in syndication and spawned a feature-length sequel, Munster Go Home (1964), and a made-for-TV reunion movie, Munster's Revenge (1981). In 1994, he reprised his role as Schnauzer for the TV-movie version of Car 54 Where Are You? Lewis has gone on to continue making occasional guest appearances on television and a sporadic movie career. In addition to his other endeavors, Lewis has been a high school basketball scout and the owner of a restaurant in New York.