Trivia: Farce, satire, and parody come together with Vaudeville roots and manic energy to create the Mel Brooks style of comedy. Born Melvin Kaminsky to a Russian Jewish family in Brooklyn, NY, the writer/producer/director/actor was one of very few people to win an Oscar, Emmy, Grammy, and Tony award. After serving in the U.S. Army during World War II, he worked as a standup comic at resorts in the Catskills and started writing comedy. Along with Woody Allen, Neil Simon, and others, he wrote for Sid Caesar's Your Show of Shows, which later became Caesar's Hour. Teaming up with fellow staff writer Carl Reiner, he developed the award-winning "2000 Year Old Man" comedy skit, which led to several recordings, television appearances, and a 1998 Grammy. He and writer Buck Henry also created the spy-parody TV series Get Smart (1965-1970) starring Don Adams. During this time, he produced theater, married actress Anne Bancroft, and made his first film: an Oscar-winning animated short parody of modern art called The Critic. He then put together a screenplay based upon his experiences working with Broadway executives that led to his feature-length debut The Producers. He cast stage legend Zero Mostel in the lead role and got B-movie producer Joseph Levine to put up the funds, but the movie didn't get distributed until Peter Sellers saw it and encouraged its release. Brooks ended up winning an Oscar for Best Screenplay and, in 2000, adapted the film into a highly successful Broadway musical. By 1970, after the release of his next film The Twelve Chairs, Hollywood thought his work was "too Jewish." In 1974, Brooks made the marketable move toward parodies with the Western spoof Blazing Saddles, winning him a Writer's Guild award and introducing his stock actors Harvey Korman and Madeline Kahn. Finding his niche, he would continue to make parodies throughout his career by spoofing horror (Young Frankenstein), silent movies (Silent Movie), Hitchcock (High Anxiety), historical epics (History of the World -- Part I), and science fiction (Spaceballs). Working simultaneously as writer, director, and lead actor, Brooks started to generate negative press about his excessive style. In 1983, appearing opposite Bancroft, he concentrated on just acting for the remake of the Ernst Lubitch classic To Be or Not to Be. He continued working with his production company Brooksfilms during the '80s as an executive producer on projects as varied as The Fly, The Elephant Man, Solarbabies, and 84 Charing Cross Road (starring Bancroft). His brief stray into non-parody films in 1991 (Life Stinks) was universally dismissed, so he returned to form with Robin Hood: Men in Tights and Dracula: Dead and Loving It. Other than the occasional cameo or random appearance as voice talent, Brooks spent the late '90s winning awards and playing Uncle Phil on the NBC series Mad About You. In 2001, the Broadway musical version of The Producers (starring Nathan Lane and Matthew Broderick) led to a successful national tour and broke a new record by winning one Grammy and 12 Tony awards. The stage version would lead to a new big screen adaptation in 2005, creating a whole new generation of fans. Over the coming years, Brooks would lend his voice to Spaceballs: The Animated Series and Jakers! The Adventures of Piggley Winks.

Trivia: Hofstra graduate Madeline Kahn was trained for an operatic career, but found her most gainful employment in musical comedy and revue work. While reducing audiences to tears of laughter as a member of New York's Upstairs at the Downstairs satirical troupe, Kahn made her first appearance in the short-subject Bergman lampoon The Dove (1968). She was "officially" discovered for films by director Peter Bogdanovich, who cast her as Ryan O'Neal's frowsy fiancee in What's Up Doc (1972). Kahn was nominated for Academy Awards for her portrayals of Southern doxy Trixie Delight in Bogdanovich's Paper Moon (1973) and Dietrich-like chanteuse Lilly Von Schtupp ("Oh, it's twue, it's twue, it's twue!") in Mel Brooks' Blazing Saddles (1974). Kahn went on to co-star in Brooks' Young Frankenstein (1974) and High Anxiety (1975), and made a return trip to the Bogdanovich fold in the disastrous At Long Last Love (1976) Her manic comedy style could be appealing, but, to paraphrase the late film encyclopedist Leslie Haliwell, it became a quickly overplayed hand. On Broadway, Kahn co-starred with Danny Kaye in Two by Two and was starred in the musical version of Twentieth Century, a grueling experience that all but destroyed her singing voice. She won a Tony award for her non-musical performance in Wendy Wasserstein's The Sisters Rosenzweig in 1992. Kahn's TV projects include the 1983 sitcom Oh, Madeline (based on the British series Pig in the Middle), a single season as George C. Scott's virago sister-in-law in Mister President (1987) and Cosby, the most recent project of comedian Bill Cosby, a sitcom that premiered in 1996. In 1995, Madeline Kahn was superbly cast as Martha Mitchell in Oliver Stone's Nixon and as a vituperative gossip columnist on the TV series New York News.

Trivia: Cloris Leachman seems capable of playing any kind of role, and she has consistently demonstrated her versatility in films and on TV since the 1950s. On the big screen, she can be seen in such films as Kiss Me Deadly (1955), Butch Cassidy and the Sundance Kid (1969), The Last Picture Show (1971), for which she won an Oscar; and Young Frankenstein (1974). On TV, she played the mother on Lassie from 1957-58, and Phyllis Lindstrom on both The Mary Tyler Moore Show (1970-77) and her own series, Phyllis (1975-77). She was a staple on many of the dramatic shows of the '50s, and a regular on Charlie Wild, Private Detective (1950-52), and The Facts of Life. Leachman has won three Emmy Awards and continues to make TV, stage, and film appearances, including a turn as Granny in the film version of The Beverly Hillbillies (1993) and supplying her voice for the animated Beavis and Butt-Head Do America (1996) and The Iron Giant (1999). In 1999, she could be seen heading the supporting cast in Wes Craven's Music of the Heart.

Trivia: Like many Chicago born-and-bred actors, Harvey Korman cut his acting teeth at that city's Goodman Theatre. He sold aluminum siding door-to-door while waiting for his Big Break, taking the occasional Broadway walk-on, TV commercial and cartoon voice-over. His earliest significant TV exposure came about during his four seasons (1963-67) as a regular on The Danny Kaye Show. He went on to join The Carol Burnett Show in 1967, remaining with the series until its 1977 demise and winning four Emmies in the process. Korman's versatility was only part of his appeal; it was also a stitch to watch him try to maintain a straight face while enduring the antics of fellow comic actor Tim Conway. One recurring sketch on the Burnett series, "The Family," later spun off into the TV series Mama's Family. While Korman had played Mama's (Vicki Lawrence) vituperative son-in-law Ed on the Burnett Show "Family" sketches, his principal contribution to Mama's Family was confined to his weekly introductory comments as "Alastair Quince"; he also directed a 1983 special based on the "Family" principals, Eunice. Most of Korman's other TV-series projects were lukewarm single-season affairs like The Harvey Korman Show (1978), Leo and Lizz in Beverly Hills (1986) and The Nutt House (1989). Korman's finest film work can be found in his antic appearances in the films of Mel Brooks, especially his portrayal of greedy land baron Hedley Lamarr in 1974's Blazing Saddles. One of his later projects was the voice of the Dictabird in the 1994 box-office hit The Flintstones -- a piquant piece of casting, inasmuch as Korman had supplied the voice of "The Great Gazoo" in the original Flintstonesanimated television series of the 1960s. Korman died of unspecified causes in May 2008.

Trivia: The son of a singing waiter, Ron Carey attended Seton Hall University, then embarked on the catch-as-catch-can life of a standup comedian. A huge hit on his first Jack Paar Show appearance, Carey was an enormous flop on his second Paar gig -- the victim, he'd later insist, of overpreparation. After two years away from show business, Carey rebuilt his confidence with nightly appearances at the Improvisation, a New York nightspot which showcased up-and-coming comics. Traveling westward to Hollywood, Carey appeared in dozens of commercials and secured supporting roles on the 1970s TV sitcoms The Corner Bar and The Montefuscos, then played a one-shot role on the last 1975 episode of Barney Miller. Executive producer Danny Arnold decided to use Carey as a Barney Miller regular, and at the beginning of the series' second season, he settled into the role of Levitt, a street cop who aspired to become a plainclothes detective. During his Barney Miller run (which lasted until 1982), Carey became a member of Mel Brooks's movie stock company, appearing in such Brooks yuckfests as Silent Movie (1976), High Anxiety (1977), and History of the World Pt. I (1981). In 1989, Ron Carey starred in the short-lived sitcom Have Faith, playing Father Vincent Paglia -- an ironic turn of events, inasmuch as Carey had once intended to become a priest.

Trivia: Diminutive (5'7") comic actor Howard Morris was in his teens when, while attending the National Youth Administration's radio workshop in New York City, he befriended another aspiring actor named Carl Reiner. The two were reunited in Honolulu during World War II, when Morris was Reiner's sergeant in an entertainment unit. Both Morris and Reiner played supporting roles in Maurice Evans' army-camp tour of Hamlet and MacBeth; after the war, the two performers toured in the musical Call Me Mister before joining the cast of Sid Caesar's TV comedy-variety series. Only after finishing nine seasons with Caesar were Morris and Reiner able to establish their own individual showbiz identities: Reiner as a novelist, film supporting actor, director and creator of The Dick Van Dyke Show, and Morris as one of the most prolific TV guest stars and directors of the 1960s. Relocating from New York to LA in 1961, Morris played the recurring role of goonish, rock-throwing Ernest T. Bass on The Andy Griffith Show, and a whole slew of one-shot assignments on series ranging from The Danny Thomas Show to The Twilight Zone. Morris forever shed the "third banana" status he'd had during his Sid Caesar days by directing episodes of such TV weeklies as Andy Griffith, The Dick Van Dyke Show, Gomer Pyle USMC, and the unforgettable black-and-white pilot for Get Smart. He also served as producer of the 1972-73 sitcom The Corner Bar. In films, Morris sparkled in such supporting parts as Jerry Lewis' browbeaten father in The Nutty Professor and German psychiatrist Dr. Lilloman in Mel Brooks' High Anxiety (1977). His theatrical-film directorial credits include the all-star comedy Who's Minding the Mint (1967), Doris Day's swan song With Six You Get Eggroll (1968), a very WASP-ish adaptation of Woody Allen's Don't Drink the Water (1969), and the Donny & Marie Osmond opus Goin' Coconuts (1978). Howard Morris is also a fixture of the animated cartoon voice-over world, supplying voices and directing recording sessions for many a Hanna-Barbera, Filmation and Walt Disney production: If you can't place the voice, think of Morris as Atom Ant, Beetle Bailey, Jughead Jones, and futuristic rock star Jet Screamer ("Eep, opp, ork, ah-ah") on The Jetsons.

Trivia: Through eight decades, actor Dick Van Patten retained the cherubic, chipmunk-cheeked countenance of his child-star days. Born into a family of actors, Van Patten was seven when he made his Broadway bow, playing Melvyn Douglas' son in Tapestry in Gray; that same year, he first stepped before a radio microphone. He would ultimately appear in over 20 Broadway productions, including Thornton Wilder's The Skin of Our Teeth. His co-star in this endeavor was Tallulah Bankhead, who declared that "Dickie" was the only child actor she could tolerate because he could read The Racing Form. In 1941, Van Patten and his younger sister Joyce made their joint film debut in Reg'lar Fellers, repeating their roles from the radio version of the same property. He would not again appear in a film until 1968's Charly, by which time he had played eldest son Nels Hansen in the pioneering TV sitcom Mama had made a smooth transition to adult parts in the role of Mister Roberts' Ensign Pulver, and had co-starred in such New York stage presentations as The Tender Trap, Will Success Spoil Rock Hunter? and Don't Drink the Water. An avid tennis player, Van Patten met producer/director Mel Brooks on the courts; their personal relationship blossomed into a professional one, with Van Patten playing Friar Tuck in Brooks' 1975 TV series When Things Were Rotten and appearing in several of Brooks' theatrical features. From 1977 through 1981, Van Patten starred as Tom Bradford on the TV "dramedy" Eight is Enough. His other series-TV assignments include The Partners (1971), The New Dick Van Dyke Show (1973-74 season) and WIOU (1990). In addition to his sibling relationship with Joyce Van Patten, Dick Van Patten is the half-brother Timothy Van Patten and the father of James and Vincent Van Patten--actors all. Van Patten died in 2015, at age 86.

Trivia: While serving his two-year hitch in the Army, Jack Riley performed in "Rolling Along of 1960," a military travelling show. After his discharge, Riley attended John Carroll University, then resumed his show-business activities as an actor, comedian, and "special material" writer for such stars as Mort Sahl, Rowan and Martin and Don Rickles. He made his film debut in 1962's The Days of Wine and Roses, and later essayed eccentric roles in such laugh-spinners as Attack of the Killer Tomatoes (1979). Active in television since 1966, Riley was a comedy-ensemble player in Keep on Truckin' (1975) and The Tim Conway Show (1980 edition), and occasionally popped up on Rowan and Martin's Laugh-In, impersonating Lyndon Johnson. His most celebrated TV role was the supremely paranoid Elliot Carlin in The Bob Newhart Show (1972-78), a role he later reprised (under various character names) in such series as Alf and St. Elsewhere. He was also cast as TV station manager Leon Buchanan in the two-episode sitcom Roxie (1987), and was heard as the voice of Stu Pickles on the animated series Rugrats (1991- ). Extremely active in the LA theatrical scene, Jack Riley starred in such stage productions as 12 Angry Men and Small Craft Warnings. RIley died in 2016, at age 80.

Trivia: One of the more versatile American filmmakers of his generation, Barry Levinson's movies showcased subjects as diverse as the immigrant experience, mob intrigue, and political satire. He earned particular acclaim for his semi-autobiographical portraits of life in 1950s Baltimore, a topic that he explored to great effect in Diner, his 1982 directorial debut.Born in Baltimore on June 2, 1942, Levinson was the son of a warehouse manager. Initially intent on a career in the media, he studied Broadcast Journalism in college but didn't remain there long enough to earn a degree. He instead switched his interests to acting and standup comedy, and, after serving a stint as a staff writer on The Carol Burnett Show, he was hired by producer Mel Brooks. The first film to carry a screenwriter credit for Levinson (in the company of several other writers) was Silent Movie (1976); this was followed by Brooks' High Anxiety (1977), which also featured Levinson as a vengeful bellboy in the film's celebrated Psycho-parody scene.Levinson's first directorial job was the low-budget Diner (1982), the first installment of his "Baltimore trilogy" (the others were Tin Men (1987) and Avalon (1990)); Diner served to showcase several stars-to-be, among them Mickey Rourke, Ellen Barkin, Daniel Stern, Paul Reiser, and Michael Tucker. A poignant, critically acclaimed, coming-of-age story, the film helped to establish Levinson as a bankable director; this status was further solidified with such purely commercial projects as The Natural (1984) and Young Sherlock Holmes (1985). In 1988, Levinson tackled one of his most ambitious projects in Rain Man, the remarkable saga of a disaffected yuppie's deepening relationship with his autistic savant brother. An all-around success, the film won numerous Oscars, including Best Picture, Best Director, and Best Actor (Dustin Hoffman).Levinson had little difficulty imposing his own personal stamp on such star-oriented films as Good Morning, Vietnam (1987), starring Robin Williams, and Bugsy (1991), starring Warren Beatty. Although he has made few missteps in his career, Levinson suffered an intensely personal defeat with Toys (1992), a morality tale acted out in a toy manufacturing company. The film had been a pet project of Levinson's for nearly 20 years, and, when finally completed, it proved to be a complete turkey. Similarly disappointing was the director's Jimmy Hollywood (1994); a comedy starring Joe Pesci as a struggling actor, it sank at the box office. He had greater luck with Sleepers (1996), the disturbing tale of four lifelong friends seeking retribution for torture and sexual abuse they suffered as young boys at a reform school. The following year proved to be a banner one, as Levinson had two critically acclaimed hits, one as the producer of Donnie Brasco, starring Johnny Depp as an undercover cop who develops a dangerous friendship with mobster Al Pacino, and the other as the producer/director of the sharp political satire Wag the Dog, starring Dustin Hoffman and Robert De Niro. Following a semi-disastrous foray into science fiction with Sphere (1998), Levinson literally and figuratively returned to his home turf in 1999 with Liberty Heights. The story of two Jewish boys growing up in Baltimore in the '50s, it featured the familiar Levinson themes of family ties, ethnic tension, Cold War anxiety, and the growing pains of a changing society.The 21st century started off in a less than stellar way for Levinson as his comedy An Everlasting Piece struggled to get a release in the United States. He oversaw the end of his highly respected television series Homicide by executive producing a TV-movie in 2000 that helped bring some major storylines to a close. The next year he made the quirky comedy Bandits featuring a love triangle between Bruce Willis, Billy Bob Thornton, and Cate Blanchett. That film was a mild success, but the same could not be said of his next feature, Envy. The Ben Stiller/Jack Black comedy, with a script originally conceived by Larry David, failed to find support from the studio that funded it as well as from audiences. To steady himself, Levinson teamed yet again with Robin Williams for the political satire Man of the Year, about a political comic who ends up running for the Presidnecy. He teamed again with Robert de Niro for the 2008 Hollywood satire What Just Happened, and directed Al Pacino to multiple awards in the made-for-HBO biopic of Jack Kervorkian, You Don't Know Jack.

Trivia: Rubber-faced comedian and comic actor Charlie Callas appeared onscreen from the '60s.

Trivia: To younger generations, the slightly diminutive and balding American character actor Richard Stahl was probably best known as Howard Miller, the deadpan, stone-faced chef (and indifferent receptor of Marian Mercer's affections) on the long-running syndicated sitcom It's a Living. Stahl inherited the position from fellow supporting player Bert Remsen, and sustained it for four seasons, until the program wrapped in September 1989. But Stahl's visage graced a much broader spectrum of films and television shows than his behind-the-counter presence at the Above the Top restaurant -- and if viewers have trouble making a list, this is only a reflection on Stahl's ability to blend in successfully with fellow cast members and settings. Such is the essence of a gifted character player. Stahl made his first bow in 1966, as Steve Parsons on the "Dear Sally Rogers" episode of The Dick Van Dyke Show (its final season). He subsequently became a mainstay on the television airwaves, and his resumé reads like a laundry list of '70s and '80s hit prime time series, including but not limited to: That Girl, The Partridge Family, Love American Style, Bonanza, Columbo, All in the Family, Good Times, The Odd Couple, Maude, Happy Days, The Facts of Life, Murder, She Wrote, Hill Street Blues, and a handful of particularly memorable turns on Newhart. He reinforced his small-screen presence (and audience familiarity) with feature film appearances in such motion pictures as Five Easy Pieces (1970), High Anxiety (1977), The Flamingo Kid (1984), The American President (1995), and The Ghosts of Mississippi (1996). Stahl landed his last role with a bit part in Garry Marshall's 1999 flop, The Other Sister. He spent his final seven years in retirement, battling Parkinson's Disease, and eventually succumbed to the illness on June 18, 2006. Stahl was seventy-four.

Trivia: Supporting actor Rudy DeLuca, who first appeared onscreen in the '70s, is also a director and comedy writer.

Trivia: A stocky character actor, Dennis first appeared onscreen in 1953; he often plays no-nonsense heavies.

Trivia: Actor Frank Campanella's physical form almost single-handedly defined his Hollywood typecasting. A 6' 5" barrel-chested Italian with a great, hulking presence and memorably stark facial features, Campanella excelled as a character player, almost invariably appearing as toughs and heavies. Born to a piano builder father who played in the orchestras of Eddie Cantor, Jimmy Durante, and Al Jolson, Campanella studied music exhaustively as a young man, and trained as a concert pianist, but discovered a rivaling passion for drama and entered Manhattan College as an acting major. Campanella's career as an actor began somewhat uncharacteristically, on a light and jovial note, by playing Mook the Moon Man during the first season of the Dumont network's infamous and much-loved kiddie show Captain Video and his Video Rangers (1949-1954). One- and two-episode stints on many American television programs followed for Campanella, most on themes of crime and law enforcement, including Inside Detective (1952), The Man Behind the Badge (1954), Danger (1954), and episodes of the anthology series Playwrights '56 (1956), Studio One (1956), and Suspicion (1957) that called for gritty, thuggish, urban types. During the 1960s, Campanella sought out the same kinds roles in feature films -- a path he pursued for several decades. Turns included John Frankenheimer's 1966 Seconds (as the Man in the Station); Mel Brooks' 1968 The Producers (as a bartender); 1970's The Movie Murderer (as an arson lieutenant); the Steve Carver-directed, Roger Corman-produced gangster film Capone (1975, as Big Jim Colosimo); Ed Forsyth's 1976 Chesty Anderson -- U.S. Navy (as the Baron); Conway in Warren Beatty's 1978 Heaven Can Wait; and Judge Neal A. Lake in Michael Winner's 1982 Death Wish 2. Campanella teamed with director Garry Marshall seven times: as Col. Cal Eastland in The Flamingo Kid (1984), Remo in Nothing in Common (1986), Captain Karl in Overboard (1987), Frank the Doorman in Beaches (1988), Pops in Pretty Woman (1990), a retired customer in Frankie and Johnny (1991), and a Wheelchair Walker in Exit to Eden (1994). Campanella re-teamed with Warren Beatty for the first time since 1978 as Judge Harper in Dick Tracy (1990) and again as the Elevator Operator in Love Affair (1994). Additional series in which Campanella appeared during the 1970s and '80s included Maude, Hardcastle & McCormick, Quincy, M.E., The Love Boat, Barnaby Jones, The Rockford Files, The Fall Guy, St. Elsewhere, and many others. In middle age, Campanella parlayed his early musical training into two career choices that blended music and drama: a part on a commercial that required him to play the piano and a job as co-host of a musical program on KCSN Radio called "Offbeat Notes on Music." He also appeared on Broadway in such musicals as Guys and Dolls and Nobody Loves an Albatross. After many years of inactivity, Frank Campanella ultimately died at his home in the San Fernando Valley, of unspecified causes. He was 87. Survivors included his brother, actor Joseph Campanella, his sister-in-law, and 13 nephews and nieces.

Trivia: The son of producer George Englund and noted character actress Cloris Leachman, actor Bryan Englund appeared in two feature films, Crazy Mama (1975) and The Prowler (1981). He also appeared in a few television films between the mid-'70s through the early '80s.

Trivia: American actor Robert Ridgely's first television job was the part of Kimbro in the 1962 wartime drama The Gallant Men. He later played a Ted Baxter-ish anchor man on Domestic Life (1984), and was earlier featured as an unctuous talent-show emcee in Jonathan Demme's Melvin and Howard (1979). Ridgely showed up in a brace of Mel Brooks films during the early '90s, including Life Stinks (1991) and Robin Hood: Men in Tights (1993), and was featured in Michael Keaton's Multiplicity and Tom Hanks' That Thing You Do! Although he was always busy in front of the cameras, the actor was best-known as one of show business' most prolific and versatile voice-over artists. Ridgely's extensive TV-cartoon resumé included the title roles in Flash Gordon: The Greatest Adventure of All (1979), Tarzan, Lord of the Jungle (1980), and Thundarr the Barbarian (1982) Ridgely made his final film appearances in Boogie Nights and Fire Down Below (both 1997). He died of cancer in 1997 at the age of 65.