Trivia: American actress Adrienne Barbeau was encouraged by her mother to take dancing and singing lessons. Adrienne was active in theatre both in high school and at Foothills Junior College; by age 19 she was touring Pacific military bases as a member of the San Jose Light Opera. After an unprepossessing job with a termite-control company, Adrienne set out for New York, paying the bills with a variety of jobs including go-go dancing in New Jersey nightclubs. In 1968 she was cast as Hodel in the long-running Broadway production Fiddler on the Roof, and three years later was featured in Grease, winning a Tony nomination through her rendition of "Look at Me, I'm Sandra Dee." From here, Adrienne was hired by Norman Lear to replace first-choice actress Marcia Rodd in the role of the divorced daughter on the controversial TV sitcom Maude. She played the role from 1972 through the series' cancellation in 1978, after which she began a whole new career as a successful horror-film star and sexy pin-up model. Adrienne married film director John Carpenter in 1979; most of her subsequent screen appearances were in such Carpenter-directed terrors as The Fog (1980), Escape from New York (1981) and Creepshow (1982). Perhaps Adrienne Barbeau's most enjoyable performance was as the Marlon Brando counterpart (!) in an uproarious distaff parody of Apocalypse Now, sublimely titled Cannibal Women in the Avocado Jungle of Death (1989). Barbeau would continue to act over the coming decades, appearing on TV shows like The Drew Carey Show, Carnivale, and the soap General Hospital.

Trivia: American actor Hal Holbrook broke into performing as a monologist at various esoteric nightspots in San Francisco and Greenwich Village. Holbrook worked on stage in the early 1950s and appeared on the CBS TV soap opera The Brighter Day. He might have spent the rest of his career as a talented but unremarkable performer had Holbrook not decided to bank upon his lifelong fascination with humorist Mark Twain. Donning elaborate Twain makeup and costume and memorizing several hours' worth of the writer's material, Holbrook put together a one man show, Mark Twain Tonight. After touring in small towns, Holbrook brought Mark Twain to an off-Broadway theater, scoring an immediate hit which led to some 2000 subsequent appearances as Twain (one of these in a 1967 CBS one-hour special) and a top-selling record album. The fame attending Mark Twain Tonight enabled Holbrook to flourish as a starring actor in numerous non-Twain projects. Among Holbrook's films are The Group (1966), Wild in the Streets (1968), Magnum Force (1973), The Star Chamber (1987), Wall Street (1987) and The Firm (1993); in 1976 the actor portrayed the shadowy amalgam character "Deep Throat" in All the President's Men. Holbrook has also stayed busy in TV, starring on the weekly series The Senator (1970) and appearing several times as Abraham Lincoln in various network specials. A multi-Emmy winner, Hal Holbrook spent much of the late 1980s and early 1990s appearing as a regular cast member on the CBS sitcoms Designing Women (from 1986 to 1989, alongside real-life wife Dixie Carter) and Evening Shade (1990-94) in the role of Burt Reynolds' father, Evan Evans. Holbrook's big-screen activity also crescendoed during the 1990s and early 2000s; among many other assignments, he resumed his frequent typecast as a shady businessman with a deceptively paternal exterior in Sydney Pollack's blockbuster Grisham thriller The Firm (1993), provided an animated voice for the children's fantasy Cats Don't Dance (1997), and nastily evoked the prejudices of a bigoted commanding naval officer named Mr. Pappy in the military drama Men of Honor (2000). Holbrook also drew on his vast knowledge of Mark Twain as one of the participants in the epic-length documentary Ken Burns' Mark Twain (2001). The distinguished thespian received a Best Supporting Actor Oscar nomination for his work in Sean Penn's critically-acclaimed drama Into the Wild (2007). He starred in the 2009 drama That Evening Sun, and had a major part in the 2011 adaptation of the novel Water for Elephants. In 2012 Steven Spielberg cast him in his long-gestating biopic Lincoln.

Trivia: The only child of a very young married couple, American actress Janet Leigh spent her childhood moving from town to town due to her father's changing jobs. A bright child who skipped several grades in school, Leigh took music and dancing lessons, making her public debut at age 10 as a baton twirler for a marching band. Her favorite times were the afternoons spent at the local movie house, which she referred to as her "babysitter." In 1946, Leigh's mother was working at a ski lodge where actress Norma Shearer was vacationing; impressed by a photograph of Leigh, Shearer arranged for the girl (whose prior acting experience consisted of a college play) to be signed with the MCA talent agency. One year later Leigh was at MGM, playing the ingenue in the 1947 film Romance of Rosy Ridge. The actress became one of the busiest contractees at the studio, building her following with solid performances in such films as Little Women (1949), The Doctor and the Girl (1950), and Scaramouche (1952) -- and catching the eye of RKO Radio's owner Howard Hughes, who hoped that her several RKO appearances (on loan from MGM) would lead to something substantial in private life. Instead, Leigh married Tony Curtis (her second husband), and the pair became the darlings of fan magazines and columnists, as well as occasional co-stars (Houdini [1953], The Vikings [1958], Who Was That Lady? [1960]). Even as this "perfect" Hollywood marriage deteriorated, Leigh's career prospered. Among her significant roles in the '60s were that of Frank Sinatra's enigmatic lady friend in The Manchurian Candidate (1962), Paul Newman's ex-wife in Harper (1966), and, of course, the unfortunate embezzler in Alfred Hitchcock's Psycho (1960), who met her demise in the nude (actually covered by a moleskin) and covered with blood (actually chocolate sauce, which photographed better) in the legendary "shower scene." In the '80s, Leigh curtailed her film and TV appearances, though her extended legacy as both the star/victim of Psycho and the mother of actress Jamie Lee Curtis still found her a notable place in the world of cinema even if her career was no longer "officially" active.

Trivia: The daughter of film stars Tony Curtis and Janet Leigh, Jamie Lee Curtis launched her film career as a "scream queen." After a nondescript supporting role on the TV series Operation Petticoat, Curtis rose to cult stardom playing the straight-laced teenage babysitter imperiled by an unknown slasher in Halloween (1978). Upon appearing in the film's sequel and in such spookers as The Fog (1979) and Prom Night (1980), she seemed in danger of being limited to blood-splattered horror films. But Curtis wasn't about to be typed this early in the game: with a meaty secondary role as a prostitute -- featuring several well-publicized nude scenes -- in the big-budget comedy Trading Places (1983), she made the transition from imperiled teen type to knowing adult with nary a hitch. Curtis didn't exactly have a string of box-office smashes after Trading Places, but she was always worth watching even when the films weren't. And when the good parts did come along, notably her roles in A Fish Called Wanda (1988) and My Girl (1991), she proved she was an actress of range and stature and not just another "movie star's kid." Taking a potentially humiliating role as the unknowing wife of a secret agent in the megabucks Arnold Schwarzenegger adventure True Lies (1994), Curtis delivered a sparkling performance, emerging as the only truly likable character in a loud and misogynistic melodrama. In 1997, she was reunited with the cast of A Fish Called Wanda (Kevin Kline, John Cleese, and Michael Palin) for Fierce Creatures, another comedy farce in the same vein as Wanda. Unfortunately, the film was largely disappointing; but, the following year, Curtis rebounded with a return to familiar territory in Halloween: H2O. The slasher flick, although less than a critical favorite, proved to be popular with audiences. In 1999, Curtis again ventured into the big-budget realm with the action thriller Virus, and had a supporting role in Daddy and Them, Billy Bob Thornton's sophomore writing/directorial effort. She could then be seen in Drowning Mona, a black comedy in which she played a waitress caught up in an affair with the husband of her town's most infamous dead woman.The 2000s have brought Curtis several interesting opportunities, including a live performance at Paul McCartney's benefit for the controversial animal rights organization PETA in 2000, and a no-holds-barred photo shoot with More magazine in 2002 -- the then 44-year-old actress wanted to emphasize that even high-profile celebrities look "normal" without the help of a team of makeup artists and digital alterations. In 2001, Curtis starred alongside Oscar-winner Geoffrey Rush and James Bond front man Pierce Brosnan in the espionage thriller The Tailor of Panama, and returned for a cameo appearance in Halloween: Resurrection, which supposedly marked her final role in the Halloween franchise. Curtis would return to more family-oriented pictures in 2003's spirited Freaky Friday with Lindsay Lohan, which featured the forty-something actress playing a punky teen whose spirit had magically been transferred to her mother's body; the success of that film led to the curdled comedy of the critically drubbed Christmas With the Kranks. She acted in Beverly Hills Chihuahua and You Again, but became better known in later years as a spokeswoman for Activia yogurt.Married to actor Christopher Guest since 1984, Curtis became a Baroness, Lady Haden-Guest, when her husband inherited the Barony in 1996.

Trivia: Before entering the entertainment industry, actor, producer, scriptwriter, playwright and stage director John Houseman, born Jacques Haussmann, first worked for his father's grain business after graduating from college, then began writing magazine pieces and translating plays from German and French. Living in New York, he was writing, directing, and producing plays by his early 30s; soon he had a stellar reputation on Broadway. In 1937, he and Orson Welles founded the Mercury Theater, at which he produced and directed radio specials and stage presentations; at the same time he was a teacher at Vassar. He produced Welles's never-completed first film, Too Much Johnson (1938). Houseman then went on to play a crucial role in the packaging of Welles's first completed film, the masterpiece Citizen Kane (1941): he developed the original story with Herman Mankiewicz, motivated Mankiewicz to complete the script, and worked as a script editor and general advisor for the film. Shortly afterwards, he and Welles had a falling out and Houseman became a vice president of David O. Selznick Productions, a post he quit in late 1941 (after Pearl Harbor) to become chief of the overseas radio division of the OWI. After returning to Hollywood he produced many fine films and commuted to New York to produce and direct Broadway plays and TV specials; in all, the films he produced were nominated for 20 Oscars and won seven. Later he became the artistic director of the touring repertory group the Acting Company, with which he toured successfully in the early '70s. He debuted onscreen at the age of 62 in Seven Days in May (1964), and then in the '70s and '80s played character roles in a number of films. As an actor he was best known as Kingsfield, the stern Harvard law professor, in the film The Paper Chase (1973), his second screen appearance, for which he won a Best Supporting Actor Oscar; he reprised the role in the TV series of the same name. He authored two autobiographies, Run-Through (1972) and Front and Center (1979).

Trivia: Was an avid fan of horror films in his childhood days. Enlisted in the United States Navy before attending college. Was a member of the Gamma Phi Fraternity while attending Duquesne University. Got interested in acting when he was in his 20s. Primarily known for his work in horror and thriller films.

Trivia: Supporting actress, onscreen from the '70s.

Trivia: Specializing in middle-aged characters even in his twenties, American actor Charles Cyphers has been a familiar face on the TV-movie landscape since the early '70s. Cyphers was particularly well served by director John Carpenter, who cast the actor in Assault on Precinct 13 (1975), Halloween (1978), The Fog (1980), and Escape From New York (1981). Carpenter also featured Cyphers as Sam Phillips in the made-for-TV Elvis (1979). Perhaps it's coincidence, or perhaps a private joke between actor and director: Whatever the case, Cyphers' character names in his Carpenter films are often lifted from real life. For example, he played Dan O'Bannon in The Fog (screenwriter O'Bannon is Carpenter's most frequent collaborator) and Leigh Brackett in Halloween (Brackett, a female screenwriter, worked on such films as Rio Bravo, which Carpenter remade as Assault on Precinct 13). On TV, Charles Cyphers was seen on The Betty White Show (1975), as Hugo Muncy, White's cross-dressing stunt double.

Trivia: Carolina-based actor/writer/producer George "Buck" Flower started out in "regionals"--non-Hollywood productions aimed at Southern neighborhood moviehouses and drive-ins. Flower also showed up in "four-wallers" for the family-matinee trade: he was seen as Boomer in all three Wilderness Family flicks of the late 1970s-early 1980s. Additional appearances include the Cook in John Carpenter's Starman (1984), the title character's father in Alan Parker's Birdy (1984), and "Nuke" LaLoosh's dad in Ron Shelton's Bull Durham (1988). The bulk of George "Buck" Flowers' work can be found in such low-budget esoterica as Sorority Babes in the Slimeball Bowl-o-Rama (1987).

Trivia: Supporting actor, onscreen from the '80s.