Trivia: George Segal kicked off his performing career as a boy magician in his Long Island neighborhood. An accomplished banjoist, Segal played with Bruno Lynch and His Imperial Jazz before enrolling at Columbia University. After three years' military service, Segal resettled in New York in 1959, and that same year was cast in his first off-Broadway play. Entering films with 1961's The Young Doctors, Segal quickly established himself as one of Hollywood's most accomplished young character actors; in 1967, he received an Oscar nomination for his portrayal of Nick in Who's Afraid of Virginia Woolf. When one compiles a list of favorite films from the late 1960s-early 1970s, one usually spends a great deal of time exclaiming "Hey! Segal was in that, too." He played a hustling POW in King Rat (1965), a Cagneyesque hood in Saint Valentine's Day Massacre (1967), ulcerated homicide detective Mo Brummel in No Way to Treat a Lady (1968), a neurotic New York Jewish intellectual in Bye Bye Braverman (1968), a straight-laced bachelor in love with a foul-mouthed hooker in The Owl and the Pussycat (1970), and a repressed lawyer saddled with an outrageously senile mother in Where's Poppa? (1970). During this same period, Segal had an arrangement with the ABC TV network, permitting him to star in television adaptations of classic Broadway plays: he was cast as George opposite Nicol Williamson's Lenny in Of Mice and Men, then switched gears as vicious escaped criminal Glenn Griffin in The Desperate Hours. Throughout this busy period in his life, Segal fronted the Beverly Hills Unlisted Jazz Band, cutting several records and making a number of memorable Tonight Show appearances. In 1973, Segal's successful screen teaming with Glenda Jackson in A Touch of Class enabled him to demand a much higher price for his film services; unfortunately, many of the films that followed--The Black Bird (1975) and The Duchess and the Dirtwater Fox (1976) in particular--failed to justify Segal's seven-figure price tag. In the 1980s, Segal starred in two well-written but low-rated TV weeklies, Take Five (1987) and Murphy's Law (1989). His film career was lifted from the doldrums in the late 1980s with such plum roles as the pond-scum father of Kirstie Alley's baby in Look Who's Talking (1989) and the "pinko" comedy writer in For the Boys (1991). Segal's projects of the 1990s have included the syndicated TV adventure series High Tide (1994) and such film roles as the bemused husband of abrasive Jewish mama Mary Tyler Moore in the 1996 Ben Stiller vehicle Flirting with Disaster. In 1996, Segal found renewed success on television playing a well-meaning but rather duplicitous publisher whose estranged daughter comes to work for him in the razor-sharp NBC sitcom Just Shoot Me. Though he worked less frequently during the 21st century, he appeared in a variety of projects including The Linda McCartney Story as the main character's father, Fielder's Choice, 2012, and Love and Other Drugs.

Trivia: Born in New Jersey to Italian-American parents, deep-voiced actress Laura San Giacomo studied at Carnegie Mellon School of Drama. After performing in regional theater, off-Broadway, and TV guest-star roles, she made her auspicious debut in Steven Soderbergh's sex, lies, and videotape. As the down-to-earth yet adulterous Cynthia, her presence brought a sense of inhibition to the cast of otherwise sexually repressed characters. This was followed by a series of other good roles: the prostitute Kit in Pretty Woman, the hardworking waitress in Vital Signs, Holly Hunter's sister in Once Around, and the American expatriate Crazy Cora in Quigley Down Under. In addition to providing her husky voice to the star-studded animated series Gargoyles, she moved over to TV movies, most notably the Stephen King adaptation The Stand. On the big screen, she starred in Nina Takes a Lover, Stuart Saves His Family, and The Apocalypse (co-starring her then-husband Cameron Dye). After having her son Mason, she started playing the memorable role of magazine journalist Maya Gallo on Just Shoot Me, which ran from 1997-2003 on NBC. She worked steadily in the years following Just Shoot Me, but she was away from screens for four years after 2001, returning in the 2005 drama Havoc. Two years later she starred opposite Holly Hunter in the supernatural series Saving Grace.

Trivia: Born August 22nd, 1965, the diminutive blond comic David Spade has found success as a professional smart ass. Born in Birmingham, MI, but raised in Scottsdale, AZ, Spade first made a name for himself as a standup comedian. He spent most of the '80s performing in clubs, theaters, and college campuses. He joined the cast of Lorne Michael's long-running television show Saturday Night Live in 1990 as a writer and a performer. On the show, he soon gained popularity for such recurring sketches such as "The Hollywood Minute" in which Spade would sarcastically shred some of Tinseltown's biggest stars with his nasty comments. Spade also proved an able impersonator of celebrities ranging from Jeff Foxworthy to Tom Petty. Spade has appeared on many television talk shows and guest starred on several series. He began his film career in the late '80s playing a small role in Police Academy 4: Citizens on Patrol. In the '90s, he began playing major supporting roles in such films as Coneheads (1993) and P.C.U. (1994). He and former SNL alumni Chris Farley shared top billing in two popular comedies, Tommy Boy (1995) and Black Sheep (1996). Spade starred opposite Joe Pesci and Dyan Cannon in Eight Heads in a Duffel Bag (1997). In 1997, Spade returned to series television in the sitcom Just Shoot Me. While 2001's Joe Dirt wasn't much of a box office success, it did earn a certain cult status, inspire animated television series, and bring about a surge of ironically-sported mullet hairstyles in the early 2000s. While 2001's Joe Dirt wasn't much of a box office success, it did bring about a resurgence of popularity for the mullet. Dickie Roberts: Former Child Star (2003) featured Spade in the titular role of a one-time child star who tries to make a comeback as an adult. Spade continued to play comedic roles throughout the mid-2000s (The Benchwarners, Grandma's Boy), and once again found small-screen success with a role on the sitcoms 8 Simple Rules, and The Rules of Engagement, in which Spade plays the part of a single man surrounded by friends in various stages of couplehood.

Trivia: While savvy television viewers will no doubt recognize prolific small-screen actress Wendie Malick from such popular series as Baywatch, Just Shoot Me, and HBO's smart and sexy comedy Dream On, the late '90s found her feature career warming up in such independent efforts as Manna From Heaven (2001) and Bathroom Boy (2003). A native of Buffalo, NY, who first found work in front of the cameras as a Wilhelmina model in the 1970s, the Ohio Wesleyan University alum would later work for New York congressman Jack Kemp following her graduation. Subsequently gracing the catwalks of New York, Paris, and Madrid, it was a small role in the 1978 comedy How to Pick up Girls that provided the aspiring actress with her first screen break. Though she would appear in a few theatrical releases such as Scrooged (1988) during the 1980s, most of her work came with made-for-television features and such series as Kate and Allie and Anything But Love. Increasingly visible on the small screen during the 1990s, Malick's role as series protagonist Martin Tupper's (Brian Benben) ex-wife on Dream On utilized her comic abilities to maximum effect and netted the actress four Cable ACE awards. Following the final episode of Dream On in 1996, it was only one short year before Malick began a stint on another popular series that would gain her accolades among sitcom junkies, Just Shoot Me. Her background in the modeling industry provided the ideal foundation for her role as former model Nina Van Horn, and Malick (Emmy-nominated for the role) remained with the show until its final episode in 2003, simultaneously taking occasional parts in both made-for-TV and theatrical features. In 1997 Malick took the lead in the little-seen romantic comedy Just Add Love, and following voice work as the egotistical principal in the Disney series Fillmore!, she appeared alongside Valerie Bertinelli, Jane Leeves, and Betty White the Emmy-winning comedy series Hot in Cleveland. In addition to her screen work, Wendie Malick met husband Richard Erickson while building homes for poor families in Mexico, and she also helps the homeless with her work for the Adopt-A-Family organization.

Trivia: Chances are likely that you would recognize his face, and it's even more likely that although the face is familiar, you don't know that his name is Enrico Colantoni. Though he struck a funny bone in audiences with his role as a befuddled alien in the 1999 comedy hit Galaxy Quest, Colantoni had been appearing in minor film and television roles since the late '80s. Born in Toronto, Ontario, Canada, in February of 1963 and raised in a prominent Italian neighborhood of the city, his early interest in acting would result in frequent neighborhood skits to entertain family and friends. His interest in performing peaked after seeing his older brother in a high school play, and despite his interest in the stage Colantoni would later opt to study law at the University of Toronto. Coming from an inartistic background, his parents frowned upon Colantoni's passion for acting, and the aspiring thespian quietly opted for a drama class as an elective as he focused most of his energy on law studies. Colantoni's drama teacher quickly recognized the young actor's potential, and it wasn't long before the bright lights of New York City became to glaring to resist. When his parents announced that they were moving back to Italy, Colantoni made the difficult decision to remain in New York and live the life of a struggling actor. His gamble would soon pay off when Colantoni made his television debut in an episode of Friday the 13th: The Series in 1989. Later deciding that he still needed time to refine his talent, Colantoni subsequently attended Yale and later spent a season at Minneapolis' Guthrie Theater in 1994. Soon thereafter returning to the Big Apple, more stage roles followed until Colantoni was cast in an episode of NYPD Blue as the schizophrenic son of Peter Boyle's character. He made his film debut in the 1995 action comedy Money Train, and subsequent feature roles included Albino Alligator (1996), The Wrong Guy (1997), and 1999's Stigmata. It was during this time that Colantoni was also cast in the weekly comedy series Just Shoot Me. Later essaying the aforementioned role in Galaxy Quest, Colantoni appeared as a murderer in Steven Spielberg's A.I. before taking on roles in The First $20 Million is Always the Hardest and Full Frontal in 2002. He continued to have success in television series' throughout the 2000s, and became known for his roles as Keith Mars on Veronica Mars (2005-2006), and Sergeant Greg Parker on Flashpoint (2008-2011).

Trivia: Best known as a fashion model and the former wife of Rolling Stones frontman Mick Jagger, Jerry Hall has also appeared sporadically in feature films. The tall, cool blonde made her acting debut with a small role in Willie and Phil in 1980. Her largest role was that of Alicia, the moll to crime boss Carl Grissom in Tim Burton's Batman (1989).

Trivia: Sydney Pollack was born to first generation Russian-Jewish Americans on July 1, 1934. After graduating from his Indiana high school, he went to New York and became a student at the Neighborhood Playhouse, a celebrated Greenwich Village school, where he studied under Sanford Meisner. He served two years in the army before returning to the Neighborhood Playhouse in 1958 as a teacher, and began appearing as an actor in live television dramas. His appearance in a John Frankenheimer-directed television production led him to a job as dialogue coach in the filmmaker's 1961 crime drama The Young Savages. He quickly moved into television, directing on programs such as "The Defenders," "The Naked City," "The Fugitive," "Dr. Kildare," and "Ben Casey" during the early and mid 1960s, and in 1965 made his feature film debut in the director's chair with The Slender Thread.Pollack established himself as a competent, if unexceptional, director in such works as This Property Is Condemned, and one sequence of the Frank Perry-directed drama The Swimmer (based on a work of John Cheever). However, his real breakthrough came in 1969 with the downbeat period drama They Shoot Horses, Don't They?, a brutal Depression-era piece set against the backdrop of a dance marathon contest, starring Jane Fonda and Gig Young. Young won the Oscar for Best Supporting Actor while Pollack and Fonda were nominated for Best Director and Best Actress, respectively. (Fonda was said to have lost only because of the controversy surrounding her anti-Vietnam War activities.) Pollack again proved his skill at handling period drama four years later with The Way We Were, a romantic drama starring Barbra Streisand and Robert Redford that became one of the most popular serious movies of the decade. During the mid 1970s, Pollack also delved into the action genre with The Yakuza, about a kidnapping committed by Japanese gangsters. He achieved much greater success in 1975 with Three Days of the Condor, a post-Watergate suspense thriller starring Redford, Cliff Robertson and Faye Dunaway that proved an enduring favorite among genre fans as well as a hit with general audiences. Four years later, The Electric Horseman united his two top leads, Fonda and Redford, in a predictable but very successful update of the '30s screwball comedy, while Absence of Malice (1981), starring Paul Newman and Sally Field, took a much more serious tone in dealing with a story of an innocent man whose career is ruined by an ambitious reporter. In 1982, Pollack returned to comedy in top form with Tootsie, the story of an out-of-work actor (Dustin Hoffman) who achieves success by masquerading as a woman. The film scored a Best Director Oscar nomination for Pollack, as well as a win in the same category from the New York Critics Film Circle, and became the second highest grossing film of its year after E.T.. More success followed for the director with Out Of Africa (1985); starring Redford, it was one of a dwindling number of serious romantic dramas aimed at middle-class, middle-brow, middle-aged audiences that scored big at the box office. Unfortunately, another such outing with Redford, the 1990 Havana, was a notorious failure. Pollack was back on top in 1993 with The Firm, a wildly successful adaptation of John Grisham's thriller that starred Tom Cruise. However, mirroring the unpredictable fluctuations of fortune in Hollywood, his next directorial effort, a 1995 remake of Sabrina starring Harrison Ford, proved to be a colossal critical and financial flop. In 1999, Pollack and Ford reunited to make Random Hearts, a drama about a man and a woman Kristin Scott Thomas who discover that their respective spouses--who died in a plane crash--were lovers.In addition to directing, Pollack has also served as a producer on a number of films (including The Fabulous Baker Boys, Presumed Innocent, Dead Again and Sense and Sensibility) and frequently appears as an actor, both in his own films and those of other directors (he had a starring role in Woody Allen's Husbands and Wives). In 1999, he could be seen portraying a wealthy man with some questionable pastimes in Stanley Kubrick's Eyes Wide Shut.The 21st century found Pollack working far more often as a producer than as a director thanks in part to the production company he ran with director Anthony Minghella, Mirage. Those credits include such award-winning films as Iris, The Quiet American, and the big-screen adaptation of the novel Cold Mountain. After a layoff of over five years, Pollack returned to the director's chair twice in 2005. He created both his first documentary, Sketches of Frank Gehry about the famous architect, and The Interpreter, an old-fashioned political thriller with Sean Penn and Nicole Kidman. In 2006 Pollack handled the producing duties on Anthony Minghella's drama Breaking & Entering, which reunited them with Cold Mountain star Jude Law. Pollack died of cancer at age 73 in May 2008.

Trivia: The son of a Brooklyn upholsterer, baby-faced comic actor Buddy Hackett always claimed he was "born to be funny." Hackett was the boy who invariably blew his lines in the Holiday pageants and the overweight teen who accidentally stuck his foot in a water bucket during his first game with the high school football team. It was while serving in the Army that Hackett met the double-talking Chinese waiter who inspired him to create the most famous of his early nightclub routines. Hackett's first stand-up gig in Brooklyn led to additional work on the New York supper club Catskill resort circuits; he also guested on a very early (1945) TV program, Laff Time. His film debut was as the voice of a talking camel in the otherwise straightforward Arabian nights programmer Slave Girl (1947). He was signed to a Universal Pictures contract in 1953, then starred for two years in Broadway comedy Lunatics and Lovers. He played the title role in 1956 TV sitcom Stanley, which served to introduce Carol Burnett to America's televiewers; two years later, he became a regular on Jackie Gleason's Saturday night variety series. Hackett was most active in films during the years 1958 through 1968, appearing primarily in nitwit comedy-relief roles, but also delivering a solid dramatic performance in God's Little Acre. At the same time, his reputation in nightclubs soared, first because of his quick wit and gift for sudden improvisation, then later for his ability to spout out the dirtiest of material with the cherubic ingenuousness of a naughty first-grader. Perhaps it was this veneer of innocence that made Hackett an ideal "family" entertainer in such G-rated pictures as Everything's Ducky (1961), The Music Man (1962), and The Love Bug (1968). As late as 1989, he was still delighting the kiddie trade as the voice of Scuttle in the Disney animated feature The Little Mermaid. Among Buddy Hackett's many television credits was the 1978 biopic Bud and Lou, in which he offered a curiously unsympathetic interpretation of his idol, Lou Costello; ironically, back in 1954 Hackett had replaced an ailing Costello in the Universal slapstick comedy flick Fireman Save My Child.

Trivia: American actor Jamie Farr was the only son of a Lebanese butcher living in Toledo, Ohio. An easy target for bullies due to his short stature and large nose, Farr became the neighborhood clown to save himself from physical abuse. Humor gave him confidence, and by the time Farr graduated from high school he was a top student, extremely popular and active in numerous extra-curricular activities. Always a big movie fan, Farr harbored dreams of being an actor, and to that end studied at the Pasadena Playhouse. In 1955, Farr was cast in his first film (still billed under his own name, Jameel Farrah), The Blackboard Jungle, playing a redeemable hoodlum named Santini; shortly thereafter, he was cast in the Broadway production of No Time for Sergeants, just before he was drafted. The two years in the Army upset the momentum of Farr's career, and he found himself from 1958 through 1971 rebuilding himself from the ground up in bits and supporting roles. (Farr was not in Santa Claus Conquers the Martians during this period, as has often been reported; the cast of that turkey included a Broadway actor named Al Nesor, who bore a startling resemblance to Farr and played many of the same type roles). One of Farr's one-day bits was for the sixth episode of the new TV series M*A*S*H in 1972; Farr had the almost wordless role of a GI who dressed in women's clothing in hopes of getting out of the Army. The character of "Corporal Klinger" was meant to be a onetime joke, but the producers of M*A*S*H sensed possibilities in the character. By Season Two of M*A*S*H, Farr became a full supporting character; by Season Three he was being given co-starring billing in the series' opening credits sequence. After misguidingly "camping" the character in the earliest rehearsals, Farr played Klinger "straight" in every sense of the word: Neither gay nor transvestite, Klinger was simply a guy who'd go to great extremes to get out of military service. Gradually the character began to become fashion conscious, and before the eighties were over Klinger was making several fashion lists as one of the best-dressed characters on TV! Farr's role was expanded when Gary Burghoff left M*A*S*H in 1979; promoted to company clerk, Klinger began to thrive in the military, and the outrageous costuming was allowed to lapse. By the time M*A*S*H left the air, Klinger had taken a Korean wife, and Jamie Farr had become a true-blue celebrity. Unfortunately neither Farr nor Klinger were able to extend their audience appeal into the sequel series After M*A*S*H, not even when the scripts contrived to have Klinger become a fugitive from justice in a move to repeat his "outsider" status on M*A*S*H. Nonetheless, Jamie Farr has kept busy in the years following the cancellation of After M*A*S*H in 1984 with TV guest spots and stage appearances in such roles as Ali Hakim in Oklahoma and Evil Eye Fleegle in Li'l Abner. Farr would continue to appear regularly on screen in the years to come, appearing in movies like Scrooged, and on TV shows like Diagnosis Murder and Mad About You.

Trivia: One of the most amiable and best-loved game show hosts ever to grace the airwaves, Chicago native Pat Sajak first entered the world of broadcasting as a "guest teen deejay" on WLS Radio's Dick Biondi Show in 1965. Later, while Sajak was attending Columbia College in Chicago, an instructor informed him of an opening at a local radio station, and after an impressive audition for the program director, the eager student was hired as a newsman on the graveyard shift.In 1968, Sajak dropped out of Columbia after only three years and joined the Army, entertaining soldiers stationed in Vietnam as a morning-show host on Armed Forces Radio. Upon returning stateside, Sajak had little luck finding radio and television work in Washington, D.C., and began working as a desk clerk at the downtown Madison Hotel. Later, when a friend informed him of an opening at a small radio station in southeastern Kentucky, Sajak traveled south and became the overnight disc jockey at the 250-watt station. It didn't take long for Sajak to realize that his career was going nowhere in Kentucky, however, and after about a year he relocated to Nashville and applied at virtually every radio and television station in town. Faced with rejection at every outlet, Sajak was once again relegated to working at a local hotel. But they say that persistence pays off, and in Sajak's case, that old adage proved true. Refusing to give in to rejection, the tireless broadcast hopeful continued to make his presence known to the local broadcasting outlets and was eventually hired into a local NBC affiliate.While Sajak's easygoing versatility found him serving in a variety of capacities at WSM Channel 4, it was his talents as a weatherman that got him the most exposure -- and a few short years later he was scouted by KNBC in Los Angeles and decided to make the trek out west. In addition to continuing as a weatherman at KNBC, Sajak also hosted a weekend talk show for the station. In 1981, Sajak's smooth on-air persona caught the attention of producer Merv Griffin, who was seeking a replacement host for a daytime game show called the Wheel of Fortune. While he wasn't actually certain whether he was the right man for the job, Sajak figured the gig would only last for a year or two and dutifully accepted. Two Emmys, a People's Choice Award, and a star on the Hollywood Walk of Fame later, Sajak was one of the best-loved hosts in game show history.Outside of his Wheel of Fortune hosting duties, the noted conservative and avid sports fan also hosted the short-lived Pat Sajak Weekend on Fox News in 2003.

Trivia: A native of Myrtle Beach, SC, longtime Wheel of Fortune hostess and letter-turner Vanna White attended the Atlanta School of Fashion Design and worked as a print model in the Atlanta area, then moved to Hollywood and landed bit roles in B-grade productions including Michael Crichton's Looker and the slasher outing Graduation Day (both 1981). In 1982, she was selected by Merv Griffin to co-host Wheel with Chuck Woolery successor Pat Sajak and remained with the program for decades, as did Sajak. Meanwhile, on the side, White became something of a national phenomenon and a pop-culture icon -- authoring and publishing a best-selling autobiography, emceeing her own exercise video in 1987, and landing cameo roles (often as herself) in outings including NBC's action adventure series The A-Team (in 1986) and the big-screen features Double Dragon and The Naked Gun 33 1/3: The Final Insult (both 1994).

Trivia: First magazine cover was Glamour in 1964. Was the cover model for the Sports Illustrated swimsuit issue in 1970, 1975 and 1983. Authored the book The Way to Natural Beauty in 1980. Designed an athletic apparel line for Sears from 1981 to '89. Honored as the first MAC Fashion Icon by MAC Cosmetics in 2000.

Trivia: To call George Plimpton merely an actor is woefully inadequate. Plimpton has also been a bullfighter, an orchestra conductor, a baseball and football player, a boxer, a circus performer and a tennis pro. He has indulged in each of these activities precisely once. George Plimpton's principal career was writing, something he pursued while at Harvard (he was an editor of the Harvard Lampoon) and while serving on the editing staff of Paris Review in the '50s and Horizon and Sports Illustrated in the '60s. Early in his career, Plimpton determined that the best way to write with expertise on a subject was through first-hand experience. Thus he fought bulls in Spain with Ernest Hemingway, played football with the Detroit Lions, was matched with tennis champ Pancho Gonzalez and bridge expert Osward Jacoby, and survived a few rounds with champion boxer Archie Moore. And he acted. He was a Bedouin extra in Lawrence of Arabia (1962), a bit player in The Detective (1968), and the character Bill Ford in Paper Lion (1968), a film based on Plimpton's own account of his brief football career (Alan Alda played Plimpton). From his experience playing a bit role as a gunned-down desperado in John Waynes Rio Lobo (1970), Plimpton fashioned an entire one-hour network TV special! Easily recognizable in later days thanks to his lucrative lecture and commercial endorsements, George Plimpton's acting assignments in recent years have been on the basis of his personality rather than as a stunt: Jodie Foster gave him a particularly suitable role as a William Buckley-type talk-show moderator in Little Man Tate (1991). Increasingly prominant on the screen throughout the 1990s, Plimpton essayed numerous small roles in such popular films as L.A. Story (1991), Nixon (1995), Good Will Hunting (1997) and Edtv (1999). As the 1990s gave way to the new millennium Plimpton was still going strong despite the effects of the passing years, and in 2001 alone he essayed a supporting role in the comedy Just Visiting and provided voiceover work for the short film Bullet in the Brain. On September 25, 2003, the world lost one of its most flamboyant and entertaining literary icons when George Plimpton died in his sleep in his New York apartment. He was 76.

Trivia: Was the lead singer for his high school band, the Four Speeds, who later changed their name to Felicity. Felicity was "discovered" when the members bumped into country singer Kenny Rogers at a Dallas clothing store; Rogers went on to produce the band's self-titled debut, released under the name Shiloh in 1970. Asked by Glenn Frey to join Linda Ronstadt's backing band, which also featured future Eagles Randy Meisner and Bernie Leadon. The 1976 Eagles best-of, Their Greatest Hits (1971-1975), was the first album to be certified platinum; it became one of the best-selling albums of all time, moving more than 29 million copies in the U.S. alone. Released his first solo record, I Can't Stand Still, in 1982. In the early '90s, founded the Walden Woods Project, dedicated to protecting the land around Walden Pond in Massachusetts, and the Caddo Lake Institute, aimed at preserving the Texas lake. Awarded the National Humanities Medal by President Bill Clinton in 1997. Inducted into the Rock and Roll of Fame, as a member of the Eagles, in 1998.

Trivia: Former pro football player Bernie Casey turned to acting in the early 1970s. He has been steadily employed in theatrical films ever since, playing supporting roles in such films as Boxcar Bertha (1972), Cleopatra Jones (1976), Bill and Ted's Excellent Adventure (1989), and all three Revenge of the Nerds epics (as "U.N. Jefferson"). Casey's series-TV assignments included the title character (a blue-collar father of five children) in 1979's Harris and Company and the role of baseball coach Ozzie Peoples in Bay City Blues (1983). A ubiquitous TV-movie actor, Bernie Casey was seen in such highly-rated efforts as Brian's Song (1971), Gargoyles (1972) and The Sophisticated Gents (1981).

Trivia: Widely known as a semi-regular in the films of cinema legend Woody Allen, New York-native Hy Anzell appeared in many of the director's most popular films, including Bananas (1971), Annie Hall (1977), and Radio Days (1987). Although his family initially encouraged him to follow them in the restaurant business, Anzell instead opted to pursue a career on the stage. In 1946, the burgeoning actor made his Broadway debut in a production of the Duke Ellington musical Beggar's Holiday, and though he would soon segue into film and television, stage roles in Oklahoma and Checking Out found him remaining true to his theatrical roots. Though he appeared uncredited in such early efforts as Bengal Brigade (1954) and Party Girl (1958), Anzell's first official big-screen appearance would be for Allen in the director's early comedy Bananas. The two formed a close working relationship and Anzell continued to appear in Allen's films (most notably as Joey Nichols in Annie Hall). The busy actor also had roles in such efforts as Dead Bang (1989), Pacific Heights (1990), and The Cemetery Club (1993). Anzell remained active onscreen until his late-'90s final screen appearances in Allen's Deconstructing Harry (1997) and the made-for-TV drama Legalese (1998). Anzell died of natural causes August 23, 2003, in Fresno, CA. He was 79.

Trivia: American actress Cybill Shepherd's pre-acting career included a runner-up stint in the Miss Teenage America pageant and seemingly thousands of modelling gigs, most prominently for Cover Girl makeup. She was spotted adorning a magazine cover by film director Peter Bogdanovich, who selected her to play a small town heartbreaker in his prestigious 1971 film The Last Picture Show. Shepherd was praised for her cinematic debut, though the reviews devoted more space to her diving-board striptease than her delivery of lines. Except for a part as Charles Grodin's dream girl in The Heartbreak Kid (1972), Shepherd did most of her subsequent early film work for Bogdanovich, once her lover as well as her mentor. Reviewers were barely tolerant of her performance in Daisy Miller (1974) -- and with the next Bogdanovich-directed appearance in At Long Last Love (1975) the gloves were off, her career had hit a hard spot. But she recovered, at least professionally, and did quite well for herself in Martin Scorsese's Taxi Driver (1975). The "Peter Bogdanovich's Girlfriend" onus took years to suppress; it was still being bandied about when she appeared in her first (short-lived) TV series "The Yellow Rose" (1983). But with her starring role in the popular detective/comedy weekly "Moonlighting" (1985), Shepherd made up for lost time and attained star status without any association with her onetime "Svengali." Shepherd and co-star Bruce Willis played the reluctant partners in a failing detective agency, but the plotlines were secondary to the banter and witticisms between the stars -- not to mention the winks at the audience and "in" jokes that let the folks at home know that the characters knew that they were just acting on TV. An instant success, "Moonlighting" was plagued with production problems almost from the outset. Shepherd and Willis made no secret of their distaste for one another, and both behaved rather boorishly to those around them. Firings and tantrums were almost everyday occurences on the set, and this, plus the problem of turning out a quality script each week, caused the series to fall woefully behind in schedule. Soon it became a media event if "Moonlighting" ran something other than a repeat. In 1987, Shepherd became pregnant with twins, which forced a speedup in production and some wildly convoluted (and often tasteless) scripts to accomodate the actress' condition. Power struggles continued between Shepherd and producer Glenn Caron (and the people who replaced Caron); "Moonlighting" was cancelled in 1989. Since that time, Shepherd has signed an endorsement contract with L'Oreal cosmetics, while continuing to appear in films and TV movies of variable quality (including Texasville, the best-forgotten sequel to The Last Picture Show). Besides becoming a favored and most entertaining guest on the talk-show circuit, Shepherd later returned to television in the Emmy-winning CBS sitcom Cybill. In 2003 Shepherd appeared as Martha Stewart in the NBC biopic Martha, Inc.: The Story of Martha Stewart, and two years later she reprised the role in the made-for-television sequel Martha Behind Bars. For two years beginning in 2007 Stewart played the mother of her real-life daughter Clementine Ford's character on The L Word, and in 2010 she was bestowed the GLAAD Golden Gate Award for her efforts in increasing the LGBT community's visibility in the media. Meanwhile, appearances on such television series' as Psyche, Hot in Cleveland, and The Client List served well to keep her career going strong.