Trivia: Moon-faced, dreamy eyed, and radiating the kind of lo-fi intensity that made him a natural for the kind of Thoughtful Young Man roles in which he made his name during the early years of his career, Tobey Maguire has proven to be one of the most thought-provoking actors of his generation. Whether portraying a disaffected young suburbanite in The Ice Storm (1997) or a geek turned superhero in Spider-Man (2002), Maguire always gives the kind of nuanced, engaging performances that have the effect of making the viewer believe that short of actually spinning webs from his wrists, there is very little he can't do.Maguire was born in Santa Monica, CA, on June 27, 1975. The son of a construction worker and secretary, he was raised predominately by his mother after his parents divorced when he was almost two years old. The two led an itinerant lifestyle, living with relatives all over the country. Maguire's childhood ambition was to become a cook, but his mother, once an aspiring actress herself, encouraged her son to go into acting. Following a sixth grade drama class, the young actor began getting roles in commercials, which led to a starring turn in the short-lived 1992 sitcom Great Scott!The following year, Maguire made his film debut in This Boy's Life, which starred Robert De Niro and a very young Leonardo Di Caprio. After a small part in 1994's S.F.W. and a lead in the same year's largely unseen Revenge of the Red Baron, Maguire attracted favorable notice for his role in the 1995 Oscar-nominated short The Duke of Groove, in which he co-starred with Uma Thurman.1997 proved to be Maguire's breakthrough year, as he worked with two widely respected directors on two high-profile projects. The first was Ang Lee's critically lauded adaptation of the Rick Moody novel The Ice Storm; in a film filled with exceptional performances, Maguire held his own amongst a cast that included Kevin Kline, Sigourney Weaver, Joan Allen, and Christina Ricci, and won acclaim for his portrayal of the dutiful and discontented Paul Hood. His other 1997 film, Woody Allen's Deconstructing Harry, received mixed reviews, but Maguire's presence in an Allen film further bolstered his career.The year 1998 was another good year for the actor, who had a lead role in the highly acclaimed Pleasantville, in which he starred as a teenager who gets transported into the world of a '50s TV show. He also made a cameo appearance as a bedraggled hitchhiker in Terry Gilliam's adaptation of Hunter S. Thompson's Fear and Loathing in Las Vegas. With a rising profile and coveted spot on the 1998 cover of Vanity Fair's annual Hollywood issue, Maguire was emerging as one of the more solid and worthwhile young actors in an industry where too many young performers fall prey to the lure of glitz over grit.His reputation was further established with his turn as the protagonist of The Cider House Rules, Lasse Hallström's 1999 Oscar-nominated adaptation of John Irving's novel about a young man who comes of age under the tutelage of an abortionist played by Michael Caine. Maguire's similarly strong work as a troubled but brilliant young writer in Wonder Boys (2000) undoubtedly helped him to win the attention of director Sam Raimi, who eventually cast the actor in the role of Peter Parker, the awkward teenager who becomes the eponymous, web-spinning hero of Spider-Man. The film, which was released in 2002, broke box-office records with its opening weekend draw of more than 110 million dollars, and finally separated Tobey Maguire from his mainstream status as Leonardo DiCaprio's basketball buddy into a mega-star in his own right. Its success catapulted Maguire -- who beefed up his skinny frame for the role and managed to assuage the misgivings of even the most die-hard Spidey fans with his astute performance -- into the rarefied realm of the A-list, complete with the promise of a multimillion-dollar paycheck for his future work, and led to his role as producer of 2002's The 25th Hour, as well as the wildly successful Seabiscuit. In 2004, Maguire returned to his role of Peter Parker in the hotly anticipated Spider-Man 2 and then finished up his superhero contract with the final installation of the trilogy, Spider-Man 3 (2007).Maguire would spend the ensuing years enjoying a selective career, appearing in Brothers, The Details, and The Great Gatsby.

Trivia: As one of the most impressively talented members of the emerging New Hollywood of the early 21st century, Reese Witherspoon has proven that she can do far more than just pose winsomely for the camera. Born March 22, 1976, in Nashville, TN, Witherspoon was a child model and acted in television commercials from the age of seven. She had a part in the 1991 Lifetime cable movie Wildflower before making her 1991 film debut in the coming-of-age story The Man in the Moon (1991). The 14-year-old Witherspoon made an immediate impact on critics and audiences alike, netting widespread praise for her portrayal of a tomboy experiencing love for the first time.While still in high school, Witherspoon completed two more feature films, Jack the Bear (1993), starring Danny De Vito, and Disney's A Far Off Place (1993), which required the actress to spend several months living in the Kalahari Desert. Following a supporting role in the 1993 CBS miniseries Return to Lonesome Dove and a lead in the critically disembowelled S.F.W., Witherspoon temporarily set aside her career to study English literature at Stanford University. She then returned to film as the abused girlfriend of a psychotic Mark Wahlberg in the thriller Fear (1996). In the same year, she had to deal with yet another crazed male in Freeway, a satirical version of Little Red Riding Hood in which Witherspoon co-starred with Kiefer Sutherland, who took on the role of the aforementioned crazed male.Her career began to take off in 1998, with roles in two high-profile films. The first, Twilight, saw her sharing the screen with Gene Hackman, Susan Sarandon, and Paul Newman. The film received mixed reviews and lackluster box office, but Pleasantville, her other project that year, proved to be both a critical and financial hit. The actress won wide recognition for her leading role as Tobey Maguire's oversexed sister, and this recognition -- along with critical respect -- increased the following year with another leading role, in Alexander Payne's acclaimed satire Election. Starring opposite Matthew Broderick, Witherspoon won raves for her hilarious, high-strung portrayal of student-council presidential candidate Tracy Flick. The character stood in stark contrast to the one Witherspoon subsequently portrayed in Cruel Intentions, Roger Kumble's delightfully trashy all-teen update of Dangerous Liaisons. As the virginal Annette, Witherspoon was convincing as the object of Ryan Phillippe's reluctant affection, perhaps due in part to her real-life relationship with the actor, whom she married in June 1999.After turning up in an amusing minor role as serial killer Patrick Bateman's burnt-out yuppie girlfriend in American Psycho (2000), Witherspoon again pleased critics and audiences alike with her decidedly Clueless-esque role in 2001's Legally Blonde. Her star turn as a seemingly dimwitted sorority blonde-turned-Harvard law-school-prodigy unexpectedly shot the featherweight comedy to number one, despite such heavy summer contenders as Steven Spielberg's A.I. and the ominously cast heist thriller The Score. The 18-million-dollar film went on to gross nearly 100 million dollars, proving that Witherspoon had finally arrived as a box-office draw.Though she would test out her chops in the Oscar Wilde adaptation The Importance of Being Earnest, Witherspoon's proper follow-up to Legally Blonde came in the form of 2002's Sweet Home Alabama, a culture-clash romantic comedy as embraced by audiences as it was rejected by critics. As with Drew Barrymore before her, Witherspoon used her newfound standing among the Hollywood elite to start her own production company, Type A Films, as well as to up her asking price to the rarefied 15-million-dollar range for the sequel to Legally Blonde. Though Blonde 2 didn't perform quite as well as the first film, the power player/doting mother of two wasted no time in prepping other projects for the screen, taking the lead in 2004's elaborate costume drama Vanity Fair as Becky Sharp, a woman who strives to transcend class barriers in 19th century England. For all its lavish costumes and sets, Vanity Fair received mixed reviews, but Witherspoon's winning performance still garnered praise.The next year, she appeared in the heaven-can-wait romantic comedy Just Like Heaven with Mark Ruffalo, as well as James Mangold's biopic Walk the Line as June Carter Cash, wife of country music legend Johnny Cash. This role proved to be a pivotal one, earning Witherspoon both a Best Actress Academy Award and a Golden Globe for her performance, and cementing her as an actress whose abilities go far beyond her charm and pretty face.As with others before her, however, the Best Actress statue portended a breakup between her and her husband; in October, 2006, she and Phillippe began their divorce proceedings, shortly after his starring turn in Clint Eastwood's Flags of Our Fathers. Career-wise, however, she didn't miss a beat, continuing to appear in popular romantic comedies like Four Christmases and Just Like Heaven, before getting more serious for the 1930's period drama Water for Elephants in 2011. By the next year, Witherspoon was crossing genres, playing the femme fatale at the center of a love triangle between two deadly secret agents in the action comedy This Means War.She did strong work in a supporting role in Mud, and in 2014 she returned to the Oscar race, garnering a Best Actress nomination for her work in Wild, playing a recovering addict who takes a grueling hike through California and Oregon in order to purge herself of her problems.

Trivia: Largely underappreciated for years in Hollywood before her Oscar-nominated turn as the First Lady in Nixon (1995), Joan Allen has had a distinguished career encompassing the stage, screen, and television. A native of Rochelle, Illinois, where she was born August 20, 1956, the blond, swanlike actress developed an interest in acting while in high school. Voted Most Likely to Succeed by her senior class, Allen went on to study theatre at Eastern Illinois University. She then moved to Chicago, where she became one of the founding members of the vaunted Steppenwolf Theatre Company, along with such respected talents as Gary Sinise and John Malkovich.Allen made her screen debut with a small role in the 1985 film Compromising Positions and a year later played two wildly different characters in Manhunter and Peggy Sue Got Married. Her portrayals of a tragically confused young woman who attempts to seduce a serial killer in the former film and a brainy high school student in the latter impressed a number of critics, but it was on the stage that Allen was most appreciated. In 1988, she won a Tony award for her Broadway debut performance in Burn This, and a year later she earned her second Tony nomination for her role in Wendy Wasserstein's highly acclaimed The Heidi Chronicles.Following increasingly substantial roles in such films as In Country (1989), Ethan Frome (1992), and Searching for Bobby Fischer (1993), Allen won a Best Supporting Actress Oscar nomination for her stunning portrayal of First Lady Pat Nixon in Oliver Stone's Nixon. The acclaim surrounding her performance in the 1995 film finally gave Allen the Hollywood recognition she deserved; the following year this recognition was further enhanced with her Oscar-nominated turn as the long-suffering Elizabeth Proctor in Nicholas Hytner's adaptation of The Crucible.More praise came Allen's way in 1997, when she headlined a stellar ensemble cast in Ang Lee's lauded adaptation of Rick Moody's The Ice Storm. Starring as a troubled upper middle-class Connecticut housewife alongside the likes of Kevin Kline, Sigourney Weaver, Christina Ricci, and Tobey Maguire, Allen gave repression a stirring, beautifully nuanced name. That same year she went in a completely different direction, starring as the wife of an FBI agent (John Travolta) in John Woo's popular action thriller Face/Off. Allen returned to the realm of the repressed housewife in 1998, starring (and reuniting with Maguire) in the acclaimed 1950s-set comedy drama Pleasantville. The turn of the century found Allen taking leads in a trio of issue-oriented dramas: In the multi-character handgun treatise All the Rage (released on video in 2000), she played the wife of a short-fused lawyer (reuniting with Pleasantville's Jeff Daniels in the process); in the Irish production When the Sky Falls, she teamed with The Long Good Friday (1980) director John Mackenzie to tell the true, tragic story of a Dublin crime reporter; and in Rod Lurie's The Contender, Allen nabbed her biggest role to date -- and her first Best Actress Oscar nomination -- as a would-be U.S. vice president who finds herself at the center of a sex scandal.After all the attention for The Contender, the savvy Allen continued to oscillate between big roles in low-profile independent films and small roles in big-budget popcorn fare, to even greater success. She featured prominently in two of the biggest box-office hits of 2004: the sentimental romance The Notebook and the wildly successful second installment of the Jason Bourne franchise, The Bourne Supremacy. In the latter, she dug into a meaty, sympathetic supporting role as an all-business CIA agent who pursues the framed title character. Spring 2005 saw the near-concurrent release of two of her indie films, both of which premiered at Sundance Festivals from years prior: Campbell Scott's lapsed-hippie family drama Off the Map and Mike Binder's Terms of Endearment-ish saga The Upside of Anger. The former cast Allen against type as a let-it-all-hang-out New Mexico naturalist who finds her family coming apart at the seams in the mid-1970s. More widely acclaimed was her Anger appearance: As a drunk, headstrong, suburban Detroit housewife who lashes out at her four daughters -- and everyone else -- after her husband leaves the family, Allen turned in a performance that was both caustic and relatable, and garnered some of the best notices of her film career.In 2008 she played the bad guy in the action film Death Race, and the year after that she starred as Georgia O'Keefe in the biopic about her directed by Bob Balaban. She returned to the role of Pamela Landy for The Bourne Legacy, the Tony Gilroy directed reboot of the popular franchise that featured Jeremy Renner taking over the title role.

Trivia: William H. Macy came to acting by way of Bethany and Goddard Colleges. At the latter school, Macy studied under playwright David Mamet, with whom he would be frequently associated throughout his career. After college, Macy was a member of Mamet's theater troupe, the St. Nicholas Company. The actor performed in a number of productions, many of them written by Mamet, until 1978 when he left the company and headed to New York. Some of his earliest work there included commercial voice-overs, such as the now infamous "Secret: Strong enough for a man, but PH balanced for a woman." Macy also continued his theater work, forming the Atlantic Theatre Company with Mamet in 1985 and acting in Broadway and off-Broadway shows. In addition, he worked in television and began doing feature films, debuting in '80s Foolin' Around. He continued to act in supporting roles throughout the decade, appearing in such films as Mamet's directorial debut, House of Games (1987) and Woody Allen's Radio Days (1987). In 1991, he won a more substantial role, in Mamet's Homicide, and subsequently began to find work in more well-known films, including Benny and Joon and The Client.Macy finally got a shot at a leading role with his turn in Mamet's Oleanna. He won positive notices and an Independent Spirit Award nomination for his portrayal of a professor accused of sexual harassment. More acclaim followed with his starring role as a hapless car salesman in Joel Coen and Ethan Coen's Fargo (1996), for which he garnered a Best Supporting Actor Oscar nomination. The next year, Macy's star rose a little higher, thanks to his work in three high-profile films, Wag the Dog, Air Force One, and Paul Thomas Anderson's Boogie Nights. He was similarly lauded for his versatility through work in such films as Psycho and Pleasantville, and in 1999 he continued his winning streak as an unconventional superhero in Mystery Men, a gay sheriff in Happy, Texas, and a member of the ensemble cast of Paul Thomas Anderson's Magnolia. Despite the fact that Macy drew praise for his turn as a reluctant hit man in the 2000 drama Panic, the film went largely unseen, and his next substantial role found him running from dinosaurs in Jurassic Park III. As always Macy continued to intercut his more commercial efforts with such decidedly non-mainstream fare as Focus and Stealing Sinatra. Surprisingly, it was just such work that netted Macy some of his most glowing reviews. Case in point was a memorable performance as a disabled traveling salesman in the 2003 drama Door to Door; a role that earned its convincing lead an Emmy. After sticking to the small screen with the Showtime miniseries Out of Order, Macy went wide with the theatrical hit Seabiscuit and the breathless Larry Cohen-scripted thriller Cellular. That same year, the actor would continue to nurture a succesful ongoing collaboration with famed writer/director David Mamet in the widely-praised but little-seen crime drama Spartan. Macy has also continued to do television work, appearing on such series as Spencer, Law & Order, and ER. For his role in the 2004 made for television drama The Wool Cap (which also found him teaming with writer Steven Schachter to adapt a story originally written by Jackie Gleason), Macy was nominated for multiple awards including a Best Actor at the Golden Globe and an Emmys. In 2005, Macy returned to home turf with the Mamet-scripted thriller Edmond, directed by Stuart "Reanimator" Gordon. The picture reunited the actor and director, who originally collaborated in the early eighties on the stage version of the playwright's Sexual Perversity in Chicago. Adapted from Mamet's 1982 one-acter, Edmond dramatizes the descent of a seemingly normal man (Macy) from sanity to unbridled psychosis. While Edmond didn't exactly bomb critically or commercially after its July 14, 2006 premiere, it fell below the bar of previous Mamet efforts on two levels: first, the studio opened it to decidedly more limited release than Mamet's directorial projects over the previous several years (such as Spartan and Heist), thus ensuring that fewer would see it, and it also suffered from somewhat lackluster reviews. Surprisingly, those who did complain of the work attacked Mamet's script in lieu Gordon's direction. Variety's Scott Foundas observed, "The problem is that, too often, we don't fully understand what motivates Edmond, and many of Mamet's efforts toward explanation -- that life is one big shell game, that we're all latent racists at heart -- feel like specious armchair philosophizing." Macy produced that same year's Transamerica, and graced the cast of Jason Reitman's hearty satire Thank You For Smoking, with a funny turn as senator and anti-tobacco promulgator Ortolan Finistirre. At around the same time, he also voiced a crooked, baseball bat-swiping security guard in that year's family friendly animated feature Everyone's Hero. Meanwhile, audiences geared up for Macy's contribution to the ensemble of actor-cum-director Emilio Estevez's semi-fictional, Altmanesque docudrama Bobby, which recounts the events that preceded RFK's assassination by Sirhan Sirhan at the Ambassador Hotel. As the hotel manager, Macy joins a line-up of formidable heavyweights: Helen Hunt, Elijah Wood, Harry Belafonte, Martin Sheen, Estevez himself, Anthony Hopkins, Sharon Stone, and many others. The picture had journalists and moviegoers across America whispering 'Oscar contender' long before its initial release on November 22, 2006. Shortly after production wrapped, Macy made headlines in mid-late 2006 for a comment that involved his allegedly berating Bobby co-star Lindsay Lohan's on-set behavior, in reference to her constant tardiness. Meanwhile, the trades reported the everpresent Macy's involvement in two 2007 features: the animated Bee Movie (with a lead voice by Jerry Seinfeld), about a honeybee who decides to sue mankind for its use of honey, and Wild Hogs, a farce with Tim Allen, Martin Lawrence and John Travolta as a trio of Hell's Angels. Over the coming years, Macy would appear in movies like Shorts, Dirty Girl, and The Lincoln Lawyer, as well as the critically acclaimed series Shameless.In 1997, William H. Macy married Felicity Huffman, with whom he appeared in Magnolia.

Trivia: Though he has never achieved the high profile or widespread acclaim of a Robert De Niro, Jeff Daniels ranks as one of Hollywood's most versatile leading men and over his career he has played everything from villains and cads to heroes and romantic leads to tragic figures and lovably goofy idiots, in movies of almost every genre. Daniels has also worked extensively on television and stage, where he first distinguished himself by winning an Obie for a production of Johnny Got His Gun. Blonde, cleft-chinned, and handsome in a rugged all-American way, Daniels made his screen debut playing PC O'Donnell in Milos Forman's Ragtime (1981). His breakthrough came when he was cast as Debra Winger's inconstant husband in Terms of Endearment (1983). Daniels has subsequently averaged one or two major feature films per year with notable performances, including: his memorable dual portrayal of a gallant movie hero/self-absorbed star who steps out of celluloid to steal the heart of lonely housewife Mia Farrow in Woody Allen's Purple Rose of Cairo (1984); his turn as a man terrified of spiders who finds himself surrounded by them in the horror-comedy Arachnophobia; and his role as Union officer Colonel Joshua Chamberlain, who led his troops into doom in Gettysburg (1993). In 1994, Daniels took a radical turn away from drama to star as one of the world's stupidest men opposite comic sensation Jim Carrey in the Farrelly brothers' hyperactive Dumb and Dumber. This lowest-common-denominator comedy proved one of the year's surprise hits and brought Daniels to a new level of recognition and popularity. Since then, Daniels has alternated more frequently between drama and comedy. His television credits include a moving portrayal of a troubled Vietnam vet in a Hallmark Hall of Fame production, Redwood Curtain. Daniels still maintains his connection to the stage and manages his own theatrical company. Before launching his acting career, he earned a degree in English from Central Michigan University in Mount Pleasant, MI. The later '90s found Daniels turning homeward and venturing into new territories through his labor of love, the Purple Rose Theater. Located in the small town of Chelsea, MI, the bus garage turned playhouse was designed to give Midwestern audiences the opportunity to enjoy entertainment generally reserved for big-city dwellers. Though he continued to appear in such films as Fly Away Home (1996) and Pleasantville (1998), Daniels made his feature directorial debut with the celluloid translation of his successful Yooper stage comedy Escanaba in da Moonlight (2000). Set in the Michigan's Upper Peninsula (U.P., hence "Yooper"), the tale of redemption by means of bagging a buck mixed the regionally accented humor of Fargo with the eccentricities inherent to northerners and served as an ideal directorial debut for the Michigan native. A modest regional success, Daniels would subsequently appear in such wide releases as Blood Work and The Hours (both 2002) before returning to the director's chair for the vacuum-salesman comedy Super Sucker (also 2002). Later reprising his role as Lt. Col. Joshua Lawrence Chamberlain from Gettysburg, Daniels once again went back in time for the Civial War drama Gods and Generals (2002). In 2004 he appeared in the adaptation of fellow Michigander Mitch Albom's best-seller The Five People You Meet in Heaven, and the next year he earned rave reviews for his role as a self-absorbed academic and terrible father in The Squid and the Whale. He continued to work steadily in a variety of projects including the Robin Williams vehicle RV, the indie thriller The Lookout, and Away We Go. He portrayed a Senator in the American remake of the British miniseries State of Play in 2009, and three years later he was cast as the lead in Aaron Sorkin's first cable series, The Newroom, playing the host of a cable news program who decides to tell it like it really is.

Trivia: While a still scrawny, undersized pre-teen in Morgantown, WV, Don Knotts dreamed of becoming an entertainer, but was too nervous to offer himself as a "single." Purchasing a dummy named Danny, Knotts worked up a ventriloquist act (admittedly stolen from Edgar Bergen) and headed to New York to seek his fortune. After flunking out twice on Major Bowes' Amateur Hour, Knotts returned to Morgantown. He attended West Virginia University as a speech major, intending to become a teacher. He was given a second opportunity to hone his entertaining skills while in Special Services during World War II. He continued pursuing ventriloquism until the fateful night that he threw his dummy into the ocean: "I wanted to get the laughs," Knotts would explain later. And laughs he got as a monologist from both GI and civilian audiences. Never completely conquering his stage fright, Knotts incorporated his nervousness into his act, impersonating such tremulous creatures as a novice TV weatherman and a tongue-tied sportcaster. In New York after the war, Knotts secured work on a local children's show before spending several years on the daytime soap opera Search for Tomorrow. In 1955, Knotts was cast in two small roles in the Broadway play No Time for Sergeants, which starred another teacher-turned-monologist named Andy Griffith, who would become Knotts' lifelong friend and co-worker. From 1955 through 1960, Knotts was a regular on The Steve Allen Show, provoking uncontrollable bursts of laughter as the bug-eyed, quivering "man on the street." He made his screen debut in the 1958 film version of No Time for Sergeants, re-creating his stage role of the squeaky-voiced coordination therapist. In 1960, he was cast as uptight, self-important, overzealous, magnificently inept deputy Barney Fife on The Andy Griffith Show. This was the role that won Knotts seven Emmies: five during his five-year tenure on the series, and two more when he returned to the show as a guest star in 1966 and 1967. Knotts left the Griffith Show when his contract expired in 1965, hoping to achieve movie stardom. From 1966 through 1971, Knotts ground out a series of inexpensive comedies for Universal (called "regionals" because they played primarily in non-urban and rural theaters). Panned or ignored by the critics on their first release, many of Knotts's starring films, especially The Ghost and Mr. Chicken (1966) and Shakiest Gun in the West (1967), became fan favorites. Arguably, however, the best of Knotts' 1960s films was made at Warner Bros. while he was still an Andy Griffith regular: The Incredible Mr. Limpet, a blend of animation and live-action wherein Knotts was ideally cast as a henpecked husband who metamorphosed into a war-hero fish.In 1970, Knotts starred in his own TV variety series, which opened to good ratings but ran out of gas after a single season. He resumed his film career, first at Disney, then teamed with Tim Conway in a handful of cheap but amusing B-grade features (The Private Eyes, The Prize Fighter). He also returned to television as self-styled roué Mr. Furley on Three's Company (1979-1984) and as gung-ho principal Bud McPherson on the syndicated What a Country! (1986). That same year, Knotts reprised his most venerable role of Deputy Fife in the made-for-TV movie, Return to Mayberry, the last act of which saw the character becoming the sheriff of Mayberry, NC.Despite his advancing age, Knotts' output increased in the 1990s and early 2000s. He appeared as a school principal in the Rick Moranis/Tom Arnold comedy Big Bully (1996). Additional roles included a television repairman in Big scribe Gary Ross's 1998 directorial debut, Pleasantville; the voice of T.W. Turtle in Cats Don't Dance, the voice of Turkey Lurkey in the 2005 Disney comedy Chicken Little, and a turn as "The Landlord" on an episode of That '70s Show that represented a deliberate throwback to Three's Company. Knotts spent much of his final decade teaming up with his old friend and co-star, Tim Conway, on the voiceovers for the Hermie and Friends series, contemporary Christian animated videos about a bunch of colorful insects. The world lost Don Knotts on February 25, 2006; he died in Beverly Hills, CA. In his final years, Knotts's appearances on the big or the small screen were greeted with the sort of appreciative laughter and applause that is afforded only to a genuine television icon.

Trivia: Considered the very embodiment of a character actor, and one of the best of his kind, J.T. Walsh filled a need for hospital corner-executive types and glowering villains throughout a busy 15-year career. His penetrating, unblinking eyes brought a deadly seriousness to a spectrum of supporting characters, both white and blue collar. James Patrick Walsh -- who decided to adopt the initials J.T. after his name was misprinted -- was born on September 28, 1943 in San Francisco, then raised in Rhode Island and Europe. He worked in a variety of career fields, from social worker to salesman, during his young adulthood. It wasn't until age 30 that he focused on stage acting, and ten more years that he began popping up regularly on the big screen. His rave reviews for a 1984 stage production of David Mamet's Glengarry Glen Ross finally translated into the beginning of a film career. It took Walsh little time to become a character-actor mainstay. Woody Allen cast him in Hannah and Her Sisters (1986), and a year later he gained notice as the sergeant who puts the clamps on Robin Williams' fast-talking DJ in Good Morning, Vietnam (1987). He hooked up with Mamet again on House of Games that same year. The first of several collaborations with friend Kurt Russell came with Tequila Sunrise in 1988. Walsh earned kudos as the prototypical shady studio exec in Christopher Guest's The Big Picture (1989). By this point he had begun appearing in an average of four or five films per year. His portrayals in the early '90s included Annette Bening's sleazy mentor in The Grifters (1990) and another villainous military officer in A Few Good Men (1992). The mid-'90s brought such films as Red Rock West (1993), The Client (1994), The Last Seduction (1994), and Oliver Stone's Nixon (1995), the last of which cast him as Watergate figure John Ehrlichman. In the final few years of his life, Walsh etched some of his most haunting portrayals, including the predatory sex offender who bends the ear of Karl Childers in Billy Bob Thornton's Sling Blade (1996), reprising his role from the little-seen short Some Folks Call It a Sling Blade (1993), also written by Thornton. Walsh burned with a menacing intensity as a malicious trucker in the Duel-inspired thriller Breakdown (1997), also starring Russell. Walsh already had Pleasantville and The Negotiator (both 1998) in the can when he suffered a fatal heart attack on February 27, 1998, in San Diego. Both films were dedicated to him, as was Jack Nicholson's Oscar for As Good As It Gets (1997).

Trivia: With looks suggesting a closet full of football trophies, the blond, blue-eyed Paul Walker has made a name for himself with a number of high-profile projects, including the successful teen flicks She's All That and Varsity Blues.Hailing from Glendale, CA, where he was born on September 12, 1973, Walker got his start at a young age, modeling and acting in various TV shows including Charles in Charge, Diff'rent Strokes, and Who's the Boss. His film debut came in the 1986 horror spoof Monster in the Closet, which complemented a part in the short-lived 1986 sitcom Throb. After high school, where he was active in a variety of sports, Walker opted to study marine biology at a series of California community colleges. Realizing his real love was acting, Walker resumed his long-dormant career in 1993, with a role on the CBS soap The Young and the Restless. This was followed by a lead role in Tammy and the T-Rex, which also starred an unknown Denise Richards. In 1998, after starring in the desultory Meet the Deedles, Walker won a secondary role as the object of Reese Witherspoon's pent-up passion in the critically acclaimed Pleasantville. His onscreen success continued with the following year's She's All That and Varsity Blues, both of which allowed the actor to capitalize on the craze for teens on the screen. In 2001, Walker tackled a leading role as he put the pedal to the metal with burgeoning star Vin Diesel in The Fast and the Furious. A throwback to the forgotten drive-in exploitationers of the past, adrenalized and pumped-up for the new millennium, The Fast and the Furious brought Walker into edgier thriller territory as a youthful undercover FBI agent drawn into the world of underground racing gangs. Taking to the road once again, Walker appeared later that year as a teen stalked by a maniacal trucker while on the way to pick-up his dream girl (Leelee Sobieski) in Joy Ride.In 2003, Walker reprised his Fast and the Furious role for the sequel, 2 Fast 2 Furious, before signing on to appear alongside Penelope Cruiz, Susan Sarandon, and Alan Arkin for veteran actor Chazz Palminteri's big screen directorial debut, the ensemble drama Noel. The low-key movie provided a fore into films of a more subdued, dramatic nature, but the young actor wouldn't stay away from the thriller genre for long. In 2005 he appeared with Jessica Alba in the underwater adventure Into the Blue, and by 2006 he starred in the crime drama Running Scared. Walker kept the adrenaline pumping but widened his target audience for his next film, the Disney feature Eight Below. Walker starred as an Antarctic explorer who is forced to leave his beloved sled dogs behind when his life is in danger, but remains determined to rescue them. The movie was more family friendly than his other recent efforts, but before long he would be back to the grown-up fare that seemed to suit him. He next took a role in the John Herzfeld action flick The Death and Life of Bobby Z, in which he played opposite Laurence Fishburne as a convict who agrees to pose as a deceased drug dealer during a hostage switch. The edgy crime film was right up his alley, but Walker would change gears again for his next film, playing one of the six soldiers who raised the American flag at the Battle of Iwo Jima during WWII, in the Clint Eastwood movie Flags of Our Fathers. He was the lead in the 2006 action film Running Scared, as well as the star of the old-fashioned adventure film Eight Below. In 2009 he returned to his signature franchise with Fast & Furious, and followed that up with the crime film Takers, and then Fast Five, which became a huge hit. Walker continued to apppear in The Fast and the Furious franchise films before ironically losing his life as a passenger in a car crash at age 40 in 2013.

Trivia: California native and sibling to fellow actor Giovanni Ribisi, Marissa Ribisi is well known for her role as Cynthia Dunn in director Richard Linklater's cult hit Dazed and Confused (1993). Ribisi also appeared in The Brady Bunch Movie and Pleasantville. In addition to film, the actress can be seen in several television shows, including the miniseries Tales of the City, and episodes of Grace Under Fire and Felicity.

Trivia: Down to earth midwesterner Jane Kaczmarek established herself as a multi-talented supporting actress in movies and TV before Malcolm in the Middle turned her into a bona fide TV star in 2000. Born in Milwaukee on December 22nd, 1955, Kaczmarek considered a teaching career, but majored in theater at the University of Wisconsin instead. After earning her M.F.A. at the Yale Drama School, Kaczmarek headed to New York to hit the stage. Moving from theater into TV and film in the early '80s, Kaczmarek revealed her aptitude for both comedy, in such TV movies as Door to Door (1984), and drama, with recurring guest parts on St. Elsewhere in 1983 and Hill Street Blues in 1984, as well as a small role in the ground-breaking TV film There's Something About Amelia (1984). As a testament to her acting chops, Kaczmarek earned her first starring film role as Robert De Niro's wronged wife in the De Niro/Meryl Streep romance Falling in Love (1984). Kaczmarek was back to comedy with the ill-received fantasy The Heavenly Kid (1985) and the Judge Reinhold age-switch romp Vice Versa (1988). After she married fellow actor Bradley Whitford in 1992, Kaczmarek starred in the TV movie Without Warning (1994) and nabbed multi-episode guest-starring parts in several TV series, including Party of Five and Cybill in 1996. Following a small role as Tobey Maguire and Reese Witherspoon's mother in the reflexive fantasy Pleasantville (1998), Kaczmarek was ready to settle down to raise her family. When the producers of Malcolm in the Middle came calling, however, Kaczmarek signed on, figuring it wouldn't last. Instead, Malcolm's absurd, unsentimental take on sitcom family life became a spring 2000 hit, earning Kaczmarek Emmy, Golden Globe, and Screen Actors' Guild nominations for her performance as the no-nonsense mother of a genius and his incorrigible brothers. Malcolm in the Middle enjoyed a long run from 2000 to 2006. In 2010, Kaczmarek she starred as the mother of a 16-year-old girl in an abusive relationship for the Lifetime Original Movie Reviving Ophelia.

Trivia: From his first infomercial appearance as a young boy hungry for hot dogs to his directorial debut with the outrageous pseudo-reality comedy Trailer Town, eternally unpredictable actor-turned-director Giuseppe Andrews has constantly surprised audiences, regardless of which side of the camera he happens to be on. Andrews's debut feature resembles something of a cross between Gummo and Pink Flamingos, making it obvious to anyone who has seen the film that there are few boundaries Andrews is not willing to completely obliterate. He had a nomadic childhood, residing in a van with his father, sleeping in supermarket parking lots while his dad gulped experimental pills for hospital surveys -- but a simple newspaper ad seeking an older man to get his hair cut in an infomercial offered a catalyst for the unassuming youngster's first foray into film. When the producer asked the elder Andrews if he knew of a young boy who could ask for hot dogs while his father was getting his hair cut, young Andrews landed the role with ease, acquiring an agent in the process. After making his feature debut in the 1989 comedy Getting It Right, Andrews continued on with appearances in such efforts as 12:01, Prehysteria 2, and White Dwarf, also landing a role in the widely released 1995 drama Unstrung Heroes, providing his most high-profile role to date. All of that would change when Andrews was cast in director Roland Emmerich's 1996 sci-fi blockbuster Independence Day. The following year's roles in efforts such as Pleasantville and American History X found his resumé expanding and his recognition factor rising. Though Andrews would eventually climb the credits to land a substantial role in director Adam Rifkin's 1999 retro-comedy Detroit Rock City, the film was widely panned by critics and died a quick death at the box office. A starring role in the 1999 made-for-television feature Student Affairs preceded a recurring role in the short-lived weekly series Two Guys, a Girl and a Pizza Place, and in 2002 Andrews cracked up audiences as "Party Cop" deputy Winston in the horror hit Cabin Fever. Positive word of mouth from Cabin Fever director Eli Roth helped to get Andrews' early films seen, and in the summer of 2004, Troma DVD released his debut feature Trailer Town, and the sound of dry heaving filled living rooms nationwide. With roles in Tweek City, 2001 Maniacs, and The Black Dahlia set to follow soon after, audiences could rest assured that Andrews wasn't going to completely abandon his acting career for that of a director just yet.

Trivia: Jason Behr started working steadily on television just as he entered his twenties. He started with a number of guest appearances on programs as diverse as Pacific Blue, Step by Step, and Buffy the Vampire Slayer. He landed recurring roles on Push and the teen soap opera Dawson's Creek. He parlayed the success into a starring role as Max Evans on the teen sci-fi series Roswell. His film career includes appearances in films as diverse as The Shipping News and the horror film The Grudge. He also appeared in the New Zealand horror film The Tattooist. Behr returned to TV with a recurring role on A&E's Breakout Kings in 2012.

Trivia: Worked as a youth TV host on Louisville's WDRB Fox 41 Kid's Club at the age of ten. Made her debut TV appearance at the age of 17, in an episode of Unhappily Ever After. Starred as Juliet O'Hara in Psyche between 2006 and 2014, reprising her role for the 2017 movie. In 2011, starred in James Roday's Los Angeles production of Greedy. Co-founded the animal rescue organization Tiger Frances Foundation.

Trivia: When college basketball star Marc Blucas did not make the NBA, he decided to apply to law school. The day before he was scheduled to take the Law School Admission Test, he unwound by watching Rob Reiner's courtroom drama A Few Good Men (1992) and realized that what excited him about the film was not the law, but the acting. A few years later, Blucas was a television veteran with several feature films under his belt and a coveted spot in Vanity Fair's prestigious Hollywood Issue.Born Marcus Paul Blucas on January 11, 1972, the actor grew up in the small town of Girard, PA. The son of a school superintendent and an education administrator, he made his stage debut as a cupcake in his third grade class' production of Hansel and Gretel. At 6'2" tall, he was the star center on the Girard High School basketball team. An All-State athlete, Blucas averaged 20.8 points and 10.1 rebounds per game and lead his team to two 2A championships. In his senior year, the team went undefeated and was ranked among the best high school basketball teams by USA Today. Blucas earned a full scholarship to Wake Forest University in Winston-Salem, NC, where he majored in business with a minor in speech communication and played shooting guard and small forward for the Wake Forest Demon Deacons. He competed in four NCAA tournaments and won the Murray C. Greason Sr. Athletic Academic Award and the Weaver-James-Corrigan Postgraduate Scholarship in his senior year. When Blucas was not picked in the NBA draft, he joined the Manchester Giants and played pro basketball in England for one season. After starting a company that was targeted to assist athletes in endorsement and contract negotiations, he intended to go to law school but tried his hand at acting instead.Blucas had already appeared opposite Marg Helgenberger and Kris Kristofferson in the television movie Inflammable (1995), when a friend at Wake Forest informed him that the producers of the Whoopi Goldberg comedy Eddie (1996) were looking for a baby-faced basketball player to appear in the picture. He was a perfect fit and made his feature-film debut as a benched player on the New York Knicks. After working as the technical advisor on NBC's sports biopic Never Give Up: The Jimmy V Story (1996), Blucas was able to expand his part as an athlete in Pleasantville (1997) by coordinating the film's basketball sequences. He then dedicated himself to honing his craft through workshops and acting classes, before resurfacing as Jerry O'Connell's best friend in the NBC miniseries The '60s (1999), and as Carmen Electra's ex-beau in Jeff Abugov's The Mating Habits of the Earthbound Human (1999). He also appeared on MTV's Undressed, the WB's Clueless, and HBO's Arli$$.Blucas' breakthrough role came in the fall of 1999, when he was cast as a regular on Joss Whedon's hit series Buffy the Vampire Slayer. Portraying Buffy's (Sarah Michelle Gellar) demon-hunting boyfriend, Riley Finn, he became a recognizable actor with a sturdy fan base. Blucas left the show in 2000 (with the promise that he would be back) in order to pursue film work. After starring in the baseball-themed Summer Catch (2001) with Freddie Prinze Jr. and Jessica Biel, he began a back-to-back shooting schedule that included Kevin Smith's Jay and Silent Bob Strike Back (2001) with Ben Affleck and Jason Lee, John Sayles' The Sunshine State (2001) with Angela Bassett and Edie Falco, and Randall Wallace's We Were Soldiers (2002) with Mel Gibson and Chris Klein. He also joined the casts of the Gwyneth Paltrow comedy A View From the Top (2002), the thriller They (2002), and the period piece I Capture the Castle (2002).While still swearing to fans that he will return to Buffy the Vampire Slayer as soon as he can, Blucas signed on to director Alex Steyermark's Pray for Rock 'n' Roll, which stars Gina Gershon, Jennifer Esposito, Jane Adams, and Shelly Cole as a struggling Los Angeles-based girl band. Despite his onscreen success and his busy schedule, the actor still makes time for basketball. He plays on an adult team and serves as a referee for a Los Angeles youth league.

Trivia: Made her TV debut in Alice (1979) and her film debut in Smokey and the Bandit II (1980). Has guested on some 70 TV series, including Hill Street Blues, Newhart, Murphy Brown, Roseanne, The Golden Girls, Seinfield, Buffy the Vampire Slayer, ER, Everybody Loves Raymond and Nip/Tuck. Was a regular on ABC's Married to the Kellys, and had recurring roles on My Name Is Earl, The New Adventures of Old Christine, Grace Under Fire and Ellen. Hobbies include knitting and quilting; sews for the nonprofit organization Stitches From the Heart, which aids seniors and parents with premature babies.

Trivia: Actor Jim Antonio has spent the bulk of his career playing supporting roles on television both in films and as a guest star on series. He has also occasionally appeared in feature films. His brother, Lou Antonio, is an actor and director.

Trivia: As a child, frequented Video Archives, a video-rental store in Los Angeles, and got to know one of the store's clerks, Quentin Tarantino. Played the role of Jonathan in the pilot episode of Buffy the Vampire Slayer; the role ended up recurring through the entire series. Was awarded a fellowship from USC in 1997. Made Variety's Top Ten Screenwriters to Watch list in 2007.

Trivia: An actress whose fresh-faced girl-next-door beauty has adapted easily to both comic and dramatic roles, Marley Shelton was born in southern California on April 12, 1974. Her mother was a schoolteacher who dabbled in acting while her father worked as a director for film, television, and the stage. During her high-school days, Shelton was a member of the cheerleading squad and was named prom queen in her senior year. She began to develop an interest in acting, and in 1991 won her first film role, a slam supporting part in Lawrence Kasdan's Grand Canyon. In the next two years, Shelton made a few appearances on episodic television and appeared in the made-for-TV movie In the Line of Duty: Ambush in Waco, but it was in 1993's The Sandlot that she made her first real impression on the big screen as Wendy, the lust-inducing teenage lifeguard. That same year, Shelton earned a recurring role on the dramatic television series Angel Falls, alongside fellow cast members Jean Simmons, Shirley Knight, Peggy Lipton, and James Brolin, but the show only lasted one season. More television work followed, including key roles in several made-for-TV movies and appearances on Hercules and the revived Fantasy Island, before Shelton's film career began to take hold. She played Tricia Nixon in Oliver Stone's biopic Nixon and a beautiful but fickle teenager in the little-seen comedy Trojan War, but her first major hit came in 1998 with Pleasantville, in which she played Margaret, the love interest of leading man Tobey Maguire (and one of the first teens to become "colorful"). In 1999, she played Kristin, one of the "popular girls" in Never Been Kissed, and two years later scored her first leading role, in which she got to put her cheerleading skills to use as Diane, the pep-squad girl-turned-teenage mother and criminal in Sugar & Spice. Offscreen, in 2001, Shelton married television and movie producer Beau Flynn, who helped cast her as Chloe, the beautiful girl next door in the comedy Bubble Boy.In the following few years, Shelton's onscreen career seemed to plateau somewhat when a variety of indie projects including Just a Kiss, Dallas 362, Grand Theft Parsons, and Moving Alan -- directed by her father, Christopher, and starring her sister Samantha -- failed to achieve mainstream success. Nevertheless the actress remained busy, and it was shortly after appearing in a failed updating of the once-popular gothic soap opera Dark Shadows that Shelton landed the role which, however small, seems to have been a turning point in her career. Though her role opposite Josh Hartnett in Robert Rodriguez's violent comic-book adaptation Sin City amounted to little more than a glorified cameo, it did provide wide-scale exposure in addition to connecting her with one of the most innovative and tireless filmmakers of his generation. Subsequent roles in Wim Wenders' Don't Come Knocking, Paul Weitz's American Dreamz, and the Paul Haggis-scripted The Last Kiss were quick to follow, and in 2007, Shelton reunited with Sin City director Rodriguez for a substantial role in "Planet Terror" -- Rodriguez' zombie-filled contribution to the ambitious double-feature throwback Grindhouse. Shelton would go on to appear in films like W. and Scream 4, as well as on the TV series Eleventh Hour.