Trivia: Elliot Gould was one of Hollywood's hottest actors of the early '70s and though he reached the peak of his popularity years ago, he remains a steadily employed supporting and character actor. Gould's lifelong involvement in show business is partially the result of his mother. In classical stage mother fashion, she made an eight-year-old Gould take numerous classes in performing, singing, and dance, including ballet. She enrolled him in Manhattan's Professional Children's School and then had him perform in hospitals, temples, and sometimes on television. Gould was also a child model. During summers, Gould performed at Catskill mountain resorts. When he was 18, he made it into a Broadway chorus line. Working odd jobs in between minor stage gigs, Gould did not get his big break until he joined the chorus line of the musical Irma La Douce. From there he won the leading role opposite Barbra Streisand in I Can Get It for You Wholesale. Though the two leads got good reviews, the show did not and rapidly closed. During its short run, Gould and Streisand fell in love, and in 1963, married. The following year, Gould made an inauspicious feature-film debut playing a deaf-mute in The Confession (1964). He did much better in his second film, The Night They Raided Minsky's (1968). While Gould's career seemed jammed in neutral, his wife's popularity hit the stratosphere, and for a time, he helped arrange her television appearances. By 1967, after years of being called Mr. Streisand and undergoing analysis, Gould untied the knot with Streisand. Gould became a star in 1969 when his co-starring role in the sex comedy Bob and Carol and Ted and Alice earned him a Best Supporting Actor nomination. After playing Trapper John in Robert Altman's counterculture classic M*A*S*H, Gould at last made it to the big league. Tall, curly-haired, more homely than handsome, laid-back, unconventional, sensitive, and unabashedly Jewish, Gould was tremendously popular with young adults who strongly identified with the often confused and neurotic characters he played. Gould's subsequent few films, notably Getting Straight (1970) and Little Murders, reinforced his counterculture image. For a while, he seemed to be everywhere, but by 1973, his career had already begun tapering off. A powerfully subtle performance as Philip Marlow in Altman's Long Goodbye (1973) proved that Gould had talent to spare, but over the next few years, he chose several independent, under the radar films, like California Split and Capricorn One. Over the coming decades, Gould would eventually find an ideal level of fame and activity, appearing in a massive number of films, like Dangerous Love, Bugsy, Ocean's Eleven (and its sequels), and Contagion. Gould would also enjoy a beloved recurring role on the massively successful sitom Friends as the father of Ross and Monica Geller.

Trivia: Glamorous Danish cabaret singer Nina Van Pallandt became a baroness by marriage in the 1960s, but this domestic accomplishment paled in comparison to her involvement in "l'affair Irving." When writer Clifford Irving made headlines in 1972 for allegedly gaining access to the elusive Howard Hughes, it became public knowledge that Nina Van Pallandt had been having an affair with Irving. Shortly after publishing a series of Hughes "interviews," Irving was exposed as a literary fraud, having completely fabricated the interview sessions. While Irving protested the authenticity of his writings, Van Pallandt drove the nail in his credibility coffin by insisting that Irving had been vacationing in Mexico with her at the time he was supposedly picking Hughes' brains. Even as Clifford Irving was being escorted to prison, Van Pallandt's singing career soared. Nina Van Pallandt was able to finesse her 15 minutes of fame into a 15-year film career; merely ornamental in many of her films, Nina Van Pallandt actually delivered a semblance of a performance in Robert Altman's The Long Goodbye (1973).

Trivia: American actor Sterling Hayden was a Hollywood leading man of the '40s and '50s who went on to become a character actor in later years. At age 16 he dropped out of school to become a mate on a schooner, beginning a life-long love affair with the sea; by age 22 he was a ship's captain. Extremely good looking, he modeled professionally to earn enough money to buy his own vessel; this led to a movie contract with Paramount in 1940. Within a year he was famous, having starred in two technicolor movies, Virginia (1941) and Bahama Passage (1942); both featured the somewhat older actress Madeleine Carroll, to whom he was married from 1942-46. With these films, Paramount began trumpeting him as "The Most Beautiful Man in the Movies" and "The Beautiful Blond Viking God." Shortly after making these two films he joined the Marines to serve in World War II. After the war he landed inconsequential roles until a part as a hoodlum in The Asphalt Jungle (1950) demonstrated his skill as an actor. After this his career was spotty, marked for the most part by inferior films (with some notable exceptions, such as Dr. Strangelove [1964]) and frequent abandonment of the screen in favor of the sea. It was said that Hayden was never particularly interested in his work as an actor, vastly preferring the life of a sailor. His obsession with the sea and his various voyages are described in his 1963 autobiography, Wanderer, in which he also expresses regret for having cooperated with the House Un-American Activities Commission during the early '50s McCarthy-Era "witch trials." He published a novel in 1976, Voyage: A Novel of 1896; it was named as a selection of the Book of the Month Club.

Trivia: Trained for the arts at Juilliard, Neighborhood Playhouse, and the Actor's Studio, Mark Rydell was a busy actor and musician throughout the 1950s. During this decade he played Jeff Baker, first husband of Penny Hughes (Rosemary Prinz), on the CBS TV soap opera As the World Turns; he abruptly left the show by means of a "fatal accident" in 1959. His movie acting debut was in the 1956 J.D. melodrama Crime in the Streets. In the early '60s, Rydell established himself as a dependable series-TV director. His first film directorial assignment was 1968's The Fox; 13 years later, he garnered an Oscar nomination for his direction of On Golden Pond (1981). In 1973, Rydell made a surprise return to acting at the request of his old friend Robert Altman, portraying a sadistic gangster boss in Altman's The Long Goodbye; he has since essayed supporting roles in Punchline (1988) and Havana (1989), the latter directed by another former actor, Sidney Pollack. In partnership with Pollack, Mark Rydell formed Sanford Productions in the mid-'80s.

Trivia: American comic actor Henry Gibson acted professionally since childhood, but didn't gain prominence until his discovery by Jerry Lewis for a role in The Nutty Professor (1963). Gibson quickly developed a comedy act for TV variety shows, in which he passed himself off as a fey, Southern-accented "blank verse" poet. So convincing was this persona that many viewers believed Gibson was a genuine Southerner, though he actually hailed from Pennsylvania. He played a cruder variation of his yokel character as a patron of the "Belly Button" bar in Billy Wilder's Kiss Me Stupid (1964), and was hilarious as a hip-talking Indian in the Three Stooges' feature film The Outlaws is Coming (1965). Gibson might have continued in small roles indefinitely had he not been catapulted to stardom in 1968 as part of the ensemble on TV's Rowan and Martin's Laugh-In, where his introductory "A poem...by Henry Gibson" became a national catchphrase. Gibson stayed with Laugh-In until 1971, whereupon he launched a reasonably successful career as a straight character actor. One of his best film roles of the '70s was Haven Hamilton, a hard-driving, flag-waving country-western star in Nashville (1975). Gibson not only delivered an expert performance but also co-wrote the songs sung by Haven Hamilton, including the deliberately banal Bicentennial ballad, "200 Years", in one of the film's early scenes. Henry Gibson continued throughout the next two decades playing strong movie character parts (the neo-Nazi commander in 1980's The Blues Brothers) and bright little cameos (the closet-smoking security guard in 1990's Gremlins 2). Gibson was also ubiquitously available as a guest star on such cable-TV reruns as Bewitched (he played a leprechaun) and F Troop (he was jinxed Private Wrongo Starr). He died of cancer in September 2009, about a week before his 74th birthday.

Trivia: Trained at New York's Professional Children's School, Warren Berlinger made his first stage appearance at the age of 11. At 17, Berlinger was showered with critical praise for his performance in the 1955 Broadway production A Roomful of Roses, in which he appeared with his future wife, actress Betty Lou Keim. Both Berlinger and Keim repeated their roles in the 1956 film version of Roses, retitled Teen-age Rebel. In 1958, he won a Theatre World Award for his performance in Blue Denim, again re-creating his role in the 1959 film adaptation. He scored a huge hit in the 1963 London production of How to Succeed in Business Without Really Trying, essaying his favorite role, J. Pierpont Finch. In films, Berlinger's stock-in-trade has been the portrayal of plump, good-natured schmoes; he was still conveying this image into the 1980s and 1990s in films like The World According to Garp (1982) and Hero (1992). On television, he played the lead in the "Kilroy" episodes of Walt Disney's Wonderful World of Color(1965) and had regular roles on The Joey Bishop Show (1961), as Joey's brother Larry, The Funny Side (1971), A Touch of Grace (1973), Operation Petticoat (1977) and Small and Frye (1983). Distantly related to comedian Milton Berle, Warren Berlinger appeared with "Uncle Miltie" in the 1975 feature Lepke.

Trivia: David Carradine was born John Arthur Carradine, eldest son of John Carradine, the beloved and very busy character actor, whose roles encompassed everything from John Steinbeck's Reverend Casey to Bram Stoker's Dracula. David Carradine's early adult life was one of exploration -- though born in Hollywood, he tried on a lot of sides of living before he finally turned to acting as a profession. He worked with various community and semi-professional dramatic companies in San Francisco; hitchhiked his way to New York; did Shakespeare in Akron, OH, and parts of New Jersey; and all of the other things that aspiring would-be actors are supposed to do. He got a few early screen credits in television productions such as Armstrong Circle Theater ("Secret Document"), and in various series produced by Universal Pictures' ReVue television division, including episodes of The Virginian, Wagon Train, and Arrest & Trial, plus The Alfred Hitchcock Hour. He also made his big-screen debut thanks to Universal with a small role in the R.G. Springsteen-directed western Taggart (1964). His real professional breakthrough came a year later on the Broadway stage, however, in Peter Shaffer's The Royal Hunt of the Sun, in a cast headed by Christopher Plummer. He enjoyed an extended run in the Broadway production, which was accompanied by the first round of publicity for Carradine, even then focusing on his unpredictable, iconoclastic nature. He was lured back to Hollywood by the chance to star in the series Shane, based on the George Stevens movie and the Jack Schaefer novel. He was able to put his own stamp on the role, quite different from the portrayal that Alan Ladd had delivered in the film; but the viewing public had been swamped by westerns for a decade, and the series never had a chance to find an audience, lasting only 16 episodes. From 1967 until 1972, he was occasionally seen in one-off roles in dramatic series such as Coronet Blue and The Name of the Game, and was in a remake of Johnny Belinda with Mia Farrow and Ian Bannen, but was most often seen in westerns, including The Violent Ones (1967) and The McMasters (1969) (playing a Native American in the latter). In 1972 he was approached about the possibility of starring in a proposed series that was easily the most offbeat western ever considered by a network up to that time: Kung Fu. The public had long since lost interest in traditional westerns, but here was a story that combined a quest with a tale of pursuit and necessarily included philosophical conflict never before addressed in series television. The role appealed to Carradine, and he got the part of Kwai Chang Caine, the Chinese-American hero, despite knowing nothing of martial arts. Drawing on his ability as a dancer at his meeting with the producers, he was able to prove with one well-placed kick at a point above his head that he could pull it off. The series ran for three seasons, during which time Carradine put an increasing amount of himself into the portrayal. And the public responded, especially viewers under 40, who resonated to the character and the man behind it. Kung Fu became one of those odd cult shows, the fans of which were devoted beyond the usual casual weekly viewing. Carradine saw to it, however, even during the run of the series, that he kept busy on other projects, including the Martin Scorsese-directed Boxcar Bertha (1972), starring his paramour Barbara Hershey, and small roles in the Robert Altman revisionist detective film The Long Goodbye (1973) and Scorsese's Mean Streets (1973).Kung Fu made Carradine a star, but he eventually left the series, owing to disagreements with the producers. His withdrawal from the series could have damaged his career, but Carradine was fortunate enough to latch on to a script that Roger Corman was planning to produce -- a new kind of action movie, Death Race 2000 (1975), became a huge underground hit and proved that Carradine had some measure of big-screen appeal. He followed this up with Cannonball (1976) and other action pictures done for Corman. In the midst of those movies, he found the opportunity to star for the first time in a major, big-budget Hollywood feature, Bound for Glory (1976), portraying legendary folk singer/songwriter Woody Guthrie. Carradine put a lot of his own experience in music into the portrayal, and the movie was a critical success, though a box office disappointment. Good roles kept coming his way, however, not only through Corman but also from an unexpected quarter, Ingmar Bergman, who cast Carradine, in memorable turn, as a Jewish trapeze artist in The Serpent's Egg (1977), co-starring Liv Ullmann. Even some of the most routine movies in which he appeared during this period were often worth seeing solely for Carradine's performances, never more so than his work as Captain Gates in the submarine rescue drama Gray Lady Down (1978). Carradine made his directorial debut on a handful of episodes of Kung Fu. Upon leaving the series, he directed his first feature film, the drama You and Me (1975). The latter film co-starred Barbara Hershey and his brothers Keith Carradine and Robert Carradine were in the cast. His career across the next few decades involved a mix of major feature films, such as The Long Riders (1980), and offbeat smaller scale pictures such as Q (1982), interspersed with more personal projects such as Americana (1981), for which he served as screenwriter, director, and producer, as well as starring as a taciturn Vietnam veteran who heals himself and a troubled Midwestern town by refurbishing an old carousel. During the 1990s, he also returned to the role of Kwai Chang Caine in the series Kung Fu: The Legend Continues. Among the best elements of the series were Carradine's interactions with his co-star, Robert Lansing (another Hollywood iconoclast), especially in the late episodes, when the latter actor was terminally ill. Even when he was doing action features such as Lone Wolf McQuade (1983) -- in which he played the antagonist to real-life martial arts expert Chuck Norris' hero -- Carradine maintained a reputation for quality in the nature of his own work, which served him in good stead in the years to come. Longtime fans, appreciative of his work since his days on Kung Fu, could always depend on him to deliver a worthwhile performance, even if the vehicles in which he worked were less than stellar, as was often the case -- outside of Kung Fu: The Legend Continues -- in the 1990s. The stars finally lined up in his favor again in 2003, when Carradine appeared in Quentin Tarantino's Kill Bill Vol. 1 with Uma Thurman, which led to his much-expanded part in the follow-up movie. Since those films, he has been busier than at any time in his career, with dozens of screen credits in the years that followed.Carradine has written two books, Spirit of Shaolin and the autobiography Endless Highway, and has made a pair of popular instructional videos, David Carradine: T'ai Chi Workout and David Carradine: Kung Fu Workout. When not working, the actor enjoys painting, sculpting, and performing music. He also wrote several songs for the 2003 film American Reel, in which he starred as struggling singer/songwriter James Lee Springer. Carradine has three children, one each from his first two marriages, to Donna Lee Brecht (1960-1968) and Linda Gilbert (1977-1983), and one with Barbara Hershey, with whom he lived from 1972 to 1975. In 2009, he was found dead, hanged in a Bangkok hotel. He was 72 years old.

Trivia: Eddie Constantine studied voice in Vienna but his career as a singer in the U.S. was unsuccessful. His wife, dancer Helene Mussel, joined the Ballets de Monte Carlo, and he followed her to Paris, where he began singing in nightclubs. Discovered by Edith Piaf, he became her protégé and intimate friend, and she helped him launch a career as a popular recording artist. His film career began in 1953, when he landed the role of a tough American private eye, Lemmy Caution, in a series of French action thrillers based on the novels of Peter Cheyney. His role as Caution culminated in Jean Luc Godard's Alphaville (1965). Constantine starred in movies of other genres, but usually maintained his basic tough-guy, heroic acting style. He is also the author of a novel, Le Proprietaire/The Godplayer.

Trivia: Perhaps the ultimate thinking man's sex symbol, Helen Mirren is also one of the most respected actresses of British stage, screen, and television. With classical training, years of work on the London stage, an acclaimed television series, and dozens of films to her name, Mirren has proven herself an actress of talent, versatility, and unforgettable presence.Born Ilynea Lydia Mironoff on July 26, 1945, in London, Mirren is a descendant of the White Russian nobility. Her father was a member of an aristocratic Russian military family who came to England during the Russian Revolution, but while Mirren was growing up, he worked in turn as a violinist with the London Philharmonic, a taxi driver, and a driving instructor. His daughter, on the other hand, knew her true calling by the age of six, when she realized she wanted to become an actress, in the "old-fashioned and traditional sense." After trying to please her parents with a stint at a teacher's college, Mirren joined the National Youth Theatre, where she first made her mark playing Cleopatra. The acclaim for her performance led the way to other work, and she was soon a member of the vaunted Royal Shakespeare Company, with whom she performed a wide range of classics. Her stage career thriving, Mirren made her screen debut in 1968 in the somewhat forgettable Herostratus. The same year, she made a more auspicious appearance as Hermia in Peter Hall's lauded adaptation of A Midsummer Night's Dream, and her screen career soon took off. She worked steadily throughout the late '60s and '70s, starring in 1969's Age of Consent and working with such directors as Robert Altman on The Long Goodbye (1973) and Lindsay Anderson on O Lucky Man! (also 1973). In 1977, Mirren earned permanent notoriety for her work in Caligula, a mainstream porn offering from the powers at Penthouse that also starred such notables as Peter O'Toole, John Gielgud, and Malcolm McDowell.During the subsequent decade, Mirren continued to work on the stage, and she also broadened her cinematic resumé and fan base with such films as Excalibur (1981) and Cal (1984). Her portrayal of an older woman in love with a younger man in the latter film earned her a Best Actress award at the Cannes Film Festival and further established her reputation as an actress willing to explore the kind of unconventional relationships often ignored on the screen. The actress' willingness go beyond safe conventionality was demonstrated with her work in such films as The Mosquito Coast (1986), Pascali's Island (1988), The Cook, the Thief, His Wife and Her Lover (1989), and The Comfort of Strangers (1991). She again took on the role of an older woman in love with a younger man in Where Angels Fear to Tread in 1991, proving that seven years after Cal, her powers of attraction had been in no way tempered by time.At the beginning of the 1990s, Mirren began appearing on the television series Prime Suspect. Her character, Jane Tennison, a hard-boiled detective, proved immensely popular with viewers and critics alike, and she stayed with the series for its seven incarnations. Mirren also continued to do acclaimed work for the stage and screen, earning a Cannes Best Actress award and Oscar and BAFTA nominations for her work in The Madness of King George in 1994, and making her Broadway debut in Turgenev's A Month in the Country in 1995. The following year, she earned further acclaim for her work in Some Mother's Son, in which she played the mother of a Belfast prison hunger striker. In 1997, Mirren found the time to marry producer/director Taylor Hackford before signing on to provide the voice of the Queen in the Disney animated film The Prince of Egypt (1998). In 1999, she played the titular teacher in Kevin Williamson's disappointing Teaching Mrs. Tingle, earning the only good reviews given the movie, and she again won over critics with her title role in the made-for-television The Passion of Ayn Rand, earning an Emmy for her performance. Back on the big screen, Mirren continued with a lighthearted role as a master gardener in Greenfingers (2000), turned up in director Hal Hartley's comic monster fable No Such Thing (2001) and earned her second Oscar nomination for her re-teaming with Altman in the director's acclaimed comedy Gosford Park (2001).This pattern solidified for Mirren as her career moved through the new millennium. She was well received for her performance in yet another quirky British sleeper in 2003, with Calendar Girls. In it she played a middle-aged woman who raises money (as well as eyebrows) for a Women's Institute by posing nude with her peers. She also made notable appearances in movies like the thriller The Clearing (2004) and the romantic comedy Raising Helen (2004), before awing audiences with a performance in Shadowboxer (2005) as an assassin who is diagnosed with terminal cancer. 2005 would prove to be a special year for Mirren as September of that year would kick off a full 12 months of nonstop praise and excitement. Two of Mirren's projects would emerge during this period that would usher her into the upper tier of cinema's lead actresses -- a place that critics and fans had known she belonged all along. Coincidentally, these two projects would find her playing two different English monarchs who shared the same name. First, her performance as Queen Elizabeth I in the BBC miniseries Elizabeth I aired in September 2005, blowing viewers away with her ability to convey the full power and command of perhaps the most important crowned head in British history, all while confined to the small screen. Immersing herself into the opulent 16th century costumes and sets, Mirren tackled the Virgin Queen as a leader, a woman, and a human being, leaving such an impression that the miniseries was later aired in the U.S. By September 2006, the commotion over Mirren's performance had died down just enough for her to make an even bigger splash with her acclaimed role as Queen Elizabeth II in Stephen Frears' film The Queen. Despite the shared name, playing the modern-day figure was as different from her earlier role as it could be. Taking place in 1997 after the death of the globally beloved Princess Diana -- whose divorce from Prince Charles had been a source of epic tabloid controversy -- The Queen found Mirren playing a monarch who wielded little-to-no executive power, but whose title derived all its meaning from tradition, symbolism, and national pride. Mirren handled this queen with gentle attention to detail, following her on confused journeys both personal and in the national consciousness, showing her surprise and bewilderment as the stoic exterior on which a queen's public face had always been built suddenly caused her to be reviled. Mirren's two Elizabeths were both honored with Golden Globe wins, one for Best Actress in a Drama, and one for Best Actress in a TV Movie or Mini-Series. She was further rewarded for her efforts by capturing the Oscar for Best Actress in The Queen.In the next year she appeared in the blockbuster sequel National Treasure: Book of Secrets, but in 2009 she starred opposite Christopher Plummer in The Last Station as the wife of the dying Leo Tolstoy. For her work in that drama Mirren garnered acting nominations from the Screen Actors Guild, the Independent Spirit Awards, and the Academy. Substantial roles continued to rack up honors and acclaim for the actress in 2010, as she played an intriguing role as a former Mossad agent in The Debt, and no-longer-retired secret agent in Red, and none other than the leading role in William Shakespeare's The Tempest - with the gender of the part changed to female. Mirren would then make a comic turn in the 2011 remake of Arthur alongside British comedian Russell Brand, before delving back into drama once more with the reflective 2012 film The Door.

Trivia: An actor since the 1950s, Enrique Lucero is best remembered as host of the long-running Latin American radio series La Hora Latina. His screen credits include Villa (1958) and The Magnificent Seven (1960), both lensed in his native Mexico. In the 1960s, he was seen in a few horror films, quite a departure from his avuncular radio and TV image. Enrique Lucero's later films ranged from Sam Peckinpah's The Wild Bunch (in 1969 as Ignacio) to Robert Altman's The Long Goodbye (in 1973 as Jake).

Trivia: Rutanya Alda, born Rutanya Skrastins in Riga, Latvia, has been steadily appearing in American films since the late '60s. Alda, who was known as Ruth Alda in her earlier films, has also performed on stage and television in the U.S.

Trivia: While serving his two-year hitch in the Army, Jack Riley performed in "Rolling Along of 1960," a military travelling show. After his discharge, Riley attended John Carroll University, then resumed his show-business activities as an actor, comedian, and "special material" writer for such stars as Mort Sahl, Rowan and Martin and Don Rickles. He made his film debut in 1962's The Days of Wine and Roses, and later essayed eccentric roles in such laugh-spinners as Attack of the Killer Tomatoes (1979). Active in television since 1966, Riley was a comedy-ensemble player in Keep on Truckin' (1975) and The Tim Conway Show (1980 edition), and occasionally popped up on Rowan and Martin's Laugh-In, impersonating Lyndon Johnson. His most celebrated TV role was the supremely paranoid Elliot Carlin in The Bob Newhart Show (1972-78), a role he later reprised (under various character names) in such series as Alf and St. Elsewhere. He was also cast as TV station manager Leon Buchanan in the two-episode sitcom Roxie (1987), and was heard as the voice of Stu Pickles on the animated series Rugrats (1991- ). Extremely active in the LA theatrical scene, Jack Riley starred in such stage productions as 12 Angry Men and Small Craft Warnings. RIley died in 2016, at age 80.

Trivia: Supporting actor Danny Goldman first appeared onscreen in the '70s.

Trivia: While his police-chief father wanted him to become a soccer player, Austrian-born actor Arnold Schwarzenegger opted instead for a bodybuilding career. Born July 30, 1947, in the small Austrian town of Graz, Schwarzenegger went on to win several European contests and international titles (including Mr. Olympia) and then came to the U.S. for body-building exhibitions, billing himself immodestly but fairly accurately as "The Austrian Oak." Though his thick Austrian accent and slow speech patterns led some to believe that the Austrian Oak was shy a few leaves, Schwarzenegger was, in fact, a highly motivated and intelligent young man. After graduating from the University of Wisconsin with a degree in business and economics, he invested his contest earnings in real estate and a mail-order bodybuilding equipment company.A millionaire before the age of 22, Schwarzenegger decided to try acting. Producers were impressed by his physique but not his mouthful of a last name, so it was as Arnold Strong that he made his film bow in the low-budget spoof Hercules in New York (1970, with a dubbed voice). He reverted to his own name for the 1976 film Stay Hungry, then achieved stardom as "himself" in the 1977 documentary Pumping Iron. In The Villain (1979), a cartoon-like Western parody, he played "Handsome Stranger," exhibiting a gift for understated comedy that would more or less go unexploited for many years thereafter. With Conan the Barbarian (1982) and its sequel, Conan the Destroyer (1984), the actor established himself as an action star, though his acting was backtracking into two-dimensionality (understandably, given the nature of the Conan role). As the murderous android title character in The Terminator (1984), Schwarzenegger became a bona fide box-office draw, and also established his trademark of coining repeatable catchphrases in his films: "I'll be back," in Terminator, "Consider this a divorce," in Total Recall (1990), and so on.As Danny De Vito's unlikely pacifistic sibling in Twins (1988), Schwarzenegger received the praise of critics who noted his "unsuspected" comic expertise (quite forgetting The Villain). In Kindergarten Cop (1991), Schwarzenegger played a hard-bitten police detective who found his true life's calling as a schoolteacher (his character was a cop only because it was expected of him by his policeman father, which could have paralleled his own life). Terminator 2: Judgment Day (1991), wherein Schwarzenegger exercised his star prerogative and insisted that the Terminator become a good guy, was the most expensive film ever made up to its time -- and one of the biggest moneymakers. The actor's subsequent action films were equally as costly; sometimes the expenditures paid off, while other times the result was immensely disappointing -- for the box-office disappointment Last Action Hero (1992), Schwarzenegger refreshingly took full responsibility, rather than blaming the failure on his production crew or studio as other "superstars" have been known to do.A rock-ribbed Republican despite his marriage to JFK's niece, Maria Shriver (with whom he has four children), Schwarzenegger was appointed by George Bush in 1990 as chairman of the President's Council of Physical Fitness and Sports, a job he took as seriously and with as much dedication as any of his films. A much-publicized investment in the showbiz eatery Planet Hollywood increased the coffers in Schwarzenegger's already bulging bank account. Schwarzenegger then added directing to his many accomplishments, piloting a few episodes of the cable-TV series Tales From the Crypt as well as a 1992 remake of the 1945 film Christmas in Connecticut.Schwarzenegger bounced back from the disastrous Last Action Hero with 1994's True Lies, which, despite its mile-wide streak of misogyny and its gaping plot and logic holes, was one of the major hits of that summer's movie season. Following the success of True Lies, Schwarzenegger went back to doing comedy with Junior, co-starring with Emma Thompson and his old Twins accomplice Danny De Vito. The film met with critically mixed results, although it fared decently at the box office. Undeterred, Schwarzenegger continued down the merry, if treacherous, path of alternating action with comedy with 1996's Eraser and Jingle All the Way, the latter of which proved to be both a critical bomb and a box-office disappointment. In a move that suggested he had realized that audiences wanted him back in the world of assorted weaponry and explosives, Schwarzenegger returned to the action realm with 1997's Batman & Robin, which unfortunately proved to be a huge critical disappointment, although, in the tradition of most Schwarzenegger action films, it did manage to gross well over 100 million dollars at the box office and over 130 million dollars more the world over.The turn of the century found Schwarzenegger's star losing some of its luster with a pair of millennial paranoia films, 1999's End of Days and 2000's The 6th Day. The former film -- in which a security consultant has to save the world from Satan -- was critically lambasted and, despite a powerful opening weekend, failed to recoup its cost in the States. The latter film -- a cloning parable which bore more than a passing resemblance to Total Recall -- received more positive notices, but took in less than half the receipts Days did just one year prior. Perhaps as a response to these failures, Schwarzenegger prepped three films reminiscent of former successes, all scheduled for release in 2001 and 2002: the terrorist action thriller Collateral Damage, True Lies 2, and the long-anticipated Terminator 3. Though Collateral Damage received a chilly reception at the box office and the development of True Lies 2 fell into question, longtime fans of the cigar-chomping strongman rejoiced when Arnold resumed his role as a seriously tough cyborg in Terminator 3. Though he made a cameo in director Frank Coraci's adaptation of Around the World in 80 Days, Arnold's most notable role of the new millenium was political -- Schwarzenegger replaced Gray Davis as governor of California in the highly controversial recall election of 2003.In 2010, Schwarzenegger played the character of Trench in The Expendables, an action thriller following a group of tough-as-nails mercinaries as they deal with the aftermath of a mission gone wrong, and reprised the role for The Expendables 2 in 2012.