Trivia: A graduate of Oxford, actor Hugh Grant would seem more a natural product of Cambridge University, breeding ground for such comic talents as Monty Python's Flying Circus. Grant's classic good looks make him a shoo-in for romantic leads, but his comic abilities -- marked by a nervous stutter, desperately fluttering eyelids, and an ability to capture a brand of distinctly English embarrassment -- have also marked him as a gifted comic performer. Born in London on September 9, 1960, Grant made his film debut under the very Oxbridge name of Hughie Grant in the Oxford-financed Privileged (1982). He then worked in repertory before forming his own comedy troupe, the Jockeys of Norfolk. Following some television roles, Grant made his first professional film appearance in 1987 with a blink-and-he's-gone part in White Mischief. The same year he did more substantial work, first as Lord Byron in Rowing With the Wind, and then as a sexually conflicted Edwardian in Ismail Merchant and James Ivory's adaptation of E.M. Forster's Maurice. The role won him a Best Actor award at the Venice Film Festival, but despite such acclaim, Grant's next films were largely forgettable affairs. One exception -- albeit a dubious one -- was Ken Russell's The Lair of the White Worm, in which the actor attained some degree of cult status as a lord attempting to foil the murderous charms of a campy, trampy vampire (Amanda Donahoe).Following period work in Impromptu (in which he played a consumptive, bewigged Chopin) and another Merchant-Ivory outing, The Remains of the Day, Grant finally hit it big in 1994 with starring roles in two films, Sirens and Four Weddings and a Funeral. The latter film in particular gave the actor almost overnight transatlantic stardom, landing him on a number of magazine covers and TV talk shows. The following year, Grant gained fame of an entirely different sort when he was arrested for soliciting the services of an L.A. prostitute. The box-office take of his subsequent film, Nine Months, released on the heels of his arrest, was buoyed by his notoriety, as were the ratings of the episode of The Tonight Show which featured Grant's sheepish apology to his then-girlfriend, model/actress Elizabeth Hurley. The actor managed to recoup some of his professional dignity with a restrained performance as Emma Thompson's suitor in the acclaimed Sense and Sensibility, but his next feature, Extreme Measures, a thriller produced by his and Hurley's production company, Simian Films, proved a disappointment. Following this relative failure, Grant receded somewhat from the public consciousness, but reappeared in 1999 with Notting Hill. A commercial as well as relative critical success, the comedy helped to restore some of the actor's luster, further assisted by his roles in the comedies Mickey Blue Eyes (1999) and Woody Allen's Small Time Crooks (2000). After once again charming filmgoers while competing for the affections of Renee Zellweger in Bridget Jones's Diary, Grant took on the role of a playful London lothario who forms a bond with one of his conquests' offspring in the romantic comedy About a Boy. Indeed, the romantic comedy seemed to be simply the most natural fit for the actor, and he found more success in new millennium with returns to this genre in Two Weeks Notice, Love Actually, and the sequel to Bridget Jones's Diary, Bridget Jones: The Edge of Reason.He played a fictionalized version of Simon Cowell in the comedy American Dreamz, and was solid as a washed-up 80's pop star opposite Drew Barrymore in the romantic comedy Music and Lyrics in 2007. His next film, 2009's Did You Hear About the Morgans?, was his last on-screen appearance for nearly three years, when he took on a small role (six small roles, actually) in the Wachowski's Cloud Atlas. In 2015, he had a supporting role in The Man From U.N.C.L.E., but made bigger waves for the role he didn't take: Grant would not appear in the third Bridget Jones films, shocking fans of the series.

Trivia: Discovered at age 3 while attending a production of The Caucasian Chalk Circle by a director who noticed his intense concentration. Mother accompanied him on set for all his projects until he began filming the TV series Skins when he was 17. Visited slums in the Kenyan city of Nairobi in 2010 to raise awareness about poverty as part of Christian Aid Week. Appeared in the video for the song "Lez be Friends" by the British musical-comedy act Midnight Beast in 2010. Modelled eyewear in a advert for the 2010 Tom Ford spring collection after appearing in Ford's film A Single Man. Played a villain in a 2014 commercial for Jaguar, part of a series that also featured Ben Kingsley and Tom Hiddleston.

Trivia: One of the most compelling actors of her generation, Toni Collette has enjoyed a career that can only be described as unpredictable. Moon-faced, cat-eyed, and possessing a presence that conveys both dignity and eccentricity, Collette had her breakthrough in P.J. Hogan's hit 1994 comedy Muriel's Wedding. As the film's title character, an overweight, ABBA-loving woman who is obsessed with getting married, the Australian actor earned both critical raves and audience recognition across the globe. She also earned plenty of opportunities to be typecast into similar roles -- particularly as she had gained over 18 kilos to play the part of Muriel -- but managed to skillfully avoid this by appearing in a variety of films that had nothing to do with ABBA, matrimony, or weight issues.Born in Sydney, Australia, on November 1, 1972, Collette became interested in acting as a child. She made her stage debut at the age of 14 in a school production of Godspell, and went on to attend the National Institute of Dramatic Art. Quitting the prestigious school after less than two years in order to work with a talented stage director, she appeared in a number of plays and in 1991 made her screen debut in Spotswood, acting in the company of Anthony Hopkins and a then unheard-of Russell Crowe.Three years later, Collette had her big break with Muriel's Wedding, a sleeper hit in both Australia and the U.S. Following the hoopla surrounding the film's success, the actor appeared in a number of small films, including the 1996 comedy Cosi and Clockwatchers (1997), a poignant office comedy that featured Collette, Lisa Kudrow, Parker Posey, and Alanna Ubach as dissatisfied temps.Recognized by keen-eyed observers as Gwyneth Paltrow's shy friend Harriet in Douglas McGrath's 1996 adaptation of Emma, and as the Angie Bowie-esque wife of a glam rocker in Todd Haynes' much maligned Velvet Goldmined (1998), Collette found her biggest audience to date -- as well as some of her biggest raves -- in M. Night Shalyaman's The Sixth Sense (1999). Cast as the mother of a young boy (Haley Joel Osment) who sees dead people, Collette earned a Best Supporting Actress Oscar nomination for her performance. Unfortunately, she followed the film with Shaft (2000), more or less wasting her talents in the role of a woman who the titular private dick has to save from the bad guys. Collette's talents were put to greater use in the made-for-TV movie Dinner With Friends (2001), which cast her as a woman who breaks up with her husband (Greg Kinnear) after 12 years of marriage. The movie, which also starred Andie MacDowell and Dennis Quaid, won warm reviews, particularly for the strong ensemble work of its four principle actors. Collette's subsequent workload reflected her growing popularity; in addition to Stephen Daldry's The Hours (2001), which she starred in alongside a cast that included Meryl Streep, Nicole Kidman, Julianne Moore, and Ed Harris, she also appeared opposite Hugh Grant in the 2002 adaptation of author Nick Hornby's About a Boy. Collette continued to take on small-scale projects like the Hollywood satire The Last Shot. She co-starred with Nia Vardelos in Connie & Carla, a film that came nowhere close to equaling the sleeper success of Vardelos' My Big Fat Greek Wedding, but did showcase Collette's fine singing voice. The next year Collette gave a strong performance opposite Cameron Diaz in the underappreciated In Her Shoes. 2006 found her stretching both her comedic and dramatic muscles by co-starring in the psychological thriller The Night Listener as well as the sleeper hit independent comedy Little Miss Sunshine opposite Steve Carell and Greg Kinnear.The actress would go on to contiunue her reputation, consistently appearing in critically acclaimed films like The Night Listener, Jesus Henry Christ, The Black Balloon, and Towelhead, in addition to finding a suitable outlet for her talents on the small screen, playing a mother with multiple personalities in the Diablo Cody penned HBO series United States of Tara.

Trivia: A British actress whose name and dark looks effortlessly conjure up associations with Eastern European exoticism, Rachel Weisz first earned the attention of an international audience with her role as the spoiled daughter of a sculptor in Bernardo Bertolucci's Stealing Beauty (1996). The daughter of a Jewish-Hungarian inventor and an Austrian psychoanalyst (both sides of the family fled Fascist Europe during the '30s), Weisz was born in London on March 3, 1971. Much of her adolescence was spent modeling, and after attending Cambridge to study English, she broke into acting with a role in Sean Mathias' West End revival of Noel Coward's Design for Living.Weisz's performance in the play won her the Critics' Circle Best Newcomer award, and she subsequently took advantage of this recognition with a starring role in the BBC's TV adaptation of Scarlet & Black (1993), and then in 1996 with her aforementioned part in Bertolucci's Stealing Beauty. Although most attention was paid to Liv Tyler in her role as the film's protagonist, Weisz managed to garner notice of her own, and this recognition was furthered by her top billing opposite Keanu Reeves in Chain Reaction that same year. Unfortunately, the big-budget thriller was an unmitigated turkey; Weisz followed it with leads in smaller films such as The Land Girls (1997), a WWII drama that cast her as a young socialite sent to work on a farm; and Going All the Way (1997), a post-war coming-of-age drama starring Ben Affleck and Jeremy Davies that saw Weisz play Wasp, Affleck's Jewish girlfriend.After returning to Britain to star as a hairdresser in the noirish drama I Want You (1998), Weisz reappeared on the Hollywood radar as Brendan Fraser's damsel in distress in the 1999 summer blockbuster The Mummy. That same year, she played yet another love interest, that of a womanizing Ralph Fiennes in Sunshine, István Szabó's epic drama about three generations of a family of Hungarian Jews. Weisz' subsequent turn in the period drama Enemy at the Gates (2000) saw her play the inamorata of yet another Fiennes brother, Joseph. As a Russian-American sniper caught between the affections of a Russian party official (Fiennes) and a legendary sniper (Jude Law), the actress again returned to the early part of the 20th century (this time the Battle of Stalingrad) and to the deep end of the Fiennes family gene pool.Dutifully returning for The Mummy Returns a few short months later, that same year found the starlet gaining positive notice for her role in director Neil LaBute's biting stage drama The Shape of Things. Cast as a young art student whose latest "piece" is a strikingly original form of sculpture, Weisz's character would attempt to transform her boyfriend from schlub to stud to surprising effect. When the play was adapted to film in 2001, the team stuck together with Weisz and co-star Paul Rudd stepping before LaBute's all-seeing lens. For her role in the 2003 crime drama Confidence, Weisz would join a band of talented con artists in a daring bid to take a banker with ties to organized crime for all he's worth. Though the film may not have struck box-office gold, it did prove something of a sleeper and drew generally favorable reviews from critics. Confidence would be one of two films that found Weisz cast alongside screen legend Dustin Hoffman in 2003, the other being the courtroom thriller Runaway Jury. If her last few years had been slightly weighed down in drama, audiences could be assured that things would lighten up considerably when Weisz joined the cast of the Barry Levinson comedy Envy (2004).In 2005 she starred alongside Keanu Reeves again in the comic book adaptation Constantine. The dark film about a man trying to avoid his fate in hell by battling demons on Earth helped keep Weisz's name in circulation, but her next project would create the biggest buzz of her career thus far. Her role in Fernando Meirelles' The Constant Gardener garnered praise from critics and audiences alike, winning her an Oscar and a Golden Globe for Best Actress in a Supporting Role. Weisz played a British activist working in Kenya whose investigations into government corruption cause her to turn up dead, prompting her husband, Ralph Fiennes, to embark on an epic search to reveal the truth behind her murder. On the heels of this tremendous success, she joined the cast of Darren Aronofsky's psychological science-fiction film The Fountain-a story spanning a thousand years and exploring issues of love, death, and spirituality. Weisz joined Adrien Brody and Mark Ruffalo for The Brothers Bloom (2008), and worked with celebrated director Alejandro Amenabar in Agora (2009), a historical drama featuring Weisz in the lead role. In 2010, Weisz played a major role in The Whistleblower, which was inspired by a true story of a corporation involved in human trafficking, and later worked opposite Daniel Craig in director Terrence Malick's thriller Dream House (2011).

Trivia: European-born actress Natalia Tena launched her career as a supporting actress in features produced on her native continent, initially placing her heaviest emphasis on films from the U.K. She took one of her earliest bows with a supporting role as a boarding-school student in John Irvin's erotically tinged psychodrama The Fine Art of Love (2005), then joined the cast of Stephen Frears' period piece Mrs. Henderson Presents (2005). For her Hollywood debut, Tena essayed the role of Nymphadora Tonks in two of the Harry Potter installments -- Harry Potter and the Order of the Phoenix (2007) and Harry Potter and the Half-Blood Prince (2008).

Trivia: Belongs to one of the wealthiest families in Ireland. Won a spot at Bristol's Old Vic Theatre School at age 17, when her father gave her the ultimatum to either get into drama school or get a job. Appeared in a production of 10 Rounds at the Tricycle Theatre in London. Relocated with her husband from Ireland to the United States in 2011. Supports the children's NGO World Vision Ireland.

Trivia: Made his film debut at the age of 13 as Ali in 2002's About A Boy starring Hugh Grant and Rachel Weisz. Was a member of England's Youngblood Theatre Company. Appeared in several British TV series, including 24Seven, MI-5 and The Bill. Performed in stage productions at the Lyric Hammersmith and Riverside Studios in London.

Trivia: Rosalind Knight is a highly versatile English actress with a particular flair for comedy. She was the daughter of leading man Esmond Knight -- best remembered for his postwar work in the films of Michael Powell and Emeric Pressburger -- and the former Frances Clare; her stepmother was the actress Nora Swinburne. Knight studied at the Old Vic and, after a stint as assistant stage manager at the Midland Theatre Company in Coventry, she moved to the Ipswich Repertory Company, where the other assistant stage manager was future playwright Joe Orton (she subsequently played a small role in the 1987 Orton biopic Prick Up Your Ears).In 1956, Knight was seen by a film producer and signed up for her movie debut, as a schoolgirl in the comedy Blue Murder at St. Trinian's (1956). That same year, she starred with her father, cast as father and daughter, in a BBC adaptation of Nicholas Nickleby. Her next film was the trans-Atlantic hit Carry on Nurse (1959), playing Nurse Nightingale, and she subsequently appeared in a co-starring role in Carry on Teacher. She also worked in James Hill's The Kitchen (1961) and Tony Richardson's Tom Jones (1963), in which she played Mrs. Fitzpatrick. Knight was busy in theater for the next few years, although she did get her first exposure on American television through an appearance in the Beverly Hillbillies episode "War of the Roses," part of a five-show story arc that was filmed in England. She also appeared in the French Revolution spoof Start The Revolution Without Me (1970), but most of her work over the next decade was on the stage. Knight returned to the St. Trinian's fold at the end of the decade, this time as a teacher, in The Wildcats of St. Trinian's (1980). She is a familiar figure on British television, in mysteries and comedies alike, even portraying a retired prostitute -- a break from the usual aristocratic parts of her later career -- on Gimme Gimme Gimme.

Trivia: Has an English father and American mother. Began acting as a member of the Medieval Players. Worked with Mark Saban as a street theatre duo in The Two Marks. Appeared as a car salesman in a SEAT television advertisment. Is the voice of the fox in the Old Speckeled Hen advertisment.

Trivia: Attended ballet school as a child. Performed with the English National Opera for the 2007 West End run of On The Town. Is an ambassador for the 'Euro a Month' charity.

Trivia: Made his theatrical debut in Inspector Calls at the Garrick Theatre in London when he was 8-years old. Joined the rock band The Wutars in 2009 and performed live for the first time at the 100 Club in London. Played the role of Buttons in a Mickfield Community Pantomomine of Cinderella in January 2012. Performed at the Dub Aid 5 VW charity show at Towcester Race Course where the proceeds went to Cancer Research UK in 2016.