Trivia: Fair-haired, hunky British performer Charlie Hunnam began life in Newcastle, England, and moved to Hollywood at the age of 19 (around 1999) in a quest for movie and television stardom. He found it almost instantly as homosexual character Nathan on the first two seasons of the groundbreaking Showtime series drama Queer as Folk (1999-2001), then signed on to work for executive producer Judd Apatow and others with a role as a college student in the short-lived but critically worshipped situation comedy Undeclared (2001). Hunnam's feature film contributions began shortly thereafter and witnessed him specializing in intense, angry, often psychotic characterizations; memorable assignments included a portrayal of the nasty villain in Anthony Minghella's period drama Cold Mountain (2003) and a gold-toothed, dreadlocked psychopath in the dystopian saga Children of Men (2006). The role that truly rocketed Hunnam to acclaim, however, cut closest to his British roots: a scarily accurate evocation of a thuggish English footballer in the gritty drama Green Street Hooligans (2005). He appeared in the well-regarded dystopian sci-fi film Children of Men as well as Robert Towne's long-planned adaptation of the novel Ask the Dust. He appeared in the first season of the TV series Sons of Anarchy in 2008, and had a major role in the 2011 thriller The Ledge.

Trivia: A native of Billingham, England, Jamie Bell is an example of endurance and dedication paying off if there ever was one. Though the aspiring young dancer was the object of frequent teasing by school classmates (who dubbed him "Poof" and "Ballerina Boy," among other unsavory monikers), he persevered and ultimately landed the lead in the affecting 2000 drama Billy Elliot. Bell's family has a rich history in the world of dance that dates back to his grandmother. Though at first shy about his ambitions, the boy quietly imitated the moves of his older sister as she practiced in the studio; by the time he was six, others began to recognize his natural talent and encouraged him to practice, though Bell tried to keep his extracurricular activities a secret from his classmates. He later enrolled in the Stagecoach Theater School in hopes of refining his acting skills. Practice in both arenas ultimately paid off when Bell was selected from more than 2,000 young hopefuls to fill the toeshoes of the titular character in Stephen Daldry's Billy Elliot. During the production of the film, the fresh-faced actor and veteran director developed a warm, father/son-like bond that helped Bell gain the confidence he needed to fully explore his talent. An unexpected hit that was embraced by critics and audiences around the world, Billy Elliot earned many prestigious nominations and awards, including BAFTAs for Best British Film and Best Actor for its young star, who was also named Best Newcomer at The British Independent Film Awards. Though he subsequently hung up his ballet shoes in favor of more acting roles, Bell continued to impress in such features as the horror-flavored war film Deathwatch and the Charles Dickens adaptation Nicholas Nickleby (both 2002). The following year, the busy young actor took the lead in no less than three films: Dear Wendy, Undertow and Who Goes There? -- all scheduled for release in 2004.Bell continued to work with the best directors, signing on with Peter Jackson for his remake of King Kong and playing a part for Clint Eastwood in Flags of Our Fathers. In 2008 he appeared in the World War II drama Defiance. Three years later he had an international hit of a sort when he provided the physical basis for the lead character in Steven Spielberg's The Adventures of Tin Tin, and appeared in the well-reviewed adaptation of Jane Eyre starring Mia Wasikowska and Michael Fassbender. In 2012, he had a supporting role in Man on a Ledge and was featured in Lars von Trier's Nymphomaniac in 2013. Bell took the lead in the AMC Revolutionary War series Turn in 2014.

Trivia: From his 1950 debut onward, Christopher Plummer has been regarded as one of the most brilliant Canadian actors of his generation. His portrayal of Hamlet was a major ratings coup when telecast over the CBC in the early '60s. Following his first Broadway appearance in 1954 (among his New York stage credits are JB, Royal Hunt of the Sun and The Good Doctor), efforts were made to convert Plummer into an American matinee idol, most of these attempts were resisted by Plummer himself. His first two films, Stage Struck (1957) and Wind Across the Everglades (1958), set no new box office records, although the latter, directed by Nicholas Ray, did earn strong critical notices. Plummer was shown to better advantage in such live network-TV presentations as The Prisoner of Zenda and A Doll's House.In 1965, the actor was cast as Captain Von Trapp in The Sound of Music, an assignment he despised, reportedly referring to the musical blockbuster as The Sound of Mucus. Nonetheless, and as Plummer has ruefully noted on many occasions, this one film did more to make the actor bankable in Hollywood than any previous effort. He went on to do steady, if varied, work throughout the rest of the century. Among Plummer's more notable films were The Return of the Pink Panther (1974), the British Empire extravaganza The Man W ho Would Be King (1975), 1979's Murder by Decree (in which he starred as Sherlock Holmes), Somewhere in Time (1980), the legendary 1983 miniseries The Thorn Birds, 1991's Star Trek VI: The Undiscovered Country, and 1995's Dolores Claiborne and Twelve Monkeys. In 1999, Plummer received some of the strongest notices of his career for his uncannily accurate portrayal of 60 Minutes anchor Mike Wallace in Michael Mann's The Insider. Throughout his long career, the actor has won many awards, including Tonys for the musical Cyrano and the one-man stage show Barrymore, and an Emmy for his work in the TV miniseries The Moneychangers. Genie nominated for performances in the films Ararat and Blizzard in 2002 and 2003 respectively, Plummer and his daughter Amanda were both nominated for Emmy awards for their television performances in 2005. Though the father would ultimately walk away empty-handed, the award would stay in the family when Amanda was bestowed the honor for her memorable guest appearance in an episode of Law and Order: Special Victim's Unit. With roles in such high profile theatrical releases including The New World, Inside Man, and The Lake House keeping Plummer very much in the spotlight, it was obvious that his talent and passion for acting were still as strong as ever. 2009 turned out to be one of his busiest and most successful years in a very long time. In addition to appearing in Terry Gilliam's The Imaginarium of Dr. Parnassus, Plummer voiced the bad guy in Pixar's mega hit Up, and portrayed the legendary author Leo Tolstoy in Michael Hoffman's The Last Station. His work in that film, opposite Helen Mirren, earned the Canadian his first Academy Award nomination, as well as nods from the Screen Actors Guild, the Golden Globes, and the Independent Spirit Awards.He followed up and improved on that awards success in 2011 with his role as a senior citizen who comes out of the closet in Beginners. That performance garnered him the Screen Actors Guild award for Best Supporting Actor, as well as an Oscar in that same category. He also scored a box-office success as the head of the feuding Vanger clan in David Fincher's adaptation of The Girl with the Dragon Tattoo.Talent seems to run in Plummer's family: he and first wife, actress Tammy Grimes, are the parents of acclaimed actress Amanda Plummer.

Trivia: One of England's most versatile character actors, Jim Broadbent has been giving reliably excellent performances on the stage and screen for years. Particularly known for his numerous collaborations with director Mike Leigh, Broadbent was shown to superlative effect in Leigh's Topsy-Turvy, winning the Venice Film Festival's Volpi Cup for his portrayal of British lyricist and playwright W.S. Gilbert.Born in Lincolnshire, England, in 1949, Broadbent trained at the London Academy of Music and Dramatic Arts. Following his 1972 graduation, he began his professional career on the stage, performing with the Royal National Theatre, the Royal Shakespeare Company, and as part of the National Theatre of Brent, a two-man troupe he co-founded that performed reduced histories. In addition to his theatrical work, Broadbent did steady work on television, acting for such directors as Mike Newell and Stephen Frears. Broadbent made his film debut in 1978 with a small part in Jerzy Skolimowski's The Shout. He went on to work with such directors as Stephen Frears (The Hit, 1984) and Terry Gilliam (Time Bandits [1981], Brazil [1985]), but it was through his collaboration with Leigh that Broadbent first became known to an international film audience. In 1991, he starred in Leigh's Life Is Sweet, a domestic comedy that cast him as a good-natured cook who dreams of running his own business. Broadbent gained further visibility the following year with substantial roles in Neil Jordan's The Crying Game and Newell's Enchanted April, and he could subsequently be seen in such diverse fare as Woody Allen's Bullets Over Broadway (1994), Widows' Peak (1994), Richard Loncraine's highly acclaimed adaptation of Shakespeare's Richard III (1996), and Little Voice (1998), the last of which cast him as a seedy nightclub owner. Appearing primarily as a character actor in these films, Broadbent took center stage for Leigh's Topsy-Turvy (1999), imbuing the mercurial W.S. Gilbert with emotional complexity and comic poignancy. Roles in Bridget Jones's Diary, Moulin Rogue, and Iris made 2001 quite a marquee year for Broadbent; the actor earned both an Oscar and a Golden Globe for his affecting turn in Iris.He remained one of the most respected actors of his generation and continued to work steadily for directors all over the world. In 2002 he was cast in Martin Scorsese's epic historical drama Gangs of New York. In 2003 he took a cameo part in Bright Young Things. In 2004 he returned for the Bridget Jones sequel, and took a bit part in Mike Leigh's Vera Drake. He worked in a number o animated films including Doogal, Valiant, and Robots. In 2007 he had the title role in Longford, a historical drama about the infamous Moor Murders, and the next year he was part of Indiana Jones and the Kingdom of the Crystal Skulls.As the 2010's continued, Broadbent would remain a vital, respected, and beloved force on screen, appearing most memorably in projects like The Young Victoria and The Iron Lady.

Trivia: Ranked among Great Britain's most esteemed stage actresses, Juliet Stevenson also occasionally lends her talent to film and television productions. In film, she received the most acclaim for Truly, Madly, Deeply (1991). A graduate of London's Royal Academy of Dramatic Art, she first made waves in classical theater in the early '80s. She also occasionally worked in more modern productions, such as Ariel Dorfman's Death and the Maiden, for which Stevenson originated the role of the vengeful Paulina. In 1987, Stevenson entered television in the British/American film Helix/The Race for the Double Helix (1987). She followed this up with several feature films, making her American debut co-starring with Gwyneth Paltrow in Emma (1996).

Trivia: An actress whose first big screen gig also proved to be her breakthrough, Anne Hathaway became a familiar face to millions of moviegoers thanks to her starring role in Garry Marshall's 2001 hit The Princess Diaries. Cast as a clumsy high school girl who finds out she is the princess of a small country, Hathaway was able to prove her comedic timing opposite no less than Julie Andrews.Hailing from Brooklyn, where she was born November 12, 1982, Hathaway became involved in the theater at a young age, and as a teenager performed with the Barrow Group, a prestigious New York theatre company. She did her first industry work in the short-lived but critically praised TV series Get Real before auditioning for Marshall, who, according to legend, cast the actress as the accident-prone princess after she fell off a chair during her audition. The success of The Princess Diaries opened a number of doors for Hathaway, but she chose the one that led to Vassar College, where she enrolled in 2000, taking some time off from film.Though a supporting performance in the 2002 box-office disappointment Nicholas Nickleby offered Hathaway little chance to shine, a lead performance as the eponymous character in thefantasy-themed romantic comedy Ella Enchanted (2004) found her stepping into some big slippers for another Cinderella-style story not unlike the obligatory Princess Diaries 2 that same year. As if to anounce her acendancy out of the teen fantasy ghetto, Hathaway plunged into edgier territory with the gritty teen drama Havoc (also 2004), although the explicit film merited only a video release. It was her next two roles, however, that would announce the young actor's arrival into adulthood. As one of the two quietly suffering wives in Ang Lee's acclaimed Brokeback Mountain, Hathaway exhibited an irrepressible rodeo-girl spirit broken down over the course of a sham marriage. As the co-star of the chick-lit adaptation The Devil Wears Prada in 2006, she entered the world of contemporary, high-fashion power players, suffering the slings and arrows of a deliciously evil (and Oscar-nominated) Meryl Streep. The film played throughout the summer, becoming a bona-fide sleeper hit. Although initially cast in 2007's runaway summer comedy, Knocked Up, Hathaway backed out of the role that eventually went to Katharine Heigl. She chose instead to follow the period-romance path with Becoming Jane, a Shakespeare in Love-style speculative fiction on the life and one true love of Jane Austen.2008 turned out to be a banner year for the actress who scored a box office hit starring opposite Steve Carell in the big-screen adaptation of Get Smart, and garnered the best reviews of her career thus far for her work as a recovering addict in Jonathan Demme's Rachel Getting Married. That role earned her a number of year-end critics awards, as well as Best Actress nominations from the Screen Actors Guild and the Academy. Hathaway would subsuquently find herself free to enjoy leading lady status, appearing in a number of iconic projects over the coming years, like the White Queen in Alice in Wonderland and a slinky Selina Kyle/Catwoman inThe Dark Knight Rises. In 2012 she landed the part of Fantine in Tom Hooper's adaptation of the phenomenally successful stage musical Les Miserable. Getting to deliver the production's most beloved song, "I Dreamed a Dream", Hathaway made the most of the small but juicy part and was rewarded with the Oscar for Best Supporting Actress.In 2014, Hathaway appeared in the indie film Song One and reteamed with her Dark Knight Rises director Christopher Nolan for the sci-fi epic film Interstellar. She next starred in The Intern, opposite Robert De Niro, and reprised her role Alice Through the Looking Glass.

Trivia: The brother of film star James Fox, British actor Edward Fox spent the first few years of his career in the shadow of his longer-established younger sibling. All this changed when Edward was cast as the charismatic but cold-blooded international assassin The Jackal in 1973's Day of the Jackal; so determined was Fox's character to go through with his assignment to kill Charles De Gaulle that at times the audience believed he was actually going to get away with it! Never a major box-office attraction, Fox has aged into a dynamic character player, busy throughout the 1980s in such films as Never Say Never Again (1983), The Shooting Party (1984) and Wild Geese II. In 1991, Fox could be seen by TV fans as King Richard in Robin Hood, the "rival" production to Kevin Costner's Robin Hood: Prince of Thieves.

Trivia: Despite a visage and presence that seemed to almost predestine her for movie stardom, fair-haired Romola Garai stumbled into acting almost inadvertently. A performer of Hungarian extraction on both her maternal and paternal sides, she grew up with a banker father and a journalist mother and three brothers and sisters, and lived in Singapore and Hong Kong until the age of eight. Though never consciously nurturing any disciplined aspirations to become a film actress, Garai began to move toward the seventh art in her mid-teens, first by appearing in high school plays, then by joining England's National Youth Theatre. Academically, she enrolled in the City of London School for Girls and (later) London University, as an English major, but a year into her tenure there, a casting director working for producer Su Armstrong and director Gillies MacKinnon noticed her and tapped her for a small role in the bittersweet musical seriocomedy The Last of the Blonde Bombshells, opposite Olympia Dukakis, Judi Dench, and Ian Holm, and Garai's career was secure. She almost immediately snagged an agent, and numerous additional offers began rolling in. Garai's breakthrough arrived in 2003, with a star turn in Tim Fywell's Dodie Smith adaptation I Capture the Castle, for which she did an overwhelming amount of preliminary research and -- uncoincidentally -- earned high praise from critics on both sides of the Atlantic. Work came quickly and furiously at that point; assignments included hotfooting her way through the Dirty Dancing follow-up Dirty Dancing: Havana Nights (2004), starring as Amelia Sedley opposite Reese Witherspoon in Mira Nair's Vanity Fair (2004), and -- on a particularly memorable note -- playing the troubled 18-year-old Briony Tallis in the 2007 Best Picture nominee Atonement, opposite bombshell Keira Knightley -- a performer to whom many favorably compared Garai. Over the next several years, Garai would appear in a number of acclaimed mini-series like Emma, The Crimson Petal and the White, and The Hour.

Trivia: Known for his outrageous, divinely comedic performances on stage and screen, Nathan Lane has led a career encompassing Broadway, television, and film. Born Joe Lane in Jersey City, New Jersey on February 3, 1956, Lane took his stage name from Nathan Detroit, the character he played to great acclaim in the 1992 Broadway version of Guys and Dolls.Lane made his film debut in 1987's Ironweed, and he spent the rest of the 1980s and early 1990s playing secondary roles in films like Joe Versus the Volcano (1990), Frankie and Johnny (1991), and Addams Family Values (1993). During this time, his stage career was thriving; in addition to his celebrated turn in Guys and Dolls (for which he won a Tony nomination, as well as Drama Desk and Outer Critics Circle Awards), he frequently collaborated with playwright Terrence McNally, who cast him in a number of his plays, including The Lisbon Traviata, in which Lane played an opera queen, and Love! Valour! Compassion!, in which he starred as Buzz, an HIV-positive musical aficionado who provides much of the play's comic relief and genuine anger. The actor won particular acclaim for his portrayal of the latter character, taking home Obie and Drama Desk Awards, as well as other honors, for his work.In 1994, the same year that he starred in the stage version of Love! Valour! Compassion! (his role was played in the film version by Jason Alexander), Lane gained fame of a different sort, lending his voice to Timon, a hyperactive meerkat in Disney's animated The Lion King. He reprised the role for the extremely successful movie's 1998 sequel. Two years after playing a meerkat, Lane finally became widely visible to screen audiences as Robin Williams' flamboyantly limp-wristed lover in The Birdcage, Mike Nichols' remake of La Cage aux Folles. The film helped to establish Lane--who was at the time starring on Broadway in A Funny Thing Happened on the Way to the Forum--as a comic actor worthy of big-screen exposure, and in 1997 he was given his own vehicle to display his talents, Mouse Hunt. Unfortunately, the film was a relative disappointment, as was Encore! Encore!, a 1998 sitcom that cast the actor as a Pavorotti-like opera singer alongside Glenne Headly and Joan Plowright. However, Lane continued to work steadily, appearing both on stage and in film. In 1999, he could be seen in At First Sight and Get Bruce, a documentary about comic writer Bruce Vilanch. The same year, he could also be heard in Stuart Little, a live action/animated adaptation of E.B White's celebrated children's book.Over the coming years, Lane would appear in several films, including a new big screen adaptation of The Producers and the fairy tale Mirror Mirror.

Trivia: Actor Tom Courtenay studied at the Royal Academy of Dramatic Arts before making his theatrical debut in the Old Vic production of The Seagull in 1960; in 1961 he took over Albert Finney's role in Billy Liar, a part he would later play in the film version. In his first British film, The Loneliness of the Long Distance Runner (1962), he made a big impression on audiences and critics alike. Courtenay went on to play numerous lead roles in American and British films, often as a misunderstood, underprivileged, nonconformist youth. He was nominated for a "Best Supporting Actor" Oscar for his work in Doctor Zhivago (1965) and for a "Best Actor" Oscar for The Dresser (1983). His screen career mysteriously came to a near-halt after 1971, but he continued to succeed as a stage actor, making his belated Broadway debut in 1977's Otherwise Engaged. He is married to stage actress Cheryl Kennedy.

Trivia: Scottish, versatile, and for a long time underappreciated, Alan Cumming is chameleon-like in both his choice of roles and his ability to inhabit them convincingly. Born January 27, 1965, in Perthshire, Scotland, Cumming studied drama at the Royal Scottish Academy of Music and Drama before embarking on a career that would have its roots on the stage. For years, Cumming worked steadily in the theater as a member of repertory companies, such as the Royal Shakespeare Company. In 1992 he had his film debut in the largely unheard of Prague, which was essentially a historical overview of the city. In 1994 American audiences were introduced to the sound of Cumming's voice thanks to his role as the narrator of Black Beauty, but it wasn't until 1995 (Cumming's other 1994 film, Second Best notwithstanding) that they actually saw him, this time via his small but memorable role as a Russian computer programmer in Goldeneye.Wider exposure followed, thanks to two successful films. The first, Circle of Friends (1995), featured Cumming as Minnie Driver's slimy, unwelcome suitor, and the second, 1996's Emma, saw Cumming playing yet another unwelcome suitor, this time to Gwyneth Paltrow. More sympathetic roles followed in For My Baby, Buddy, and Romy and Michele's High School Reunion (in which he played a sweetly awkward nerd with a crush on Lisa Kudrow), all released in 1997. Work in Spice World came next in 1998, as did the stage role that was to give Cumming critical acclaim, a host of awards, and the wider respect he deserved. That role was Cabaret's Emcee, and Cumming managed to make the character -- previously the sole territory of Joel Grey -- all his own, giving a wickedly delicious performance that was unabashedly dark, sly, androgynous, and altogether terrifying. His performance won him all three New York theater awards: a Tony, a Drama Desk, and an Outer Critics Circle. This triumph resulted in a new range of opportunities for the actor, one of which was the chance to be a part of what was to be Stanley Kubrick's last film, Eyes Wide Shut (1999). Although Cumming's role as a hotel desk clerk was a small one, the actor turned in a sly and insinuating performance that reflected his ability to make the most out of even the most limited opportunities.Cumming was subsequently given almost unlimited opportunities to showcase his flamboyance in Julie Taymor's Titus, her 1999 adaptation of Shakespeare's Titus Andronicus. In his role as the queen's (Jessica Lange) debauched lover, he gave a performance that was as over-the-top and rococo as the film itself, leading some critics to say his portrayal had a little too much in common with a Christmas ham.Fortunately, Cumming surprised critics and audiences alike when he directed, with Jennifer Jason Leigh, The Anniversary Party (2001), a marital comedy-drama that starred him and Leigh as a husband and wife whose anniversary party exposes the many flaws of their fragile marriage. Featuring a cast that included Kevin Kline, Phoebe Cates, Gwyneth Paltrow, John C. Reilly, and Jennifer Beals, the film, which was shot on digital video, earned a fairly warm reception from critics, many of whom praised Cumming for his work both behind and in front of the camera.Cumming took the part of the bad guy in the first Spy Kids movie, a role he would repeat in the film's first two sequels. He also played the evil corporate manipulator in Josie and the Pussycats. He appeared in the musical remake of Reefer Madness in 2004, and that same year voiced a cat in the live action Garfield the movie. He worked steadily in a variety of projects including Gray Matters, Eloise: Eloise in Hollywood, and Dare, but found his biggest critical success on the small screen as part of the cast in the highly-respected CBS drama The Good Wife which began its run in 2009.

Trivia: Performed with Australia's Union Theatre Repertory Company during his early career. Is best known for his alter ego Dame Edna Everage, a character that he first introduced in 1955. Has written two autobiographies: More Please (1992) and My Life as Me (2002). Is a successful landscape painter; studied under Australian painter George Bell. Received an honorary doctorate of law from the University of Melbourne in 2003. Was made a Commander of the Order of the British Empire in 2007.

Trivia: Perhaps the actor most closely associated with director Mike Leigh, Timothy Spall has acted in productions for the director on both the stage and screen. Spall made a particularly strong impression in Leigh's Life is Sweet (1991), which cast him as a socially awkward gourmet chef, and Secrets & Lies (1996), in which his starring performance as a portrait photographer struggling with marital problems earned him award nominations from the British Academy and the London Film Critics Circle. In addition to his work with Leigh, Spall has appeared in a number of disparate productions. He made his film debut with a supporting role in the Who's Quadrophenia in 1979 and spent the next decade splitting his time and energy between the stage and screen. He acted extensively for the Royal Shakespeare Company and the Royal National Theatre, and he also did acclaimed work on television, most notably as Mr. Venus in the BBC production of Charles Dicken's Our Mutual Friend, for which he received a BAFTA Best Actor nomination.Spall began to gain recognition and respect as a film actor in the 1990s, thanks in large part to his collaborations with Leigh. In addition to his work with the director, Spall was particularly memorable in Brian Gibson's Still Crazy (1998), a comedy that cast him as the drummer for a defunct 1970s rock band trying to make a come-back. In 1999, the actor enjoyed another collaboration with Leigh in Topsy-Turvy, an acclaimed drama about the partnership between Gilbert and Sullivan that featured Spall as an effeminate opera diva. The following year, he could be seen as Don Armado in Kenneth Branagh's musical adaptation of Love's Labour's Lost, and heard as a chicken farm denizen in Nick Park's animated Chicken Run. In recognition of his contributions to the arts, Spall was named an Officer of the Order of British Empire (OBE) by Queen Elizabeth on New Year's Eve, 1999.

Trivia: Lead actor Philip Davis first appeared onscreen in the '70s.

Trivia: After graduating from Juilliard, went home to St. Louis and worked at a movie theater for a short time before returning to acting. Began her stage career in New York, working in the off-Broadway plays Psych, Freedomland, Long Day's Journey Into Night and The Cherry Orchard. Made her Broadway debut in John Patrick Shanley's Tony and Pulitzer Prize-winning play Doubt, which earned her a Tony nomination.

Trivia: Caught the acting bug at school, when he joined his English teacher's theatre group. Wanted to be a footballer (his father played semi-professionally); but started taking acting seriously when he broke his leg aged 15. Trained at the Oldham Theatre Workshop from 1986 to 1994. In 2004, was cast as Ingham in David Halliwell's Little Malcolm and his Struggle Against the Eunuchs at Bolton's Octagon Theatre. Made his film debut in Mark Tonderai's British horror thriller, Hush, in 2008. Played George in Of Mice and Men at the Royal Lyceum Theatre, Edinburgh in 2012.

Trivia: A Scottish actor whose heritage is betrayed as much by his pale skin and red hair as it is by his accent, Kevin McKidd first earned recognition in 1996 with parts in Trainspotting and Small Faces, two films that helped to put the Scottish film industry on the world cinema map. Born and raised in Elgin, a town in the northeast of Scotland, McKidd developed an interest in acting early on and was active with the Moray Youth Theatre throughout his childhood and adolescence. His time as an engineering student at the University of Edinburgh produced little in the way of engineering but did allow McKidd to rack up experience as part of the university's Bedlam Theatre. Finally deciding to chuck his course of study in order to pursue acting full-time, he enrolled in the Queen Margaret Drama School, where he trained until he graduated in 1994. Immediately after his graduation, McKidd auditioned for and won the lead role in The Silver Darlings, which was staged by Robert Carlyle's Rain Dog Theatre Company. This was followed by his casting as a vicious Glasgow gang leader in Gillies MacKinnon's Small Faces (1995) and his role as Tommy, an Iggy Pop-worshipping, AIDS-stricken heroin addict in Danny Boyle's Trainspotting (1996). The huge success of the latter film got McKidd noticed, although his performance was largely overshadowed by those of co-stars Ewan McGregor and Robert Carlyle. However, the actor soon found more work headed in his direction and spent the rest of the decade appearing in a steady stream of small art house pictures. Among the films he appeared in were Gilles MacKinnon's Hideous Kinky (1998), in which he had a cameo as a massively stoned traveler in Morocco and Rose Troche's Bedrooms and Hallways (1998), in which he starred as a gay man grappling with bisexual urges. In addition to his work on the screen, McKidd remained active on the stage, portraying the title character in the Almeida Theatre production of Jean Racine's Britannicus and starring alongside Jude Law in director Jonathan Kent's Albery Theatre production of John Ford's 'Tis Pity She's a Whore. He worked steadily throughout the next decade in projects like Anna Karenina, Dog Soldiers, and the biopic De-Lovely. In 2005 he appeared in Ridley Scott's epic Kingdom of Heaven, and that same year he was cast in the historical series Rome. Two years later he had a major role in the Silence of the Lambs prequel Hannibal Rising. The following year, in 2008, McKidd joined the ensemble cast of Grey's Anatomy, which scaled back his film work. In 2010 he was cast as Poseidon, the father of the young hero in Percy Jackson & The Olympians. He joined the Pixar family in 2012 giving voice to Lord MacGuffin in Brave.

Trivia: A former martial arts champion, David Bradley played leads and supporting roles in low-budget or direct-to-video actioners since 1988.

Trivia: A respected character actress who is also part of one of Britain's most celebrated show business families, Sophie Thompson has brought life to a bevy of characters on the stage, screen, and television. The daughter of actors Eric Thompson and Phillyda Law, and the younger sister of actress Emma Thompson, Sophie Thompson was born in London in 1962. She began acting at a very young age and had already done TV work by the time she attended the Old Vic Theatre School. Following two seasons with the Old Vic, the actress transferred her talents to the West End for a number of prestigious Shakespearean productions, including Judi Dench's Much Ado About Nothing and Derek Jacobi's Hamlet, as well as countless contemporary works by the likes of Tennessee Williams and Tom Stoppard. Over the course of her stage career, Thompson has earned many honors, most notably two Olivier nominations for Best Supporting Actress for her work in Alan Ayckbourne's Wildest Dreams and Company, and a Clarence Derwent Award for her performance in the former.Onscreen, Thompson has appeared to memorable effect in a variety of films, often stealing the light from her more prominent co-stars. Although she made her film debut in 1982 with an uncredited role as a prostitute in The Missionary, it was not until the 1990s that she began to gain any sort of recognition amongst filmgoers. Thompson did hilarious work in the 1994 hit Four Weddings and a Funeral, playing a bride whose very vocal and energetic wedding night antics cause no end of discomfort for a hapless Hugh Grant. She also provided priceless support in a pair of Jane Austen adaptations, first in Roger Michell's acclaimed 1995 film adaptation of Persuasion, in which she played Mrs. Musgrove, the heroine's disagreeable hypochondriac sister and then in Douglas McGrath's Emma (1996), which saw her play the socially inept Miss Bates. The latter film allowed Thompson to act alongside her mother, who, in no great stretch of casting, portrayed Mrs. Bates, her onscreen mother. Although she has repeatedly demonstrated her comedic ability in a number of films, Thompson is equally well-suited to drama, as she memorably demonstrated in Dancing at Lughnasa (1998), a drama about five close-knit Irish sisters that cast her as a simple-minded and ultimately tragic young woman.

Trivia: Lead actor, onscreen from the '80s.

Trivia: Known for her vibrant, intelligent portrayals of women who run the gamut from cold-blooded killers to long-suffering wives, Miranda Richardson is one of the British cinema's foremost purveyors of elegant, energetic dysfunction. Born in Southport, Lancashire, on March 3, 1958, Richardson began acting in school plays and left school at the age of 17 to study drama at the Bristol Old Vic Theatres School. Following her graduation, she acted in repertory theatre, becoming affiliated with Manchester's Liberty Theatre in 1979. Obtaining her Equity card, Richardson performed in a number of regional productions before moving on to the London stage in 1981. While performing on the stage, she also began acting on television and then in film. Her first big break came when she was cast as the real-life Ruth Ellis, the last woman to be executed for murder in Britain, in Mike Newell's Dance with a Stranger (1985). Her astonishing performance as a woman destroyed by her dependence on her loutish lover (played by a sulky Rupert Everett) earned wide critical acclaim, but Richardson remained fairly unknown outside of Britain.In 1987, having turned down the opportunity to play the role that went to Glenn Close in Fatal Attraction, the actress appeared in her first American outing, Steven Spielberg's adaptation of J.G. Ballard's Empire of the Sun. Richardson's portrayal of a doctor's wife interned in a Japanese prison camp provided what little sensual heat there was to be found in the film, but it was not until five years later that American audiences finally took notice of her.In 1992, Richardson had substantial roles in both Damage and The Crying Game. Playing the long-suffering wife of a philandering MP (Jeremy Irons) in the former and a murderous IRA operative in the latter, she impressed both critics and audiences with the spellbinding range and depth of her performances. Her work in both films received a number of honors, including a Best Supporting Actress Oscar nomination for her work in Damage and a BAFTA award in the same category for her portrayal of The Crying Game's Jude. In addition, Richardson won a Golden Globe for her work in another film that year, Mike Newell's Enchanted April, in which she played one of a group of British women who find liberation in the hills of Tuscany.Richardson received her second Oscar nomination and third BAFTA nomination two years later, for her vivid, full-blooded performance in Tom and Viv, in which she played the aristocratic, unstable wife of T.S. Eliot. She subsequently did starring work in films of widely varying quality, turning in particularly memorable performances in Robert Altman's Kansas City (1996) and Robert Duvall's The Apostle (1997). In the first, she demonstrated great wit as a politician's drug-addicted wife, while in the second, she made her small role as a radio station secretary one of the film's most memorable features.Following a turn in David Hare's The Designated Mourner (which was filmed in 1997 as the actors were also performing in its original production on the London stage) and a delightfully nasty stint as the evil queen in Merlin (1998), Richardson could be seen in a number of projects in 1999. Two of these were particularly high-profile, the first being Tim Burton's Sleepy Hollow, in which Richardson did time in a bodice and fright wig to portray a mysterious woman of questionable intention. The second, George Hickenlooper's The Big Brass Ring, was a political drama that featured the actress as the wife of a gubernatorial candidate (William Hurt) whose campaign is severely threatened by his past indiscretions.Richardson ushered in the new millenium with a role in the remake of the classic British crime-thriller Get Carter and by lending her voice to the claymation family film Chicken Run. In 2002, she wowed critics both with her performance in The Hours as well as in David Cronenberg's Spider, a film that had Richardson playing three different characters opposite Ralph Fiennes. After a handful of small films in 2003, the actress returned to the megaplexes as the Queen of Denmark in 2004's The Prince & Me.