Trivia: Over the course of a single decade - the 1990s - Leonardo DiCaprio graduated from supporting work in television to a status as one of the most sought-after Hollywood actors under 30. After leading roles in William Shakespeare's Romeo + Juliet and James Cameron's Titanic, the actor became a phenomenon, spawning legions of websites and an entire industry built around his name. DiCaprio was born November 11, 1974, in Hollywood, CA. The son of a German immigrant mother and an underground comic book artist father who separated shortly after Leonardo's birth, he was raised by both of his parents, who encouraged his early interest in acting. At the age of two and a half, the fledgling performer had his first brush with notoriety and workplace ethics when he was kicked off the set of Romper Room for what the show's network deemed "uncontrollable behavior." After this rather inauspicious start to his career, DiCaprio began to hone his skills with summer courses in performance art while he was in elementary school. He also joined The Mud People, an avant-garde theater group, with which he performed in Los Angeles. In high school, DiCaprio acted in his first real play and began doing commercials, educational films, and the occasional stint on the Saturday morning show The New Lassie. In 1990, after securing his first full-time agent at the age of 15, DiCaprio landed a role as a teenage alcoholic on the daytime drama Santa Barbara. He also continued to appear on other TV shows, such as The Outsiders and Parenthood, and made his film debut in the 1991 horror film Critters 3. The actor got the first of many big breaks with a recurring role on the weekly sitcom Growing Pains. His portrayal of a homeless boy won him sufficient notice to get him an audition for Michael Caton-Jones's harrowing screen adaptation of Tobias Wolff's This Boy's Life. DiCaprio won the film's title role after beating out 400 other young actors and it became his career breakthrough. The 1993 film, and DiCaprio's performance opposite Robert DeNiro, won raves and the actor further increased the adulation surrounding him when, later that year, he played Johnny Depp's mentally retarded younger brother in Lasse Hallström's What's Eating Gilbert Grape. DiCaprio won an Oscar nomination for Best Supporting Actor for his performance, and at the tender age of 19, was hailed as an actor to watch. Subsequent roles in three 1995 films, Sam Raimi's Western The Quick and the Dead; Total Eclipse (as the bisexual poet Rimbaud) and The Basketball Diaries (as a struggling junkie) all put the actor in the limelight, but it wasn't until the following year that he became a bona fide star, thanks to his portrayal of Romeo opposite Claire Danes in director Baz Luhrmann's William Shakespeare's Romeo + Juliet (1996). The success of the film brought DiCaprio international fame, many lucrative opportunities, and frequent comparisons to predecessors such as James Dean. After starring with Diane Keaton, Meryl Streep, and DeNiro in Marvin's Room (1996), DiCaprio achieved iconic status with his starring role in James Cameron's Titanic. With Kate Winslet as the female lead, the film became a box office sensation, earning garnered 14 Oscar nominations, winning 11, including Best Picture and Best Director, and earned a whopping 1.8 billion dollars at the global box office. DiCaprio's much-discussed exclusion from the Oscar nominations did nothing to hurt his popularity, and somewhat ironically, he next chose to parody his own celebrity with an appearance in Woody Allen's Celebrity (1998) as a badly behaved movie star. After displaying his nastier side, he tackled a dual role as twins in the same year's swashbuckler The Man in the Iron Mask, opposite Jeremy Irons, Gabriel Byrne, John Malkovich, and Gérard Depardieu. Following the commercial success of the film, DiCaprio then traveled in a completely different direction, with a lead role in Danny Boyle's screen adaptation of Alex Garland's novel The Beach. The film met with eager anticipation from its first day of shooting, as Leo fans everywhere waited with baited breath to see what kind of impression their golden child would next make on the film world; unfortunately, the muddled Beach drew neither praise nor box-office success. In 2002, DiCaprio began what became a series of collaborations with the legendary director Martin Scorsese, starting with the the epic Gangs of New York (2002) - a sprawling tale of gangland violence in early America. Reportedly delayed by a year given much-publicized disagreements between director Scorsese and producer Harvey Weinstein, the film was ultimately released in time for the 2002 holiday/Oscar season. The tireless actor re-united with director Steven Spielberg with the release of Catch Me if You Can, the true-life tale of Frank Abagnale, Jr., a scam artist so effective that he eluded authorities while assuming a number of high-profile false identities and racking-up over $2.5 million in fraudulent checks. Two years later, DiCaprio and Scorsese embarked on a sophomore collaboration - the biopic The Aviator (2004), with DiCaprio in a critically-praised, star-making turn as eccentric billionaire genius Howard Hughes in The Aviator. DiCaprio and Scorsese scaled even greater heights in 2006 with The Departed, a crime drama in which DiCaprio played an undercover cop trying to bring down criminal Jack Nicholson. Doubling up during Oscar season yet again, that same year he played the lead in Edward Zwick's Blood Diamond, as an Afrikaner who must team up with a South African mercenary in order to find a rare gem of great value to both of them. Both films opened to praise and box-office success, resulting in dual Golden Globe nominations. Perhaps pushing its luck, Warner Bros. -- the studio behind both films -- campaigned DiCaprio for a lead Oscar in Diamond and a supporting one in Departed; Oscar voters only nominated him for Diamond. In the years that followed, DiCaprio showed no signs of tapering off when it came to challenging and even iconic roles. He joined Titanic co-star Kate Winslet, megaproducer Scott Rudin and others for the blistering marriage drama Revolutionary Road (2008), teamed with Scorsese a fourth time for the thriller Shutter Island (2010), toplined Christopher Nolan's complex, elusive sci-fi drama Inception (2010), and in 2011, worked with director Clint Eastwood and screenwriter Dustin Lance Black on the biopic J. Edgar (2011), playing the famous titular FBI director. Meanwhile, DiCaprio also signed on for another collaboration with Baz Luhrmann - a new adaptation of F. Scott Fitzgerald's The Great Gatsby, co-starring Tobey Maguire and Carey Mulligan, not to mention a first-time collaboration with Quinten Tarantino for Django Unchained. In 2013, he and Scorsese joined forces yet again for The Wolf of Wall Street, earning DiCaprio two Oscar nominations, for both Best Actor and Picture.DiCaprio took the next two years off, focusing on environmental causes, but came back in 2015 in Alejandro G. Iñárritu's The Revenant. He nabbed his sixth Oscar nom for the film and finally landed his first win, for Best Actor.The hybrid-car driving DiCaprio has also been an outspoken proponent of environmentalism, a topic he is so passionate about he was allowed to interview then-President Bill Clinton on the issue in a 2000 televised prime-time special.

Trivia: With her regal and elegant visage, Aussie actress Cate Blanchett broke through the mob of aspiring actors and instantly ascended the ranks to Hollywood stardom with her Academy Award-nominated turn as Elizabeth I in Shekhar Kapur's Elizabeth (1998). Her concomitantly poignant and fierce portrayal won admiration from critics and filmgoers, but she had maintained a low enough profile in years prior (and her celebrity materialized so quickly) that the Elizabeth triumph appeared to pull the heretofore unseen actress from out of thin air and caught just about everyone off guard. Born in Melbourne on May 14, 1969, Catherine Elise Blanchett entered the world as the daughter of an Australian mother and a Texas-born American father, with two siblings. Her dad died of a heart attack when she was ten; her mother subsequently raised her. Blanchett studied economics and fine art at the University of Melbourne, but -- reeling from ennui and dissatisfaction -- she set off in search of an alternate vocation and traveled for a period of time, perhaps in search of herself. Blanchett ultimately landed in Egypt, where a chance bit part in an Arabic boxing film introduced her to a newfound love of acting. Taking this as a firm cue, Blanchett harkened back to Sydney, where she enrolled in (and ultimately graduated from) the highly esteemed National Academy of Dramatic Art. Blanchett later joined the Sydney Theatre Company, where she earned positive notices in a production of Caryl Churchill's Top Girls. A subsequent role in Timothy Daley's musical Kafka Dances won Blanchett a 1993 New Comer Award from the Sydney Theatre Critics Circle, an honor doubled that same year when she gleaned a Rosemont Best Actress Award for her performance opposite future Elizabeth co-star Geoffrey Rush in David Mamet's Oleanna. The considerable prestige that accompanied these theatrical triumphs led Blanchett to the small screen, where she appeared in various programs for the Australian Broadcasting Corporation, including the drama Heartland and the cop series Police Rescue. Her television performances caught the attention of director Bruce Beresford, who cast her in his 1997 POW drama Paradise Road as a shy Australian nurse, opposite Glenn Close and Frances McDormand. 1997 proved to be a busy year as it also found her staring in the comedy Thank God He Met Lizzie, for which she netted an Australian Film Institute Best Actress Award. By the end of the year she had an even bigger event than any successful acting gigs as she was married in December to British film technician Andrew Upton. With the considerable amount of praise and recognition Blanchett was receiving in her native country and a partner in her personal life to share it with, it was only a matter of time and opportunity before she became known to a wider audience. Her opportunity arrived that very same year, with her role in Gillian Armstrong's adaptation of Peter Carey's novel Oscar and Lucinda. Opposite Ralph Fiennes, Blanchett won almost uniform praise for her performance in a tepidly received film. Blanchett came first-billed in the following year's Elizabeth. The film drew swift and unequivocal praise, and Blanchett's portrayal of the queen turned her into Los Angeles' newest cause célèbre. A plethora of awards greeted Kapur's feature and Blanchett's performance, including a Best Actress Academy Award nomination and eight additional Oscar nods. The actress won a Golden Globe and British Academy Award, in addition to a host of critics' circle awards. With that experience under her belt, Blanchett starred opposite Angelina Jolie, John Cusack, and Billy Bob Thornton in the Mike Newell comedy Pushing Tin (1999). Although the film dive-bombed at the box office, critics singled out Blanchett's fine performance as a Long Island housewife. The same year, she played another domestic, albeit one of an entirely different stripe, in Oliver Parker's adaptation of Oscar Wilde's An Ideal Husband. Despite a uniformly strong cast including Jeremy Northam, Rupert Everett, and Julianne Moore, the film divided critics, although Blanchett herself again earned favorable notices.Blanchett maintained a busy schedule after the Newell project, appearing in a plethora films throughout the early 2000s. She joined Johnny Depp and Christina Ricci with her role as a kindhearted albeit materialistic showgirl in The Man Who Cried, then starred as a fortune-teller who holds the key to a mysterious murder in director Sam Raimi's The Gift, an unwitting accomplice in the crime comedy Bandits, a British schoolteacher in Tom Tykwer's Kieslowski update Heaven, and Galadriel, Queen of Lothlórien, in Peter Jackson's Lord of the Rings trilogy. Blanchett also appeared in 2001's The Shipping News (as Petal) and director Gillian Armstrong's Charlotte Gray as the title character. That same year, she gave birth to her first son, Dashiell John.Blanchett's appeared as ill-fated Irish journalist Veronica Guerin in director Joel Schumacher and producer Jerry Bruckheimer's eponymously titled 2003 biopic. The film drew very mixed reviews and died a quick death in cinemas during its late-autumn run, but those reviewers who did respond favorably again singled out the actress' stunning interpretation of the role. The following year, Blanchett appeared in Wes Anderson's quirky film The Life Aquatic with Steve Zissou alongside Bill Murray and Owen Wilson. Blanchett wore a prosthetic belly in the film for her role as a seven months pregnant journalist and, interestingly enough, she later found that she was actually pregnant during filming. She gave birth to her second son, Roman Robert, later that same year. First, however, she effortlessly lit up the screen with a performance as film legend Katharine Hepburn in director Martin Scorsese's lavish Howard Hughes epic The Aviator. If The Aviator's Best Picture loss to Million Dollar Baby proved somewhat disappointing to Scorsese fans when the Oscars were handed out, Blanchett landed her greatest triumph that evening: she won the Best Supporting Actress award for her turn as Hepburn. Perhaps despairing the paucity of solid scripts in Hollywood, Blanchett went global after the Scorsese affair. She returned to her native Australia for a low-key follow-up, Rowan Woods' harrowing and skillful Little Fish (2005). 2006's multi-national production Babel, directed by Alejandro González Iñárritu, won the Best Director Award at Cannes; one of the narrative strands in its array of subplots featured Blanchett and Brad Pitt as husband and wife, grieving over the death of a child, and thrust into a desperate situation. Babel turned out to be a major critical success, as did another film Blanchett appeared in that same year, Notes on a Scandal. In the film, Blanchett played a mother and schoolteacher who becomes deeply embroiled in a maze of power and deception when she betrays her job and family by carrying on an affair with a student. The tautly suspenseful and intimate film also starred Judi Dench as Blanchett's friend and confidant, who soon becomes a source of emotional blackmail. The actresses were each praised for their performances, and each received both Golden Globe and Oscar nominations for their work in the film. Blanchett went on to play Lena Brandt in The Good German, Steven Soderbergh and Paul Attanasio's tale of a man (George Clooney) searching for his former mistress (Blanchett) in post-WWII Berlin. She also signed on for Poison helmer Todd Haynes' I'm Not There: Suppositions on a Film Concerning Dylan, slated for release in 2007. The eccentric bio of the pop singer co-starred Richard Gere, Julianne Moore, Adrien Brody, and Charlotte Gainsbourg with numerous varied performers playing the musician in different sequences. Also set for release in 2007 was Blanchett's return to one of her greatest triumphs as Elizabeth I in The Golden Age, Shekhar Kapur's sequel to his 1998 arthouse hit Elizabeth, which would take place later in the Virgin Queen's reign. Geoffrey Rush agreed to reprise his role as Sir Francis Walsingham, and the film would also feature Clive Owen as Sir Walter Raleigh, establisher of the first New World colony and controversial figure of the Elizabethan court. Blanchett also agreed to join the cast of the David Fincher-directed fantasy The Curious Case of Benjamin Button -- a critically acclaimed hit of 2008 -- before moving on to play a nefarious baddie in the unique thriller Hanna in 2012. Soon, the actress was reprising the role of elvin queen Galadriel for the Lord of the Rings prequel, The Hobbit. In 2013, she won her second Academy Award, this time for Lead Actress, for her portrayal of an unhinged socialite in Woody Allen's Blue Jasmine. In 2015, Blanchett played the evil stepmother in the live-action version of Cinderella, took on a supporting role in Terrence Malick's Knight of Cups and earned her seventh Oscar nomination for Todd Haynes' Carol.

Trivia: First making an impression on international audiences with her role as the sweet, virginal Hero in Kenneth Branagh's Much Ado About Nothing (1993), pale-skinned, fine-boned British actress Kate Beckinsale has since stepped beyond period pieces to prove that she is anything but a fragile English rose.The daughter of a BBC casting director and famed television actor Richard Beckinsale (known for roles on Porridge and Rising Damp), Beckinsale was born July 26, 1973. After her father's death from a heart attack in 1979, the actress was raised by her mother. By her own account, Beckinsale's childhood and adolescence were fairly troubled, marked by struggles with anorexia. She decided to follow in her father's acting footsteps while still a teenager and in 1991, had her major television debut in Once Against the Wind, a World War II drama in which she played Judy Davis' daughter. The same year, Beckinsale enrolled at Oxford, to study French and Russian Literature, and pursued her education until committing herself full-time to acting. In 1993, while still a student at Oxford, Beckinsale was cast in Branagh's Much Ado About Nothing. Her supporting role was a memorable one, winning the actress a limited amount of recognition amongst American audiences, but it was not until 1995, when she starred in John Schlesinger's adaptation of Stella Gibbons' Cold Comfort Farm, that her wattage began to increase, at least in art houses everywhere. The film, which was initially made for BBC television, proved to be a modest hit, bringing in respectable box office and glowing reviews. Beckinsale followed the film's success with another two years later, starring as an altruistic con artist in the quirky romantic comedy Shooting Fish. The film was an unqualified hit in its native country, becoming the third-highest grossing film in England for 1997. The same year, Beckinsale further increased her visibility with the title role in A&E's Emma.She next graced American movie screens in Whit Stillman's The Last Days of Disco (1998). She received good reviews for her portrayal of a cool and catty WASP college graduate (for which she assumed an American accent), although the movie itself met with a deeply mixed reaction. The following year, Beckinsale, in addition to giving birth to a daughter (fathered by longtime boyfriend Michael Sheen), starred in her first big-budget Hollywood feature. Playing opposite Claire Danes in Brokedown Palace, the actress portrayed an American girl who, while on vacation with best friend Danes in Thailand, gets caught with heroin and is sentenced to 33 years in a Thai prison.That mid-budgeted film, however, was nothing compared to her next major Hollywood production. After essaying roles in a television production of Alice Through the Looking Glass (1999) and the Merchant/Ivory production of Henry James' The Golden Bowl (2000), Beckinsale was plucked from relative obscurity by director Michael Bay for his lavish World War II epic, Pearl Harbor (2001). Boasting a record-setting, nine-digit price tag and one of the most aggressive marketing campaigns ever waged on the American public, the film featured the actress as Evelyn, a plucky nurse torn between the affections of two soldiers. Though a brief foray into Laurel Canyon found Beckinsale essaying the low-key role of a Harvard graduate gone astray after a taste of the wild side of life, she once again shifted into high gear for the big-budget vampire versus werewolf battle royal Underworld in 2003. Sporting the sort of gothic vinyl duds that had fanboys crooning, Beckinsale raised arms against a brutal breed of lycanthropes and few could argue that she didn't look good doing it. So good, in fact, that not only a sequel but a prequel followed.Soon thereafter the starlet was once again doing battle with the undead (opposite X-Men's Hugh Jackman) in the action horror adventure Van Helsing. At the end of 2004, Beckinsale turned in a solid performance as Ava Gardner in Martin Scorsese's multiple Oscar-winning Howard Hughes biopic The Aviator. While she would be out of theaters in 2005, Beckinsale returned in two very different projects the following year. In addition to starring in another Underworld, Beckinsale portrayed Adam Sandler's wife in the comedy Click. She would focus largely on action movies and thrillers for her next several projects, starring in Fragments in 2008, Whiteout in 2009, and Contraband in 2012, and also returned to the Underworld series and appeared in aTotal Recall remake. In 2015, she starred in Absolutely Anything, a British sci-fi comedy directed by Monty Pythoner Terry Jones, before jumping back to the Underworld for the fifth film in the series.

Trivia: One of the screen's most versatile and woefully under-appreciated character actors, John C. Reilly has appeared in a series of films united only in their complete lack of similarity. To date, he has been used most intelligently by director Paul Thomas Anderson, who has cast him in Hard Eight, Boogie Nights, and Magnolia.A native of Chicago, where he was born May 24, 1965, Reilly broke into film in 1989, the year he starred in Casualties of War and We're No Angels, both of which featured Sean Penn and a less than stellar reception. Reilly subsequently spent the early '90s appearing in films of every conceivable genre, from the Tom Cruise testosterone extravaganza Days of Thunder (1990) to Woody Allen's Shadows and Fog (1992) to What's Eating Gilbert Grape (1993). Thanks to his unglamorous appearance, Reilly also did an obligatory turn as a backwoods psycho, popping up alongside Kevin Bacon in The River Wild (1994) long enough to freak out Meryl Streep and her family.1996 marked the beginning of Reilly's collaboration with director Anderson. That year, he starred as a none-too-bright loser stranded in Vegas in Hard Eight, Anderson's feature-length directorial debut. Reilly earned wide praise for his work in the film, which went largely unseen by audiences. The same couldn't be said of Reilly and Anderson's second collaboration, Boogie Nights, the following year. One of the most critically lauded films of 1997, it featured Reilly as another loser, a dim porn actor with dreams of becoming a magician/songwriter.Thanks to the film's success, Reilly finally earned a bit of long-overdue recognition, as was evidenced by his subsequent casting in Terrence Malick's adaptation of The Thin Red Line (1998). The actor's visibility further increased the following year, thanks to prominent roles in no less than four films. One of these was Magnolia, Anderson's follow-up to Boogie Nights. Like his previous film, Magnolia boasted a large ensemble cast of first-rate actors; among them, Reilly stood out as a lonely police officer who becomes involved with an emotionally unstable woman.With his career continuing to build momentum, Reilly was next cast alongside George Clooney and Mark Wahlberg in the 2000 big-budget adaptation of the best-selling book The Perfect Storm. However, his biggest year to date came in 2002. Not only could Reilly be seen in prominent roles in four high-profile films, but his scene-stealing turn in the musical Chicago netted him his first Academy Award nomination. Riding high on his escalating stardom, Reilly spent 2003 hard at work on three big releases, The Aviator, Dark Water, and Criminal. Of Reilly's 2004 projects, Criminal arrived first - in September of that year. A remake of the late Argentinian director Fabian Bielinsky's debut crime, the American version tells the story of a couple of scammers (Reilly and Diego Luna) who con members of the Beverly Hills upper-crust, the picture (brought to fruition by Steven Soderbergh) received average to positive reviews. On the enthusiastic end, The Los Angeles Times's Carina Chocano called the picture "funny, original and very well observed," and The Philadelphia Inquirer's Carrie Rickey remarked, "Gregory Jacobs' zircon remake of that glowing Argentine gem Nine Queens is the film equivalent of Chinese boxes or Russian matrushka dolls. If you've never played with them before, then there's a prize inside for you." Less enthused was The Charlotte Observer's Lawrence Toppmann, who compared the film somewhat unfavorably to its original: "a watered-down version of the same pleasures." Issued in December 2004, Martin Scorsese's The Aviator fared immeasurably better (with critics and at the box) and left in its wake the most enduring legacy of Reilly's 2004 efforts. As Noah Dietrich, the individual who manages Howard Hughes's (Leonardo di Caprio) business affairs, Reilly contributed to a strong ensemble cast that included Cate Blanchett and the splendid Alan Alda. Dark Water, Walter Salles's gothic horror opus, hit cinemas in July 2005. As the real estate agent who leases young mother Jennifer Connelly a possessed New York City apartment, Reilly delivers effective and substantial menace, even as the motion picture divided critics. In 2006, Reilly starred in two key A-list releases. Released in June 2006, Bob Altman's Garrison Keillor cinematization A Prairie Home Companion lays out a "genial" Altmanesque tapestry of the backstage shenanigans at a fictionalized version of Prairie, that transpire between the cast members. Reilly (who established himself with such force in Altman protege Paul Anderson's similar films) portrays Lefty, one half of a cowboy duo opposite Woody Harrelson's Dusty; they bicker throughout the film and ultimately perform a dirty-lyrics musical number together. The picture opened, almost unanimously, to glowing reviews. The supporting cast includes Keillor, Meryl Streep, Lindsay Lohan, and Kevin Kline. Reilly showcased his versatility by following up his work in the Altman film by co-starring opposite Will Farrell in the NASCAR comedy Talladega Nights: The Ballad of Ricky Bobby.In 2007 he was the lead in the musical biopic spoof Walk Hard: The Dewey Cox Story, also singing a number of song spoofs for the movie. The next year he reteamed with Will Farrell in Step Brothers. He had a major role in Cirque Du Freak in 2009. It was easy to find the well-respected character actor on screen in 2011, a year in which he appeared in the winning comedy Cedar Rapids, Roman Polanski's adaptation of the award-winning play Carnage, and the husband of Tilda Swinton in the psychological drama We Need to Talk About Kevin.

Trivia: Equally at home playing leads and character roles, actor Alec Baldwin is known for his work in just about every genre, from action thrillers to comedies to dramas. Born April 3, 1958, in Massapequa, Long Island, he was the second of six children (brothers William, Daniel, and Stephen would also become actors). Baldwin was a political science major at George Washington University before he decided to become an actor; following his change in vocation, he studied drama at NYU and the Lee Strasberg Theatre Institute. Early in his career, Baldwin was a busy man, simultaneously playing a role on the TV daytime drama The Doctors and performing in Shakespeare's A Midsummer Night's Dream on-stage in the evenings. A few years after making his 1980 Broadway debut, the actor moved to Los Angeles, where he landed a part in the television series Knots Landing. He made his film debut in 1987 with a starring role in Forever, Lulu, which led to work in a number of major films. From 1988 to 1989 alone, Baldwin appeared in no less than seven films, including Tim Burton's black comedy Beetlejuice, Mike Nichols' Working Girl, Jonathan Demme's Married to the Mob, and Oliver Stone's Talk Radio. In 1990, Baldwin achieved big-budget success playing ace CIA agent Jack Ryan in the undersea thriller The Hunt for Red October. The film's popularity won him acclaim, so Baldwin surprised many by foregoing the opportunity to reprise his role in the sequel Patriot Games (he was replaced by Harrison Ford) in favor of returning to Broadway to star as Stanley Kowalski in A Streetcar Named Desire. Although his decision paid off -- he received a Tony nomination for his performance -- it also marked the point at which Baldwin's star wattage began to flicker. His 1991 film, The Marrying Man proved to be an all-out flop (although it did provide him an introduction to co-star Kim Basinger, whom he would marry in 1993), and the critical success of his next two films, Prelude to a Kiss and Glengarry Glen Ross was overshadowed by a subsequent string of flops, including Malice (1993), The Getaway (1994), and The Juror (1996). The actor rebounded a bit with his role in Al Pacino's acclaimed documentary Looking for Richard (1996) but then had the unfortunate luck of starring in the 1998 Bruce Willis disaster Mercury Rising. However, the following year proved more fortuitous for Baldwin, as he starred in the coming-of-age comedy Outside Providence, as well as in the crime drama Thick As Thieves and the ethical drama The Confession, appearing alongside Amy Irving and Ben Kingsley. In addition, the actor made an uncredited appearance in Notting Hill, sending up his macho Hollywood persona as Julia Roberts' piggish actor boyfriend.Baldwin started off the 2000s by re-teaming with David Mamet on the Hollywood satire State and Main as a lecherous leading man with a weakness for underage girls. He provided narration for Wes Anderson's The Royal Tenenbaums, and was one of the few people to escape unscathed from Michael Bay's Pearl Harbor. Although he continued to make headlines because of his politics, as well as his ongoing legal scuffles with now ex-wife Kim Basinger, Baldwin continued to do strong work in the comedies Along Came Polly (2004) and Fun with Dick and Jane (2005), and scored his first-ever Academy Award nomination for Best Supporting Actor playing a menacing casino manager in 2003's The Cooler. He became a part of Martin Scorsese's stock company playing Juan Trippe in 2004's The Aviator, following it up as a federal agent in love with the Patriot Act in 2006's The Departed.Baldwin's longstanding association with the venerable sketch comedy show Saturday Night Live (he has hosted over ten times) paid great dividends when he was hired to play the part of the boss on former SNL head writer Tina Fey's fall 2006 sitcom 30 Rock. He earned universal raves for his work on the show, and would earn a Golden Globe nomination every single year of the show's run, winning the award three times. He'd also pick up no less than five Emmy nods, winning that award twice as well. Baldwin was positively beloved on the series, but he would also continue to work in film as well, most notably in the 2009 romcom It's Complicated, which he starred in with Meryl Streep, and the 2012 Woody Allen ensemble film To Rome with Love.

Trivia: The son of actor Robert Alda, Alan Alda grew up around vaudeville and burlesque comedians, soaking up as many jokes and routines as was humanly possible. Robert Alda hoped that his son would become a doctor, but the boy's urge to perform won out. After graduating from Fordham University, Alda first acted at the Cleveland Playhouse, and then put his computer-like retention of comedy bits to good use as an improvisational performer with Chicago's Second City and an ensemble player on the satirical TV weekly That Was the Week That Was. Alda's first film was Gone Are the Days in 1963, adapted from the Ossie Davis play in which Alda had appeared on Broadway. (Among the actor's many subsequent stage credits were the original productions of The Apple Tree and The Owl and the Pussycat.) Most of Alda's films were critical successes but financial disappointments. He portrayed George Plimpton in the 1968 adaptation of the writer's bestseller Paper Lion and was a crazed Vietnam vet in the 1972 movie To Kill a Clown. Alda's signature role was the wisecracking Army surgeon Benjamin Franklin "Hawkeye" Pierce in the TV series M*A*S*H, which ran from 1972 through 1983. Intensely pacifistic, the series adhered to Alda's own attitudes towards warfare. (He'd once been an ROTC member in college, but became physically ill at the notion of learning how to kill.) During his M*A*S*H years, Alda also began auxiliary careers as a director and scriptwriter, winning numerous Emmy awards in the process. He also developed a separate sitcom, 1974's We'll Get By. In 1978, Alda took advantage of an unusually lengthy production break in M*A*S*H to star in three films: California Suite, Same Time, Next Year, and The Seduction of Joe Tynan. He made his theatrical-movie directorial debut in 1981 with The Four Seasons, a semiserious exploration of modern romantic gamesmanship; it would prove to be his most successful film as a director, with subsequent efforts like Sweet Liberty (1986) and Betsy's Wedding (1989) no where close. Long associated with major political and social causes and well-known both offscreen and on as a man of heightened sensitivity, Alda has occasionally delighted in going against the grain of his carefully cultivated image with nasty, spiteful characterizations, most notably in Woody Allen'sCrimes and Misdemeanors (1989) and as death row inmate Caryl Chessman in the 1977 TV movie Kill Me if You Can. Alda later continued to make his mark on audiences with his more accustomed nice-guy portrayals in films such as Manhattan Murder Mystery (1993), Everyone Says I Love You (1996), Flirting With Disaster (1996), and The Object of My Affection (1998).The next several years saw Alda show up in a handful of supporting roles, but in 2004, he had his biggest year in more than a decade. First, he appeared opposite Leonardo DiCaprio in Martin Scorcese's critically-acclaimed Howard Hughes biopic The Aviator. Playing Senator Ralph Owen Brewster, Alda would go on to receive a Best Supporting Actor Oscar-nomination, the first nod from the Academy in his long and impressive career. Meanwhile, on the small-screen, Alda played presidential-hopeful Arnold Vinick on NBC's political drama The West Wing, another Senator and his first regular series role since M*A*S*H. He would also enjoy recurring roles on 30 Rock and The Big C, and would continue to flex his comedy muscles in movies like Tower Heist and Wanderlust.

Trivia: Popularly known as "Mr. Ubiquitous" thanks to his versatility as a stage and screen actor, Ian Holm is one of Britain's most acclaimed -- to say nothing of steadily employed -- performers. Although the foundations of his career were built on the stage, he has become an increasingly popular onscreen presence in his later years. Holm earned particular plaudits for his work in Atom Egoyan's The Sweet Hereafter (1997), in which he played an emotionally broken lawyer who comes to a small town that has been devastated by a recent school bus crash.Born on September 12, 1931, Holm came into the world in a Goodmayes, Ilford, mental asylum, where his father resided as a psychiatrist and superintendent. When he wasn't tending to the insane, Holm's father took him to the theatre, where he was first inspired, at the age of seven, by a production of Les Miserables starring Charles Laughton. The inspiration carried him through his adolescence -- which, by his account, was not a happy one -- and in 1950, Holm enrolled at London's Royal Academy of Dramatic Art. Coincidentally, while a student at RADA, he ended up acting with none other than Laughton himself.Following a year of national service, Holm joined the Royal Shakespeare Company, making his stage debut as a sword carrier in Othello. In 1956, after two years with the RSC, he debuted on the London stage in a West End production of Love Affair; that same year, he toured Europe with Laurence Olivier's production of Titus Andronicus. Holm subsequently returned to the RSC, where he stayed for the next ten years, winning a number of awards. Among the honors he received were two Evening Standard Actor of the Year Awards for his work in Henry V and The Homecoming; in 1967, he won a Tony Award for his performance in the Broadway production The Homecoming.The diminutive actor (standing 5'6") made his film debut as Puck in Peter Hall's 1968 adaptation of A Midsummer Night's Dream, a production that Holm himself characterized as "a total disaster." Less disastrous was that same year's The Bofors Gun, a military drama that earned Holm a Best Supporting Actor BAFTA. He went on to appear in a steady stream of British films and television series throughout the '70s, doing memorable work in films ranging from Mary, Queen of Scots (1971) to Alien (1978), the latter of which saw him achieving a measure of celluloid immortality as Ash, the treacherous android. Holm's TV work during the decade included a 1973 production of The Homecoming and a 1978 production of Les Miserables, made a full 40 years after he first saw it staged with Charles Laughton.Holm began the '80s surrounded by a halo of acclaim garnered for his supporting role as Harold Abrahams' coach in Chariots of Fire (1981). Nominated for a Best Supporting Actor Oscar, he won both a BAFTA and Cannes Festival Award in the same category for his performance. Not content to rest on his laurels, he played Napoleon in Terry Gilliam's surreal Time Bandits that same year; he and Gilliam again collaborated on the 1985 future dystopia masterpiece Brazil. Also in 1985, Holm turned in one of his greatest -- and most overlooked -- performances of the decade as Desmond Cussen, Ruth Ellis' steadfast, unrequited admirer in Dance with a Stranger. He also continued to bring his interpretations of the Bard to the screen, providing Kenneth Branagh's Henry V (1989) with a very sympathetic Fluellen and Franco Zeffirelli's Hamlet (1990) with a resolutely meddlesome Polonius.The following decade brought with it further acclaim for Holm on both the stage and screen. On the stage -- from which he had been absent since 1976, when he suffered a bout of stage fright -- he won a number of honors, including the 1998 Olivier Award for Best Actor for his eponymous performance in King Lear; he also earned Evening Standard and Critics Circle Awards for his work in the play, as well as an Emmy nomination for its television adaptation. On the screen, Holm was shown to great effect in The Madness of King George (1994), which cast him as the king's unorthodox physician, Atom Egoyan's aforementioned The Sweet Hereafter (1997), and Joe Gould's Secret (1999), in which he starred in the title role of a Greenwich Village eccentric with a surprising secret. In 2000, Holm took on a role of an entirely different sort when he starred as Bilbo Baggins in Peter Jackson's long awaited adaptation of J.R.R. Tolkien's Lord of the Rings. Holm, who was made a Commander of the Order of the British Empire in 1989, was knighted by Queen Elizabeth II in 1998 for his "services to drama."After the final installment in the Lord of the Rings trilogy was released in 2003, Holm took a role in completely different kind of film. 2004's Garden State was a far cry from the epic, big-budget fantasy he'd just starred in and rather, was a quiet, independent film written, directed, produced by and starring the young Zach Braff. Holm's portrayal of the flawed but well-meaning father a confused adult son was a great success, and he went on to play equally complex and enjoyable supporting roles in a variety of films over the next year, from the Strangers with Candy movie to Lord of War. In 2006, Holm signed on to lend his voice to the casts of two animated films: the innovative sci-fi noir, Renaissance, and the family feature Ratatouille--slated for release in 2006 and 2007 respectively. He also joined the cast of the controversial drama O Jerusalem, a movie about a friendship between a Jewish and Arab man during the creation of the state of Israel. After five years away from the big screen, he returned to play Bilbo Baggins yet again in Peter Jackson's adaptations of The Hobbit.

Trivia: Intimidation often looms large for a legendary director's son who wishes to follow in the footsteps of his famous parent; perhaps for this reason, more than a few opt to establish themselves in another field. For Danny Huston, however -- the scion of mythically revered, Academy Award-winning filmmaker John Huston -- it wasn't at all a question of intimidation, merely one of circumstance. After pursuing directorial work fervently and dauntlessly, but encountering mixed success and frustration about his own inability to get studio backing for projects, Danny Huston found himself being drawn, one assignment at a time, into bit roles before the camera. In the process, Huston inadvertently launched himself as one of the most respected character actors of the late 20th and early 21st centuries.Born May 14, 1962, in Rome, as the illegitimate child of John Huston and European actress Zoe Sallis (during the former's separation from his then-wife, the late Ricki Soma), Daniel Huston came of age in Ireland and London. He studied art and cinema as a young adult, often spending a considerable amount of time on his father's movie sets, and honed his skills in his early twenties not in the arena of directing (as might be expected), but in that of painting.Danny Huston's directorial assignments began inconspicuously, at the age of 24, with the 1987 made-for-television comic fantasies Bigfoot and Mr. Corbett's Ghost (the second of which featured John Huston in the cast). The elder Huston -- then riding on the tails of his mid-'80s comeback with Under the Volcano and Prizzi's Honor -- engineered Danny's premier A-list feature. For it, Danny signed to helm a cinematization of Thornton Wilder's picaresque fantasy novel Theophilus North, co-adapted by John Huston, Prizzi's Honor scribe Janet Roach, and James Costigan. The Hustons assembled a dream cast: Anthony Edwards, Lauren Bacall, Harry Dean Stanton, Mary Stuart Masterson, Anjelica Huston (Danny's half-sister), David Warner, and Virginia Madsen, who dated and then married Danny in the fall of 1989. Robert Mitchum replaced John Huston in a key role when he died during production. Mr. North stars Edwards as the title character, a Yale graduate who wheedles his way into the upper crust of Newport, RI, in 1926, thanks to an inherent surge of electricity in his body that enables him to relieve the ailments of locals and thus charm them irrepressibly.Unfortunately, Mr. North -- which took its stateside bows in early August 1988 -- received tepid and lackluster reviews. Perhaps for this reason, Huston found it difficult to lock down a follow-up. Within a decade, the assignments were few and far between, and he occasionally found himself directing embarrassing fare like the 1995 direct-to-video horror exploitationer The Maddening (where psychotic marrieds Burt Reynolds and Angie Dickinson trap a poor woman and her daughter in their home and torture them systematically), and waiting, ever so patiently, for additional projects to take shape. Huston's personal life also decrescendoed during the early '90s, given his separation and divorce from Madsen. With no other immediate options visible to him, Huston started accepting Hollywood friends' invitations to play on-camera bit roles -- and scored tremendous success in this arena to rival anything prior in his career. He debuted as a bartender in Mike Figgis' late-1995 critical smash Leaving Las Vegas, then followed it up with turns in such cause célèbres as Timecode (2000), 21 Grams (2003), Silver City (2004), and The Aviator (2004). Huston was particularly memorable as British agent Sandy Woodrow in Fernando Mereilles' The Constant Gardener (2005), and as sociopath Arthur Burns in John Hillcoat's ultraviolent Western The Proposition (2005). He would go on to appear in films like Robin Hood, Stolen, and on the series Magic City.

Trivia: Was on her high-school swim team. Started her own fashion label, named L.A.M.B., in 2003. Brother Eric has worked as an animator for The Simpsons. Played Jean Harlow in Martin Scorsese's Howard Hughes biopic The Aviator (2004). Released her first solo album, Love. Angel. Music. Baby., in 2004. Donated $1 million in March 2011 to aid relief efforts in Japan after the country was devastated by an earthquake and tsunami. Announced in June 2011 that she was quitting her solo music career and would focus musically on the band No Doubt.

Trivia: Although he first appeared as just one of the latest crop of golden-skinned English imports to caress the hormones of American filmgoers, Jude Law is steadily proving that his talents lie beyond his ability to smolder seductively in front of the camera. Since 1995, when Law made the transition from British soap opera to Broadway via Sean Mathias' Indiscretions (in which he co-starred with Kathleen Turner), his work has increasingly garnered favorable notice from critics and moviegoers alike.Born in London on December 29, 1972, Law started acting as a teenager. Before Indiscretions, his most notable role was in Shopping (1994), a British production that gave him both initial recognition and an introduction to his future wife, actress Sadie Frost (the couple has two children). After the critical and commercial success of Indiscretions, Law began finding more work in film, starring as Claire Danes' boyfriend in I Love You, I Love You Not (1997) and as the genetically privileged man who sells his identity to Ethan Hawke in Gattaca (1997). Also in 1997, Law took on the plum role of Alfred Lord Douglas (or Bosie), Oscar Wilde's volatile lover in Wilde. Although none of these films received unanimously positive critical (or box-office) attention, they did help to further establish Law as an actor to be taken seriously. Law followed them with a small part in Bent (1997) and the more pivotal role of Billy, Jim Williams' hotheaded and ill-fated lover in Midnight in the Garden of Good and Evil (1997). Following that film, Law went on to make a few smaller films, including Music From Another Room (also starring a still unknown Gretchen Mol) and The Final Cut, in which he played a sinister, deceased version of himself.In 1999, Law appeared in David Cronenberg's cyberific eXistenZ and completed filming Anthony Minghella's The Talented Mr. Ripley alongside Gwyneth Paltrow, Matt Damon, and Cate Blanchett. The film earned widespread acclaim upon its release, much of which was lavished on Law's portrayal of the serially charming and devastatingly superficial Dickie Greenleaf. Law garnered both a Golden Globe and Oscar nomination for Best Supporting Actor for his performance, further cementing his reputation as one of the more promising up-and-coming actors on either side of the ocean.After a turn as a Russian marksman facing off against a Nazi sniper in Enemy at the Gates (2001), Law returned to sci-fi with his role as love machine Gigolo Joe in Steven Spielberg's eagerly anticipated A.I.In addition to his acting commitments, Law kept busy with Natural Nylon, the production company he founded with Sadie Frost, Sean Pertwee, Ewan McGregor, and Jonny Lee Miller. In 2002, Law starred alongside film veterans Tom Hanks and Paul Newman in the multiple Oscar-winning Road to Perdition and was on the path to an Oscar once again for his performance in Cold Mountain (2003) with Nicole Kidman and Renée Zellweger, who took home the Oscar for Best Supporting Actress. After appearing in only two films in as many years, Law was virtually unavoidable in the last third of 2004, with substantial roles in a grand total of six films. First up, he played the title role in the blue-screened sci-fi action flick Sky Captain and the World of Tomorrow, starring alongside the likes of Gwyneth Paltrow, Angelina Jolie, and a "resurrected" Laurence Olivier. A month later, he could be found starring in the remake of Alfie as well as in the ensemble cast of David O. Russell's comedy I Heart Huckabees. And before the close of the year, audiences could catch him in Mike Nichols' romantic drama Closer, as Errol Flynn in Martin Scorsese's Howard Hughes biopic The Aviator, and providing the voice of the title character in the big-screen adaptation of Lemony Snicket's a Series of Unfortunate Events. Produced on an elephantine, effects-heavy budget by the wunderkind, billon-dollar powerhouse Scott Rudin (The Firm, Sister Act) and starring Jim Carrey, the film opened in December 2004 and received average to positive notices; such commentators as Newsweek's Sean Smith, The Washington Post's Desson Thomson, and others championed it (one referred to it as "a Tim Burton movie without the weird shafts of adolescent pain"); others were nonplussed. Roger Ebert complained, "It's odd, how the movie's gloom and doom are amusing at first, and then dampen down the humor. Although many Unfortunate Events do indeed occur in "Lemony Snicket," they cannot be called exciting because everyone is rather depressed by them." The picture nevertheless did excellent box office. Alfie - a remake of the 1966 Michael Caine vehicle, with Law taking over the Caine role - didn't fare so well with critics but performed adequately at the box. Law ducked out of films for a year or so between 2004 and 2005, which led Variety to ask, "Where in the world is Jude Law?" The actor apparently needed a vacation, but his absence was short lived: Law ended his sabbatical after a year or so, and triumphantly returns to cinemas in 2006. In All the King's Men, Law plays second-string fiddle to an over-the-top Sean Penn. A political tale adapted from Robert Penn Warren's novel by Schindler's List scribe Steven Zaillian (who also directs), the movie weaves the tale of a Huey Long-like southern demagogue (Penn). The film will hit cinemas across the U.S. in September '06. Law is also re-teaming with his Cold Mountain collaborator, Anthony Minghella, in Breaking & Entering. Over the next several years, Law would enjoy his status as a leading man, appearing in a number of films like the Sherlock Holmes franchise, Hugo, and Contagion. He played Alexei Karenin in Anna Karenina in 2012, and appeared in The Grand Budpest Hotel in 2014.

Trivia: A native of Santa Cruz, CA, who was born in 1973, actor Adam Scott first encountered acting in elementary school, on a decidedly negative note (thanks to a not-so-pleasant experience in a science play), but by mid-adolescence changed his views about the craft and aggressively pursued a career in drama. He applied, and was accepted to, the American Academy of Dramatic Art in Pasadena, then made the short move west to Hollywood with several buddies. The actor took his bow with a guest bit on the series Dead at 21, and thereafter largely divided his time between television and the theatrical stage. In the television venue, guest roles followed on series including ER and NYPD Blue, as well as a recurring parts on Murder One, Party of Five, and on the Friday-night ABC sitcom Boy Meets World as high school senior Griff Hawkins. Scott moved into features in the late '90s and scored supporting roles in A-list Hollywood features; thereafter, the roles arrived quickly and furiously. Projects included Payback (1997), The Aviator (2004), Art School Confidential (2006), Knocked Up (2007), and Step Brothers (2008). Small-screen enthusiasts may also remember Scott for his role as Palek, one of the troubled husbands on the racy HBO relationship drama series Tell Me You Love Me (2007). He appeared in Step Brothers, but started to generate buzz as the lead in the made for cable comedy series Party Down. He joined the cast of Parks and Recreation in that show's second season which led quickly to roles in a number of big-screen comedies including Leap Year, Our Idiot Brother, and Friends With Kids.

Trivia: Starred opposite Callie Thorne in the 1996 independent comedy Ed's Next Move. Wrote and directed the 1997 short film The Language of Love. Made TV debut in a 1997 episode of Party of Five. Garnered an ensemble SAG Award nomination for Good Night and Good Luck (2005).

Trivia: California native Kelli Garner's promising film credits include a portrayal of an MS-afflicted high-school student with dreams of success on the beauty pageant circuit in Dreamland (2006), as well as of the love interest of protagonist Justin Conn (Lou Taylor Pucci) in the 2005 comedy drama Thumbsucker. Garner has appeared in Man of the House with Tommy Lee Jones (2005), and Martin Scorsese's The Aviator; she also co-stars in Lars and the Real Girl (2007). Over the next several years, Garner would appear in a number of projects like Going the Distance and The Lie.

Trivia: Veteran stage actress Frances Conroy studied drama at the Neighborhood Playhouse and the Juilliard School in New York. During the '70s, she performed regularly with regional and touring theater companies, including an off-Broadway production of Othello with Richard Dreyfuss and Raul Julia. One of her first film appearances was as a generic Shakespearean actress in Woody Allen's 1979 classic Manhattan. In 1980, she made her Broadway debut in The Lady From Dubuque. Small roles followed in feature films like the sports drama Amazing Grace and Chuck and the family drama Rocket Gibraltar (as one of Burt Lancaster's daughters). She mainly focused on her stage career for the rest of the '80s, appearing with the Broadway cast of Our Town and receiving several Drama Desk nominations.In 1992, Conroy became friends with famed playwright Arthur Miller. This friendship led to much involvement in his productions, on both stage and screen. During this time, she also appeared on some television shows, miniseries, and made-for-TV movies, and met and married fellow actor Jan Munroe. She was nominated for a Tony Award in 1998 for her work on the Broadway hit Ride Down Mt. Morgan. Like many of her theatrically trained colleagues, she received unexpected attention for the award-winning HBO dramatic series Six Feet Under. For her role of family matriarch Ruth Fisher, she's been recognized by the Screen Actor's Guild, the Golden Globes, and the Emmys. Following small roles in the mainstream Maid in Manhattan and the independent Die Mommie Die, Conroy portrayed legendary actress Katharine Hepburn's mother, Kit, in Martin Scorsese's 2004 Howard Hughes biopic The Aviator.In 2005 she had a small part in the drama Broken Flowers, and appeared in the ill-fated remake of The Wicker Man in 2006. In 2008 she lent her vocal talents to the cast of The Tale of Despereaux and in 2010 she acted with Robert De Niro in the drama Stone. 2011 saw her return to the small screen with a part in American Horror Story.

Trivia: Best known for playing the android Data on the syndicated television series Star Trek: The Next Generation and in its feature film spin-offs, Brent Spiner is also a talented singer. Before agreeing to play Data, Spiner had spent a decade on the New York stage. A native of Houston, TX, he was raised by his mother and her second husband (Spiner's real father died when he was a baby). The Quaid brothers Randy and Dennis were among his high school classmates and the three learned about acting under Cecil Pickett. Eventually Pickett would leave the school to take a teaching job at the University of Houston. Spiner enrolled there soon after graduation, but only remained at the university through 1974 when he decided to become a professional actor in New York City. Like many other aspiring thespians, Spiner had dues to pay in the form of taking a job as a cab driver before launching his career off-Broadway. He made his Broadway debut with Sunday in the Park With George opposite Mandy Patinkin. He made his television debut in a miniseries, The Dain Curse, and first appeared in films with a bit part in Woody Allen's Stardust Memories (1980). Spiner had a rare starring role in Rent Control (1981). He moved to Los Angeles in 1985 and launched a career as a television guest star on series and as a supporting actor in telemovies and miniseries. He most frequently appeared on the sitcom Night Court as the man who establishes a snack bar in the courthouse. He then successfully auditioned for the role of Data. Interestingly, Spiner claims no particular love for science fiction and was not a big fan of the original Star Trek. He says he mainly took the job because he didn't think the new series would last and because he needed to pay a few bills. The show lasted seven years also spawning a successful film series, and from the start, his was the most popular character on the show. In an effort to capitalize and satirize his nonhuman role on the show -- and perhaps to poke fun at actors William Shatner and Leonard Nimoy who capitalized on their Star Trek fame by each recording equally awful albums (can anyone forget Nimoy's bouncy rendition of "Bilbo Hobbitt"?) -- Spiner recorded his own album, Old Yellow Eyes Is Back (1991), with an 80-piece orchestra and fellow castmates Patrick Stewart, Jonathan Frakes, and Michael Dorn. Though the bulk of his fame comes from being Data, Spiner is not content to spend the rest of his career typecast and so occasionally plays other characters. His portrayal of prissy singing cruise director Gil Godwin was the funniest thing about Martha Coolidge's waterlogged Out to Sea (1997).

Trivia: Born July 21st, 1943, Tony-winning American stage and film actor Edward Herrmann used his Fulbright scholarship to study at London's Academy of Music and Dramatic Art; several years of regional theatre led to movie and TV work. In 1977 Herrmann offered the first of his many interpretations of Franklin D. Roosevelt in the TV movie Eleanor and Franklin (He'd later be a singing FDR in the theatrical feature Annie [1982]). The actor was frequently dissatisfied with his own performances, feeling that with a little more time he could do much better. Such was the case of his portrayal of baseball great Lou Gehrig in the TV drama A Love Affair: The Eleanor and Lou Gehrig Story (1979), though Herrmann was proud of the fact that he learned to pitch and bat southpaw, something that a previous movie Gehrig, Gary Cooper, never quite mastered. His occasional villainous movie appearances notwithstanding, Edward Herrmann is to most viewers the very embodiment of intelligence and integrity; he was decidedly well cast as the erudite host of several historical documentaries on the A&E Network. In 2000, Herrmann joined the cast of Gilmore Girls as patriarch Richard Gilmore, and continued appearing in supporting roles in movies, including the headmaster in The Emperor's Club (2002), film censor Joseph Breen in The Aviator (2004) and an accountant in Factory Girl (2006). Once Gilmore Girls ended in 2007, Herrmann returned to episodic TV, with runs on Grey's Anatomy and a recurring gig on The Good Wife. In 2014, he returned to his familiar role of FDR one last time, voicing the president in the Ken Burns documentary The Roosevelts: An Intimate History. Herrmann died in 2014, at age 71.

Trivia: Known for the darkly eccentric characters he often plays, Willem Dafoe is one of the screen's more provocative and engaging actors. Strong-jawed and wiry, he has commented that his looks make him ideal for playing the boy next door -- if you happen to live next door to a mausoleum.Although his screen persona may suggest otherwise, Dafoe is the product of a fairly conventional Midwestern upbringing. The son of a surgeon and one of seven siblings, he was born on July 22, 1955 in Appleton, Wisconsin. Dafoe began acting as a teenager, and at the age of seventeen he enrolled at the University of Wisconsin in Milwaukee. Growing weary of the university's theatre department, where he found that temperament was all too often a substitute for talent, he joined Milwaukee's experimental Theatre X troupe. After touring stateside and throughout Europe with the group, Dafoe moved to New York in 1977, where he joined the avant-garde Wooster Group. Dafoe's 1981 film debut was a decidedly mixed blessing, as it consisted of a minor role in Michael Cimino's disastrous Heaven's Gate . Ultimately, Dafoe's screen time was cut from the film's final release print, saving him the embarrassment of being associated with the film but also making him something of a nonentity. He went on to appear in such films as The Hunger (1983) and To Live and Die in L.A. (1985) before making his breakthrough in Platoon (1986). His portrayal of the insouciant, pot-smoking Sgt. Elias earned him Hollywood recognition and a Best Supporting Actor Oscar nomination.Choosing his projects based on artistic merit rather than box office potential, Dafoe subsequently appeared in a number of widely divergent films, often taking roles that enhanced his reputation as one of the American cinema's most predictably unpredictable actors. After starring as an idealistic FBI agent in Mississippi Burning (1988), he took on one of his most memorable and controversial roles as Jesus in Martin Scorsese's The Last Temptation of Christ (1988). Dafoe then portrayed a paralyzed, tormented Vietnam vet in Born on the Fourth of July (1989), his second collaboration with Oliver Stone. Homicidal tendencies and a mouthful of rotting teeth followed when he played an ex-marine in David Lynch's Wild at Heart (1990), before he got really weird and allowed Madonna to drip hot wax on his naked body in Body of Evidence (1992). Following a turn in Wim Wenders' Faraway, So Close in 1993, Dafoe entered the realm of the blockbuster with his role as a mercenary in Clear and Present Danger (1994). That same year, he earned acclaim for his portrayal of T.S. Eliot in Tom and Viv, one of the few roles that didn't paint the actor as a contemporary head case. His appearance as a mysterious, thumbless World War II intelligence agent in The English Patient (1996) followed in a similar vein. In 1998, Dafoe returned to the contemporary milieu, playing an anthropologist in Paul Auster's Lulu on the Bridge and a member of a ragingly dysfunctional family in Paul Schrader's powerful, highly acclaimed Affliction. He then extended his study of dysfunction as a creepy gas station attendant in David Cronenberg's eXistenZ (1999). After chasing a pair of killers claiming to be on a mission from God in The Boondock Saints, Dafoe astounded audiences as he transformed himself into a mirror image of one of the screens most terrfiying vampires in Shadow of the Vampire (2000). A fictional recount of the mystery surrounding F.W. Murnau's 1922 classic Nosferatu, Dafoe's remarkable transformation into the fearsome bloodsucker had filmgoers blood running cold with it's overwhelming creepiness and tortured-soul humor. After turning up as a cop on the heels of a potentially homicidal yuppie in American Psycho that same year, the talented actor would appear in such low-profile releases as The Reconing and Bullfighter (both 2001), before once again thrilling audiences in a major release. As the fearsome Green Goblin in director Sam Raimi's long-anticipated big-screen adaptation of Spider-Man Dafoe certainly provided thrills in abundance as he soared trough the sky leaving death and destruction in his wake. His performace as a desperate millionare turned schizphrenic supervillian proved a key component in adding a human touch to the procedings in contrast to the dazzling action, and Dafoe next headed south of the border to team with flamboyant director Robert Rodriguez in Once Upon a Time in Mexico. Dafoe impressed critics with his performance of John Carpenter in the Bob Crane biopic Auto Focus. In 2003 he voiced one of the fish in the dentist's tank in Finding Nemo, and the next year he reprised his role as the Green Goblin in Spider-Man 2. He played a small role for Martin Scorsese in 2004's The Aviator, and had a memorable supporting turn in Wes Anderson's The Life Aquatic with Steve Zissou that same year. In 2005 he appeared in Lars Von Trier's Manderlay. He appeared in Spike Lee's successful heist thriller Inside Man. In 2007 he appeared as a film director in Mr. Bean's Holiday. In 2009 he reteamed with two different directors he's worked with before; he voiced the role of the rat in Wes Anderson's Fantastic Mr. Fox, and played a husband in Lars Von Trier's audience-dividing Antichrist. In 2012 he lent his vocal talents to the infamous Disney flop John Carter.

Trivia: Became interested in acting after seeing his first play while a student at Concordia University. Performed in several stage productions during college. Was a member of a touring stage production of Neil Simon's Biloxi Blues. Met fellow actor Richard Gunn while working on the television series Dark Angel and has remained close friends with him since. Has collaborated several times with Martin Scorsese, who he considers his mentor.

Trivia: An alluring red-headed siren and a genial presence in U.S. theatrical films and television during the first decades of the new millennium, actress Amy Sloan first caught the attention of viewers when cast in the 2000 telemovie A Diva's Christmas Carol, starring Vanessa Williams as an aggressive and acid-mouthed variant on Ebenezer Scrooge. Sloan then teamed with the gifted director Euzhan Palcy (of Sugar Cane Alley and A Dry White Season fame) for a small supporting role in the gritty, sobering prison drama The Killing Yard (2001). After a spin as a reporter in the made-for-cable production No Ordinary Baby, Sloan once again demonstrated her keen instinct for picking exemplary filmmakers as collaborators, by signing on to work with acclaimed stage director Peter Masterson in the psychological thriller Lost Junction. Unfortunately, this -- like The Killing Yard -- failed to generate substantial recognition, and a supporting role in the disappointing Halle Berry/Robert Downey Jr. thriller Gothika (2003) (as an inmate) provided Sloan with only a small amount of screen time. Sloan fared better -- and received slightly higher billing -- as Sheila on television's popular Gilmore Girls and as Wendy on the short-lived 2007 series Big Shots.

Trivia: Took up piano at age 6. Became a fan of opera while a teenager; he also discovered the music of Edith Piaf, Al Jolson and Judy Garland at that time. Began his musical career at age 13 with the McGarrigle Sisters and Family, which included his mother Kate, aunt Anna and sister Martha. His song "I'm a-Runnin'," which was featured in the 1988 Canadian film Tommy Tricker and the Stamp Traveller, earned him Juno and Genie nominations. Appeared in high-school productions of Cabaret and Godspell. Scored a record deal after his dad, impressed by a demo tape he'd made, passed it on to singer-songwriter and record producer Van Dyke Parks, who in turn gave it to record executive Lenny Waronker, who'd just joined DreamWorks. Recreated Judy Garland's famed 1961 show at New York's Carnegie Hall in 2006, releasing it a year later as Rufus Does Judy at Carnegie Hall. Wrote the opera Prima Donna for New York's Metropolitan Opera. The Met refused to stage it, however, when he insisted the libretto be sung in French, not English. It eventually premiered at the 2009 Manchester International Festival in Manchester, England. Had a child in 2011 with longtime friend Lorca Cohen, the daughter of singer-songwriter icon Leonard Cohen.

Trivia: An ever-present face on the cover of nearly every mainstream American magazine from Elle to Vogue, très-photogenic model/actress Josie Maran segued effortlessly from print work to filmed work with winning roles in such features as The Aviator, Little Black Book, and Van Helsing (all 2004). She recharged her celebrity in the fall of 2007, via participation in season five of the popular ABC competitive reality series Dancing With the Stars. On that program, Maran danced opposite partner Alec Mazo; unfortunately, they were the first pair to be eliminated.

Trivia: A graduate of Bartrum Gables College, Anne V. Coates worked briefly as a nurse before entering the British film industry. Beginning with 1952's The Pickwick Papers, Coates worked steadily as a film editor in both England and the U.S. She won an Academy Award for her work on Lawrence of Arabia (1962), and was Oscar-nominated for Becket (1964), The Elephant Man (1980), and In the Line of Fire (1993), and Out of Sigh (1998); she won an Honorary Award from the Academy in 2016.. In 1989, Coates was a key contributor in the painstaking archival restoration of Lawrence of Arabia. Anne V. Coates was the wife of Douglas Hickox and the mother of Anthony Hickox, directors both.