Trivia: One of the most iconic action stars of all time, Kurt Russell (born March 17th, 1951) is among the few to make the successful transition from child star to successful adult actor. As a youth, Russell aspired to follow the footsteps of his father, Bing Russell, who, in addition to being a big league baseball player, was also an actor (he was perhaps best known for his role as the sheriff on the TV Western Bonanza). That his heroes Mickey Mantle and Roger Maris did the same thing only strengthened Russell's resolve to have both a baseball and acting career.He first broke into acting on television, starring in the series The Travels of Jamie McPheeters, and he made his film debut playing the boy who kicks Elvis in the 1963 Elvis Presley vehicle It Happened at the World's Fair. After signing a ten-year contract with Disney, Russell got his big break as a juvenile actor in 1966, starring opposite Fred MacMurray in Disney's live-action feature Follow Me Boys! His association with the studio lasted through 1975, and produced such comedic family movies as The Horse in the Gray Flannel Suit (1968), The Computer Wore Tennis Shoes (1969), The Barefoot Executive (1971), and The Strongest Man in the World (1975). The last film marked Russell's final collaboration with Disney, aside from his voicing the character of Copper in the studio's The Fox and the Hound (1981). Still an avid baseball enthusiast during those years, Russell nurtured his dreams of becoming a professional ball player until a shoulder injury permanently changed his plans.After ending his association with Disney, Russell disappeared from features for a few years. He appeared in a few television movies, most notably playing the title role in Elvis, John Carpenter's made-for-television biopic. His next role as a sleazy used car salesman in Robert Zemeckis' hilariously caustic Used Cars (1980) allowed him to counter his wholesome, all-American nice guy image, and prove that he was an actor of untapped range. Director Carpenter recognized this and cast Russell as ruthless mercenary Snake Plissken in his brooding sci-fi/action film Escape From New York (1981). The role would prove to be one of legendary status, and one that would cement Russell as a cult hero for generations to come. Carpenter also cast Russell as a scientist stranded in the Antarctic in his chilling 1982 remake of The Thing. Realizing that his characters were larger than life, Russell typically played them with a subtle tongue- in-cheek quality. He also used this comic intuition in comedies like 1987's Overboard, in which he starred alongside his long-time life-partner and mother of his child Golide Hawn.In 1983, Russell moved to serious drama, playing opposite Cher and Meryl Streep in Silkwood. The success of that film helped him break into a more mainstream arena, and he was later able to win praise for his dramatic work in such films as Swing Shift (1984), Tequila Sunrise (1988), and Winter People (1989). However, it is with his performances in action films that Russell remains most widely associated. He has appeared in a number of such films, all of disparate quality. Some of Russell's more memorable projects include Big Trouble in Little China (1986), Tango and Cash (1989), Backdraft (1991), Tombstone (1993), and Executive Decision (1996). In 1996, he reprised his Snake Plissken character for Carpenter's Escape From L.A. The following year, he starred opposite Kathleen Quinlan in the revenge thriller Breakdown before returning to the sci-fi/action realm with Soldier in 1998. It would be two years before movie-going audiences would again catch a glimpse of Russell, though with his roles in 2000 Miles to Graceland (again carrying on the Elvis associations that have haunted his career) and Cameron Crowe's Vanilla Sky, the versatile actor proved that he was still very much on the scene. Is some of Russell's later day roles had stressed the action angle a bit more than the more dramatic aspects of the stories, the release of Dark Blue in 2003 combined both with Russell cast as a volitile police officer tracking a killer against the backdrop of the 1992 L.A. riots. In 2005, Russell played a frustrated father and horse-man in Dreamer: Inspired by a True Story, showing audiences that for all his on-screen bombast, he still had a sensitive side. He quickly leapt back into the action-packed saddle, however, with a leading role in 2006's remake of The Poseidon Adventure, Poseidon. Soon afterward, he accepted a role that took a decidedly self-aware perspective on his own fame as an over-the-top action star as he signed on for the leading role in Death Proof, Quinten Tarantino's half of the double-feature Grindhouse. A tribute to the fantastically violent B-exploitation films of its title, Grindhouse would cast Russell as Stuntman Mike, a literal lady-killer with a car that can be crashed and smashed without ever allowing the driver to be hurt.

Trivia: Kicking off an impressive career in front of the camera at the tender age of five, it was a mere three years later that actress Dakota Fanning would become the youngest person ever to be nominated for a Screen Actor's Guild Award for her role in the Sean Penn drama I Am Sam. She subsequently appeared in such efforts as Sweet Home Alabama (2002) and director Steven Spielberg's sci-fi miniseries Taken. A Conyers, GA, native whose acting abilities became apparent when, at the age of three, she acted out the entire process of pregnancy and childbirth (with her younger sister Elle substituting for the newborn baby) to her amused parents. Advised by an agent to take their daughter to Los Angeles, it wasn't long before young Fanning was cast in a commercial for Tide detergent. Television appearances in ER and Ally McBeal were quick to follow, and in 2001 she made her feature debut in the comedy Tomcats. Though the film was only seen by an unlucky few, her role in the same year's I Am Sam was a wide release that found the adorable young starlet a solid fan base. Later alternating between television and film with features such as Trapped and roles on such high-profile series as Spin City and Malcolm in the Middle, her part opposite Brittany Murphy in the 2003 comedy Uptown Girls found the precocious youngster playing well off of her older co-star. In 2003 Fanning could be spotted in The Cat in the Hat, and it wasn't long before she was gearing up to appear alongside Denzel Washington and Christopher Walken in the Tony Scott thriller Man on Fire.As the 2000's continued to unfold, Fanning appeared in a number of films, like Hide and Seek, War of the Worlds, and The Secret Life of Bees. By the time the actress was 16, she was playing legendary girl-band member Cherie Currie in The Runaways, setting the stage for adult roles to comes.

Trivia: Like so many others before him, Kris Kristofferson pursued Hollywood success after first finding fame in the pop music arena. Unlike the vast majority of his contemporaries, however, he could truly act as well as make music, delivering superb, natural performances in films for directors like Martin Scorsese, Sam Peckinpah, and John Sayles. Born June 22, 1936, in Brownsville, TX, Kristofferson was a Phi Beta Kappa at Pomona College, earning a degree in creative writing. At Oxford, he was a Rhodes Scholar, and while in Britain he first performed his music professionally (under the name Kris Carson). A five-year tour in the army followed, as did a stint teaching at West Point. Upon exiting the military, he drifted around the country before settling in Nashville, where he began earning a reputation as a gifted singer and songwriter. After a number of his compositions were covered by Roger Miller, Kristofferson eventually emerged as one of the most sought-after writers in music. In 1970, Johnny Cash scored a Number One hit with Kristofferson's "Sunday Mornin' Comin' Down," and that same year he released his debut LP, Kristofferson. Upon composing two more hits, Janis Joplin's "Me and Bobby McGee" and Sammi Smith's "Help Me Make It Through the Night," Kristofferson was a star in both pop and country music. In 1971, his friend, Dennis Hopper, asked him to write the soundtrack for The Last Movie, and soon Kristofferson was even appearing onscreen as himself. He next starred -- as a pop singer, appropriately enough -- opposite Gene Hackman later that year in Cisco Pike, again composing the film's music as well. Another role as a musician in 1973's Blume in Love threatened to typecast him, but then Kristofferson starred as the titular outlaw in Sam Peckinpah's superb Western Pat Garrett and Billy the Kid. For Peckinpah, Kristofferson also appeared in 1974's Bring Me the Head of Alfredo Garcia, followed by a breakthrough performance opposite Oscar-winner Ellen Burstyn in Martin Scorsese's acclaimed Alice Doesn't Live Here Anymore. After a two-year hiatus to re-focus his attentions on music, he followed with a villainous turn in the little-seen Vigilante Force and the much-hyped The Sailor Who Fell From Grace With the Sea. Amid reports of a serious drinking problem, Kristofferson next starred as an aging, alcoholic rocker opposite Barbra Streisand in the 1976 remake of A Star Is Born, an experience so grueling, and which hit so close to home, that he later claimed the picture forced him to go on the wagon. In 1977, Kristofferson teamed with Burt Reynolds to star in the football comedy Semi-Tough, another hit. He next reunited with Peckinpah for 1978's Convoy. Hanover Street was scheduled to follow, but at the last minute Kristofferson dropped out to mount a concert tour. Instead, he next appeared with Muhammad Ali in the 1979 television miniseries Freedom Road. He then starred in Michael Cimino's legendary 1981 disaster Heaven's Gate, and when the follow-up -- Alan J. Pakula's Rollover -- also failed, Kristofferson's film career was seriously crippled; he received no more offers for three years, appearing only in a TV feature, 1983's The Lost Honor of Kathryn Beck, and performing his music. His comeback vehicle, the 1984 thriller Flashpoint, earned little attention, but Alan Rudolph's Songwriter -- also starring Willie Nelson -- was well received. In 1986, Kristofferson reunited with Rudolph for Trouble in Mind, and starred in three TV movies: The Last Days of Frank and Jesse James, Blood and Orchids, and a remake of John Ford's Stagecoach.Remaining on television, Kristofferson co-starred in the epic 1987 miniseries Amerika. The year following, he appeared in a pair of Westerns, The Tracker and Dead or Alive, and unexpectedly co-starred in the comedy Big-Top Pee-Wee. The 1989 sci-fi disappointment Millennium was his last major theatrical appearance for some years. In the early '90s, the majority of his work was either in television (the Pair of Aces films, Christmas in Connecticut) or direct-to-video fare (Night of the Cyclone, Original Intent). In many quarters, Kristofferson was largely a memory by the middle of the decade, but in 1995 he enjoyed a major renaissance; first, he released A Moment of Forever, his first album of new material in many years, then co-starred in Pharoah's Army, an acclaimed art-house offering set during the Civil War. The following year, Kristofferson delivered his most impressive performance as a murderous Texas sheriff in John Sayles' Lone Star. He turned in another stellar performance two years later in James Ivory's A Soldier's Daughter Never Cries. After a turn in the Mel Gibson vehicle Payback and Father Damien, Kristofferson again collaborated with Sayles, playing a pilot of dubious reputation in 1999's Limbo. In the decades to come, Kristofferson would remain active on screen, appearing in movies like He's Just Not That Into You, Fastfood Nation, and Dolphin Tale.

Trivia: American actress Elisabeth Shue was first seen on a national basis as Jackie Sarnac, teenaged daughter of Air Force colonel Raynor Sarnac on the 1984 TV series Call to Glory. She spent the next few years concentrating on "best girl" film roles: girlfriend to Ralph Macchio in The Karate Kid (1984), to Tom Cruise in Cocktail (1988), and to Michael J. Fox in the second and third Back to the Future flicks. She gave a marvelous interpretation of resourceful teenager Chris Parker in 1987's Adventures in Babysitting and was the daughter Sally Field never knew in Soapdish (1991). In 1996, Elisabeth Shue was nominated for an Academy award for her starring role opposite Nicolas Cage in Leaving Las Vegas. Shue shone again playing Woody Allen's much-younger girlfriend in Deconstructing Harry (1997). Shue is the sister of TV actor Andrew Shue, who played Billy on the popular Fox series Melrose Place.

Trivia: A well-respected character actor who specializes in playing tough guys with a heart, Luis Guzman has appeared in a dizzying array of film and television productions since he began his professional acting career in the early 1980s.Born August 28, 1956, Guzman graduated from City College and worked for some years as a youth counselor at the Henry Street Settlement House. During his time as a social worker, he began performing in street theatre and independent films. Guzman got his first big break in the early '80s with a role on the popular TV series Miami Vice. He went on to work sporadically in film and television throughout the rest of the decade, appearing in such films as Sidney Lumet's Family Business and Ridley Scott's Black Rain (both 1989).Guzman's work schedule grew increasingly crowded as the 1990s progressed; kicking off the decade with an appearance in another Lumet piece, Q & A (1990), the actor began popping up in films ranging from romantic comedy (Anthony Minghella's Mr. Wonderful, 1993) to crime drama (Brian De Palma's Carlito's Way, 1993) to gay and lesbian historical docudrama (Nigel Finch's Stonewall, 1995). Thanks to directors Steven Soderbergh and Paul Thomas Anderson, Guzman became more readily recognizable in the late 1990s. For Soderbergh, he had substantial roles in Out of Sight (1998), which cast him as a prisoner whose planned escape is ruined by George Clooney; and The Limey (1999), in which he played Terence Stamp's gruff but good-hearted partner in revenge. For Anderson, Guzman appeared in both Boogie Nights (1997) and Magnolia (1999), playing a wannabe porn star in the former and a game show contestant in the latter. 2002 proved Guzman's busiest year to date as the increasingly visible actor appeared in no less than five films, including a prominant role in the caper comedy Welcome to Collinwood and a re-teaming with director Anderson with Punch-Drunk Love. On television, Guzman became a regular presence thanks to a recurring role on the HBO prison drama Oz, as well as appearances on such shows as Law and Order, NYPD Blue, and Walker, Texas Ranger.

Trivia: Born in the Windy City on January 17, 1975, the prolific Puerto Rican-American thespian Freddy Rodriguez cut his acting chops at Chicago's Lincoln Park High School, where he headlined a number of time-worn stage classics, including The Crucible, Twelve Angry Men, and To Kill a Mockingbird. He married his high school sweetheart, Elsie, and slid effortlessly into a cinematic career soon after graduation, taking his first official onscreen bow at the age of 19, as the younger version of Billy Wirth's prison parolee Terry Griff in the sobering and gritty 1994 drama The Fence. That feature lacked wide distribution and slipped by many, but no matter, for two highly coveted spots in A-list features followed the next year. Rodriguez portrayed Anthony Quinn's son, Pedro Aragon, Jr., in Alfonso Arau's lush 1995 romantic melodrama A Walk in the Clouds, and Vietnam vet Jose in The Hughes Bros.' period piece Dead Presidents, the Menace II Society follow-up about a young African-American man who drifts casually into a crime-infested life in the late '60s.Countless spots in films of equal weight followed, including Can't Hardly Wait (1998), Payback (1999), and Chasing Papi (2001), but Rodriguez made his most enduring mark on the small screen, where he became a familiar face on a number of hit series. He appeared in three 1999 episodes of Party of Five, as Albert, the man who mugs Sarah and later rips her off, despite her vain attempts to befriend him. The spot was short-lived, but productive; the added exposure eventually led to Rodriguez's most prominent role. He entered the mind's eye of cable devotees everywhere by becoming a permanent fixture on the HBO/Alan Ball production Six Feet Under, a jet-black comic series about the Fisher family, proprietors of a Los Angeles mortuary. As Federico Diaz, a gentle, emotionally sensitive mortician-cum-partner, Rodriguez proved popular with audiences and helped to sustain the series throughout its five-year run. He followed this up with yet another minor role, on the Emmy-award winning NBC series Scrubs, as Nurse Carla Espinosa's (Judy Reyes) brother. The part entailed only fleeting, intermittent appearances, but left a memorable impression nonetheless.Rodriguez temporarily reemphasized his silver screen work beginning in 2006, with tertiary roles in several prominent features. These include Valentin in Poseidon (2006), Wolfgang Petersen's disappointing remake of the 1972 Irwin Allen disaster pic The Poseidon Adventure; Reggie, a character restricted to only using half of his body, in M. Night Shyamalan's seventh feature, Lady in the Water; and a fleeting role as Jose in Bobby, Emilio Estevez's docudrama on the assassination of presidential hopeful Robert F. Kennedy by Sirhan Sirhan in 1968.In 2007, Rodriguez returned to television in a recurring role as sandwich vendor Giovanni "Gio" Rossi on the enormously popular Ugly Betty. He stayed on with the show into its third season in 2008, while also starring in and executive producing the holiday comedy Nothing Like the Holidays. Regular television work continued with a featured role on the short-lived CBS series Chaos and voice work on the animated sci-fi series Generator Rex.

Trivia: A fixture of 1980s TV series and movies, prolific character actor David Morse became a reliable and much lauded supporting presence in feature films from the 1990s onward.Raised in Hamilton, MA, Morse began his professional career after high school, joining the Boston Repertory Theater in 1971. Over the next six years, Morse acted in over 30 productions, amply preparing him for a move to New York theater in 1977. Morse subsequently got his first big movie break when he was cast in the drama Inside Moves (1980). Though Morse proved that he could handle lighter films with Neil Simon's comedy Max Dugan Returns (1983), his detour into television in 1982 was initially more fruitful. As Dr. Jack "Boomer" Morrison, Morse spent six seasons on the esteemed hospital drama St. Elsewhere, co-starring with, among others, Denzel Washington. During his stint on St. Elsewhere, Morse also starred in a diverse collection of TV movies. He was a priest in love with Valerie Bertinelli's nun in Shattered Vows (1984), a prisoner attempting a breakout from Alcatraz in Six Against the Rock (1987), a detective in Down Payment on Murder (1987), and a mental hospital escapee in Winnie (1988). Continuing his presence on the small screen after St. Elsewhere, Morse appeared in several more TV movies, including starring as a deranged kidnapper in Cry in the Wild: The Taking of Peggy Ann (1991).Though he co-starred as a drifter in the indie film Personal Foul (1987) and appeared in Michael Cimino's noir remake The Desperate Hours (1990), Morse did not concentrate most of his energies on feature films until the 1990s. After starring as Viggo Mortensen's brother in Sean Penn's directorial debut, The Indian Runner (1991), Morse moved to more mainstream work with supporting roles in The Good Son (1993), the Alec Baldwin-Kim Basinger version of The Getaway (1994), and medical thriller Extreme Measures (1996). While he appeared in Terry Gilliam's thoughtful La Jetée (1962) remake 12 Monkeys (1995), faced off with Jack Nicholson in Penn's The Crossing Guard (1996), and starred as a janitor-turned-rich man in George B. (1997), Morse really captured audience attention in a concurrent string of high-profile projects. Returning to Alcatraz, Morse projected quiet menace as one of Ed Harris renegade Marines in the blockbuster hit The Rock (1996). Morse tapped his bad self again in the action romp The Long Kiss Goodnight (1996), then cemented his versatility with a small yet vital role as Jodie Foster's gentle father in Contact (1997). Notching his third major summer release in a row, Morse played a SWAT team commander up against Samuel L. Jackson's wrongly accused cop in The Negotiator (1998). Returning to serious blockbuster fare, Morse then co-starred with Tom Hanks as prison guards who witness miracles in The Green Mile (1999). After a foray into comedy with Bait (2000), Morse stole hostage drama Proof of Life (2000) from his glamorous tabloid-ready co-stars Meg Ryan and Russell Crowe with his intense performance as Ryan's kidnapped husband. Even as he became a popular Hollywood second lead, however, Morse wasn't afraid to veer away from the multiplex, winning an Obie Award for Paula Vogel's acclaimed play How I Learned to Drive and putting a believably human face on an utterly hateful character in Lars von Trier's bleak, award-winning musical Dancer in the Dark (2000). Continuing his protean career, Morse appeared in another gentle Stephen King adaptation Hearts of Atlantis (2001) and starred in Diary of a City Priest (2001) for PBS. Morse followed the ill fated Hearts of Atlantis with a lead role in the indie drama The Slaughter Rule (2002), which was well received on the film festival circuit. Morse subsequently returned to series television, and received top billing, in the CBS drama Hack (2002). Starring Morse as an ex-cop-turned-cab driver, Hack was pummeled by critics, but audiences took to Morse's well intentioned, marginalized law enforcer and Hack became a modest ratings success. He had a recurring part on the medical drama House as a police detective driven to put the title character behind bars. In 2007 he played the bad guy in the teen thriller Disturbia. He appeared in a pair of award-winning projects in 2008 - he was a military man in The Hurt Locker, and tackled the role of George Washington in the Emmy-winning miniseries John Adams for HBO. In 2011 he had a major part in Drive Angry, and the next year he was in the family-oriented fantasy film The Odd Life of Timothy Green.

Trivia: The seeming embodiment of the old cliché "tall, dark, and handsome," Israeli-born actor Oded Fehr has the worldly handsome looks that perfectly suited him for his breakthrough role of mysterious desert warrior Ardeth Bay in the 1999 blockbuster The Mummy. Born to European parents in Tel Aviv in November of 1970, Fehr served a three-year tenure in the Israeli Navy before relocating to Frankfurt, Germany, to work in business with his father. Enrolling in a few minor acting classes as a fluke, Fehr would take a role in playwright David Mamet's Sexual Perversity in Chicago before later deciding to cement his thespian tendencies with a three-year stay at the Bristol Old Vic in London. Not surprisingly taking on such stage roles as Don Juan in Don Juan Comes Back From War, Fehr was a familiar face to U.K. television audiences with his roles in The Knock and Killer Net in 1998 before his breakthrough in Hollywood. Also turning up as a male gigolo in SNL alumni Rob Schneider's Deuce Bigalow: Male Gigolo the following year, Fehr would later appear in American television with Cleopatra (1999) and Arabian Nights following his success in The Mummy. Not surprisingly returning to his role in that film's 2001 sequel, The Mummy Returns, the multi-lingual actor would become a permanent fixture on the small screen when he joined the cast of U.C. Undercover in 2001. Proving that his sense of humor was as healthy as his good looks, Fehr joined fellow Mummy cast member Arnold Vosloo in spoofing the film and its sequel at the 2001 MTV Movie Awards. Fehr's other television work include appearances on the WB's supernatural fan-favorite Charmed, in which he played a demon known as Zankou, and as the character of Farik on the Showtime drama Sleeper Cell (2005 -- 2006). In 2008, Fehr appeared in first-time writer/director Nancy Kissam's family drama Drool, while 2010 found the actor with a several guest appearances on USA's Covert Affairs.

Trivia: Actor Ken Howard was 6'5" when he was a junior at Manhasset High School (he would later peak at 6'6"), and it was this physical fact, coupled with his remarkable athletic prowess, that assured him a position in Manhasset's "starting five." Offered several athletic scholarships, Howard turned them all down in favor of a liberal arts education at Amherst College, where he developed a taste for theatre. After two years' graduate work at the Yale School of Drama, he dropped out to accept a small role in the Broadway musical Promises Promises. In 1969, Howard graduated to stage stardom as Thomas Jefferson in the popular musical 1776, a role he would repeat in the 1972 film version. He went on to win a Tony Award for his performance in Child's Play, and to spend his summers essaying his two favorite roles, Billy Bigelow in Carousel and Chance Wayne in Sweet Bird of Youth. His first film was the 1970 Otto Preminger production Tell Me That You Love Me, Junie Moon. In 1973, Howard and his frequent co-star Blythe Danner were cast in the series-TV version of the Tracy-Hepburn picture Adam's Rib (both stars had previously turned down MacMillan and Wife). Neither this series nor Howard's subsequent Manhunter (1974) clicked with the public. He was far more successful as high school basketball coach Ken Hughes on The White Shadow, which ran from 1976 to 1981 (and which, coincidentally, was produced by Blythe Danner's husband Bruce Paltrow). Howard's later TV projects included the title character in the 1984 American Playhouse production of Mark Twain's "Pudd'nhead Wilson;" the recurring role of Garret Boydston on both Dynasty and The Colbys (1985-86); his hosting chores on the syndicated 1986 talent show Dream Girl USA; and another hosting stint on the NBC documentary weekly What Happened? (1992). In 2009, Howard was elected president of the Screen Actors Guild, a role he would continue after the union merged with another and became SAG-AFTRA. He continued to work as an actor, appearing on shows like Crossing Jordan, Cane, and 30 Rock, as well as movies like The Beacon. Howard died in 2016, at age 71.

Trivia: An accomplished character actor most readily at home playing average and undistinguished domestic types (particularly fathers and husbands), Holmes Osborne appeared in scattered projects very occasionally during the 1970s and '80s, but his career only took off at the tail end of the 1990s, culminating with a small role in Alexander Payne's critically worshipped high-school satire Election (1999) -- as the father of class jock Paul Metzler (Chris Klein) and "bad girl" Tammy Metzler (Jessica Campbell). Osborne went on to grace the casts of several key Hollywood and independent films during the next several years, including Donnie Darko (2001), Windtalkers (2002), Cheaper by the Dozen (2003), and Anchorman: The Legend of Ron Burgundy (2004), in addition to scattered appearances on such television programs as Ally McBeal, The Drew Carey Show, and Invasion. In 2006, Osborne re-teamed with Darko director Richard Kelly for the filmmaker's epic-sized dystopian black comedy Southland Tales.

Trivia: After distinguishing himself in athletics at Rockhurst college, Jim Bannon launched his film career as a stunt man and double. Under contract to Columbia in the mid-1940s, Bannon starred in a brace of films based on the radio series I Love a Mystery. Bannon was also one of four actors to essay the role of B-western hero Red Ryder, and was a regular on such radio series as The Great Gildersleeve and Stars over Hollywood. In 1955, Bannon starred on the Gene Autry-produced TV series The Adventures of Champion. At one time married to actress Bea Benaderet, Jim Bannon was the father of TV actor Jack Bannon.