Trivia: With ruggedly handsome looks and a lengthy screen career, actor-producer Nick Nolte has established himself as a major industry figure. His enviable standing as one of Hollywood's most distinctive leading men was further cemented with a 1998 Best Actor Oscar nomination for his role in Affliction. A native of Omaha, NE, Nolte was born February 8, 1941. While a student at Arizona State University, he revealed talent as a football player, but whatever promise he may have had on the field was aborted by his expulsion from the school for bad grades. A subsequent move to California convinced Nolte to try acting instead. He studied at the Pasadena Playhouse, then at Stella Adler's Academy in Los Angeles under Bryan O'Byrne, while he held down a job as an iron worker. After his training, Nolte spent 14 years traveling the country and working in regional theater, occasionally landing parts in B-movies and television films. Debuting onscreen with a small role in Dirty Little Billy (1972), Nolte was 34 when he finally got his break in the acclaimed television miniseries Rich Man, Poor Man (1976). His portrayal of Tom Jordache earned him an Emmy nomination and led to a starring role opposite Jacqueline Bisset in The Deep (1977). In addition to starring in the football exposé North Dallas Forty (1979), Nolte contributed to its screenplay, written by Peter Gent.Showing a marked preference for unusual and difficult films, it was not long before Nolte became known as a well-rounded actor who brought realism, depth, and spirit to even his most offbeat or even unsympathetic roles. Some of those parts include Beat author Neal Cassady in Heart Beat (1980), a homeless bum who helps a dysfunctional rich family in the hit comedy Down and Out in Beverly Hills (1986), a family man attempting to come to grips with his family's traumatic past while falling in love with his therapist in The Prince of Tides (1991), a midwestern basketball coach in Blue Chips, and a world-weary detective in Mulholland Falls (1996).For a grim period in the late '80s, Nolte's career was threatened by his unrestrained drug and alcohol use, but a subsequent rehabilitation strengthened his career, paving the way for roles such as Jake McKenna in Oliver Stone's neo-noir thriller U-Turn (1997) and his Oscar-nominated turn as Sheriff Wade Whitehouse in Paul Schrader's Affliction (1997), a picture Nolte also executive produced. Following this triumph, Nolte further re-established his reputation as a major Hollywood player with his role in Terrence Malick's 1998 adaptation of James Jones' The Thin Red Line, headlining a cast including George Clooney, Sean Penn, and John Travolta. If the subsequent adaptation of author Kurt Vonnegut Jr.'s acclaimed novel Breakfast of Champions failed to capture the essence of the written word, Nolte still managed to offer an impressive performance in the following year's The Golden Bowl.At this point in his career Nolte could certainly be counted on to turn in compelling performances regardless of the project, which made the return of his former demons more tragic than ever. On the heels of a mesmerizing lead performance as an aging gambler in director Neil Jordan's The Good Thief (a remake of the Jean-Pierre Melville classic Bob le Flambeur), Nolte's arrest for driving under the influence in September of 2002 made headlines when it was discovered that he was under the influence of GHB. The disheveled mugshot that followed made him the butt of many a joke; Nolte would later credit the arrest for helping him to clean up his act and get back on track with his onscreen career. A late-night jam that found neighbors phoning police made headlines the following year, and the Hulk came and went with disappointing results.In the subsequent period, Nolte remained in good form, with idiosyncratic and fascinating roles. He triumphed in the spectacular late 2004 drama Hotel Rwanda, as the politically impotent Col. Oliver during the Rwandan genocide. Neophyte director Hans Petter Moland then tapped Nolte for a pivotal characterization in his drama The Beautiful Country, released in July 2005. That same year, Nolte also triumphed on the festival circuit with his delicate work in Olivier Assayas's harrowing dysfunctional family drama Clean. In 2006, he voiced Vincent in the hit animated feature Over the Hedge, and claimed a seldom-seen but pivotal role in the thriller A Few Days in September, as an American spy desperate to reconnect with his children. Next up was Mysteries of Pittsburgh, an adaptation of Michael Chabon's debut coming-of-age novel.In 2008 Nolte appeared as the grizzled Vietnam Vet whose life the movie within the movie in Tropic Thunder is based on, and in the next few years he continued to lend his distinct, gravelly voice to a number of projects including the Kevin James vehicle Zookeeper.In 2011 his work in Warrior, as the father of two MMA fighters, earned him strong reviews as well as Oscar, BAFTA, and Screen Actors Guild nominations for Best Supporting Actor.

Trivia: The daughter of onetime fashion model Tippi Hedren (Marnie) and actor Peter Griffith, Melanie Griffith witnessed her parents' divorce as a toddler. She relocated from Manhattan to Los Angeles in the custody of her mom at the age of four, when Alfred Hitchcock discovered Hedren and offered her a bid for movie stardom. Hedren soon married her second husband, film producer Noel Marshall, and relocated the entire family (including Griffith) to an Acton, California ranch, but at age 15 (c. 1972), Griffith broke out on her own. She started modeling professionally and struck up a live-in relationship with then-22-year-old Don Johnson. Thus commenced a notoriously rocky, complex romance of four years. It temporarily ended when Griffith and Johnson wed and divorced several months later. In the mean time, Griffith kick-started her acting career with promising films including the Arthur Penn-directed detective saga Night Moves (1975) and the Paul Newman mystery The Drowning Pool (1975).Problems with drugs and drinking followed Griffith and Johnson's divorce. It all came crashing down for the rising star in 1980, when she was hit by a car on Sunset Boulevard and seriously injured, with amnesia that lasted for several days and a fractured arm. Ultimately, she did survive, and launched a comeback in the 1980s, studying acting with the preeminent Stella Adler. Griffith made a distinct impression as porn star Holly Body in Brian DePalma's thriller Body Double (1984), and two years later received a wealth of critical acclaim for her role in Something Wild, a Jonathan Demme comedy. It cast her as a reckless spirit opposite an uptight Jeff Daniels. In many ways, however, 1988 witnessed Griffith's breakthrough; that year, she appeared in Robert Redford's The Milagro Beanfield War and starred in the Mike Nichols comedy Working Girl. For her work in the latter film, as a young career woman trying to conquer the New York business world, Griffith earned an Oscar nomination and no small amount of critical respect. Unfortunately, she then endured a series of less well-received outings, including Brian DePalma's widely panned Tom Wolfe outing The Bonfire of the Vanities (1990), the John Schlesinger mystery Pacific Heights (1990) and director David Seltzer's period meller Shining Through (1992).While her acting career continued on its highs and lows, Griffith once again wed Johnson in 1989; their second union lasted until 1996. That same year, the actress married Spanish heartthrob Antonio Banderas following a much-publicized romance. She went on to do some of her best work in years in 1997 as the puffy, tragically misguided Mrs. Haze in Adrian Lyne's overlooked adaptation of Lolita. She then signed on to portray drug dealer James Woods's wife in the Larry Clark-directed addiction drama Another Day in Paradise (1998); unfortunately, the film failed to make a significant impact on critics. At about the same time, the actress portrayed a flippant movie star in Woody Allen's Celebrity (1998), and a nutty aspiring actress who totes her dead husband's head around in a hat box in the Antonio Banderas-directed Crazy in Alabama in 1999. Both films received negative-to-mediocre reviews. Griffith would continue to sign on for roles in the coming years, though subsequent projects were of somewhat lower profile, like the documentaries Light Keeps Me Company (2000) and Searching for Debra Winger (2002), as well as John Waters's outrageous black comedy Cecil B. Demented (2000), the romantic drama Tempo, and the crime thriller Shade.

Trivia: Actor, playwright, and screenwriter Chazz Palminteri is anything but an overnight success. For him, stardom was the result of nearly 20 years of relative obscurity as he worked his way from nightclubs to off-Broadway to small television roles. It was only after he penned his one-man 35-character autobiographical play A Bronx Tale that the then-36-year-old actor hit the big time. A big, burly Italian, he has since specialized in playing heavies and other bad guys. Born Calogero Lorenzo Palminteri, the son of a Bronx bus driver, he first dreamed of an acting career at age 13. Following high school, however, Palminteri became a singer and spent over a decade as a lounge crooner; he was also a member of a pop group. Though he made a decent living, Palminteri couldn't forget his initial aspiration and, in 1982, devoted himself full-time to acting. While attending acting classes and auditioning, Palminteri supported himself as a doorman and spent the next few years working off-Broadway in small roles. In 1988, he headed to Southern California to work as a bit-player on television, making his debut appearance on Hill Street Blues. After two years of playing relatively inconsequential parts, a frustrated Palminteri took matters into his own hands and, on five yellow legal pads, wrote the script for A Bronx Tale. The play debuted at the West Coast Ensemble theater to critical raves. He then took it to Playhouse 91 in New York, where it played to standing-room-only crowds for four months. One night, Robert DeNiro caught it and was greatly impressed by both Palminteri and his play. Shortly afterward, Palminteri was visited by Hollywood producers wanting to by the film rights. Cagily, he refused to sell unless he was guaranteed the lead. Four years later, with help from DeNiro, who would use it for his directorial debut and play a supporting role, Palminteri's wish came true. Released in 1993, A Bronx Tale received critical praise but did not catch on with audiences. Still, it was enough to jump-start Palminteri's film career and, in 1994, he co-starred in Woody Allen's Bullets Over Broadway as Cheech, a gangster thug with a love of the theater. Palminteri's portrayal of Cheech earned him an Oscar nomination for Best Supporting Actor. In 1996, another of Palminteri's plays, Faithful, the offbeat story of a strange relationship between a suicidal housewife and the thug her husband hires to kill her, became a film starring himself and Cher. A subsequent turn as the malevolent headmaster of a prestigious private school in the same year's Diabolique found Palminteri hanging up his gangster hat to turn in an especially menacing performance, with subsequent roles in Mulholland Falls, Analyze This, and Just Like Mona showing an actor who had perfected roles on both sides of the law and seemed to show little interest in branching out. Vocal performances in Lady and the Tramp II: Scamp's Adventure and the computer animated 2005 comedy Hoodwinked made impressive use of the screen heavy's distinctive voice, and gave the longtime screen actor a chance to have some fun without necessarily having the stress of being on camera. A rare voyage into weekly television followed when Palminteri served as boss to one of television's greatest detectives in the 2005 revival of Kojack (this time featuring actor Ving Rhames in the role of the lollipop -munching cop), with a subsequent role as a crooked cop in Wayne Kramer's hyper-stylized action entry Running Scared finding the actor remaining safely behind the badge. One of six co-recipients of a Special Jury Prize for Dramatic Ensemble Performance at the 2006 Sundance Film Festival for his participation in A Guide to Recognizing Your Saints, Palminteri cold next be seen as a diamond-hunting gangster searching for a most unusual thief in the Wayans brothers comedy Little Man (2006). Since then, Palminteri has divided his time between family life and his film career.

Trivia: Michael Madsen, who admits to being more interested in delivering a good performance than the perks of fame, formerly worked as a gas station attendant in his hometown of Chicago, IL. The older brother of actress Virginia Madsen, Michael's first acting experience took place inside of Chicago's Steppenwolf Theatre, where he studied under the direction of fellow actor John Malkovich. This stage training provided him with the background needed to land a host of small roles, beginning with a bit part in the 1983 film WarGames. After relocating to Los Angeles, Madsen made several television and film appearances, including NBC's Emmy-winning Special Bulletin (1983), and The Natural (1984), director Barry Levinson's celebrated sports drama. Madsen continued to build credibility, gradually going on to land larger parts. Though his profile was raised substantially after appearing in the 1991 film Thelma & Louise, it was his 1989 performance as a psychotic killer in John Dahl's Kill Me Again that caught the attention of Quentin Tarantino, who would later give Madsen his true breakthrough opportunity in 1992's Reservoir Dogs. This ear-splitting performance earned Madsen critical acclaim, as well as further cementing his reputation for playing psychopathic murderers. Sure enough, Madsen would go on to perform in several decidedly evil roles. From the kitten-loving sociopath in The Getaway (1994), to mafia tough guy Sonny Black in Donnie Brasco, Madsen proved himself more than capable of playing a good bad guy. Rather than allowing himself to be typecast, however, Madsen readily accepted the role of a loving foster parent in Free Willy (1993), a seasoned alien assassin in Species (1995), and CIA Agent Damon Falco in director Lee Tamahori's Die Another Day (2002). Over the course of the next decade, however, the veteran actor largely stuck to his tough-guy image, though his reflective role in Quentin Tarantino's Kill Bill films displayed a sense of depth that most filmmakers fail to coax out of him.

Trivia: Although Chris Penn has achieved little of the critical acclaim and none of the notoriety of his older brother, Sean, the rotund actor has become a familiar supporting player and character actor who hasn't had to rely on Sean, either. The brothers have appeared together only once, in the 1986 film At Close Range; in the meantime, Chris has made a name for himself in projects ranging in tone and purpose from Footloose (1984) to Reservoir Dogs (1992).The son of director Leo Penn and actress Eileen Ryan, and the brother of singer Michael Penn in addition to actors Sean and Matthew, Chris Penn was born on June 10, 1962, in Los Angeles. The actor, sometimes credited as Christopher Penn, started out in the profession at age 12, under the tutelage of Peggy Feury at the Loft Studio in Los Angeles. His film breakthrough came in Francis Ford Coppola's teen gang movie Rumble Fish (1983), which cast him opposite Matt Dillon and Mickey Rourke. But it wasn't until Footloose the following year that Penn captured his first truly memorable role. As the burly best buddy of Kevin Bacon's rebellious dance proponent, Penn's simple decency shone through, especially in the lively production number in which his character awkwardly learns to dance, to the strains of Denise Williams' "Let's Hear It for the Boy."Penn's supporting work continued through the 1980s in films like Pale Rider (1985) before he became affiliated with organized crime movies, on both sides of the law, in the 1990s. Two collaborations with Quentin Tarantino in particular solidified this association. In the first, 1992's Reservoir Dogs, Penn played Nice Guy Eddie, the obedient son of Lawrence Tierney's mob boss. Screenwriting for director Tony Scott, Tarantino then helped Penn get cast in True Romance (1993) as a narcotics officer. From this point on, Penn began appearing in a handful of films each year, first and perhaps most notably as the frustrated husband of a phone sex operator (Jennifer Jason Leigh) in Robert Altman's Short Cuts (1993).Penn continued his criminal film streak with such projects as Mulholland Falls (1996), The Funeral (1996), and One Tough Cop (1998). In 2001, he spoofed his tough guy image by appearing as the brother of comedian Chris Kattan, the novice mob operative of the title, in Corky Romano.

Trivia: After attending Franklin and Marshall College, Treat Williams acted with the prestigious Fulton Repertory troupe. Williams made his Broadway debut in Grease (1976) eventually taking over the leading role of Danny Zuko. His later Broadway credits included the musicals Over Here and Pirates of Penzance and the reader's-theatre exercise Love Letters. In films from 1976, he scored his first significant success as the draft-resistant protagonist of Milos Forman's Hair (1979). He went on to play the title role in The Pursuit of D. B. Cooper (1981), then gained positive critical notice for his work as reluctant interdepartmental police informant Daniel Ciello in Prince of the City (1981). His later film roles included mob-connected labor organizer Jimmy O'Donnell in Once Upon a Time in America (1984) and the seductive James Dean clone in Smooth Talk (1985). Famed for his willingness to tackle any sort of role, Williams' artistic ambitions are backed up by his versatility and astonishing vocal flexibility. On TV, Williams played Stanley Kowalski opposite Ann-Margret's Blanche Dubois in Streetcar Named Desire (1984) and was appropriately sharkish as superagent Mike Ovitz in The Late Shift (1996). He also starred in the weekly series Eddie Dodd (1991) and Good Advice (1995). Many of Treat Williams' recent film roles have exhibited a fondness for expansive, scenery-chewing villainy, notably megalomanic Xander Drax in The Phantom (1995).

Trivia: Once described as resembling a teenage Elizabeth Taylor, one gets the feeling that Jennifer Connelly may, with her winning of the Best Supporting Actress Oscar for her role in A Beautiful Mind (2001), have finally found what she once referred to as, "the film I'm really proud of and really love." And though she has graced the screens of theaters since 1984, Connelly remains a capable and versatile actress undefined by any single role or film.Born in the Catskill Mountains of mid-state New York in December of 1970, and raised in the Brooklyn Heights neighborhood of New York City, Connelly got her start in show business as a model at the age of ten. Quickly coming into high demand due to her striking beauty, Connelly often traveled abroad, where she eventually made her acting debut. The burgeoning actress landed her first role in an episode of the British horror anthology Tales of the Unexpected, and soon found work in small roles such as the Duran Duran music video for "Union of the Snake" before making her feature debut in Sergio Leone's sprawling gangster epic Once Upon a Time in America. Connelly's next film role, as a gifted schoolgirl who teams with an entomologist to solve a string of murders in Dario Argento's Phenomena, proved that the young actress was well capable of handling leading roles. After a memorable Dorothy-esque turn in Jim Henson's fantasy adventure Labyrinth (1986), in which she must rescue her brother from Goblin King David Bowie, Connelly seemed to almost disappear for a short while. Subsequent appearances in such forgettable films as The Hot Spot and The Rocketeer, while frequent and helping the actress to maintain visibility, remained unchallenging and did little to advance her career.Things began to look up for the talented actress in the mid-'90s. Maturing into an actress capable of taking on challenging roles, Connelly's portrayal of a sensitive lesbian who befriends college freshman Kristy Swanson in John Singleton's Higher Learning hinted at abilities previously unexplored. After small roles in such well-received films as Lee Tamahori's Mulholland Falls and Alex Proyas' Dark City, Connelly was nominated for an Independent Spirit award for her portrayal of a burned-out junkie in Darren Aronofsky's emotionally jarring Requiem for a Dream (2000). In addition, 2000 brought Connelly her first recurring television role, in the fast-paced Wall Street weekly The $treet, and a role in Ed Harris' directing debut, the Jackson Pollock biopic Pollock. The following year found Connelly at a turning point in director Ron Howard's A Beautiful Mind. As the loyal wife of famed mathematician turned paranoid schizophrenic John Forbes Nash Jr. (portrayed in the film by Gladiator star Russell Crowe), Connelly once again showed her versatility and ability to gracefully shine amidst such notable talents as Crowe and Howard. With her roles in the early 2000s increasing in both emotional scope and dimension, Connellywould next appear in acclaimed director Ang Lee's eagerly anticipated The Hulk before taking the female lead in The House of Sand and Fog (both 2003). She played opposite a number of Oscar nominees in 2006 with her supporting work in Blood Diamond and Little Children, and continued to work steadily in a variety of projects including Reservation Road, The Day the Earth Stood Still, and Inkheart. She played the title character in screenwriter Dustin Lance Black's Virginia. She was cast as the put-upon wife of Vince Vaughn in Ron Howard's romantic comedy The Dilemma in 2011.

Trivia: Daniel Baldwin is the third eldest child of six, four of whom are star actors (all the boys of the family, oddly enough). He attended Ball State University for about a year, planning to study psychology. He left school and began to work as a stand-up comedian before starting acting in 1988, making his debut in the TV movie Too Good To Be True. He landed a series regular role in Homicide: Life on the Street, staying with the show for three seasons. He later appeared in films like Mulholland Falls (1996) and Vampires (1998) and made guest appearances on television shows like The Outer Limits and NYPD Blue. In 2009, he played Julius Krug in the TV movie Grey Gardens and took on a recurring role in the series Cold Case.

Trivia: Youthful actor Andrew McCarthy went to prep school in New Jersey, lending to his classic, clean-cut good looks. A member the so-called Brat Pack of '80s Hollywood teen stars, McCarthy was usually cast as a good-guy leading man, basically sincere underneath his brooding teen angst. After studying theater at N.Y.U., he made his film debut in 1983 in the teen sex comedy Class with Rob Lowe and Jacqueline Bisset. In 1985, he appeared as the sulky writer Kevin in St. Elmo's Fire and the new Catholic school kid in Heaven Help Us. The next year, he was cast opposite Molly Ringwald as rich boy Blaine in John Hughes' Pretty in Pink. He later re-teamed with Ringwald for the dark romantic drama Fresh Horses. In 1987, he appeared opposite Kim Cattrall in the screwball comedy Mannequin and opposite Jami Gertz and Robert Downey Jr. in the addiction drama Less Than Zero. The same year, he portrayed Henry Hopper in the PBS American Playhouse production of Waiting for the Moon, based on the colorful lives of Gertrude Stein and Alice B. Toklas. In 1989, McCarthy formed a winning comedy team with Jonathan Silverman for the goofy farce Weekend at Bernie's, a surprisingly funny hit. They re-teamed for the less-successful Weekend at Bernie's II in 1993. The next year, he appeared briefly in the critically acclaimed ensemble films The Joy Luck Club and Mrs. Parker and the Vicious Circle. In 1999, he married his college girlfriend, actress Carol Schneider. His youthful good looks enabled him to play Bobby Kennedy in the 2000 television miniseries Jackie Bouvier Kennedy Onassis. As the following years passed, McCarthy would find success on the series Lipstick Jungle, as well as in movies like The Spiderwick Chronicles, Camp Hell, Main Street, and Snatched.

Trivia: One of the leading actors of his generation and an important figure in world cinema, John Malkovich made the term "icy calm" his trademark. After winning acclaim for his characterization of the scheming Vicomte de Valmont in Dangerous Liaisons, he became associated with a series of roles that, to put it plainly, essentially required him to be an evil bastard.The product of a large, highly intellectual family, Malkovich was born December 9, 1953, in Christopher, IL. Initially a portly youth, he underwent a self-imposed physical transformation, emerging as a star high school athlete. He went on to attend Eastern Illinois University, where he originally aspired to be a professional environmentalist. With his friend Gary Sinise, Malkovich helped co-found Chicago's Steppenwolf Theatre in 1976. Seven years later, he won an Obie award when the Steppenwolf production of Sam Shepard's True West was brought to New York. He next appeared on Broadway with Dustin Hoffman in the 1984 revival of Death of a Salesman; when it was transformed into a television movie a year later, Malkovich won an Emmy for his efforts. While he was working on Broadway, he made his film debut, playing a blind transient in Places in the Heart (1984), which earned him an Oscar nomination. He also had a starring role in The Killing Fields the same year.Although certainly capable of projecting warmth and pathos, Malkovich became best-known for his ice-water-in-the-veins roles. In addition to praise for his performance in Dangerous Liaisons, Malkovich won recognition -- and Oscar and Golden Globe nominations -- for his portrayal of the chameleon-like political assassin in Wolfgang Peterson's In the Line of Fire (1993). Other sinister Malkovich characterizations include Kurtz in the 1994 TV-movie version of Joseph Conrad's Heart of Darkness, the secretive Dr. Jekyll in Mary Reilly (1996), and Isabel Archer's dastardly husband in The Portrait of a Lady (1996). In 1999, Malkovich played what was undoubtedly his most unusual role -- himself -- in Spike Jonze's Being John Malkovich. Both the subject of the film and one of its stars, he had the surreal duty of letting the film's other characters into his mind, something many audience members had no doubt been dreaming of doing for years. The film provided Malkovich's career with a sort of popular resurgence, and the following year found him essaying the role of a wild eyed F.W. Murnau in the dark horror comedy Shadow of the Vampire. The second feature by experimental filmmaker E. ELias Mehrige, Shadow of the Vampire took a magic realism approach to documenting the production of Murnau's legendary 1922 classic Nosferatu. In the years that followed Malkovich continued his trend of alternating roles in high-profile Hollywood fare with more artistically gratifying foreign films, and after turning up in the German miniseries Les Miserables (2000) and Je rentre a la maison Malkovich turned up opposite Vin Diesel in the box office flash Knockaround Guys (2001). In 2002 Malkovich picked up where Matt Damon left off in the thriller Ripley's Game before traveling back in time for the historical adventure drama Napoleon. After cracking up international audiences in Johnny English (2003), fans got to see Malkovich take on the role of a Stanley Kubrick imposter in the fact based Colour Me Kubrick. After a string of decidedly small films, Malkovich surfaced in 2005 in the sci-fi comedy blockbuster The Hitchhiker's Guide to the Galaxy. Based on the cult novel by Douglas Adams, the picture cast Malkovich as an alien guru and gave him a chance to flex some of his sillier chops. Subsequent roles in Art School Confidential, the Coen Brother's Burn After Reading, and Jonah Hex offered a bit of levity between performances in more serious-minded dramas like Disgrace and Secretariat, and on the heels of a memorable comic performance as an unhinged former assassin in the big budget action comedy Red, Malkovich could be spotted amidst an explosion of robot carnage in 2011's Transformers: Dark of the Moon. Maintaining his theatrical ties while tending to his successful film career, Malkovich appeared in the 1993 Broadway production State of Shock, and has periodically returned to Chicago to both act and direct in local presentations. For a number of years, he was married to fellow Steppenwolf alumnus Glenne Headly.

Trivia: Actor Kyle Chandler grew up in Georgia, where he helped take care of the family farm. He eventually went to college at the nearby University of Georgia, where he majored in drama. It was there that a scout from ABC noticed his charm and signed him to a contract with the network. Chandler traveled to L.A., where he started out doing odd jobs but eventually worked his way onto shows like Tour of Duty, Homefront, and What About Joan; TV movies like 1988's Quiet Victory; and feature films such as 1996's Mulholland Falls. The parts steadily became bigger and more numerous, eventually leading to the starring role of Gary Hobson on the TV drama series Early Edition and the role of Bruce Baxter in 2005's King Kong.Chandler also guest-starred in a memorable post-Super Bowl two-parter on the medical drama series Grey's Anatomy, playing a bomb squad leader who comes to the hospital when a patient is admitted who has unexploded munitions lodged in his chest, thanks to his attempt to make a homemade bazooka. Chandler's performance was so impressive that he was later nominated for an Outstanding Guest Actor in a Drama Series Emmy. Following that, he landed the starring role of head coach Eric Taylor on Friday Night Lights, a show based on the movie of the same name, about a small town in Texas where high-school football is among the most important things in life. He would earn rave reviews for his work on the high-school football series, eventually garnering an Emmy nomination in 2010. On the big-screen he could be seen in the remake of The Day the Earth Stood Still, and he was cast as the father in J.J. Abrams Steven Spielberg-inspired sci-fi drama Super 8.

Trivia: An English major in college, Ed Lauter worked as a stand-up comic before entering films in 1971. The tall, menacing Lauter has generally been typecast as humorless, easily corruptible authority figures. He was at his meanest as the vindictive Captain Knaur in Robert Aldrich's The Longest Yard. His TV credits include such roles as Sheriff Cain in BJ and the Bear (1979-80) and General Louis Crewes in Stephen King's The Golden Years (1991). In 1976, Ed Lauter was afforded a rare leading role--and a sympathetic one to boot--in the made-for-TV murder mystery Last Hours Before Morning (1976). Lauter appeared in the 2005 remake of The Longest Yard and had a small role in the Oscar-winning film The Artist (2011). He also had a recurring role on the TV series Shameless. Lauter passed away in 2013 of mesothelioma at age 74, with several films in post-production, awaiting release.

Trivia: California native Melinda Clarke was born into show business. With an actor father and a ballet dancer mother, it was only a matter of time before Clarke grew up and headed for L.A. to follow in her parents' footsteps. She spent the late '90s paying her dues with appearances on shows like Seinfeld and Xena: Warrior Princess before being cast as Julie Cooper on the smash-hit series The O.C. She stayed with the show for its entire run from 2003 to 2007. Clarke continued to find success in television, with high-profile recurring gigs on CSI as Lady Heather and as herself on Entourage. She joined the cast of Nikita in 2010; once that show ended in 2013, Clarke resumed making her guest star rounds on shows like Vegas and Dallas.

Trivia: A key figure in creating the look of some of Hollywood's greatest "New Wave" films, production designer Richard Sylbert collaborated with several of the period's most notable filmmakers, earning a brief, unprecedented tenure as Paramount's head of production in the process. Equally adept at period and contemporary styles, urban and rural milieus, and designs for black-and-white and color cinematography, Sylbert earned six Oscar nominations over the course of his five-decade career, winning for the distinctly different Who's Afraid of Virginia Woolf? (1966) and Dick Tracy (1990).Born in Brooklyn, Sylbert and his identical twin brother, Paul Sylbert, fought together in the Korean War and attended Temple University's Tyler School of Art together. Returning to New York after school, both Sylberts landed TV jobs, with Richard painting scenery at NBC. After two years as the art director for TV's The Inner Sanctum, Sylbert earned his first feature-film credit with Patterns (1956). He subsequently helped create the stark, gritty feel of Elia Kazan's sexually daring drama Baby Doll (1956) and scathing TV critique A Face in the Crowd (1957). Continuing to make his name with forward-thinking directors as the studio system waned, Sylbert teamed up with independent filmmaker Shirley Clarke on her tough, innovative examination of urban junkies, The Connection (1961). Sylbert's creative range was confirmed that same year when he and Kazan envisioned the sultry Technicolor passions roiling beneath the repressed Midwestern small-town surface (via Staten Island) in Splendor in the Grass (1961). Though Splendor was his last film with Kazan, Sylbert eventually forged an equally fertile relationship with Splendor's neophyte star Warren Beatty. Further establishing his talent for environments as steeped in psychology and fantasy as reality, Sylbert was instrumental in crafting the unsettling paranoia driving John Frankenheimer's political thriller The Manchurian Candidate (1962), punctuated by the bravura 360-degree shot blending New Jersey prattle with nefarious foreign-bred schemes. Sylbert meshed normality and madness again in Robert Rossen's Lilith (1964), while his New York locations in Sidney Lumet's The Pawnbroker (1964) spoke volumes about the eponymous Holocaust survivor's inner torment. His reputation in Hollywood was assured when Sylbert was nominated for, and won, his first Oscar for Mike Nichols' searing black-and-white adaptation of profanity-laden marital drama Who's Afraid of Virginia Woolf? Collaborating with Nichols again, Sylbert's well-appointed suburban homes, aqua-blue pool, and austerely modern church became an index of upper-middle class anomie in Nichols' seminal youth culture hit The Graduate (1967).A fixture of the new Hollywood along with his brother, Sylbert inaugurated two more successful collaborations, with Paul's costume designer wife, Anthea Sylbert, and director Roman Polanski, on Rosemary's Baby (1968). Making the most of the New York Gothic apartment house the Dakota, Sylbert turned it into a believable roost for a Satanic coven. Between Nichols and Polanski, Sylbert worked steadily throughout the first half of the 1970s. Moving from the real/surreal accouterments of World War II for Nichols' adaptation of Catch-22 (1970), Sylbert was as comfortable creating the scientists' marine Eden for Day of the Dolphin (1973) as the more intimate landscapes of the emotionally brutal Carnal Knowledge (1971). Sylbert also managed to fit in former Nichols partner Elaine May's marital comedy The Heartbreak Kid (1972) and John Huston's rural boxing drama Fat City (1972). Sylbert finally scored his second Oscar nomination, though, for Polanski's Chinatown (1974). Filled with white buildings, dusty orange groves, dried river beds, and saline garden ponds, Sylbert's vision of 1930s Los Angeles reflected the physical and moral drought at the heart of the story's sun-drenched darkness. Evoking a different period of Los Angeles decadence, Sylbert earned his third nomination for the overdone mansions, luxe salons, and freewheeling orgies inhabited by Warren Beatty's randy 1960s hairdresser in Shampoo (1975). Paul Sylbert would win for Beatty's Heaven Can Wait (1978).Sylbert's creative relationships and his grasp of visual storytelling led Robert Evans to make Sylbert his successor when he stepped down as Paramount's production chief in 1975. Though Sylbert's executive stint produced several hits, including The Bad News Bears (1976), his preference for such mature, challenging fare as Nashville (1975) and Days of Heaven (1978) led Paramount head Barry Diller to replace Sylbert in 1978. Back in his preferred profession, Sylbert's dedication to historical detail brought him a fourth Oscar nod for Beatty's epic John Reed biopic Reds (1981).Despite the declining fortunes of the 1970s auteurs, Sylbert still displayed peerless style with his Oscar-nominated period designs for the Francis Ford Coppola/Robert Evans folly The Cotton Club (1984), and the 1980s New York glitz of Brian De Palma's bomb The Bonfire of the Vanities (1990). Sylbert then garnered his second Oscar for Beatty's comic strip adaptation Dick Tracy. Restricted to backlot sets, matte paintings, and the strip's seven-color palette, Sylbert masterfully created a live-action equivalent of animated fantasy. Working less frequently in the 1990s, Sylbert re-teamed with De Palma for the 1970s-set Carlito's Way (1993) and designed Hollywood New Wave cohort Bob Rafelson's neo-noir Blood and Wine (1996); Mulholland Falls (1996) was Chinatown redux. After his comically glossy matrimonial confections enhanced the Julia Roberts hit My Best Friend's Wedding (1997), Sylbert collaborated again with Wedding's P.J. Hogan on Who Shot Victor Fox? (2002). Sylbert died of cancer, though, before Fox's release.

Trivia: Actor Titus Welliver sailed to fame as a character player, largely via television roles. Though Welliver exhibited such an individualistic presence (and appearance) that his identity became inextricable from the casts of the programs in which he played, he also evinced such versatility with characterizations that series creators (and feature producers) were able to successfully cast him as a broad spectrum of occupational types, from cops to physicians to military sergeants. Regular roles included Officer Jack Lowery on Steven Bochco's short-lived police drama Brooklyn South and Silas Adams on the revisionist Western show Deadwood; he also had a recurring role as physician Dr. Mondzac on the seminal cop series NYPD Blue. Welliver's cinematic resumé includes parts in such features as The Doors (1991), Mulholland Falls (1996), Assault on Precinct 13 (2005), and Gone Baby Gone (2007). Welliver continued to work heavily in television, booking guest appearances on shows like NCIS, Prison Break and Supernatural, before joining Lost in a pivotal final-season role as The Man in Black. His profile justifiably raised, Welliver booked recurring gigs on Sons of Anarchy and The Good Wife. After working with director Ben Affleck in Gone Baby Gone, Welliver appeared in his next two films, The Town (2010) and the Academy Award-winning Argo (2012).

Trivia: As a teen, served some time in jail for stealing cars. A longtime fan of All My Children, he dedicated songs to the character Erica Kane and even appeared on the soap in 1995. In 2000, he was the first major recording artist to have an album (Devotion) released in the audio DVD format. Is a devout Catholic and was honored with the James Cardinal Gibbons Medal in 2002. Lost his New Orleans home during Hurricane Katrina. Met his second wife, photographer Sarah A. Friedman, during a People magazine photo shoot in 2008, when she was hired to do a portrait of the Neville Brothers.

Trivia: Stuntman, stunt coordinator, second unit director, and actor.

Trivia: Ever since his film debut in director Michael Mann's 1981 crime drama Thief, actor William L. Petersen (born February 21st, 1953) has carved a successful niche for himself in the realm of crime-oriented television and film. Audiences were quick to warm to the actor thanks to his everyman appearance and ability to elicit sympathy by portraying authority figures whose rank rarely surpassed their humanity, and in the following decades, Petersen would hone this persona to a fine point in such efforts as Mann's 1986 thriller Manhunter and, much later, the popular CBS crime series CSI: Crime Scene Investigation. It was while studying on a football scholarship at Idaho State University that the Evanston, IL, native first discovered his love for the stage, and though the popular jock initially signed up for drama classes as a means of boosting his grade point average, his love for the stage soon surpassed his grip on the gridiron. A post-graduate move to Spain found Petersen studying Shakespearean acting, with a subsequent return to the States leading the burgeoning actor to Chicago. In addition to an association with the famed Steppenwolf Theater, Petersen and several of his peers co-founded Chicago's Remains Theater Ensemble in 1980. The next year, a small supporting role in Mann's Thief marked Petersen's first foray into the celluloid universe, and it was also around this time that Petersen made his Broadway debut with a starring role in The Night of the Iguana. The actor remained a fixture on CSI until 2008, and went on to co-star in the films Detatchment (2011) and Seeking a Friend for the End of the World (2010).As the 1980s progressed, Petersen became an increasingly recognizable figure in the world of film, in particular thanks to solid performances in such efforts as To Live and Die in L.A., Manhunter, and Amazing Grace and Chuck, with his stature on the screen virtually cemented by the time he kicked off the 1990s with a turn as Pat Garrett in Young Guns II. Though roles in such films as Return to Lonesome Dove, Fear, and The Beast did indeed increase Petersen's recognition factor among the moviegoing and television-viewing masses, he more often than not seemed to be lost without Mann's direction and criminals to chase. Of course, all of this would be solved when the veteran actor stepped into the role of crime scene investigator for the 2000 television series CSI, and though feature work had certainly taken precedence over television thus far in his career, the transition seemed to benefit Petersen when the Emmy-nominated series soon shot to the top of the ratings.

Trivia: American brothers Rob and Chad Lowe became actors in childhood (Chad would ultimately win an Emmy for his TV work). Rob was acting from the age of eight in 1972; seven years later, he was a regular on the TV series A New Kind of Family, playing the teenaged son of star Eileen Brennan. That series was shot down quickly, but Lowe's film career picked up when newspaper and magazine articles began aligning the handsome, sensitive young actor with the burgeoning Hollywood "brat pack," which included such new talent as Molly Ringwald, Matt Dillon, Charlie Sheen, and Anthony Michael Hall. Along with several fellow "packers" (Demi Moore, Judd Nelson, Ally Sheedy, and Emilio Estevez), Lowe starred in 1985's St. Elmo's Fire; this film and the earlier Hotel New Hampshire (1984) represent the most memorable projects in Lowe's otherwise negligible film output. In 1989, Lowe's already flagging film stardom received a severe setback when he was accused of videotaping his sexual activities with an underage girl (the evidence has since become a choice item on the sub-rosa video cassette circuit). Arrested for his misdeeds, Lowe performed several hours' worth of community service, then tried to reactivate his career. Since then, Lowe has matured into something of a brat-pack George Hamilton, successfully lampooning his previous screen image in such comedies as Wayne's World (1992) and Tommy Boy (1995).Though his comedic endeavors would continue throughout the 1990s in films such as Austin Powers: International Man of Mystery (1997) and its sequel, Lowe gained notice for such dramatic roles as that of the mute and strangely plague-immune Nick Andros in the long-anticipated TV miniseries adaptation of Stephen King's The Stand (1994). Lowe's roles throughout the '90s may have not been the prominently featured roles in A-list films that his early shooting-star may have suggested, though he did maintain steady work in an interesting variety of small-budget projects. Lowe's casting on the popular political drama The West Wing brought the actor back into the public eye in what many considered to be one of the most intelligently written dramatic series on television. His turn as quick-witted liberal speechwriter Sam Seaborn brought Lowe through the dark days of his scandalous past, back to an audience who may have forgotten his charm as an actor. He would stay with the series until 2005, all while continuing to pick new projects that involved creativity and an open mind. He tested his limits with roles in films like Salem's Lot and Thank You For Smoking, and in 2004, he began starring in his own TV series, playing Dr. Billy Grant on the crime drama Dr. Vegas. The show lasted until 2008, by which time he had already signed on for the prime time dramedy Brothers & Sisters, starring alongside Calista Flockhart. He had a major part in The Invention of Lying in 2009, and that same year he landed a regular gig on the well-reviewed NBC sitcom Parks and Recreation. In 2011 he was the executive producer and one of the leads in the ensemble film I Melt With You.

Trivia: Bruce MacLeish Dern is the scion of a distinguished family of politicians and men of letters that includes his uncle, the distinguished poet/playwright Archibald MacLeish. After a prestigious education at New Trier High and Choate Preparatory, Dern enrolled at the University of Pennsylvania, only to drop out abruptly in favor of Lee Strasberg's Actors' Studio. With his phlegmatic voice and schoolyard-bully countenance, he was not considered a likely candidate for stardom, and was often treated derisively by his fellow students. In 1958, he made his first Broadway appearance in A Touch of the Poet. Two years later, he was hired by director Elia Kazan to play a bit role in the 20th Century Fox production Wild River. He was a bit more prominent on TV, appearing regularly as E.J. Stocker in the contemporary Western series Stoney Burke. A favorite of Alfred Hitchcock, Dern was prominently cast in a handful of the director's TV-anthology episodes, and as the unfortunate sailor in the flashback sequences of the feature film Marnie (1964). During this period, Dern played as many victims as victimizers; he was just as memorable being hacked to death by Victor Buono in Hush...Hush, Sweet Charlotte (1965) as he was while attempting to rape Linda Evans on TV's The Big Valley. Through the auspices of his close friend Jack Nicholson, Dern showed up in several Roger Corman productions of the mid-'60s, reaching a high point as Peter Fonda's "guide" through LSD-land in The Trip (1967). The actor's ever-increasing fan following amongst disenfranchised younger filmgoers shot up dramatically when he gunned down Establishment icon John Wayne in The Cowboys (1971). After scoring a critical hit with his supporting part in They Shoot Horses, Don't They? (1969), Dern began attaining leading roles in such films as Silent Running (1971), The King of Marvin Gardens (1972), The Great Gatsby (1974), and Smile (1975). In 1976, he returned to the Hitchcock fold, this time with top billing, in Family Plot. Previously honored with a National Society of Film Critics award for his work in the Jack Nicholson-directed Drive, He Said (1970), Dern received an Academy Award nomination for his portrayal of an unhinged Vietnam veteran in Coming Home (1978), in which he co-starred with one-time Actors' Studio colleague (and former classroom tormentor) Jane Fonda. He followed this triumph with a return to Broadway in the 1979 production Strangers. In 1982, Dern won the Berlin Film Festival Best Actor prize for That Championship Season. He then devoted several years to stage and TV work, returning to features in the strenuous role of a middle-aged long distance runner in On the Edge (1986).After a humorous turn in the 1989 Tom Hanks comedy The 'Burbs, Dern dropped beneath the radar for much of the '90s. He would appear in cult favorites like Mulholland Falls and the Walter Hill Yojimbo re-make Last Man Standing (both 1996), as well as The Haunting (1999) and All the Pretty Horses (2000). As the 2000's unfolded, Dern would continue to act, apperaing most notably in film like Monster and Django Unchained.Formerly married to actress Diane Ladd, Bruce Dern is the father of actress Laura Dern.

Trivia: Louise Fletcher's acting career can be divided into two stages. She started out appearing on television shows such as Wagon Train and The Untouchables during the late '50s, but left acting in 1964, two years after marrying movie producer Jerry Bick, to raise a family. She did not return to her craft until appearing in Robert Altman's well-regarded feature film Thieves Like Us in 1974. Fletcher then appeared in the spy thriller Russian Roulette (1975) before Milos Forman cast her in what was to become her signature role, that of the iron-willed, sadistic Nurse Ratched who tormented Jack Nicholson in One Flew Over the Cuckoo's Nest (1975). Her believable portrayal won her a Best Actress Oscar and a Golden Globe. Perhaps the highest honor is that her Ratched has become a movie icon, one that has been frequently emulated and parodied in numerous subsequent films. Fletcher was born in Birmingham, AL, to a deaf Episcopalian minister and a deaf mother. She started acting in summer stock following her graduation from the University of North Carolina. Fletcher next moved to Los Angeles and found work as a receptionist before breaking into television. Standing 5'10", the strikingly beautiful Fletcher was often taller than her leading men, something that hindered her first bid at stardom. Since her success with One Flew Over the Cuckoo's Nest, Fletcher has found steady employment as a supporting and character actress on television -- where she received a 1996 Emmy nomination for a guest-star appearance on the highly acclaimed CBS series Picket Fences -- and in feature films. She also has a busy stage career.