Trivia: Possessing the sort of bland, familiarly handsome looks that make him equally effective at creating both instantly likable and inexplicably repelling characters, actor Dylan Walsh, born November 17th, 1963, generally specialized in the former. When he took to the latter, however, the unexpected change of pace could make for an extremely effective performance. Although audiences may recognize his face from such high-profile Hollywood fare as Congo (1995) and We Were Soldiers (2002), his most affecting roles have been in low-budget independent fare such as the low-key 2001 drama Jet Boy. A California native who graduated from Annandale High School in Virginia, Walsh wowed audiences as Atticus Finch in a high school stage production of To Kill a Mockingbird, giving signs of great things to come from the burgeoning actor. Subsequently gaining his footing as an actor with a recurring role on television's Kate and Allie, his first feature credit came with the 1989 Patrick Dempsey comedy Loverboy. His career truly beginning to gain momentum in the early '90s, Walsh's appearances in Betsy's Wedding (1990) and Nobody's Fool (1994) showed an actor just waiting for his breakthrough role. Although he would take the lead for the eagerly anticipated jungle adventure Congo, the film's dismal fate at the box office certainly didn't do anything for his career. Subsequent efforts such as Divided by Hate (1997) and Chapter Zero (1999) showed an actor capable of much more than what he was given with which to work. Admittedly taking roles just to pay the bills, Walsh was offered the lead in Calgary filmmaker Dave Schultz's dark psychological drama Jet Boy. Cast as a shady, morally ambiguous undercover cop who befriends a street smart orphan while attempting to take down a big-time drug dealer, the role offered some contrast to Walsh's recent performances, and simultaneously proved that he was fully capable of handling a leading dramatic role. Due to the success of Jet Boy, his career was somewhat reinvigorated and subsequent parts in We Were Soldiers and Blood Work paid testament to an actor regaining his footing after a few early falters. In 2003, Walsh donned scrubs for the critically acclaimed television series Nip/Tuck. In 2006 Walsh could be seen back up on the big screen as the buttoned-down boyfriend of Sandra Bullock's haunted character in the fantasy-flavored romantic drama The Lakehouse. Walsh changed his tune for The Stepfather (2009), which starred the actor as a sociopathic murderer. In 2010, he joined the cast of Secretariat in a supporting role as the husband of housewife-turned-horse racer Penny Cherry (Diane Lane).

Trivia: The daughter of respected off-Broadway playwright Romulus Linney, Laura Linney was born in New York City on February 5, 1964. Her parents divorced when she was six months old. Thanks to her father's job, Linney grew up working in the theater, both behind the scenes and, in her late teens, on the stage. Following prep school in Massachusetts, she attended both Brown University and Juilliard, and she was soon appearing in a number of Broadway productions. She garnered notice for her roles in plays like The Seagull and Six Degrees of Separation, and won particular acclaim for her performance in Hedda Gabler.Linney made her onscreen debut in 1992 with a small role as a teacher in Lorenzo's Oil. The following year, she had a brief but pivotal role as Kevin Kline's presidential mistress in Dave, appeared in Searching for Bobby Fischer, and landed a lead as one of the protagonists of Armistead Maupin's acclaimed Tales of the City, which aired on PBS. Linney later reprised her role as Mary Ann Singleton for More Tales of the City in 1998. Following leads in two box-office failures, A Simple Twist of Fate (1994) and Congo (1995), Linney had a supporting role as Richard Gere's lawyer/ex in Primal Fear (1996). Based on the strength of her performance, Clint Eastwood chose her to play his daughter -- another lawyer -- in Absolute Power the following year. In 1998, Linney sent up her wholesome, fresh-scrubbed appearance to great effect as Truman Burbank's wife in Peter Weir's highly acclaimed The Truman Show.The actress finally came into her own in 2000, thanks to two very different parts in two highly acclaimed independent features. Writer/director Kenneth Lonergan's You Can Count on Me featured Linney as Sammy, a small-town single mother whose placid life takes some interesting turns when she's visited by her errant brother Terry (Mark Ruffalo). Aided by Lonergan's precise script and her own copious note-taking, Linney turned in her most nuanced, accomplished performance to date. Critics paid attention: after its much-heralded debut at the 2000 Sundance Film Festival, the film went on to garner a slew of recognition for its lead actress, including Best Actress of the Year awards from the National Society of Film Critics and the New York Film Critics Circle, and an eventual Oscar nomination for Best Actress. Linney further polished her reputation with a supporting turn as the icy Bertha Dorset in director Terence Davies' adaptation of Edith Wharton's The House of Mirth, released in late 2000.She continued working steadily and garnered great critical respect throughout the next decade. In addition to returning for Further Tales of the City, she was one of the many talented actors who appeared in the controversial The Laramie Project. She had a few big-budget films that missed their mark in The Mothman Prophecies and The Life of David Gale, but those came around the same time as her superb turn as Sean Penn's wife in Mystic River, and as one of the few Americans in the very British romantic comedy Love Actually. She continued to earn strong reviews as the headstrong wife to Liam Neeson's Kinsey, and in 2005 offered a subtle but penetrating portrayal of a selfish mother and divorcee opposite Jeff Daniels in The Squid and the Whale. The next year she acted opposite Robin Williams in Barry Levinson's political and social satire Man of the Year.In 2007 Linney offered a spot-on portrayal of a dissatisfied Manhattan wife and mother in The Nanny Diaries, and earned a wealth of strong reviews for her work in Tamara Jenkins' The Savages. Playing a neurotic woman opposite Philip Seymour Hoffman as her brother, Linney scored her third Academy Award nomination.2008 brought Linney her fourth Golden Globe nomination, and first win, for the portrayl of first lady Abigail Adams in the acclaimed HBO miniseries John Adams. In the following years, Linney would continue to appear in several projects, including movies like Morning and The Details, and the acclaimed Showtime series The C Word.

Trivia: Actor Ernie Hudson received his training at Wayne State, Yale School of Drama and the University of Minnesota. Following a hitch with the Marines, Hudson appeared in such stage productions as The Great White Hope, The Cage and Daddy Goodness. He made his earlier film appearance in 1976's Leadbelly. Most of us know Hudson best as Winston Zeddmore in the two Ghostbusters films, a role he repeated in Ray Parker Jr.'s "Ghostbusters" music video. His best--and most controversial--screen assignment was the The Hand That Rocks the Cradle (1992); Hudson played retarded handyman Solomon, virtually the only character in the film who doesn't buy into the "perfect" facade of homicidal baby-sitter Rebecca DeMornay. On TV, Ernie Hudson has been seen as Smythe in Highcliffe Manor (1977), undercover officer "Night Train" Lane in The Last Precinct (1986), and kleptomaniac cop Toby Baker in Broken Badges (1990). He had a memorable supporting part in the 1992 thriller The Hand That Rocks the Cradle, and appeared in Heart and Souls as well as the comedy Airheads. In 1994 he was cast in a prominent role in the action film The Crow, and followed that up in 1995 with part in Congo. In 1997 he started work on the HBO drama Oz, playing the warden of the meanest, cruelest inmates imaginable for six seasons. He co-starred with Sandra Bullock in the 2000 comedy Miss Congeniality. He continued to work steadily in projects as diverse as Snoop Dogg's Hood of Horror, The Ron Clark Story, and 2010's Smokin' Aces 2: Assassin's Ball.

Trivia: For several years, the name of British actor Tim Curry was known only to the privileged few who'd seen his performance as transvestite mad scientist Dr. Frank N. Furter in the stage and screen versions of The Rocky Horror Picture Show. By one of those wondrous quirks of fate, the 1975 Rocky Horror film was resuscitated from its disappointing initial run and became the archetypal "midnight movie," and for nearly two decades its faithful fans have lined up in front of theaters in bizarre costumes and makeup, toting toilet paper and toast (suitable for throwing at the screen). Unlike these fans, Curry was not content to relive his past triumphs, but moved on to such prestige assignments as the role of Mozart in the Broadway production of Amadeus and the part of William Shakespeare in a TV movie biography. A polished farceur, Curry was seen at his best in comedy film roles, notably the repressed music teacher in Oscar (1991) and the supercilious concierge in Home Alone 2: Lost in New York (1992). But audiences must have their villains, and Curry has aimed to please in such insidious roles as Cardinal Richelieu in 1993's Three Musketeers (possibly the most lascivious Richelieu ever -- so much so that Milady De Winter pulls out a knife and threatens to "change his religion.") Curry's heart remained in the theater, and for an unfortunately short period in the early '90s he excelled in the Peter O'Toole role in a musical stage version of the 1982 film My Favorite Year. He has also contributed his vocal talents to such animated cartoon series as Peter Pan and the Pirates, winning an Emmy for his con brio portrayal of Captain Hook. Curry's reputation preceded him when he was hired to give voice to a nasty character on Hanna-Barbera's Paddington Bear cartoon series in 1988; appropriately, even the character's name was Mr. Curry.In 1990 Curry played one of pop culture's scariest clowns when he took the part of Pennywise in a small-screen adaptation of It, and a few years later he was the fiendish Cardinal Richelieu in The Three Musketeers. He continued to work steadily in projects as diverse as Congo, Muppet Treasure Island, McHale's Navy, and Addams Family Reunion where he took over the part of Gomez Adams after the passing of Raul Julia. He became well-known to a whole new generation of fans doing voices for The Wild Thornberrys, Rugrats, and Jimmy Neutron at the beginning of the 2000s. He was eventually cast as Mr. Salamone, the forever put-upon hotel employee who is subjected to the whims of little Eloise in a series of made-for-TV movies based on the enduringly popular children's books. In 2010 he appeared in John Landis' comedy Burke & Hare.

Trivia: Loaned George Clooney $100 to pay for headshots when Clooney was still a struggling actor. Transitioned from being a character actor to behind-the-camera work in the early 2000s, receiving his first coproducer credit on the 2003 film Intolerable Cruelty. In 2005, he and his wife used their airline miles to purchase 16 plane tickets to evacuate survivors of Hurricane Katrina; they also opened their home to a family who had lost everything in the storm for five months while they put their lives back together. Cofounded the production company Smokehouse Pictures in 2006 with his longtime friend George Clooney.

Trivia: Veteran character actor Joe Don Baker has been playing rugged good ol' boys since his uncredited role in Cool Hand Luke in 1967. Born in Texas, his Southern drawl and ample proportions made him suitable to play countless numbers of simple-minded sheriffs, cops, and detectives in everything from big-budget blockbusters to low-grade action movies, although he more often appeared in the latter. On TV in the '60s, he guest starred on Bonanza, Gunsmoke, and Mission: Impossible before starring in his own show, the short-lived detective series Eischied. On the big screen, he played the drifter in Sam Peckinpah's Junior Bonner in 1972. He same year he made the "hicksploitation" classic Walking Tall, followed by Charley Varrick, Golden Needles, Framed, and plenty of other poorly made action thrillers that have since gained a small but appreciative audience on home video. The best example is 1975 crime flick Mitchell, which was featured on an important transitional episode of Mystery Science Theater 3000. Baker plays the titular slob detective who goes after drug dealers while drinking a lot of Schlitz malt liquor and eating pork rinds. After this movie, he became something of a legendary figure to a small but loyal fan base, and his persona as a lovable rascal was fixed for the next few decades. In the '80s he appeared in bad comedies (Fletch, Leonard, Part 6) as well as bad action thrillers (Final Justice, Getting Even). In 1989, he returned to television to play acting chief Tom Dugan on In the Heat of the Night and made small appearances in films, like the police chief who drinks Pepto-Bismol in Cape Fear (1991). He did branch out a little in the '90s to play Senator Joseph McCarthy in the made-for-TV movie Citizen Cohn as well as Winona Ryder's yuppie dad in Reality Bites. His later accomplishments include three James Bond appearances, first in Living Daylights as a bad guy, then in Goldeneye and Tomorrow Never Dies as good guy Jack Wade. He returned to his stereotypical roots playing white-trash slobs as Richie's trailer park dad in Mars Attacks! and in an uncredited role in Joe Dirt. In 2003, he appeared with veterans Martin Landau, Martin Sheen, and Edward Asner in The Commisson.

Trivia: A self-described B-movie actor, Bruce Campbell can claim to have scaled the casualty-littered mountain of cult movie stardom. First attaining more notoriety than fame for his performance in Sam Raimi's The Evil Dead (1983), which he also executive produced, Campbell went on to star in that movie's two sequels and a number of other schlock-tastic films. He has also occasionally ventured into more reputable territory, thanks to such films as the Coen brothers' The Hudsucker Proxy (1994).Hailing from Royal Oak, MI, where he was born June 22, 1958, Campbell attended Western Michigan University. When he was only 21, he and two of his Detroit friends, Sam Raimi and Rob Tapert, scraped together 350,000 dollars to make a low-budget horror film. The result, completed piecemeal over four years, was The Evil Dead, an exuberantly awful piece of filmmaking that featured Campbell as its demon-battling hero. The film first earned notoriety in England, and after being personally endorsed by author Stephen King when it was screened at Cannes, it was eventually released in the U.S. in 1983.The Evil Dead II: Dead By Dawn followed in 1987, and the third installment in the series, Army of Darkness, was released in 1992. Both were enthusiastically embraced by fans of the series and less so by critics, but one thing that impressed both groups was Campbell's work in both films, thanks in part to his uncanny ability to make it through an entire performance without blinking once.In addition to the Evil Dead films, Campbell has acted in a number of other low-budget films, and, in the case of the Coens' The Hudsucker Proxy and a blink-and-you-miss-it cameo in Fargo (1996), a handful of fairly respectable projects as well. He has also acted frequently on television, most notably in the weekly Western The Adventures of Brisco County, Jr. and Jack of all Trades. In 2001 Campbell made his literary debut with If Chins Could Kill: Confessions of a B-Movie Actor. A humorously detailed account of his rise to B-movie stardom, If Chins Could Kill detailed, among other things, Campbell's uniquely diverse fanbase as well as his relationship with longtime friend and frequent collaborator Sam Raimi. When fans embraced the freewheeling semi-autobiography with more zeal than even Campbell himself may have anticipated, a succesful speaking tour was soon followed by a sophomore novel, the satirical Make Love the Bruce Campbell Way. A highly fictionalized look at what it may be like for Campbell to land a substantial role in a high-profile Hollywood production, Make Love the Bruce Campbell way found the sarcastic B-movie idol hobnobbing with co-star Richard Gere and offering directorial advice to veteran director Mike Nichols. Yet Campbell was hardly one to forget where his bread was truly buttered, and following his brief literary detour, it was time to head back to the big screen for a pair of memorable cameos in pal Raimi's Spider-Man and Spider-Man 2, the longtime actor and emerging producer was finally ready to make his feature directorial debut with the outlandish sci-fi comedy The Man with the Screaming Brain. Despite helming the occasional Xena and Hewrcules episode, Campbell had yet to tackle feature films and when the opportunity arose to direct a script that he himself had written, everything just seemed to fall into place. Though the critics weren't so kind, fans were more than willing to indulge as their favorite film and television star finally got a chance to shine on his own. After voicing his most famous character in a pair of Evil Dead videogames, it was finally time for Campbell to return to the role of Ash on the big screen - albiet in a decidedly meta-manner - when he stepped into the role of an actor named Bruce Campbell who is mistaken for the demon-slayer that he played in the movies and forced to to battle with the legions of hell in the 2006 horror comedy They Call Me Bruce; a film that also afforded Campbell his sophomore feature directorial credit. That same year, Campbell would also team with May director Lucky McKee for the chilling horror film The Woods. Campbell found television success in the role of a good natured ex-Navy Seal on Burn Notice beginning in 2007, and lent his voice to animated features including Cloudy with a Chance of Meatballs and Cars 2. Campbell reunited with Raimi for Oz the Great and Powerful (2013), and helped produce the 2013 revamp of The Evil Dead.

Trivia: Burly comic actor Stuart Pankin attended Dickinson College and Columbia University. At 22, Pankin made his off-Broadway debut in 1968's War of the Roses. His film supporting roles are generally along the lines of the ineffectual sheriff in Arachnophobia (1990) and the blowhard giant in Beanstalk (1994). He is frequently spotlighted in buffoonish roles in such cinematic lampoons as That's Adequate, Love at Stake and Silence of the Hams. On TV, Stuart Pankin was seen as Stuf (so named because of his gargantuan eating habits) in The San Pedro Beach Bums (1977), Tuttle on the wacked-out No Soap, Radio (1982), and Jace Sampson on the 1989-90 (and last) season of Falcon Crest; he was also a reporter on the satirical Not Necessarily the News (1983), and the voice of audio-animatronic dino Earl Sinclair on Dinosaurs (1991-94).

Trivia: Character actor Karen has had a 40-year career as an actor. He made his Broadway bow with Marlon Brando in A Streetcar Named Desire, directed by Elia Kazan. Since then, he has worked continuously in theater, television and film, with such greats as his idol Buster Keaton, and on up to director Oliver Stone. His best-known films include Return of the Living Dead (1985) and Return of the Living Dead II (1988). Karen has also appeared in All the President's Men (1976), China Syndrome (1979), Poltergeist (1982), and Wall Street (1987). He was a regular on Eight is Enough (1977-81), starred in the science fiction series The Powers of Matthew Star as Major Wymore (1983) and had a recurring role on the cable series The Larry Sanders Show. Karen took on a series of small roles in notable films throughout the early 2000s; among his credits include Any Given Sunday (1999), Thirteen Days (2000), and Mulholland Dr. (2001). He played a supporting role alongside Will Smith and Thandie Newton in the 2006 drama The Pursuit of Happyness, and appeared in Superman Returns the same year. He worked with Chevy Chase and Christopher Lloyd in director Gary J. Tunnicliffe's adaptation of Jack and the Beanstalk in 2009, and took a small part in 2010's psychological drama Sympathy for Delicious.

Trivia: Prolific character actor John Hawkes earned a new level of recognition with his role as Bugsy, the slow-witted fisherman who provides Wolfgang Petersen's The Perfect Storm (2000) with a degree of comic relief. Hailing from Austin, TX, Hawkes, who bears a vague resemblance to Tom Selleck, began his career as an actor and musician. After relocating to Los Angeles, where he moved to do further stage work, the actor wrote and performed Nimrod Soul, a one-man show staged at the Theatre at the Improv. He subsequently found work on television and broke into film in the late '80s. In addition to doing supporting turns in a large variety of films, including Flesh and Bone (1993), From Dusk Till Dawn (1996), and I Still Know What You Did Last Summer (1998), Hawkes also did guest work on such long-running TV shows as E.R. and The X-Files. In 1999, he was cast in one of his first leading roles in A Slipping-Down Life, a well-received big screen adaptation of Anne Tyler's novel of the same name that also starred Lili Taylor and Guy Pearce. With his casting the following year in The Perfect Storm, a summer smash that featured him acting alongside the likes of George Clooney, Mark Wahlberg, and John C. Reilly, it seemed that Hawkes' career was entering a new and possibly more lucrative phase. Over the next several years, he would appear in a number of films, like Identity, Miami Vice, American Gangster, Winter's Bone, and Higher Ground.

Trivia: Supporting actor, onscreen from the '70s.

Trivia: Father worked as a naval architect in the Gulf of Mexico region and himself was the son of a sailor. Was assistant Southern editor of Billboard magazine. Founded Save the Manatee Club in 1981 and Singing for Change charitable foundation in 1995. Has been a member of the Greenpeace Foundation (honorary director) and the Cousteau Society. Billionaire investor Warren Buffett is a distant cousin. Collaborated in 1995 with Pulitzer Prize winner Herman Wouk, known for epic novels like The Caine Mutiny and The Winds of War, to create a musical adaptation of Don't Stop the Carnival. In 1996, Jamaican police mistook Buffett's sea plane for that of a drug smuggler and shot at the craft, which also carried U2's Bono. Served as a correspondent for Rolling Stone magazine in 1998, covering Pope John Paul II's visit to Cuba. That same year, his autobiography, A Pirate Looks at 50, made him one of a handful of authors to reach the top of the New York Times' best-selling books list for both fiction and non-fiction; he joined the likes of Hemingway and Steinbeck. Was involved in a temporary naming-rights deal for the former Dolphins Stadium in Miami in 2009. In 2010, performed a free concert---which also featured such acts as Jesse Winchester and Kenny Chesney---in response to an oil disaster that devastated the Gulf Coast. In 2011, was hospitalized with a head injury after falling from a stage while performing in Australia.

Trivia: With his distinct appearance, the bald and imposing African-American player Thom Barry made a seemingly perfect character actor, and thus found himself frequently cast as guards, police detectives, and heavies in mainstream Hollywood features, from the early '90s on. He landed a bit part as a guard in Rob Reiner's The American President (1995), appeared as Samahani in Congo (1995), and played Sgt. Marcus in the Shaquille O'Neal-headlined superhero picture Steel (1997). Barry maintained a higher profile as Agent Bilkins in two Jerry Bruckheimer-produced action pictures, The Fast and the Furious (2001) and its sequel 2 Fast 2 Furious (2003). Additionally, after years of guest-acting work on the small screen, he signed for his first regular role -- that of homicide investigator Will Jeffries -- on the popular detective series Cold Case (2006).

Trivia: One of today's best character actors, the inexhaustible Joe Pantoliano boasts over 100 film, television, and stage credits. A favorite of directors Richard Donner, Steven Spielberg, Andrew Davis, and Andy and Larry Wachowski, he is also a dependable scene stealer with more than his share of memorable roles -- including killer pimp Guido in Risky Business (1983), bumbling criminal Francis Fratelli in The Goonies (1985), double-crossing bail bondsman Eddie Moscone in Midnight Run (1988), cynical U.S. Marshall Cosmo Renfro in The Fugitive (1993), turncoat Cypher in The Matrix (1999), and shady sidekick Teddy in Memento (2000). Born on September 12, 1951 in Hoboken, NJ, the actor is the only son of Dominic, a hearse driver, and Mary Pantoliano, a part-time seamstress/bookie. When he was 12, Pantoliano's mother left his father for her distant cousin Florio, though the couple never officially divorced. Pantoliano and his younger sister Maryann grew up throughout northern New Jersey with their mother and Florio, whom they eventually came to regard as their stepfather. Pantoliano suffered from severe dyslexia, and at age 17, he was still reading at the third-grade level. After seeing the youngster perform in his senior play, Up the Down Staircase, Florio convinced him to pursue acting professionally. Pantoliano moved to Manhattan, where he worked as a waiter while juggling acting classes and auditions. In 1972, he landed the coveted role of stuttering Billy Bibbit in the touring production of One Flew Over the Cuckoo's Nest. Four years later, Pantoliano moved west to try his luck in Hollywood. After making his television debut in the sitcom pilot McNamara's Band, he landed a recurring role in Rob Reiner's summer replacement series, Free Country. Reiner then tapped Pantoliano to co-star with him in James Burrows' television movie More Than Friends (1978). This led to the part of Angelo Maggio -- a role originated by fellow Hoboken-ite Frank Sinatra -- in NBC's miniseries adaptation of James Jones' From Here to Eternity (1979). After making his major feature-film debut in The Idolmaker (1980), Pantoliano guest starred on Hart to Hart, M*A*S*H, and Hardcastle and McCormick, as well as appeared on the Los Angeles stage in Orphans. He also landed a sizable part opposite a young Tom Cruise in the surprise hit Risky Business (1983). The comic ruthlessness with which Pantoliano's pimp tortures Cruise quickly earned the character actor a loyal cult following. He gave standout performances in Eddie and the Cruisers (1983) and the off-Broadway play Visions of Kerouac, before thrilling audiences again in the Spielberg-produced adventure The Goonies (1985). Scores of plum roles followed: Pantoliano joined Billy Crystal and Gregory Hines in Running Scared (1986), portrayed Lou Diamond Phillips' music producer in La Bamba (1987), re-teamed with Spielberg in Empire of the Sun (1987), and acted opposite Robert De Niro in Midnight Run (1988). He then topped these performances off with an unforgettable turn opposite Tommy Lee Jones and Harrison Ford in The Fugitive (1993), delivering a funny, fiery tour de force that was pure Pantoliano right down to the name he chose for his character, Cosmo -- his grandfather's name. By the mid-'90s, Pantoliano had a recognizable name and a devoted fan base. While making numerous television guest appearances, he starred with Jennifer Tilly and Gina Gershon in directors Andy and Larry Wachowski's debut thriller, Bound (1996). Pantoliano's edgy performance as a doomed money launderer impressed the Wachowskis so much that they created the character of Cypher in The Matrix (1999) exclusively for him. Shortly afterward, his co-star in the sci-fi spectacular, Carrie-Anne Moss, insisted that director Christopher Nolan hire Pantoliano for the third lead in his sleeper-hit Memento (2000). In 2001, at the behest of producer David Chase, Pantoliano joined the cast of the landmark HBO series The Sopranos. While earning a well-deserved Emmy as psychopathic mobster Ralphie Cifaretto on the hit show, the actor published Who's Sorry Now: The True Story of a Stand-Up Guy, a bittersweet memoir about his New Jersey childhood. He also put the finishing touches on his directorial debut, Just Like Mona (2002), and began filming his role as reporter Ben Urich in the comic book adaptation Daredevil (2003). Over the course of the next decade, the versatile actor continued his trend of turning in memorable supporting performances on film and television, with turns in films like Bad Boys II and Pecy Jackson and the Olympians: The Lightning Thief offering the most exposure. Meanwhile, in 2009, Pantoliano got personal with his fans as the director of No Kidding, Me Too!, a playful yet poignant documentary exploring the devastating effects of mental illness, and the steps being taken to eradicate it.

Trivia: With an inspiring fan-boy-makes-good backstory that proves a testament to the old adage about hard work and dedication paying off in the long run, Underworld writer/star Kevin Grevioux went from comic book-collecting bouncer to Hollywood hot property by bringing the vampire versus werewolf action-horror hybrid Underworld to the big screen in 2003. Though movie lovers may not yet recognize his name, chances are you've seen his face in such efforts as The Mask and Men in Black II. Born in Chicago, Grevioux's somewhat nomadic childhood found him and his family frequently moving from city to city. It was around the age of 11 that Grevioux developed an enduring addiction to comic books, and though the self-professed "Marvel zombie" could often be found escaping into lovingly framed flights of fancy by such legends as Stan Lee, his Harvard-educated parents influenced him to relegate his favorite pastime to a hobby and pursue a more sensible career in microbiology at Howard University. It was while studying genetic engineering in grad school (and working nights as a bouncer to support himself) that Grevioux found his mind constantly wandering into comic book fantasies, and when his writing began to interfere with his scientific studies, he abandoned grad school to chase his dreams to Hollywood. Initially writing by night and educating himself in the business of movies by day, work as an extra on the film Stargate found Grevioux making the acquaintance of aspiring director Len Wiseman -- then working as a prop boy. The two genre fans hit it off immediately, and it wasn't long before they were collaborating on what initially was going to be a simple werewolf film. As Grevioux hit the books to research the history of lycanthropes, his comic book and science backgrounds collided, and the story eventually became a racial allegory with vampires and werewolves locked in a never-ending struggle for power. In the end, Grevioux not only served as a writer for the film, but one of the main werewolves as well; his background in bouncing and stunts providing the required physical groundwork. Though Grevioux had been appearing in such capacity -- as well as minor supporting roles -- since his feature debut in 1994's Naked Gun 33 1/3: The Final Insult, Underworld proved to be the Hollywood breakthrough he had been looking for. The film was such a success that both a prequel and a sequel were immediately green-lighted for production. That same year, Grevioux lived out a childhood dream by providing stunt work for the long-awaited feature The Hulk.

Trivia: Studied political science and theology.In 2006, won the Best Actor award at the Cultures Collide Film Festival.Voiced characters for movies and video games.Best known for Congo (1995) and George of the Jungle (1997).

Trivia: Moved to the United Kingdom from Singapore at the age of 5. Started off his career as a gymnast and became the British Young Tumbling champion representing the national team for several years. Won the British Tai Kwondo championship and the national dancing competition in 1985. Breakthrough in film came through a Peter Sellers ad in a newspaper as he auditioned and got selected for the movie The Fiendish Plot of Dr. Fu Manchu (1980) Contacted by Steven Spielberg and Robert Watts, he trained the lead actor for Indiana Jones and the Temple of Doom (1984). Became a member of The British Stunt Register in 1986. Has worked as the fight co-ordinator on some of Hollywood's biggest movies such as Bloodsport 2 (1996), Martial Law (1998), Showdown in Little Tokyo (1991), and Lethal Weapon 4 (1998).

Trivia: Grew up in London and Nigeria. Modeled in London and Milan before turning to acting (and after obtaining a master's degree in law); moved to the U.S. to pursue an acting career in 1994. Appeared in the music videos for EnVogue's "Giving Him Something He Can Feel" and Mary J. Blige's "Love No Limit." Nominated for NAACP Image Awards in the Best Supporting Actor: Drama Series category for his role in HBO's Oz in 1997 and 2000. The meaning of his name: "ade" (crown); "wale" (to come home); "akin" (warrior); "nuoye" (chief); "agbaje" (wealth, prosperity). Came up with the name of his Lost character, Mr. Eko, himself. Nickname is "Triple A."