Trivia: The son of actor Richard Cusack and younger brother of comic actress Joan Cusack, John Cusack started his career at the age of eight, under the guidance of his theatrically active mother. He made his stage bow with Evanston's Pivan Theatre Workshop and quickly went on to do commercial work, becoming one of Chicago's busiest commercial voice-over artists.Although Cusack began to emerge as an actor during the heyday of the Brat Pack, and appeared in a number of "teen" movies, he managed to avoid falling into the narrowly defined rut the phenomenon left in its wake. After making his film debut in 1983's Class, he had a brief but painfully memorable appearance as a member of Anthony Michael Hall's nerd posse in Sixteen Candles (1984). Bigger and better opportunities came Cusack's way the following year, when he achieved a measure of stardom with his portrayal of a sexually anxious college freshman in The Sure Thing (1985). The same year, he gained further recognition with his starring roles in Better Off Dead (which also granted him a degree of cult status) and The Journey of Natty Gann.Cusack spent the rest of the 1980s carving out a niche for himself as both a solid performer and something of a lust object for unconventional girls everywhere, a status aided immeasurably by his portrayal of lovable underachiever Lloyd Dobler in Cameron Crowe's 1989 ....Say Anything. He also began winning critical acclaim for his parts in more serious films, notably as a disgraced White Sox third baseman in John Sayles' Eight Men Out (1988) and as a con artist in Stephen Frears' The Grifters (1990).Cusack enjoyed steady work throughout the 1990s, with particularly notable roles in Woody Allen's Bullets Over Broadway (1994), which featured him as a struggling playwright; Midnight in the Garden of Good and Evil (1997), in which he starred as a journalist investigating a murder; Grosse Pointe Blank (1997), which cast him as the film's protagonist, a neurotic hit man; and the impressively cast The Thin Red Line, in which he played a World War II soldier. Just about all of Cusack's roles allowed him to showcase his quirky versatility, and the films he did to close out the century were no exception: in 1999 he first starred as an air-traffic controller in the comedy Pushing Tin and then appeared as Nelson Rockefeller in Cradle Will Rock, Tim Robbins' exploration of art and politics in 1930s America; finally, in perhaps his most unique film to date, he starred in Spike Jonze's Being John Malkovich as a puppeteer who discovers a way to enter the mind of the famous actor. The wildly original film turned out to be one of the year's biggest surprise hits, scoring among both audiences and critics. Cusack had yet another triumph the following year with High Fidelity, Stephen Frears' adaptation of Nick Hornby's novel of the same name. The actor, who co-wrote the script for the film in addition to starring in it, earned some of the best reviews of his career for his heartfelt comic portrayal of Rob, the film's well-meaning but oftentimes emotionally immature protagonist. The next year he played opposite Julia Roberts in the showbiz comedy America's Sweethearts. In 2002 he took a lead part in the controversial Hitler biopic Max, and he did a brief cameo for Spike Jonze in Adaptation.The next year he had a couple of hits with the John Grisham adaptation The Runaway Jury, and the psychological thriller Identity. In 2005 he was the lead in the black comedy The Ice Harvest opposite Billy Bob Thornton, as well as the romantic comedy Must Love Dogs.He earned solid reviews in 2007 for the Iraq War drama Grace Is Gone, playing the husband of a woman who dies while serving in the military., and in that same year he starred in the Stephen King adaptation 1408. In 2008 he appeared in and co-wrote the political satire War, Inc. The next year he was the lead in the disaster film blockbuster 2012.Cashing in on his status as an eighties icon, he had a hit in 2010 with the R rated comedy Hot Tub Time Machine, and in 2012 he portrayed Edgar Allan Poe in The Raven.

Trivia: A leading man who has displayed a knack for action, comedy, and dramatic roles, Charlie Sheen is nearly as well known for his offscreen exploits as for his acting, though after suffering through scandals that would have ended many performers' careers, he overcame bad press and bad habits to enjoy a major comeback on television in the late '90s. Charlie Sheen was born Carlos Irwin Estevez to actor Martin Sheen (born Ramon Estevez) and his wife, Janet Templeton, on September 3rd, 1965. By all accounts, young Charlie wasn't an especially distinguished student; though he was a star on Santa Monica High School's baseball team, he was expelled due to poor attendance and bad grades only a few weeks before his class graduated. During his school days, Sheen developed an interest in filmmaking, making amateur Super-8 films starring his school friends (who included Rob Lowe and Sean Penn), and after leaving school, Sheen decided to take a stab at an acting career, like his father (and his older brother, Emilio Estevez). While Sheen played a bit part in one of his father's films, The Execution of Private Slovik, when he was nine, he began his screen career in earnest in 1984, playing Matt Eckhart in the Cold War thriller Red Dawn. (Earlier that same year, Sheen played a small role in a sequel to the horror film Grizzly which didn't see release until 1987; Grizzly 2: The Predator also featured a then-unknown George Clooney.) After good-sized roles in several made-for-TV movies and smaller roles in better-known feature films (including Lucas and Ferris Bueller's Day Off), Sheen got his big break in 1986 when he was cast as Chris, a soldier with conscience in Oliver Stone's Oscar-winning Vietnam drama Platoon. In 1987, Sheen starred in Stone's next project, Wall Street, and after establishing himself as a solid dramatic actor, Sheen proved he also had a flair for comedy in the 1989 hit Major League. The role also gave Sheen a chance to show off his pitching arm; a year earlier, Sheen got to play real-life center fielder Hap Felsch in John Sayles' drama about the 1919 "Chicago Black Sox" scandal, Eight Men Out. Sheen's next major success was also a comedy, the 1991 military-film satire Hot Shots, and while box-office blockbusters tended to elude him, Sheen worked steadily over the next several years, and racked up a respectable number of box-office successes.By this time, Sheen had developed a reputation as a hard-living star who spoke his mind regardless of the consequences, but his fun-loving image began to take on a darker hue in the mid-'90s. In 1990, Sheen was engaged to marry actress Kelly Preston, but she left him shortly after an incident in which he accidentally shot her in the arm. In 1995, Sheen tied the knot with model Donna Peele, but the marriage ended in divorce only 14 months later. The same year he was wed, Sheen was called to testify in the trial of "Hollywood Madame" Heidi Fleiss, and admitted he was a frequent customer of Fleiss' call girl service, spending over 50,000 dollars on the services of prostitutes. In the wake of the Heidi Fleiss scandal, Sheen did himself no favors in terms of public relations by openly dating a pair of adult film actresses, Ginger Lynn Allen and Brittany Ashland; his relationship with Ashland came to an end when she filed assault charges against him. Sheen's bad-boy image turned especially grim in 1998, when he was hospitalized for drug and alcohol abuse; after a short-lived stay in rehab, Sheen gave sobriety another try, and by 1999 he was, by all accounts, clean and sober and ready to get his career back on track. In 1999, Sheen's brother, Emilio Estevez, cast him as real-life adult filmmaker Artie Mitchell in the made-for-cable feature Rated X -- a daring role, given Mitchell's drug abuse and sexual promiscuity -- and the following year, Sheen became Hollywood's comeback kid when he was cast in the leading role of the popular situation comedy Spin City after the departure of actor Michael J. Fox. In 2002, a clean, sober, and successful Sheen made headlines once again with his love life, though this time in a positive manner: He announced his engagement to actress Denise Richards; alas, a lengthy marriage was not to be, and the couple divorced after four years. Beginning in 2003, Sheen signed for an ongoing role opposite Jon Cryer and Melanie Lynskey on the popular situation comedy Two and a Half Men. The show became a massive success, running until 2011. In the meantime, Sheen married Brooke Mueller in 2008, with whom he had twin boys, Bob and Max. The marriage was short, ending in 2010 amid rumors of rampant drug use and partying, an arrest on suspicion of domestic violence, and brief stints in rehab - culminating in a 2010 incident in which Sheen was removed from the Plaza hotel after causing $7,000 worth of damage to a hotel room, allegedly following an altercation with a prostitute. Even grander spectacles were soon to come, as disagreements with producers of Two and a Half Men in 2011 led to Sheen making what sounded like near manic public statements, nominally defending his demands for a 50% raise for his work on the show. He gave a series of interviews in which he disclosed that he lived with two girlfriends, who he called his "goddesses," graphic designer Natalie Kenly and porn star Bree Olsen. He also infamously described himself as "winning" (presumably at life), as well as having "tiger's blood," and being a "bitchin' rock star from Mars." The media explosion following his statements led to rampant speculation that he was in the throes of drug addiction. Sheen capitalized on the attention, however, embarking on a stand-up/performance tour titled "My Violent Torpedo of Truth/Defeat is Not An Option." Sheen was officially fired from Two and a Half Men in March of 2011, but Sheen continued to reach out to the public through internet videos available on UStream titled Torpedoes of Truth. In 2012, Sheen scored the lead in the FX comedy Anger Management (a spin-off from the 2003 movie with the same name), which earned a 100 episode production order.In addition to his career as an actor, Sheen has also dabbled in production; he produced two of his films, Comicitis and The Chase, before forming a production company with rock singer Bret Michaels. Sheen also wrote the screenplay for the company's first release, No Code of Conduct. In addition, Sheen published a book of his poetry, A Peace of My Mind.

Trivia: Empire State native D.B. Sweeney attended both Tulane and New York University. Though he had trouble getting sizeable roles in student productions, upon his graduation he was immediately cast in the Broadway revival of The Caine Mutiny Court Martial. He went on to guest-star stints on such TV series as The Edge of Night and Spencer: For Hire before entering movies, where he scored with the critics for his portrayal of an idealistic, gung-ho Vietnam enlistee in Francis Ford Coppola's Gardens of Stone (1987). While he has accrued several noteworthy screen assignments (including the starring role of a nasty hockey player in 1992's The Cutting Edge), D.B. Sweeney is best remembered for his even-keel portrayal of the tragic Shoeless Joe Jackson in Eight Men Out (1988); if he looked like a "natural" on the ballfield, it was because Sweeney had once actually played minor league baseball with the Kenosha Twins, hanging up his spikes after a knee injury. In addition to his film roles, Sweeney continues working on television. He played Dish Boggett in the miniseries Lonesome Dove (1989) and in 1996 starred in the unfortunately short-lived Fox series Strange Luck in which he played an amnesiac freelance photographer with strange powers that resulted from his being the sole survivor of an airline disaster. Sweeney also still appears in theatrical productions. In the years to come, Sweeney would remain active on screen, appearing in films like Taken 2.

Trivia: A reclusive character actor with an elongated, skull-like face, manic eyes and flexible facial expressions, Christopher Lloyd is best known for portraying neurotic, psychotic, or eccentric characters. He worked in summer stock as a teenager, then moved to New York. After studying with Sanford Meisner at the Neighborhood Playhouse, he debuted on Broadway in Red, White and Maddox in 1969. Lloyd went on to much success on and off Broadway; for his work in the play Kaspar (1973) he won both the Obie Award and the Drama Desk Award. His screen debut came in the hugely successful One Flew Over the Cuckoo's Nest (1975), in which he played a mental patient. He went on to appear in a number of films, but first achieved national recognition for playing the eccentric, strung out, slightly crazy cab-driver "Reverend" Jim in the TV series Taxi from 1979-83; he won two Emmy Awards for his work. He extended his fame to international proportions by playing the well-meaning, wild-haired, mad scientist Doc Brown in Back to the Future (1985) and its two sequels; this very unusual character continued the trend in Lloyd's career of portraying off-the-wall nuts and misfits, a character type he took on in a number of other films in the '80s, including The Addams Family (1991), in which he played the crazed uncle Fester. His "straight" roles have been infrequent, but include Eight Men Out (1989).

Trivia: The son of an actress and a director, Jace Alexander was seemingly destined for a career in show business. He began his professional life as a stage manager on Broadway, soon transitioning into performance. He starred in Broadway productions of plays like Assassins and I'm Not Rappaport, before embarking on a simultaneous career onscreen. He appeared in Eight Men Out and Clueless before returning to school to study direction at the American Film Institute. He went on to direct episodes of many TV series such as Law & Order, Rescue Me, Xena: Warrior Princess, Canterbury's Law, and Warehouse 13.

Trivia: Gordon Clapp is a supporting actor who began his film career in the late '80s.

Trivia: Bill Irwin certainly qualifies as one of the most unique figures in show business; attempts to compare him to other talent invariably conclude with the observation that there is no one else like Irwin, a testament to his overarching individuality. A native of Santa Monica, Irwin spent periods of his youth in Southern California and Oklahoma, then attended Oberlin College (as a theater arts major) and Ringling Brothers and Barnum & Bailey's Clown College in Florida, where lessons learned in slapstick, pantomime, comedic improvisation, and graceful balletic would continue to inform his art and style throughout his life. Following said education, he spent various periods of time in dramatic ensembles (such as the prestigious Kraken ensemble) and circuses (such as the Frisco-based Pickle Family Circus) and racked up a litany of theatrical accomplishments that included Broadway performances in Waiting for Godot (opposite Steve Martin and Robin Williams) and Accidental Death of an Anarchist (opposite Jonathan Pryce), a critically acclaimed turn in Fool Moon (with the Red City Ramblers), and many other highlights. Meanwhile, on television, Irwin built up a substantial audience of young people with his wordless portrayal of Mr. Noodle (opposite the late Michael Jeter) on the "Elmo's World" segments of Sesame Street. Irwin's feature appearances include A Midsummer Night's Dream (1999), Igby Goes Down (2002), Lady in the Water (2007), and Rachel Getting Married (2008), and Higher Ground (2011).

Trivia: Not to be confused with 1950s Columbia contractee Don C. Harvey, American general-purpose actor Don Harvey began appearing in films in the mid-'80s, and was seen in secondary roles in such high-profile productions as Casualties of War (1989), Die Hard 2 (1990), and The Thin Red Line (1998), in addition to the made-for-cable feature Better Off Dead (1993). Because he was safely ensconced among the featured players, Harvey managed to survive such notorious flops as Hudson Hawk (1991) and Tank Girl (1995). One of his more prominent screen roles was "Black Sox" conspirator Swede Risberg in John Sayles' Eight Men Out (1988).

Trivia: Supporting player, onscreen from the '80s.

Trivia: A distinctive-looking, grey-haired British character actor, John Mahoney worked onstage in his teens, and moved to the U.S. at 19. In his mid-30s, while employed as an editor in Chicago, he decided to renew his interest in acting, and he enrolled in classes at a local theater co-founded by playwright David Mamet; he landed a role in a Mamet play and left his job for the part. At the urging of actor John Malkovich, he went on to join Chicago's celebrated Steppenwolf Theater; eventually he appeared in more than 30 plays. For his work in the Broadway play House of Blue Leaves he won a Tony and a Clarence Derwent Award. For his work in the lead role of Orphans (on Broadway and in Chicago) he won a Theater World Award. He still lives in Chicago, and maintains his connection with Steppenwolf. Mahoney debuted onscreen in Mission HIll (1982), but his screen breakthrough came in his fifth film, Barry Levinson's popular comedy Tin Men (1987); afterwards he went on to better parts in more noteworthy movies, and has avoided typecasting in a busy screen career. Mahoney's TV credits include Favorite Son and House of Blue Leaves, in which he reprised his stage role; he has since achieved wide popularity as Martin Crane, Frasier Crane's crochety father, on the NBC sitcom Frasier.

Trivia: Supporting actor, onscreen from the early '80s.

Trivia: Raised in Chicago by his divorced mother, Michael Rooker lived a hand-to-mouth existence until his teens. Rooker successfully auditioned for the Goodman School, and upon graduation, appeared in Chicago-area stage productions. He made a spectacular film debut in the sociopathic title role of Henry: Portrait of a Serial Killer, which was filmed in 1986 but not given a general release until four years later. Henry established Rooker as a gifted purveyor of "don't screw with me" roles, such as chief "Black Sox" conspirator Chick Gandil in Eight Men Out (1988). Michael Rooker's more rugged film assignments of the 1990s included Cliffhanger (1993) and Tombstone (1994).

Trivia: One of the more underrated actors in Hollywood, tall, soft-spoken David Straithairn has earned almost consistent critical appreciation for his work in a number of films, most notably his many collaborations with director John Sayles. Born in San Francisco on January 26, 1949, Straithairn gained an entrance into acting via his days at Williams College. It was there that he met fellow student Sayles, and the two had their first collaboration with Return of the Seacaucus Seven. The 1980 film, which told the story of a group of friends reuniting after college, inspired a number of similar efforts, including The Big Chill. Following his debut, the actor -- whose additional performing experience came from his training at the Ringling Brothers Clown College -- appeared in supporting roles in a number of films, including Silkwood (1983) and Dominick and Eugene (1988). He continued to collaborate with Sayles, acting in The Brother From Another Planet (1984), Matewan, (1987), and Eight Men Out (1988). Straithairn was also introduced to television audiences with his role as bookstore owner Moss Goodman on the popular dramedy series Days and Nights of Molly Dodd.In the 1990s, Straithairn had prominent roles in a number of critically acclaimed films and television miniseries. In addition to his continuing work with Sayles, in 1991's City of Hope and Passion Fish (1992), the actor lent his talents to such films as Bob Roberts (1992), Sneakers (also 1992), The River Wild (a 1994 film which reunited him with Silkwood co-star Meryl Streep), and Losing Isaiah (1995). He also appeared in miniseries such as the 1991 O Pioneers! and In the Gloaming (1997), in which he played the father of an AIDS-stricken Robert Sean Leonard. In 1997, Straithairn had a memorable turn as a high-class pimp with a dodgy mustache in the wildly lauded L.A. Confidential and after a supporting role in Simon Birch (1998), once again collaborated with Sayles, this time playing a fisherman with a past in the 1999 Limbo. He remained one of the most respected character actors of his generation appearing as the father in the remake of The Miracle Worker, and starring in the drama Blue Car as a manipulative teacher. In 2005 he garnered an Oscar nomination and the biggest high-profile success of his career playing Edward R. Murrow in George Clooney's Good Night, and Good Luck. He followed up that success with appearances in such films as We Are Marshall, The Bourne Ultimatum, Howl, and Temple Grandin. In 2012 he was cast in Steven Spielberg's long-planned biopic Lincoln as William Seward.

Trivia: One of America's preeminent and best-respected independent filmmakers, John Sayles has established a reputation for refusing to abandon his values in favor of becoming a studio filmmaker. As a result, his films tend to be rich, nuanced explorations of personal and political relationships, a style that reflects Sayles' beginnings as a novelist; he once admitted, "My main interest is making films about people...I'm not interested in cinematic art." Sayles' interest in storytelling began at an early age: before the age of nine, he was an avid novel reader. A native of Schenectady, NY, where he was born on September 28, 1950, he went on to study at Williams College. In addition to pursuing a degree in psychology, Sayles also appeared in school plays and summer stock. It was through such activities that he met many of the people who would be his future collaborators, including actor David Strathairn and Maggie Renzi, who would serve as his producer and offscreen companion.Following his graduation from Williams, Sayles decided to embark on a career as a fiction writer. Supporting himself with jobs as an orderly, a day laborer, and a meat packer, he began to write, submitting stories to magazines and eventually publishing two novels. Both Pride of the Bimbos (1975) and Union Dues (1977) met with positive critical notices but little financial success. Sayles' 1979 short story anthology, The Anarchist's Convention, met a similar fate. Meanwhile, Sayles found additional employment, joining Roger Corman's stable of B-movie writers in the mid-'70s. Under Corman's auspices, he wrote Piranha (1978), The Lady in Red (1979), and Battle Beyond the Stars (1980). Armed with this rudimentary filmmaking experience, Sayles directed his first film, Return of the Secaucus 7, in four weeks in 1978. Shot for a reported 40,000 dollars, it was a poignant look at a reunion of 1960s activists on the cusp of adulthood. Featuring future Sayles regulars like Strathairn, Renzi, and Gordon Clapp, the film garnered critical praise, winning awards for Best Screenplay from both Los Angeles and New York film critic groups when it was released in 1980, and predating by several years Lawrence Kasdan's similar but more commercially successful The Big Chill.In 1983, Sayles made Lianna and Baby, It's You. The former was an examination of the changes facing a married woman who realizes that she's a lesbian, while the latter was the first and last film the director made under the control of a studio. Sayles' negative experiences while making the film caused him to vow that he would never again trade the rights to a final cut for funding; fortunately, he didn't have to. The same year that Baby, It's You was released, the director was awarded a MacArthur Foundation genius grant, which provided him with at least 32,000 dollars per year, tax-free, for five years. One of the results was The Brother From Another Planet (1984), the story of a mute, black alien (Joe Morton) who wanders the streets of Harlem. A look at a variety of issues, including racial prejudice and drug addiction, the film won further acclaim for its director, who also wrote, edited, scored, and acted in it. Matewan (1987) and Eight Men Out (1988) followed, providing complex studies of union politics in a 1920s West Virginia coal-mining town and the 1919 Black Sox scandal in baseball, respectively. Both films provided unconventional looks at pivotal aspects of American history, further marking Sayles as a director who traveled down his own road. After beginning the 1990s with a similar exploration of (contemporary) American society in City of Hope (1991), Sayles earned further praise and a Best Original Screenplay Oscar nomination for Passion Fish (1992), a film that examined the often-fractious relationship between a paralyzed former soap opera star (Mary McDonnell) and her live-in nurse (Alfre Woodard). Sayles then changed pace with The Secret of Roan Inish in 1994. A mystical story about a small girl living in Ireland, the film was aimed at both children and adults. A return to grittier subjects followed in 1996 with Lone Star, which examined the personal and public politics at work in a small Texas border town through the lens of a murder investigation. The film, which featured superb performances by such actors as Chris Cooper, Matthew McConaughey, and Kris Kristofferson, earned Sayles another Best Original Screenplay Oscar nomination. It also provided him with one of his biggest (relative) commercial successes, unlike the subsequent Men With Guns (1997), which returned Sayles to arthouse territory. That film's political allegory, taking place in an unnamed Latin American country and spoken entirely in Spanish, delivered a powerful message; unfortunately, that message reached relatively few people. In 1999, Sayles again stepped behind the camera, this time to make Limbo. Starring Strathairn, Mary Elizabeth Mastrantonio, and Lone Star's Vanessa Martinez, the film was the unsettling, open-ended story of three people trapped between an unappealing past and a potentially deadly future. A complex character study in the tradition of the director/screenwriter's best films, it premiered that year at the Cannes Festival. The following years found the critically hailed director busier than ever; if his pace had been lagging in the eyes of some, his output in 2002 and 2003 would find Sayles remaining in top form as both a writer and director. Ever original in his writing and acutely retaining his ability to craft well-defined, three-dimensional characters, Sayles' 2002 drama, Sunshine State, dealt with the effect of real-estate development on a small Florida community in a delicate, humorous, and non-damning manner that earned the effort near-universal acclaim. The performances turned in by stars Angela Bassett and Edie Falco proved both memorable and endearing. It wasn't long before Sayles was back behind the camera, and the result was an equally compelling study of six women who travel to South America in hopes of becoming adoptive mothers. Graced with a talented cast that included Maggie Gyllenhaal, Daryl Hannah, and Marcia Gay Harden, the intimate independent film pleased longtime fans of the director and perhaps even won over a few new converts. In 2004, Sayles wrote and directed the political satire Silver City, starring Chris Cooper as an aspiring, not-so-bright politician (shades of George W. Bush) and sporting an impressing ensemble cast that included Richard Dreyfuss, Tim Roth, Kris Kristofferson, Thora Birch, and Daryl Hannah, and Maria Bello. Sayles also co-wrote the screenplay for the dinosaur horror sequel Jurassic Park IV (2005).On top of writing and directing, Sayles has edited most of his films, acted in his own movies and many others, and served as executive producer for Santitos (1999) and Girlfight (2000). In addition to his feature-film work, Sayles has made many contributions to other media. He has done extensive television work, such as creating the 1989 TV series Shannon's Deal, and has helmed several of Bruce Springsteen's best music videos, including "Born in the USA." Sayles has also continued to write, penning the plays New Hope for the Dead and Turnbuckle.

Trivia: In many respects and on many levels, the name Studs Terkel and the concept of oral history are fully synonymous. An advocate of a concept he christened "guerrilla journalism," Chicago-based radio host and Pulitzer Prize-winning author Terkel believed that the greatest truths and insights about social and cultural history could be obtained through the rich, fond, detailed recollections of ordinary men and women who lived out various periods. Terkel also felt a direct obligation to preserve these memories and spent his life and work doing exactly that. A Bronx native, born in 1912 as the son of a tailor father and Polish immigrant mother, Terkel endured a fairly miserable childhood, given his father's status as an invalid and his mother's severe emotional problems that led to continual bursts of rage (and deprived her of any warmth). Terkel moved to Chicago with his family at a young age; after earning his undergraduate degree in philosophy and his master's in law from the University of Chicago but failing the bar exam, Terkel went through a succession of jobs, including a post at the Federal Emergency Relief Administration in Chicago and a stint as a treasury bond counter in Washington, then returned to Chicago and began authoring scripts for WGN radio and the Federal Writer's Project. At about this time, he also dropped his birth name, Louis, in favor of Studs -- a tribute to James T. Farrell's Studs Lonigan. Terkel endured a short stint in the military during WWII (capped off with a medical discharge), then subsequently found his greatest passion in radio, as a news writer, commentator, and broadcaster, and enjoyed a succession of assignments in this venue that attained enormous popularity with listeners and made him a Chicago icon. Politics frequently played a role as well, as Terkel seldom shied away from voicing his left-leaning tendencies and often turned up to espouse liberal causes -- though this led to some extreme complications during the McCarthy era. Terkel arguably achieved his greatest legacy on radio via his contributions to the Chicago station WFMT, where he broadcast a daily hour of news, music, interviews, and commentary for over 45 years; in fact, he played an overwhelmingly significant role in turning that station into the bastion of fine arts that it eventually became. On the side, he also established himself as a highly respected author, with the said emphasis on oral history; titles include Division Street: America (1967), the Pulitzer Prize winner The Good War (1985), The Great Divide: Second Thoughts on the American Dream (1988), and Touch and Go (2007), one of two volumes of memoirs. Cinematically, Terkel did the majority of his work as a participant/interviewee in documentaries, such as The Weavers: Wasn't that a Time! (1982), Michael Moore's The Big One (1997), and Mahalia Jackson: The Power and the Glory (1997), though he did play a small and memorable dramatic role as Chicago personality Hugh Fullerton in the John Sayles-directed baseball drama Eight Men Out (1988). Terkel died at age 96 in autumn 2008.

Trivia: Wide-shouldered American actor Michael Lerner has become a Rod Steiger for the '90s, specializing in portraying brusque bullies with above-average intelligence. For many years a professor of literature at San Francisco State College, Lerner turned to acting in the late '60s, making his film bow with 1970's Alex in Wonderland. He alternated his movie work with stage appearances at the American Conservatory Theatre. Michael Lerner's more notable film roles include Arnold Rothstein in Eight Men Out (1988) and a Louis Mayer-clone movie producer (for which he was Oscar nominated) in Barton Fink (1991).

Trivia: Supporting actor Richard Edson first appeared onscreen in Stranger Than Paradise (1984).

Trivia: In the '70s, American actor Clifton James became the foremost film impersonator of Southern redneck sheriffs -- but he had to go to England to do it. A graduate of the Actors Studio, James secured small roles in such Manhattan-filmed productions as On the Waterfront (1954) and in well over 100 TV programs. But his parts were tiny and frequently unbilled, relegating James to the ranks of "Who is that?" character actors. All this changed when James was cast as Sheriff Pepper in the James Bond film Live and Let Die (1973), which led to a reprise of the character in the next Bond epic The Man With the Golden Gun (1973). Since that time, the stocky, ruddy-cheeked James has been prominent in such films as Silver Streak (1976), The Bad News Bears in Breaking Training (1977) and Superman II (1980). In 1981, James was a regular on the brief TV sitcom Lewis and Clark. James kicked off the '90s as one of the willing but floundering cast members of that disaster of disasters, Bonfire of the Vanities (1990). He continued working in small roles through the rest of his life. James died in 2017, at age 96.

Trivia: Former company member of The Guthrie Theatre in Minnesota.Won a Fringe First Award at The Edinburgh Festival for his work in Tea With Dick and Gerry.Was recognized with a Bush Fellowship and a Distinguished Alumnus Award by the University of Minnesota.Acting coach and teacher at The Michael Laskin Studio in Los Angeles, California.Author of the book The Authentic Actor - the Art and Business of Being Yourself.

Trivia: Studied classical harp as a child, playing at Carnegie Hall at age 10. Danced ballet with the Balanchine Company at the New York City Ballet, but was forced to quit dance after an injury at age 18. Made her Broadway debut in a 1987 production of Pygmalion. Has appeared regularly on stage, including 1987's Pygmalion with Peter O'Toole and 1996's The Shawl with Dianne Wiest.

Trivia: The ever-fascinating Nancy Travis excelled in edgy, neurotic characterizations during the 1990s; she sounds like a chain-smoker or Valium-popper even when not playing one. Graduating with a BA degree from New York University, Travis apprenticed at Circle in the Square, acted in the touring company of Neil Simon's Brighton Beach Memoirs, and starred on Broadway with Judd Hirsch in I'm Not Rappaport. As a means of continually recharging her creative batteries, she helped found the Naked Angels, an off-Broadway acting troupe. After laboring in virtual anonymity in such TV movies as Malice in Wonderland (1985), Travis was afforded top billing in the 1986 two-parter Harem, lending a little artistry and dignity to an otherwise trivial affair. Her movie breakthrough was in the role of the errant, unmarried British mother Sylvia in Three Men and a Baby (1987) and its 1990 sequel Three Men and a Little Lady. More complex roles came her way in Internal Affairs (1992), The Vanishing (1993) and Chaplin (1993); in the latter film, she appeared as the real-life Joan Barry, whose spiteful and unfounded paternity suit against Charlie Chaplin (Robert Downey Jr.) was the beginning of the end of The Little Tramp's Hollywood career. Even when playing comedy in So I Married an Axe Murderer (1993), Travis retained her ticking-bomb, "don't turn your back on me" aura. Nancy Travis' television credits of the 1990s include her gravelly voiceover work as Aunt Bernice on the animated weekly Duckman (1993- ) and her starring stint on the so-so 1995 sitcom Almost Perfect.

Trivia: Raised in Woodland Hills, CA, and the son of a hearing aid specialist who worked in geriatrics and a full-time housewife, Garrett began performing stand-up at various Los Angeles Comedy Clubs upon graduation from high school. Spending six weeks at UCLA before his fateful appearance on the Tonight Show, the young comedian later felt the wrath of that show's grudge after telling a joke that the talent booker had warned him against. Garrett has since never been invited back. Nevertheless he continued on strongly, opening for Frank Sinatra and soon finding roles in such popular television shows as Roseanne, The Fresh Prince of Bel-Air, Seinfeld, and perhaps most famously, Everybody Loves Raymond. Offering his voice to numerous animated features since his breakout in the early '80s, Garrett voice acted in family films like Casper (1995), A Bug's Life (1998), Ratatouille, Tarzan II, Garfield, Tangled, and Finding Nemo. Garrett has also appeared in several movies, like Music and Lyrics, The Pacifier, and Night at the Museum.

Trivia: Actor/dancer Ken Berry was brought to Broadway as a member of the Billy Barnes revue. His early TV work included the recurring role of Woody the bellhop on The Ann Sothern Show (1959-60). In 1965, Berry was cast in his most celebrated TV role: bumbling Cavalry captain Wilton Parmenter on F Troop (1965-67). When Andy Griffith decided to leave his highly rated TV sitcom in 1968, the series' title was changed to Mayberry RFD and Berry was cast in the central role of town-councillor Sam Jones. CBS' peremptory cancellation of Mayberry in 1971 left Berry in a financial bind, compelling him to accept a hosting stint on a doomed-from-the-start variety series, Ken Berry's WOW (1972). More recently, Berry has been seen as Vint Harper on the well-distributed Vicki Lawrence sitcom Mama's Family (1983-1989). For many years, Ken Berry was married to dancer/comedienne Jackie Joseph, of Little Shop of Horrors fame.

Trivia: Took over Norton & Sons in 2005, rejuvenating the business. In 2009, relaunched E. & Sons as a ready to wear label. In 2010, was awarded the Menswear Designer award at the British Fashion Awards for his work on the E. Tautz & Sons relaunched. As of 2019, has worked as a judge on The Great British Sewing Bee since its 2013 debut. Named co-chair of charity Future Textiles in 2018.

Trivia: Dour, lantern-jawed character actor John Anderson attended the University of Iowa before inaugurating his performing career on a Mississippi showboat. After serving in the Coast Guard during World War II, Anderson made his Broadway bow, then first appeared on screen in 1952's The Crimson Pirate. The actor proved indispensable to screenwriters trafficking in such stock characters as The Vengeful Gunslinger, The Inbred Hillbilly Patriarch, The Scripture-Spouting Zealot and The Rigid Authority Figure. Anderson's many screen assignments included used-car huckster California Charlie in Psycho (1960), the implicitly incestuous Elder Hammond in Ride the High Country (1962), the title character in The Lincoln Conspiracy (1977) and Caiaphas in In Search of Historic Jesus (1980). A dead ringer for 1920s baseball commissioner Judge Kenesaw Mountain Landis, Anderson portrayed that uncompromising gentleman twice, in 1988's Eight Men Out and the 1991 TV biopic Babe Ruth. A veteran of 500 TV appearances (including four guest stints on The Twilight Zone), John Anderson was seen as FDR in the 1978 miniseries Backstairs in the White House, and on a regular basis as Michael Spencer Hudson in the daytime drama Another World, Virgil Earp in The Life and Legend of Wyatt Earp (1955-61) and the leading man's flinty father in MacGiver (1985-92).

Trivia: Costarring actor, onscreen from 1973.