Trivia: Deborah Foreman made an indelible impression on fans of 1980s pop culture with her performance in the title role of the film Valley Girl, though it was hardly her only appearance in a memorable teen flick of the era. Deborah Foreman was born on October 12, 1962 in Montebello, CA. Foreman's father was a pilot and officer in the United States Marine Corps, and as a result she moved a great deal during her childhood, spending most of her time in Texas and Arizona. Despite her fresh-scrubbed good looks, Foreman was quite shy as she entered her teens, and her mother and father suggested she take modeling lessons to help her come out of her shell. It wasn't long before Foreman began landing modeling assignments, most memorably a series of print ads for Maybelline cosmetics, and after graduating from high school, she moved from Houston, TX, to Los Angeles, CA, in hopes of launching a career as an actress. Foreman made her big-screen debut with a small role in 1982's I'm Dancing as Fast as I Can, and also landed several TV guest appearances, but Valley Girl, released a year later, was her first leading role and the film that first earned her a cult following. Inspired by Frank Zappa's hit single, Valley Girl followed the unlikely romance between fashion-conscious suburbanite Julie Richman (played by Foreman) and semi-threatening New Wave guy Randy (Nicolas Cage). The film became a surprise hit and fared unexpectedly well with critics, and in 1984 Foreman landed a role as a regular on the TV series Hot Pursuit. The show, however, only lasted one season, and Foreman soon refocused her attention on film, winning leading roles in the wacky comedy My Chauffeur and the horror film spoof April Fool's Day, as well as a memorable supporting turn in Real Genius. However, while the exhibitors' organization Sho-West named Foreman Most Promising New Star of 1986, as the 1980s wore on, she had more difficulty landing worthwhile roles, and in 1992, after the release of the film Lunatics: A Love Story (in which she played the female lead), Foreman opted to leave show business behind. Since then, Foreman has established a successful career as a graphic designer and artist, and also creates unique hand-painted furniture. Foreman still acts on occasion, appearing in commercials, short films, and episodic television. ~ Mark Deming

Trivia: Actor Nicolas Cage has always strived to make a name for himself based on his work, rather than on his lineage. As the nephew of filmmaker Francis Ford Coppola, Cage altered his last name to avoid accusations of nepotism. (He chose "Cage" both out of admiration for avant-garde musician John Cage and en homage to comic book hero Luke Cage). Even if he had retained the family name, it isn't likely that anyone would consider Cage holding fast to his uncle's coattails. Time and again, Cage travels to great lengths to add verisimilitude to his roles.Born January 7, 1964, in Long Beach, CA, to a literature professor father and dancer/choreographer mother, Cage first caught the acting bug while a student at Beverly Hills High School. After graduation, he debuted on film with a small part in Amy Heckerling's 1982 classic Fast Times at Ridgemont High. Following a lead role in Martha Coolidge's cult comedy Valley Girl (1983), Cage spent the remainder of the decade playing endearingly bizarre and disreputable men, most notably as Crazy Charlie the Appliance King in Peggy Sue Got Married (1986), Hi McDonough in Raising Arizona (1987), and Ronny Cammareri in the same year's Moonstruck, the last of which won him a Golden Globe nomination and a legion of female fans, ecstatic over the actor's unconventional romantic appeal.The '90s saw Cage assume a series of diverse roles, ranging from a violent ex-con in David Lynch's Wild at Heart (1990) to a sweet-natured private eye in the romantic comedy Honeymoon in Vegas (1992) to a dying alcoholic in Mike Figgis' astonishing Leaving Las Vegas (1995). For this last role, Cage won a Best Actor Oscar for his quietly devastating portrayal, and, respectability in hand, gained an official entrance into Hollywood's higher ranks. After winning his Oscar, along with a score of other honors for his performance, Cage switched gears in a way that would prove to be, with the occasional exception, largely permanent. He dove into a series of action movies like the Michael Bay thriller The Rock, the prisoners-on-a-plane movie Con Air, and the infamous John Woo flick Face/Off. Greeted with hefty paychecks and audience approval, Cage forged ahead on a career path lit largely with explosions.There would be exceptions, like 1998's City of Angels, a remake of Wim Wenders' Wings of Desire, and Martin Scorsese's Bringing Out the Dead, and the the lightly dramatic romantic comedy The Family Man, but Cage stuck mostly to thrillers and action movies. A spate of such films would fill his resume, like Gone in 60 Seconds, The Life of David Gale, 8MM, and Snake Eyes, but Cage would briefly revisit his roots in character work, teaming with Being John Malkovich director Spike Jonze in 2002 for a duel role in the complex comedy Adaptation (2002). With Cage appearing as both screenwriter Charlie Kaufman as well as his fictional brother Donald, Adaptation followed Charlie's attempt to adapt author Susan Orlean's seemingly unfilmable novel The Orchid Thief as a feature film, and Donald's parallel efforts to write his own hacky yet lucrative script by following the guidance of a caustic, Syd Field-like screenwriting instructor (Brian Cox). A weighty role that demanded an actor capable of portraying characters that couldn't differ more emotionally despite their outward appearance, Adaptation brought Cage his second Oscar nomination -- and he was soon back to business as usual.2004 saw the release of the megahit adventure film National Treasure, which cast Cage as an archaeologist convinced there's a treasure map on the back of the U.S. Declaration of Independence. The outrageous film would earn a sequel in 2007, but first Cage made the ill-advised decision to star in Neil LaBute's reworking of the Robin Hardy/Anthony Shaffer collaboration The Wicker Man (2006). Though video compilations of the movie's most hilariously hackneyed moments would become popular on the internet, Cage was soon portraying a motorcycle-driving stuntman who sells his soul to Mephistopheles -- in Mark Steven Johnson's live-action comic book adaptation Ghost Rider. Upon premiering in the States, the film became a big success. In the same year's sci-fi thriller Next, directed by Lee Tamahori, Cage plays Cris Johnson, a man who attains the ability to see into the future and must suddenly decide between saving himself and saving the world; the film failed to ignite the way Ghost Rider did just a couple months before it. Next came Bangkok Dangerous, Knowing, The Bad Lieutenant: Port of Call - New Orleans, Drive Angry, Seeking Justice, and Trespass -- all high octane, high adrenaline movies that found Cage diving, leaping, and shooting his way through the story. Cage found himself with a surprise hit in Matthew Vaughn's Kick-Ass (2010), playing a vigilante former cop in the black comedy film. He voiced the main character in 2013's animated The Croods, but then mostly stuck to action-crime-thriller-type movies for the next couple of years, including films like Left Behind (2014), The Runner (2015) and The Trust (2016).

Trivia: With her ample animation work and a parallel career as a singer/songwriter, Elizabeth Daily has made the most of her husky yet youthful voice as well as her acting ability. Making her film debut in 1981, Daily starred as a young singer in the independent Street Music. Occasionally billed as "E. G. Daily," Daily played mostly supporting roles in movies throughout the 1980s, including one of the titular types in the clever teen comedy Valley Girl (1983). Her distinctive voice helped make Daily's cheerful Dottie the perfect romantic partner for Paul Reubens' signature man-boy Pee-Wee Herman in Tim Burton's cartoon-esque comedy hit Pee-Wee's Big Adventure (1985). After appearing in the John Hughes-produced Dutch (1991) and Nancy Savoca's unjustly-overlooked romance Dogfight (1991), Daily focused her energies more extensively on TV and animation voice-over work, including Nickelodeon's popular Rugrats series and The Rugrats Movie (1998). When the original voice actress for the 1995 hit Babe demanded too hefty a raise for its sequel, Daily stepped in to voice the irrepressibly upbeat young sheep-herding pig in Babe: Pig in the City (1998) -- and lost to herself at the box office when the far darker Babe 2 opened poorly against Rugrats. Along with acting, Daily's music has been included on the soundtracks of Scarface (1983), The Breakfast Club (1985,) and Better off Dead (1985).

Trivia: Prolific and versatile, actor Michael Bowen joined the casts of some of the most critically respected and lucrative pictures of the 1980s, 1990s, and 2000s, nearly always enlisted as an unremarkable everyman. Bowen launched his career with bit parts in such pictures as Valley Girl (1983), Iron Eagle (1985), and Less Than Zero (1987), then graduated to supporting roles by the late '90s. He was particularly memorable as cop Mark Dargus, the partner of ATF agent Ray Nicolette (Michael Keaton) in Quentin Tarantino's Pulp Fiction follow-up, Jackie Brown (1997), then turned in a haunting portrayal of Rick, the dysfunctional father of game show contestant Stanley (Jeremy Blackman) in Paul Thomas Anderson's mosaic of contemporary L.A. life, Magnolia (1999). In the following decade, Bowen re-teamed with Tarantino for the neo-martial arts opus Kill Bill Vol. 1 (2003) and delivered an intense performance as a cruel and vile counselor at a rehab center in first-time director Monty Lapica's psychodrama, Self-Medicated (2005). He also took on a recurring role on the hit TV drama Lost as Danny Pickett, a hotheaded, tough member of the Others, during the second and third seasons of the series (2006-2007).

Trivia: Actress Michelle Meyrink found her niche in the industry early on, playing quirky supporting characters such as the pensive Marcia in 1983's The Outsiders and the hyperactive Jordan Cochran in 1985's Real Genius. After appearing in 1988's Permanent Record, Meyrink decided to leave the world of professional acting, focusing on her family life in Vancouver, Canada.

Trivia: American actress Lee Purcell received her first movie break in 1970's Adam at 6 AM, portraying Jerri Jo Hopper, the young vis-a-vis of liberal college professor Michael Douglas. Most of her later film roles were secondary but sizeable (see Kid Blue [1973] and Mr. Majestyk [1974], both dominated by their male stars). Ms. Purcell was better served on television, where she appeared in such roles as silent film starlet Billie Dove in the 2-part The Amazing Howard Hughes (1976). In the same vein, Lee Purcell played '40s movie actress Olivia de Havilland in the 1985 biopic My Wicked, Wicked Ways: The Legend of Errol Flynn.

Trivia: By any stretch of the imagination, Colleen Camp has enjoyed a diverse film career since her big-screen debut in one of the Planet of the Apes sequels in 1973. She has worked as an actress, dancer, singer, and producer; she was directed by Francis Ford Coppola, Nicolas Roeg, Jack Hill, and Hal Needham; and she was often cast as either a sex symbol or stuffy prude. Born in San Francisco on June 7, 1953, Camp precociously began her acting career in regional theater at the age of three, although her first big break didn't come until more than a decade later, when she was cast as one of the dancing Gold Diggers on The Dean Martin Show. In 1973, the actress landed her first film role with a bit part as a human slave in Battle for the Planet of the Apes; larger roles in The Swinging Cheerleaders and The Last Porno Flick followed, but, in 1975 Camp had the chance to show off her considerable comic talent in Michael Ritchie's satiric comedy Smile. Despite her strong performance, however, her career still failed to catch fire; while she found steady work, she tended to land larger roles in undistinguished films such as The Gumball Rally or Ebony, Ivory and Jade, and smaller parts in more ambitious pictures, such as Apocalypse Now and They All Laughed. (Camp also sang "One Day Since Yesterday" in the latter, a song which briefly grazed the Billboard singles charts.) In time, Camp began to develop something of a cult following, and, while she was still a long way from film stardom, she worked often and landed supporting roles in such hits as Wayne's World, Sliver, Die Hard With a Vengeance, and Election. Married to Paramount executive John Goldwyn, she began working more behind the camera in the '80s, serving as a producer of The City Girl in 1984, and was a part of the production team of a number of other films, including Teenage Caveman, Earth vs. The Spider, and The Day The World Ended.

Trivia: Frederic Forrest seemed destined for stardom earlier in his career, but circumstance has led him to become a well-respected supporting/character actor who only occasionally plays leads. Forrest began working professionally off-Broadway after studying acting under Sanford Meisner and Lee Strasberg. Forrest then worked in experimental theater with such groups as Tom O'Horgan's La Mama; it is with this troupe that he made his first film appearance in Futz (1969). He appeared in his first Hollywood feature as a young Indian in When the Legends Die (1972) after being spotted performing on the Los Angeles stage. His work earned him a Golden Globe for Best Newcomer and put him in demand with several big-name directors, most notably Francis Ford Coppola, who has provided Forrest with some of his best roles in films like The Conversation (1974), Apocalypse Now (1979), and Tucker: The Man and His Dream (1988). Forrest was one of the first actors signed to a contract with Coppola's Zoetrope Studios. Forrest has once been nominated for an Oscar for playing Bette Midler's chauffeur/lover in The Rose (1979). In 1983, Forrest offered a memorable portrayal of detective novelist Dashiell Hammett in Hammett. Forrest has also done a lot of television work and has been particularly notable in such offerings as Lonesome Dove and Saigon, Year of the Cat. While primarily a supporting actor during the '80s, Forrest began playing character roles during the '90s in such films as The Two Jakes (1990), Falling Down (1993), and The Brave (1996).

Trivia: The slightly gritty and wizened Cuban-American actor Tony Plana boasts a resumé that is no less than extraordinary. Whatever the limitations of Hispanic typecasting, Plana soared high above them from the time of his debut in the early '80s, seeking out roles in several of Hollywood's most respected and venerable films -- ethnically themed and otherwise. He first culled attention as Rudy in Luis Valdez's stylized, theatrical period piece Zoot Suit (1981), starring a then-unknown Edward James Olmos. Plana's subsequent efforts read like a best-of early-'80s cinema; he tackled An Officer and a Gentleman (1982), Love and Money (1982), Valley Girl (1983), and El Norte (1983), all within a few years of one another. Plana was particularly effective as Fr. Manuel Morantes in John Duigan's wondrous, overlooked biopic Romero (1989, about archbishop and activist Oscar Romero) and as Carlos Bringuier in Oliver Stone's JFK (1991). In the 2000s, Plana unveiled a heightened interest in television, gracing the casts of such series as Ally McBeal and The Drew Carey Show as an occasional guest performer. Plana is best known to younger viewers, however, for two small-screen portrayals: that of cutthroat terrorist Omar in 24, and -- on a very different note, Ignacio -- the widower dad of the title character -- on the comedy drama Ugly Betty. Educationally, Plana trained in the drama programs at Loyola Marymount University and London's Royal Academy of Dramatic Art. He made the leap from acting to directing with two projects: A Million to Juan (1994, co-helmed with Paul Rodriguez) and The Princess and the Barrio Boy (2000). The latter constitutes Plana's directorial debut. It tells of a young well-to-do Hispanic woman (Marisol Nichols) who bucks convention by falling for a working-class boy, and simultaneously attempts to stand in the way of her father's marriage to a wicked lover.

Trivia: Lead actress, onscreen from the '80s.

Trivia: Ruggedly handsome with thick, black curly hair, Wayne Crawford has been playing leading roles in minor action/adventure films since the mid-'70s. Crawford is also a producer of television shows and feature films as well as an occasional screenwriter and director. In 1993, he starred in the short-lived television adventure series Okavango, which was filmed on location in Botswana and South Africa.