Trivia: Born February 18, 1954, in Englewood, John Travolta was the youngest of six children in a family of entertainers; all but one of his siblings pursued showbusiness careers as well. By the age of 12 Travolta himself had already joined an area actors' group, and soon began appearing in local musicals and dinner-theater performances. By age 16, he dropped out of high school to take up acting full-time, relocating to Manhattan to make his off-Broadway debut in 1972 in Rain, and a minor role in the touring company of the hit musical Grease followed.In 1975, Travolta was cast in an ABC sitcom entitled Welcome Back, Kotter. As Vinnie Barbarino, a dim-witted high school Lothario, he shot to overnight superstardom, and his face instantly adorned T-shirts and lunch boxes. Before the first episode of the series even aired, he also won a small role in Brian De Palma's 1976 horror picture Carrie, and at the early peak of his Kotter success he even recorded a series of pop music LPs -- Can't Let Go, John Travolta, and Travolta Fever -- scoring a major hit with the single "Let Her In." Approached with a role in Terrence Malick's Days of Heaven, he was forced to reject the project in the face of a busy Kotter schedule, but in 1976 he was able to shoot a TV feature, director Randal Kleiser's The Boy in the Plastic Bubble, which won considerable critical acclaim. Diana Hyland, the actress who played Travolta's mother in the picture, also became his offscreen lover until her death from cancer in 1977.In the wake of Hyland's death, Travolta's first major feature film, John Badham's Saturday Night Fever (1977), emerged in the fall of that year. A latter-day Rebel Without a Cause set against the backdrop of the New York City disco nightlife, it positioned Travolta as the most talked-about young star in Hollywood. In addition to earning his first Academy Award nomination for Best Actor, he also became an icon of the era, his white-suited visage and cocky, rhythmic strut enduring as defining images of late-'70s American culture. In 1978, he starred in Kleiser's film adaptation of Grease, this time essaying the lead role of 1950s greaser Danny Zuko. Its box-office success was even greater than Saturday Night Fever's, becoming a perennial fan favorite and, like its predecessor, spawning a massively popular soundtrack LP. In the light of his back-to-back successes, as well as the continued popularity of Welcome Back, Kotter -- on which he still occasionally appeared -- it seemed Travolta could do no wrong - but things wouldn't always be so rosy for the performer.Travolta's first misstep was 1978's Moment By Moment, a laughable May-December romance with Lily Tomlin. He then reprised the role of Tony Manero in the Saturday Night Fever sequel Staying Alive. Directed by Sylvester Stallone as a kind of Rocky retread, the film was released in 1983 to embarrassing returns and horrendous reviews. It would prove to be just one in a string of '80s stinkers for the actor, followed by disappointments like Two of a Kind, Perfect, and The Experts. He made a minor comeback with 1989's Look Who's Talking, which fared well at the box office, but the movie did little for Travolta's reputation, and the performer was all but completely washed up by the beginning of the '90s.Then, in 1994, Travolta made one of the most stunning comebacks in entertainment history by starring in Pulp Fiction, a lavishly acclaimed crime film written and directed by Quentin Tarantino, a longtime Travolta fan who wrote the role of Vincent Vega specifically with the actor in mind; Travolta reportedly waived his salary to play the role. A critical as well as commercial smash, Pulp Fiction introduced Travolta to a new generation of moviegoers, and suddenly he was again a major star who could command a massive salary, with a second Academy Award nomination to prove it.In the wake of Pulp Fiction, the resurrected Travolta became one of the hardest-working actors in Hollywood, and on Tarantino's advice he accepted the starring role in director Barry Sonnenfeld's 1995 Elmore Leonard adaptation Get Shorty. Acclaimed by many critics as his finest performance to date, it was another major hit, and he followed it by appearing in the 1996 John Woo action tale Broken Arrow. Phenomenon was another smash that same summer, and by Christmas Travolta was back in theaters as a disreputable angel in Michael. The following year he reunited with Woo in the highly successful thriller Face/Off, which he trailed with a supporting turn in Nick Cassavetes' She's So Lovely. After 1997's Mad City, Travolta began work on Primary Colors, Mike Nichols' political satire, portraying a charismatic, Bill Clinton-like U.S. President. An adaptation of the acclaimed book A Civil Action followed, as did the 1999 thriller The General's Daughter, in which Travolta co-starred with Madeline Stowe. Travolta did suffer an embarrassment in 2000, when he produced and starred in the sci-fi thriller Battlefield Earth, based on the novel by Scientology founder L. Ron Hubbard (whose teachings Travolta publicly admired and advocated). The film was universally panned as so bad it was funny, but Travolta bounced back, shedding some pounds to play the baddie in 2001 action thriller Swordfish. A complex tale of mixed loyalties, computer hacking, and espionage, Swordfish teamed Travolta with X-Men star Hugh Jackman in hopes of dominating the summer box office. This put Travolta in good shape to weather another disappointment, when his dramatic Oscar contender A Love Song for Bobby Long, was not well received by audiences or critics. While he received more praise for his performance in Ladder 49, a film about the lives of firefighters, his career took another hit in 2004 when he reprised the role of Chili Palmer in Be Cool, a sequel to Get Shorty that proved to have none of the magic that made its predecessor so successful. Unfazed, Travolta signed on to star in the 2007 Baby Boomer comedy Wild Hogs, alongside a dream cast of Tim Allen, Martin Lawrence and William H. Macy, who played four listless suburbanites who decide to "live on the edge" by grabbing their sawed-off choppers and hitting the open road as would-be Hell's Angels. Later that year, Travolta took another comedic turn in Hairspray, Adam Shankman's screen adaptation of the stage musical (which, in turn, is an adaptation of John Waters's 1988 feature), which put Travolta in drag to play the heavy set, bouffant hair-do'd mother once played by drag queen Divine. He would follow this up with some middling action fare, with The Taking of Pelham 13 and From Paris with Love, as well as a sequel to Wild Hogs, 2009's Old Dogs.

Trivia: The daughter of a New York City policeman, Nancy Allen trained for a dancing career at the High School of Performing Arts, then attended Jose Quintano's School for Young Professionals. In dozens of TV commercials from the age of 15, Nancy made her first film appearance (as "Nancy"-what a stretch!) in 1973's The Last Detail. Three years later, she set the standard for all future "bitch-goddess teenagers" as the beautiful but despicable high schooler Chris in Brian De Palma's Carrie. While Chris and her greaser boyfriend (John Travolta) met with a violent but well-deserved end on-screen, Nancy herself ultimately won out by claiming director De Palma as her husband. She next displayed a keen comic sense in the role of the only teenager on Earth who doesn't love the Beatles in Robert Zemeckis' I Want to Hold Your Hand (1976); thereafter, for the next seven years she appeared only in DePalma's films. She carried on a heated argument with her own hand in Home Movies (1979), was threatened by a knife-wielding psycho in Dressed to Kill (1980), and literally died for John Travolta's art in Blow-Out (1981). After her divorce from DePalma in 1984, Nancy's film opportunities narrowed, though she was memorable as take-no-guff police officer Anne Lewis in the three Robocop flicks. In 1993, Nancy Allen joined several other veteran stars in Acting on Impulse, a made-for-cable send-up of the horror films that first brought her fame.

Trivia: A distinguished actor of stage, television, and movies who is at home playing everything from menacing villains, big-hearted transsexuals, and loopy aliens, John Lithgow is also a composer and performer of children's songs, a Harvard graduate, a talented painter, and a devoted husband and father: in short, he is a true Renaissance man. Once hailed by the Wall Street Journal as "the film character actor of his generation," Lithgow is the son of a theater director who once headed Princeton's McCarter Theater and produced a series of Shakespeare festivals in Ohio, where Lithgow was six when he made his first theatrical bow in Henry VI, Part 3. His parents raised Lithgow in a loving home that encouraged artistic self-expression and took a broad view of the world. As a youth, Lithgow was passionate about painting and at age 16, he was actively involved with the Art Students League in New York. When the acting bug bit, Lithgow's father was supportive. After Lithgow graduated from Harvard, he received a Fulbright scholarship to study at the London Academy of Music and Dramatic Art; while in England, Lithgow also worked with the Royal Shakespeare Company and for the Royal Court Theatre. He returned to the U.S. in the early '70s and worked on Broadway where he won his first Tony and a Drama Desk Award for his part in The Changing Room (1973). Lithgow remained in New York for many years, establishing himself as one of Broadway's most respected stars and would go on to appear in at least one play per year through 1982. He would subsequently receive two more Tony nominations for Requiem for a Heavyweight and M. Butterfly. He made his first film appearance in Dealing: Or the Berkeley-to-Boston Forty-Brick Lost-Bag Blues (1972). The film itself was an inauspicious affair as were his other subsequent early efforts, though by the early '80s, his film roles improved and diversified dramatically. Though capable of essaying subtle, low-key characters, Lithgow excelled in over-the-top parts as the next decade in his career demonstrates. He got his first real break and a Best Supporting Actor nomination when he played macho football player-turned-sensitive woman Roberta Muldoon in The World According to Garp (1982). In 1983, he provided one of the highlights of Twilight Zone--The Movie as a terrified airline passenger and earned a second Best Supporting Actor Oscar nomination in Terms of Endearment where he appeared with Shirley Maclaine and Jack Nicholson, as well as playing a fiery preacher in Footloose. That year, he won his first Emmy nomination for his work in the scary nuclear holocaust drama The Day After. In 1984, he played the crazed Dr. Lizardo in the cult favorite The Adventures of Buckaroo Banzai. In Ricochet (1992), Lithgow proved himself a terrifying villain with his portrayal of a psychopathic killer hell-bent for revenge against Denzel Washington, the man who incarcerated him. In 1990, he made Babysong video tapes of his performing old and new children's songs on the guitar and banjo. Though he had already established himself on television as a guest star, Lithgow gained a large and devoted following when he was cast as an alien captain who, along with his clueless crew, attempts to pass for human in the fresh, well-written NBC sitcom Third Rock From the Sun (1996). The role has won him multiple Emmys and Golden Globe awards. When that show's run ended in 2001, Lithgow kept busy with roles in such high-profile features as The Life and Death of Peter Sellers (2004) (in which he essayed the role of comedy legend Blake Edwards), Kinsey, Dreamgirls, and Leap Year. Yet through it all the small screen still beckoned, and in 2010 the Lithgow won an Emmy for his role as Arthur Mitchell (aka The Trinity Killer) on the hit Showtime series Dexter. A poignant turn as a once-brilliant scientist stricken with Alzheimer's disease revealed a gentler side of Lithgow in Rise of the Planet of the Apes, and in 2012 he reminded us that he could still get big laughs with roles in both This is 40 (Judd Apatow's semi-sequel to Knocked Up) and the Will Ferrell/Zach Galifianakis political comedy The Campaign. When not busy working on the show, in theater, or in feature films, Lithgow is at home playing "Superdad" to his children and his wife, a tenured college professor at U.C.L.A.

Trivia: Born October 28th, 1944, Chicago native Dennis Franz (originally Dennis Schlachta) spent 11 months in an airborne division during the Vietnam War. Afterwards, Franz became a postman -- and, by his own admission, not a very good one. Short, bald, overweight and scrappy, he decided to establish himself as a character actor, making the rounds of Windy City casting agencies in search of film work. Franz made his film debut in a bit part in De Palma's The Fury (1978). He made his TV debut as beat cop Joe Gilland in the 1982 TV series Chicago Story. Franz went on to become a "regular" in the various projects of producer Steven Bochco, playing baseball coach Angelo Carbone on the four-episode Bay City Blues (1983), and two different roles -- unscrupulous detective Sal Benedetto and streetwise lieutenant Norman Buntz -- on the popular Hill Street Blues. An attempt to capitalize on his Hill Street fame led to the short-lived 1987 series Beverly Hills Buntz. In 1993, Dennis Franz was back with Bochco on the controversial series NYPD Blue; once again, he played a cop, this time a recovering alcoholic trying to reassemble his shattered personal life and career. His gritty portrayal of Detective Andy Sipowicz is considered his best role and has won Franz multiple Emmy awards. While primarily a television actor, Franz has appeared in numerous feature films and has worked with such esteemed directors as Brian De Palma and Robert Altman. As with his television career, he is frequently cast as a police officer. After working with silver screen sweetheart Meg Ryan in 1998's City of Angels, Franz continued his work on NYPD Blue until the series was completed in 2002 after a 10 season run.

Trivia: American actor Maurice Copeland appeared on Broadway and in feature films during the '70s and '80s. Copeland had an unusually smooth, rich voice that made him a popular voiceover artist on radio and television.

Trivia: Born in Indiana and raised in Minnesota, John McMartin attended college in both Illinois and New York. McMartin initially wanted to be a print or radio journalist, but opted instead for acting. His first big break was as Corporal Billy Jester in the 1959 off-Broadway operetta spoof Little Mary Sunshine, which won him both a Theatre World award and a bride (he married Cynthia Baer, one of the show's producers). After appearing in two Bob Fosse-directed productions, he enjoyed a long run as Gwen Verdon's nervous boyfriend Oscar in Fosse's Sweet Charity (1965). He went westward to repeat the role of Oscar in the 1969 film version of Charity, but preferred New York to Hollywood and returned to the stage. In 1971, he was cast as Benjamin Stone in the Stephen Sondheim hit Follies (nine years earlier, he'd been cut from Sondheim's A Funny Thing Happened on the Way to the Forum). He then spent several years playing classical-and non-musical-stage roles. Throughout his Broadway years, he made infrequent film and TV appearances; he played supporting roles in such movies as All the President's Men (1976) and Pennies from Heaven (1980), was briefly a regular on Falcon Crest, guested as Shelley Fabares' father on the sitcom Coach, and was seen in the made-for-TV features Separate but Equal (1991) and Citizen Cohn (1992). One of his most intriguing TV assignments was the 1965 pilot film for the never-sold lawyer series Higher and Higher, in which his co-stars were a couple of green kids named Sally Kellerman and Dustin Hoffman. In the 1990s, John McMartin scored a huge success as Captain Andy in producer Hal Prince's gargantuan revival of Show Boat.

Trivia: Costume designer Deborah Everton has worked on a variety of feature films. Her first work in films can be seen in Bad Dreams (1988).

Trivia: Audiences got their first taste of actor Roger Wilson in the 1982 sex comedy Porky's, in which he played the role of Mickey. He later joined the cast of the one-hour drama series Seven Brides for Seven Brothers, based on the musical of the same name, which lasted through 1983. Wilson reprised the role of Mickey for Porky's 2 that same year, and later appeared in Thunder Alley, Aspen Extreme, and My Sexiest Year.

Trivia: A supporting actor, Choate has appeared on screen since The Europeans (1979).