Trivia: One of the few movie "superstars" truly worthy of the designation, actor Sean Connery was born to a middle-class Scottish family in the first year of the worldwide Depression. Dissatisfied with his austere surroundings, Connery quit school at 15 to join the navy (he still bears his requisite tattoos, one reading "Scotland Forever" and the other "Mum and Dad"). Holding down several minor jobs, not the least of which was as a coffin polisher, Connery became interested in bodybuilding, which led to several advertising modeling jobs and a bid at Scotland's "Mr. Universe" title. Mildly intrigued by acting, Connery joined the singing-sailor chorus of the London roduction of South Pacific in 1951, which whetted his appetite for stage work. Connery worked for a while in repertory theater, then moved to television, where he scored a success in the BBC's re-staging of the American teledrama Requiem for a Heavyweight. The actor moved on to films, playing bit parts (he'd been an extra in the 1954 Anna Neagle musical Lilacs in the Spring) and working up to supporting roles. Connery's first important movie role was as Lana Turner's romantic interest in Another Time, Another Place (1958) -- although he was killed off 15 minutes into the picture. After several more years in increasingly larger film and TV roles, Connery was cast as James Bond in 1962's Dr. No; he was far from the first choice, but the producers were impressed by Connery's refusal to kowtow to them when he came in to read for the part. The actor played the secret agent again in From Russia With Love (1963), but it wasn't until the third Bond picture, Goldfinger (1964), that both Connery and his secret-agent alter ego became a major box-office attraction. While the money steadily improved, Connery was already weary of Bond at the time of the fourth 007 flick Thunderball (1965). He tried to prove to audiences and critics that there was more to his talents than James Bond by playing a villain in Woman of Straw (1964), an enigmatic Hitchcock hero in Marnie (1964), a cockney POW in The Hill (1965), and a loony Greenwich Village poet in A Fine Madness (1966). Despite the excellence of his characterizations, audiences preferred the Bond films, while critics always qualified their comments with references to the secret agent. With You Only Live Twice (1967), Connery swore he was through with James Bond; with Diamonds Are Forever (1971), he really meant what he said. Rather than coast on his celebrity, the actor sought out the most challenging movie assignments possible, including La Tenda Rossa/The Red Tent (1969), The Molly Maguires (1970), and Zardoz (1973). This time audiences were more responsive, though Connery was still most successful with action films like The Wind and the Lion (1974), The Man Who Would Be King (1975), and The Great Train Robbery (1979). With his patented glamorous worldliness, Connery was also ideal in films about international political intrigue like The Next Man (1976), Cuba (1979), The Hunt for Red October (1990), and The Russia House (1990). One of Connery's personal favorite performances was also one of his least typical: In The Offence (1973), he played a troubled police detective whose emotions -- and hidden demons -- are agitated by his pursuit of a child molester. In 1981, Connery briefly returned to the Bond fold with Never Say Never Again, but his difficulties with the production staff turned what should have been a fond throwback to his salad days into a nightmarish experience for the actor. At this point, he hardly needed Bond to sustain his career; Connery had not only the affection of his fans but the respect of his industry peers, who honored him with the British Film Academy award for The Name of the Rose (1986) and an American Oscar for The Untouchables (1987) (which also helped make a star of Kevin Costner, who repaid the favor by casting Connery as Richard the Lionhearted in Robin Hood: Prince of Thieves [1991] -- the most highly publicized "surprise" cameo of that year). While Connery's star had risen to new heights, he also continued his habit of alternating crowd-pleasing action films with smaller, more contemplative projects that allowed him to stretch his legs as an actor, such as Time Bandits (1981), Five Days One Summer (1982), A Good Man in Africa (1994), and Playing by Heart (1998). Although his mercurial temperament and occasionally overbearing nature is well known, Connery is nonetheless widely sought out by actors and directors who crave the thrill of working with him, among them Harrison Ford, Steven Spielberg, and George Lucas, who collaborated with Connery on Indiana Jones and the Last Crusade (1989), where the actor played Jones' father. Connery served as executive producer on his 1992 vehicle Medicine Man (1992), and continued to take on greater behind-the-camera responsibilities on his films, serving as both star and executive producer on Rising Sun (1993), Just Cause (1995), and The Rock (1996). He graduated to full producer on Entrapment (1999), and, like a true Scot, he brought the project in under budget; the film was a massive commercial success and paired Connery in a credible onscreen romance with Catherine Zeta-Jones, a beauty 40 years his junior. He also received a unusual hipster accolade in Trainspotting (1996), in which one of the film's Gen-X dropouts (from Scotland, significantly enough) frequently discusses the relative merits of Connery's body of work. Appearing as Allan Quartermain in 2003's comic-to-screen adaptation of The League of Extraordinary Gentlemen, the seventy-three year old screen legend proved that he still had stamina to spare and that despite his age he could still appear entirely believeable as a comic-book superhero. Still a megastar in the 1990s, Sean Connery commanded one of moviedom's highest salaries -- not so much for his own ego-massaging as for the good of his native Scotland, to which he continued to donate a sizable chunk of his earnings.

Trivia: British actress Lesley-Ann Down became a celebrity at a very young age, thanks to her winning several teen beauty contests. In films since the age of 15, Down achieved international prominence for her recurring appearances as Lady Georgina on the British TV serial Upstairs, Downstairs, which ran from 1976 through 1977. At that same time, she became an alluring movie sex symbol by virtue of her co-starring turn in The Pink Panther Strikes Again (1976).Down's television work has been most rewarding, including a starring role as bewitching Southern belle Madeline Main in the 1985 miniseries North and South and its 1986 sequel. As colorful a personality off-camera as on, Down has been linked romantically with several high-profile males, and was briefly and tempestuously wed to director William Friedkin.

Trivia: Certainly one of the most distinctive looking men ever to be granted the title of movie star, Donald Sutherland is an actor defined as much by his almost caricature-like features as his considerable talent. Tall, lanky and bearing perhaps the most enjoyably sinister face this side of Vincent Price, Sutherland made a name for himself in some of the most influential films of the 1970s and early '80s.A native of Canada, Sutherland was born in New Brunswick on July 17, 1935. Raised in Bridgewater, Nova Scotia, he took an early interest in the entertainment industry, becoming a radio DJ by the time he was fourteen. While an engineering student at the University of Toronto, he discovered his love for acting and duly decided to pursue theatrical training. An attempt to enroll at the London Academy of Music and Dramatic Art was thwarted, however, because of his size (6'4") and idiosyncratic looks. Not one to give up, Sutherland began doing British repertory theatre and getting acting stints on television series like The Saint. In 1964 the actor got his first big break, making his screen debut in the Italian horror film Il Castello dei Morti Vivi (The Castle of the Living Dead). His dual role as a young soldier and an old hag was enough to convince various casting directors of a certain kind of versatility, and Sutherland was soon appearing in a number of remarkably schlocky films, including Dr. Terror's House of Horrors and Die! Die! Darling! (both 1965). A move into more respectable fare came in 1967, when Robert Aldrich cast him as a retarded killer in the highly successful The Dirty Dozen. By the early '70s, Sutherland had become something of a bonafide star, thanks to lead roles in films like Start the Revolution without Me and Robert Altman's MASH (both 1970). It was his role as Army surgeon Hawkeye Pierce in the latter film that gave the actor particular respect and credibility, and the following year he enhanced his reputation with a portrayal of the titular private detective in Alan J. Pakula's Klute.It was during this period that Sutherland became something of an idol for a younger, counter culture audience, due to both the kind of roles he took and his own anti-war stance. Offscreen, he spent a great deal of time protesting the Vietnam War, and, with the participation of fellow protestor and Klute co-star Jane Fonda, made the anti-war documentary F.T.A. in 1972. He also continued his mainstream Hollywood work, enjoying success with films like Don't Look Now (1973), The Day of the Locust (1975), and Fellini's Casanova (1976). In 1978, he won a permanent place in the hearts and minds of slackers everywhere with his portrayal of a pot-smoking, metaphysics-spouting college professor in National Lampoon's Animal House.After a starring role in the critically acclaimed Ordinary People (1980), Sutherland entered a relatively unremarkable phase of his career, appearing in one forgettable film after another. This phase continued for much of the decade, and didn't begin to change until 1989, when the actor won raves for his starring role in A Dry White Season and his title role in Bethune: The Making of a Hero. He spent the 1990s doing steady work in films of widely varying quality, appearing as the informant who cried conspiracy in JFK (1991), a Van Helsing-type figure in Buffy The Vampire Slayer (1992), a wealthy New Yorker who gets taken in by con artist Will Smith in Six Degrees of Separation (1993), and a general in the virus thriller Outbreak (1995). In 1998, the actor did some of his best work in years (in addition to the made-for-TV Citizen X (1995), for which he won an Emmy and a Golden Globe) when he starred as a track coach in Without Limits, Robert Towne's biopic of runner Steve Prefontaine. In 2000, Sutherland enjoyed further critical and commerical success with Space Cowboys, an adventure drama that teamed the actor alongside Tommy Lee Jones, Clint Eastwood, and James Garner as geriatric astronauts who get another chance to blast into orbit.Sutherland didn't pause as the new millennium began, continuing to contribute to several projects a year. He won a Golden Globe for his performance in the 2003 Vietnam era HBO film Path to War, and over the next few years appeared in high-profile films such as The Italian Job, Cold Mountain, and Pride and Prejudice, while continuing to spend time on smaller projects, like 2005's Aurora Borealis. The next year, Sutherland appeared with Mira Sorvino in the TV movie Human Trafficking, which tackled the frightening subject matter of modern day sexual slave trade. He also joined the cast of the new ABC series Commander in Chief, starring Geena Davis as the American vice president who assumes the role of commander in chief when the president dies. Sutherland's role as one of the old boys who is none too pleased to see a woman in the Oval Office earned him a Golden Globe nomination in 2006, as did his performance in Human Trafficking. In 2006, Sutherland worked with Collin Farrell and Salma Hayek in one of screenwriter Robert Towne's rare ventures into film direction with Ask the Dust. Sutherland has also earned a different sort of recognition for his real-life role as the father of actor and sometimes tabloid fodder Kiefer Sutherland. The elder Sutherland named his son after producer Warren Kiefer, who gave him his first big break by casting him in Il Castello dei Morti Vivi. In 2009 he voiced the part of President Stone in the film Astro Boy, an adventure comedy for children. Sutherland played a supporting role in the action thriller The Mechanic (2011), and joined the cast of The Hunger Games in the role of the coldhearted President Stone.

Trivia: British character actor.

Trivia: At the close of the last century, accomplished character actor Malcolm Terris received long-awaited good news: He would finally play the title character in a major production, a 2000 made-for-TV mystery to be filmed as part of the highly popular Agatha Christie series of films about Belgian super-sleuth Hercule Poirot. Unfortunately, the title of the film was The Murder of Roger Ackroyd. In other words, Terris got to star as a corpus delicti. No matter: He did his duty de rigueur (in this case, rigor mortis) as in all of his TV, film, and stage productions since the 1960s. Terris got to die in another major production, The Bounty (1984), in which he drank himself to death as the ship's surgeon while Fletcher Christian (Mel Gibson) imbibed an island girl and Captain Bligh (Anthony Hopkins) swilled sadism. Terris no doubt learned his talent for keeling over as a Shakespearean actor. As a senate officer in a 1965 production of Othello and a captain in a 1969 production of Hamlet, he observed the untimely keel-over deaths of practically all of the major characters. Terris' forte is TV, mostly series and miniseries, including appearances in such popular productions as Catherine Cookson's The Secret (2000), Family Affairs (1997), Our Friends in the North (1996), Vanity Fair (1987), Lord Mountbatten: The Last Viceroy (1986), Return to Treasure Island (1985), Reilly: The Ace of Spies (1983), and Dr. Who (1963). Before entering the acting profession, Terris was a reporter for a newspaper in Sunderland, England, where he was born in 1941.

Trivia: Supporting actor, onscreen from the '50s.

Trivia: Stage fright is one thing, sheer terror is another. Yet Michael Elphick did the scene anyway, albeit flinchingly, while starring in a popular British TV series, Boon, about a motorcycle-riding private eye. In the scene, he had to recover a circus lion stolen by animal-rights activists, and the script required him to act with the animal inside an enclosure. While the trainer and a veterinarian stood by with guns, Elphick earned his pay. During his acting career, Elphick also demonstrated his courage by accepting roles in productions with incredibly weird names. Examples are Withnail and I, Memed, My Hawk, I Bought a Vampire Motorcycle, Supergrass, Forbrydelsens Element, Auf Wiedersehen Pet, Quadrophenia, The Nearly Man, The Buttercup Chain, Blue Remembered Hills, and, well, that's enough for now. Who is this oddball Elphick, anyway? Actually, he's just an ordinary British chap who also happens to be an excellent -- and obviously quite daring -- actor. Americans who don't get to see him regularly on British TV may remember him for his contribution to the wonderful 2000 miniseries David Copperfield. In that production, he played Peggoty's suitor Barkis, getting to recite one of the most famous Dickens lines: "Barkis is willin'."Elphick was born on September 19, 1946, in Chichester, West Sussex, England, in an area known for its natural beauty and inviting harbor. City residents know him well because of his frequent trips back home to visit his mother. After working as a theater electrician in Chichester, Elphick studied acting at the Central School of Speech and Drama in London, the alma mater of such notables as Laurence Olivier, Judi Dench, Vanessa Redgrave, and Carrie Fisher. He made his film debut in 1969 in Fraülein Doktor, an offbeat but excellent World War I film with an Italian director, a Yugoslavian setting, and a cast that included Kenneth More, Suzy Kendall, Nigel Green, and Capucine. In that same year, he performed in the modestly successful Where's Jack? and in the solid Tony Richardson production of Hamlet. Having established himself, Elphick went on to play in numerous film and TV productions before landing roles in the 1980s in motion pictures of truly outstanding quality, including the The Elephant Man as the Night Porter; Masada as Vettius, and Gorky Park as Pasha. His Gorky Park work earned him a British Academy Award nomination for Best Supporting Actor. Between 1986 and 1992, he played Boon on British TV while continuing his stage and film work. In 2000 and 2001, he returned to television to perform in Metropolis and Dead in the Water.

Trivia: Attended ballet school as a child. Performed with the English National Opera for the 2007 West End run of On The Town. Is an ambassador for the 'Euro a Month' charity.

Trivia: Actor James Cossins was one of the ranks of British character players seemingly put on earth to play fussy, officious roles. Cossins' movie work commenced in the mid '60s and embraced such films as Richard Lester's How I Won the War (1968), Hammer's Lost Continent (1968), the Jack Wild vehicle Melody (1970) and the turgid Richard Burton meller Villain (1971). Seldom permitted more than five to ten minutes a film, James Cossins had his best showing in the 1967 picture The Anniversary. He contrived not to blend into the scenery despite the daunting competition of star Bette Davis, here playing a one-eyed, incestuous monster mama.

Trivia: A former professional wrestler in his native Britain known as "Leon Arris, the Man from Paris," Brian Glover became a character actor in Kenneth Loach's Kes (1969). In the early '70s, Glover appeared frequently as a television guest star and only later in the decade did he become a familiar figure on the big screen in such films as The Great Train Robbery! (1979), Alien 3 (1992), and Leon the Pig Farmer (1993).

Trivia: British character actor Peter Butterworth began appearing in films during the '40s and his successful career stretched well into the 70s. He is perhaps best known form appearing in the "Carry On" films. He has also worked in theater and on television.

Trivia: British actor Patrick Barr went from stage to screen with 1932's The Merry Men of Sherwood. Barr spent the 1930s playing various beneficent authority figures and "reliable friend" types, picking up where he left off in 1946 after six years' military service. In the early 1950s Barr began working in British television, attaining a popularity that had undeservedly eluded him while playing supporting parts in such films as The Frightened Lady (1941) and The Blue Lagoon (1948). This latter-day fame enabled Patrick Barr to insist upon better roles and command a higher salary for his films of the 1950s and 1960s: among the movies in which he appeared during this period were The Dam Busters (1955), Saint Joan (1957), Next to No Time (1960), Billy Liar (1963) and The Great Train Robbery (1978).

Trivia: A versatile, cerebral character actor of British stage, screen, and TV, he worked in amateur theater for four years before making his professional stage debut in 1934; his first London appearance came in 1936. In 1938 he both joined the Old Vic company and debuted onscreen. His acting career did not, however, begin to bear much fruit until after he returned from service in World War Two (with the Royal Welsh Fusiliers). He was very busy onscreen throughout most of the '50s, playing leads in several horror films. He starred on the BBC-TV show Quartermass and the Pit. He served as President of British Actors Equity in 1973-74. He was married to actress Joan Greenwood.

Trivia: The daughter of actors, Brooke Adams was once praised by the press for her supremely flexible countenance -- with expressions and demeanors to accommodate virtually any emotion or situation. Adams attended New York's High School of Performing Arts and the Institute of American Ballet, and took private acting lessons from Lee Strasberg. At age six, she made her Broadway debut in the 1954 revival of Finian's Rainbow. Eleven years later, she was cast as Burl Ives' teenaged daughter in the extremely short-lived TV sitcom O.K. Crackerby (1965-1966) on ABC.Adams then kept a low professional profile until making her adult off-Broadway bow in 1974, appearing in yet another revival, The Petrified Forest. A great future was predicted for Brooke when she starred as Abby, the romantic bone of contention between Richard Gere and Sam Shepard in Terrence Malick's critically acclaimed 1978 film, Days of Heaven. That same year, she played Elizabeth Driscoll (the Dana Wynter role) in the remake of Invasion of the Body Snatchers, opposite Donald Sutherland, and in 1979 she was Sean Connery's ethereal leading lady in the Richard Lester-directed Cuba. Any one of those three roles could have spelled superstardom for Brooke -- had she really wanted to be a superstar. Instead, she deliberately avoided the trappings of celebritydom, preferring to measure her achievements by her own standards rather than Hollywood's. And, if that meant accepting "small" but artistically rewarding theatrical projects or teaching acting classics to emotionally disturbed children, rather than accepting a role in the latest Spielberg or Scorsese blockbuster, so be it. Brooke Adams' more notable credits during the mid- to late '80s and '90s included guest appearances on TV's Moonlighting (as single mother and David Addison Lamaze partner Terri Knowles), a role in the Broadway production The Heidi Chronicles, the narration duties for the 1994 miniseries The Fire This Time, and the role of Ione Skye's hardscrabble mother in the Allison Anders-directed Gas Food Lodging (1992). These represented high points, however, and more often than not, Adams found herself relegated to parts unworthy of her, such as the unevenly received 1985 adaptation of Kevin Wade's play Key Exchange (in which she reprised her stage role) and the histrionic TV movies Lace (1984) and Lace II (1985).In subsequent years, Adams made a greater splash on television, with guest appearances on such series programs as Wings, Monk (both opposite husband Tony Shalhoub), and Touched by an Angel. She also returned to the big screen for supporting roles in several projects, including the 1995 Baby-Sitters Club and the 2007 Griffin Dunne-directed romantic comedy The Accidental Husband.