Trivia: Long the bad boy of Hollywood, Sean Penn is also among the most fiercely talented actors of his generation. He was born August 17, 1960, in Burbank, CA, the second son of actress Eileen Ryan and director Leo Penn. He grew up in Santa Monica, in a neighborhood populated by future celebrities Charlie Sheen and Emilio Estevez, the sons of actor Martin Sheen. Penn's older brother, Michael, is a singer/songwriter-turned- director, while younger sibling Chris is a noted character actor. The children spent much of their free time together, making a number of amateur films shot with Super-8 cameras. Still, Penn's original intention was to attend law school, although he ultimately skipped college to join the Los Angeles Repertory Theater. After making his professional debut on an episode of television's Barnaby Jones, he relocated to New York, where he soon appeared in the play Heartland. A TV-movie, The Killing of Randy Webster, followed in 1981 before he made his feature debut later that same year in Taps.Penn shot to stardom with 1982's Fast Times at Ridgemont High; as the stoned surfer dude Jeff Spicoli, he stole every scene in which he appeared, helping to elevate the picture into a classic of the teen comedy genre; however, the quirkiness which would define his career quickly surfaced as he turned down any number of Spicoli-like roles to star in the 1983 drama Bad Boys, followed a year later by the Louis Malle caper comedy Crackers and the period romance Racing With the Moon. While none of the pictures performed well at the box office, critics consistently praised Penn's depth as an actor. A turn as a drug addict turned government spy in John Schlesinger's 1985 political thriller The Falcon and the Snowman earned some of his best notices to date, but Penn's performance was quickly lost in the glare of the media attention surrounding his very public romance with pop singer Madonna, which culminated in the couple's 1985 media-circus wedding.While Madonna actively courted press attention, the private Penn made his loathing for the media quite clear; his run-ins with the paparazzi quickly became the stuff of legend, and the notoriety of his temper began to eclipse even his immense acting ability. His penchant for fisticuffs, combined with other civil infractions, ultimately resulted in a 30-day jail sentence; more seriously, his marriage to Madonna began to buckle under the weight of media scrutiny, and, as the couple's star collaboration in the 1987 movie Shanghai Surprise met with box-office disaster, their private relationship was also over. Soured by the Hollywood experience, Penn did not resurface prior to 1988's Colors, which proved to be his biggest hit in some time. He next appeared in Brian DePalma's Vietnam tale Casualties of War, followed by a turn opposite his idol, Robert De Niro, in the 1989 comedy We're No Angels.After starring in the gangster melodrama State of Grace, Penn wrote and directed 1991's The Indian Runner, a film inspired by a Bruce Springsteen song and shaped in the image of the films of John Cassavetes. After an almost unrecognizable turn as a troubled attorney in the 1993 DePalma thriller Carlito's Way, Penn announced his intention to retire from acting in order to focus his full attentions on directing; however, after helming 1995's The Crossing Guard with Jack Nicholson and Anjelica Huston, he was back onscreen, winning an Academy Award nomination for his gut-wrenching portrayal of a death-row inmate in Tim Robbins' Dead Man Walking. By 1997, Penn's wishes for retirement were but a memory as he enjoyed his busiest year yet: In addition to starring opposite second wife Robin Wright in Nick Cassavetes' She's So Lovely -- roles which won both spouses acting honors at the Cannes Film Festival -- he also appeared in the David Fincher thriller The Game and in Oliver Stone's U-Turn. He found further acclaim the following year for his roles in the adaptation of David Rabe's Hurlyburly and Terrence Malick's The Thin Red Line. In 1999, he had a cameo appearance in Spike Jonze's Being John Malkovich and earned his second Oscar nomination as a callous '30s jazz guitarist in Woody Allen's Sweet and Lowdown, while 2000s adaptation of Anita Shreve's novel, The Weight of Water, starred Penn as a poet embroiled in a small town murder mystery. In 2001, Penn would play a fame-craving impressionist in The Beaver Trilogy, serve as narrator in director Stacy Peralta's skateboarding documentary Dogtown and Z-Boys, and direct the psychological drama The Pledge, which marked Penn's second collaboration with Jack Nicholson. In 2002, Penn would once again win critical praise with his Oscar-nominated portrayal of a developmentally disabled man struggling to retain custody of his daughter in I Am Sam.After the 2001 terrorist attacks on the World Trade Center and Pentagon, the left-leaning actor's outspoken political views garnered a great deal of attention from right-wing pundits, including the much aggrieved Bill O'Reilly, who found himself on the receiving end of Penn's animosity in a controversial interview with Talk magazine. Though O'Reilly demanded his viewers boycott any of Penn's future films, it appears his career has remained relatively unscathed. In 2002, Penn directed a segment for the French-produced 9'11"01, which was met with mixed reviews, while his participation in Burkowski: Born Into This (2002) helped the film win a nomination for the Grand Jury Prize at the 2003 Sundance Film Festival. The year 2003 was, in fact, an eventful year for Penn; he participated in two small but nonetheless critically acclaimed films -- Michael Almereyda's documentary This So-Called Disaster and Alejandro González Iñárritu's low-key urban drama 21 Grams -- while managing to claim yet another Hollywood success in actor/director Clint Eastwood's highly lauded Mystic River. In 2004, it was this third film that garnered Penn his fourth Academy Award nomination and, ultimately, his first win. The Oscar, coupled with a standing ovation by the audience, showed once and for all that Penn's unorthodox approach to his acting career hadn't had an adverse effect on his popularity.The following year Penn would return to the screen to document one man's chilling descent into madness in the fact-based psychological drama The Assassination of Richard Nixon, but despite generally favorable reaction from critics the grim feature failed to make much of an impression at the box office. Subsequently sticking to politics with Sydney Pollock's 2005 thriller The Interpreter, Penn would this time find his character attempting to prevent the assassination of a high profile political leader rather than personally carry one out. By the time Penn essayed the role of a populist Southern politician modeled loosely on Depression-era Louisiana governor Huey Long, it seemed as if the serious-minded actor's career had finally become as political as the boat-rocking rhetoric that often found him sailing into the headlines. The third screen adaptation of Robert Penn Warren's influential novel, All the King's Men featured an impressive list of top-name Hollywood talent including Jude Law, Kate Winslet, Anthony Hopkins, Patricia Clarkson, James Gandolfini, and Mark Ruffalo. In 2008, Penn received the Academy Award for Best Actor for his performance in Milk, a biopic starring Penn in the role of politician and civil rights activist Harvey Milk. Shortly afterwards, Penn starred in Fair Game, an adaptation of author Valerie Plame's novel of the same name, and co-starred with Brad Pitt and Jessica Chastain in director Terrence Malick's critically acclaimed drama The Tree of Life in 2011. In 2013, he had a small role as gangster Mickey Cohen in Gangster Squad and a supporting role in The Secret Life of Walter Mitty.

Trivia: Not to be confused with 1950s Columbia contractee Don C. Harvey, American general-purpose actor Don Harvey began appearing in films in the mid-'80s, and was seen in secondary roles in such high-profile productions as Casualties of War (1989), Die Hard 2 (1990), and The Thin Red Line (1998), in addition to the made-for-cable feature Better Off Dead (1993). Because he was safely ensconced among the featured players, Harvey managed to survive such notorious flops as Hudson Hawk (1991) and Tank Girl (1995). One of his more prominent screen roles was "Black Sox" conspirator Swede Risberg in John Sayles' Eight Men Out (1988).

Trivia: One of the screen's most versatile and woefully under-appreciated character actors, John C. Reilly has appeared in a series of films united only in their complete lack of similarity. To date, he has been used most intelligently by director Paul Thomas Anderson, who has cast him in Hard Eight, Boogie Nights, and Magnolia.A native of Chicago, where he was born May 24, 1965, Reilly broke into film in 1989, the year he starred in Casualties of War and We're No Angels, both of which featured Sean Penn and a less than stellar reception. Reilly subsequently spent the early '90s appearing in films of every conceivable genre, from the Tom Cruise testosterone extravaganza Days of Thunder (1990) to Woody Allen's Shadows and Fog (1992) to What's Eating Gilbert Grape (1993). Thanks to his unglamorous appearance, Reilly also did an obligatory turn as a backwoods psycho, popping up alongside Kevin Bacon in The River Wild (1994) long enough to freak out Meryl Streep and her family.1996 marked the beginning of Reilly's collaboration with director Anderson. That year, he starred as a none-too-bright loser stranded in Vegas in Hard Eight, Anderson's feature-length directorial debut. Reilly earned wide praise for his work in the film, which went largely unseen by audiences. The same couldn't be said of Reilly and Anderson's second collaboration, Boogie Nights, the following year. One of the most critically lauded films of 1997, it featured Reilly as another loser, a dim porn actor with dreams of becoming a magician/songwriter.Thanks to the film's success, Reilly finally earned a bit of long-overdue recognition, as was evidenced by his subsequent casting in Terrence Malick's adaptation of The Thin Red Line (1998). The actor's visibility further increased the following year, thanks to prominent roles in no less than four films. One of these was Magnolia, Anderson's follow-up to Boogie Nights. Like his previous film, Magnolia boasted a large ensemble cast of first-rate actors; among them, Reilly stood out as a lonely police officer who becomes involved with an emotionally unstable woman.With his career continuing to build momentum, Reilly was next cast alongside George Clooney and Mark Wahlberg in the 2000 big-budget adaptation of the best-selling book The Perfect Storm. However, his biggest year to date came in 2002. Not only could Reilly be seen in prominent roles in four high-profile films, but his scene-stealing turn in the musical Chicago netted him his first Academy Award nomination. Riding high on his escalating stardom, Reilly spent 2003 hard at work on three big releases, The Aviator, Dark Water, and Criminal. Of Reilly's 2004 projects, Criminal arrived first - in September of that year. A remake of the late Argentinian director Fabian Bielinsky's debut crime, the American version tells the story of a couple of scammers (Reilly and Diego Luna) who con members of the Beverly Hills upper-crust, the picture (brought to fruition by Steven Soderbergh) received average to positive reviews. On the enthusiastic end, The Los Angeles Times's Carina Chocano called the picture "funny, original and very well observed," and The Philadelphia Inquirer's Carrie Rickey remarked, "Gregory Jacobs' zircon remake of that glowing Argentine gem Nine Queens is the film equivalent of Chinese boxes or Russian matrushka dolls. If you've never played with them before, then there's a prize inside for you." Less enthused was The Charlotte Observer's Lawrence Toppmann, who compared the film somewhat unfavorably to its original: "a watered-down version of the same pleasures." Issued in December 2004, Martin Scorsese's The Aviator fared immeasurably better (with critics and at the box) and left in its wake the most enduring legacy of Reilly's 2004 efforts. As Noah Dietrich, the individual who manages Howard Hughes's (Leonardo di Caprio) business affairs, Reilly contributed to a strong ensemble cast that included Cate Blanchett and the splendid Alan Alda. Dark Water, Walter Salles's gothic horror opus, hit cinemas in July 2005. As the real estate agent who leases young mother Jennifer Connelly a possessed New York City apartment, Reilly delivers effective and substantial menace, even as the motion picture divided critics. In 2006, Reilly starred in two key A-list releases. Released in June 2006, Bob Altman's Garrison Keillor cinematization A Prairie Home Companion lays out a "genial" Altmanesque tapestry of the backstage shenanigans at a fictionalized version of Prairie, that transpire between the cast members. Reilly (who established himself with such force in Altman protege Paul Anderson's similar films) portrays Lefty, one half of a cowboy duo opposite Woody Harrelson's Dusty; they bicker throughout the film and ultimately perform a dirty-lyrics musical number together. The picture opened, almost unanimously, to glowing reviews. The supporting cast includes Keillor, Meryl Streep, Lindsay Lohan, and Kevin Kline. Reilly showcased his versatility by following up his work in the Altman film by co-starring opposite Will Farrell in the NASCAR comedy Talladega Nights: The Ballad of Ricky Bobby.In 2007 he was the lead in the musical biopic spoof Walk Hard: The Dewey Cox Story, also singing a number of song spoofs for the movie. The next year he reteamed with Will Farrell in Step Brothers. He had a major role in Cirque Du Freak in 2009. It was easy to find the well-respected character actor on screen in 2011, a year in which he appeared in the winning comedy Cedar Rapids, Roman Polanski's adaptation of the award-winning play Carnage, and the husband of Tilda Swinton in the psychological drama We Need to Talk About Kevin.

Trivia: John Leguizamo is a Colombian-born comedian and actor best known for his memorable, often sharply satirical, characterizations of Latinos on stage and in films. He began his career as a stand-up comedian in New York clubs and as a performer in small independent feature films. These engagements led to his playing small roles in major features such as Casualties of War (1989) and Die Hard 2 (1990) where he was typically cast as a violent, unsavory fellow; none of these films seemed to utilize his talents and potential on film. Leguizamo has fared better in smaller films such as Time Expired (1991). His stage career also continues to grow. For his one-man show Mambo Mouth, a scathing look at Hispanic stereotypes, he won awards and great acclaim. His follow-up play Spic-o-Rama is equally funny and thought provoking. Leguizamo played his first leading film role in Super Mario Brothers. (1993). That year he also played an important and acclaimed role in De Palma's Carlito's Way. In 1995 he finished two movies, A Pyromaniac's Love Story and To Wong Foo, Thanks for Everything, Julie Newmar where he played the lovely drag queen Miss Chi Chi Rodriguez. That year, Leguizamo also created, scripted, executive produced and starred in a sketch comedy show on Fox, House of Buggin. Done in the style of Fox's smash hit series In Living Color, Leguizamo's show was billed as the first show of its kind to feature an all Latino cast. Unfortunately, though the show received good ratings, it failed to attract an audience and was cancelled after only a few months. The Colombian funnyman has since returned to feature films. In 1996, he starred, wrote and co-produced another showcase for his talents, The Pest.

Trivia: With bit roles in such small-screen hits as Law & Order, Diagnosis Murder, JAG, Oz, and Touched By an Angel preceding his turn as a police sergeant who unknowingly works alongside a secretive serial killer in the Showtime series Dexter, actor Erik King was already well on his way to stardom when he landed his most prominent television role to date. Of course, it hadn't all been small-screen victories for King during his decade-long rise through the ranks; he had also appeared in such high-profile features as Cadillac Man, Desperate Measures, National Treasure, and The Ice Princess.

Trivia: A burly, bald black actor of stage, screen, and television, Ving Rhames specializes in playing villains and, indeed, having grown up on Harlem's meanest streets, is no stranger to violence. His onscreen persona, however, is no match for his real-life reputation as a deeply compassionate man, seriously dedicated to his profession. The actor ably demonstrated his capacity for abundant generosity during the 1998 Golden Globes ceremony when he handed over the award he had just won for portraying the title character of the cable film Don King: Only in America to fellow nominee Jack Lemmon, simply because he felt Lemmon's contributions to film exceeded his own.Though his upbringing in Harlem was rife with many temptations to engage in easy money criminal ventures, the deeply religious Rhames separated himself from street riffraff at a young age and focused his energies on school. It was his ninth grade English teacher who steered the sensitive young man toward acting, in large part because Rhames was unusually well spoken, frequently earning praise for his clear elocution. Inspired by a poetry reading he had attended with schoolmates, Rhames successfully auditioned for entrance into New York's prestigious High School for the Performing Arts. Once enrolled, he immersed himself in his studies and fell in love with acting. Following graduation in 1978, he attended the Juilliard School of Drama on a scholarship and focused his studies there on classical theater. After graduating from Juilliard in 1983, he went on to perform in Shakespeare in the Park productions. In 1984, Rhames made his television debut in Go Tell It on the Mountain and, the following year, landed his first Broadway role starring opposite Matt Dillon in The Winter Boys. Thus began a steady, fruitful theater career augmented by recurring roles on such daily soap operas as Another World and Guiding Light, and guest-starring parts on such primetime series as Miami Vice. He entered films in Native Son (1986), following that up with appearances in a series of modest films and television movies. Rather than getting a single big break into stardom, he made a gradual ascent that began with his appearance in Brian De Palma's grim Vietnam War saga Casualties of War (1989). Rhames again worked with Matt Dillon in 1993 on The Saint of Fort Washington. While filming on location in New York, Dillon introduced him to a man who had approached him, asking about the actor's involvement with Rhames on Broadway. It turned out that the stranger was Rhames' long-estranged older brother, Junior, who had lost contact with the family while serving in Vietnam. Troubled and unable to reintegrate into mainstream society, he had been living in a nearby homeless shelter. The compassionate Rhames was thrilled to see his big brother and promptly moved him into his apartment, helped him get a job, and later bought a home for his brother and parents to share. In 1994, Rhames gained considerable acclaim for his disturbingly convincing portrayal of the sadistic Marsellus Wallace in Quentin Tarantino's Pulp Fiction. His performance paved the way for supporting roles opposite some of Hollywood's most popular stars in such big budget features as Mission Impossible (1996) (as well as John Woo's 2000 sequel to the film), Con Air (1997), Out of Sight (1998), and Entrapment (1999). In addition to his film credits, Rhames has also continued to appear frequently on such television shows as E.R. Rhames' performance as a former gangster turned honest, hardworking man proved a highlight of Boyz N the Hood director John Singleton's 2001 drama Baby Boy, and after lending his distinctive voice to the computer animated box-office disaster Final Fantasy: The Spirits Within the actor returned to the small screen for a pair of made-for-television features. If subsequent efforts such as Undisputed failed to make a sizable dent at the box office, Rhames continued to impress with contributions to such features as Lilo and Stitch (again providing vocals for the animated film) and as a conscientious cop in the 2002 police drama Dark Blue. A role opposite Gary Oldman in the 2003 crime drama Sin flew under the radar of most mainstream film audiences, and in early 2004 Rhames took up arms against the hungry legions of the undead in the eagerly anticipated remake Dawn of the Dead. Subsequently reprising his role as Luther Stickell in Mission Impossible III, the imposing Rhames flexed his comedy muscles with a role in 2007's I Now Pronounce you Chuck and Larry before hitting what could be considered a career low-point in Steve Miner's embarassing Day of the Dead remake. An outrageous performance in 2009's The Goods: Live Hard, Sell Hard garnered some big laughs, and the following year Rhames did over-the-top horror the right way in Alexandre Aja's outrageous remake Piranha. In the next few years, however, Rhames' film output seemed to grow increasingly erratic, with roles in such Z-grade fare as Death Race 2 and Zombie Apocalypse earning the Emmy-winning veteran steady paychecks but precious little artistic integrity.

Trivia: Enlisted in the U.S. Marines at age 19; was wounded three times (and received a Bronze Star) during three tours of duty in Vietnam. Was a public-affairs officer in Beirut when the Marine base there was attacked by terrorists in 1983; retired from the USMC as a captain in 1984. Trained anti-communist guerrillas in Nicaragua and El Salvador while writing for Soldier of Fortune magazine in 1984-85. Founded Warriors, Inc., a company offering military advice to filmmakers, in 1985. First client: Oliver Stone, for Platoon (the first of seven Stone collaborations). All told, has advised on more than 40 movies and TV shows, including Saving Private Ryan, Band of Brothers, The Pacific,The Thin Red Line, and Forrest Gump. Has acted in many of the films he advised on, as well in as such TV series as L.A. Law, JAG, Chuck, Cold Case and Entourage. Hosted a talk show on KFI radio in Los Angeles from 2003 to 2010. Has published numerous novels, including a novelization of Platoon. Son Chris is a member of the rock band The Fire Violets.

Trivia: Actor Wendell Pierce spent the first 20 years or so of his career predominantly essaying character roles as authority figures, with many bit parts as cops, attorneys, government agents, and ministers to his credit. Pierce devoted the majority of his first decade to big-screen work (including such projects as The Money Pit, Family Business, and Get on the Bus); by 1995, he began to accept occasional bit parts on television, and indeed, this venue ultimately brought Pierce higher billing, when he was tapped to play two roles: Conrad "Candyman" Jones on Third Watch and Detective William "Bunk" Moreland on HBO's police drama The Wire. Pierce remained most active on-stage, however, where his powerhouse presence illuminated an impressive array of classical dramas, among them Cymbeline (1989), Antigone (1993), and Tartuffe (1999). Over the coming years, Pierce would find additional success on a series about his hometown, Treme.

Trivia: The son of actors Jason Robards and Lauren Bacall, actor Sam Robards made his feature debut in The Tempest (1982). He has gone on to work in television, starring on shows like Get a Life, Law & Order, Gossip Girl, and Treme, as well as feature films like Bounce, Life as a House, and The Rebound.

Trivia: At 14, ran away from home and took a Greyhound bus to Los Angeles to pursue a career as an actor, but his parents tracked him down and sent him to a boarding school in Ireland. After graduating from high school in Omaha, he studied French, art history and theatre in Paris. Was cast as an understudy in the Broadway production of Biloxi Blues. As a 46-year-old training for the lead role in the FX series Lights Out, McCallany fulfilled a lifelong dream to fight in an amateur boxing competition, winning a three-round decision against a German heavyweight.

Trivia: Born June 9th, 1961, Michael J. Fox made his television debut in Vancouver at the age of 15. Three years later, he moved to the U.S., living in spartan conditions until he was able to get his green card. Things started breaking for Fox in 1980, when he made his simultaneous American TV and movie bow, winning a regular role on the weekly series Palmerstown, U.S.A. and a supporting part in the theatrical film Midnight Madness. Previously billed as Michael Fox, the actor was compelled by the Screen Actors Guild to add the "J" to his name to avoid confusion with an older character actor who went by the same name. At 5'4", the baby-faced Fox was able to play adolescents and teenagers well into his twenties; during the early stages of his career, however, his height lost him as many roles as he won. Fox had sold all his furniture and was subsisting on macaroni and cheese at the time he won his star-making role as junior conservative Alex P. Keaton on the long-running (1982-1989) sitcom Family Ties. Before the series ran its course, Fox had won three Emmys, one of them for an unforgettable "one-man show" in which his character soliloquized over the suicide of a close friend. Fox's movie career caught fire after he replaced Eric Stoltz in the role of time-traveling teen Marty McFly in Back to the Future (1985), an enormous hit which spawned two sequels. Not all of Fox's subsequent movie projects were so successful -- although several of them, notably The Secret of My Success (1987) and Casualties of War (1989), were commendable efforts that expanded Fox's range. In later years, the actor seemed to be have difficulty finding the vehicle that would put him back on top, although he continued to keep busy. In the fall of 1996, Fox returned to television in the ABC sitcom Spin City, in which he starred as Michael Flaherty, the Deputy Mayor of New York City. That same year, he could also be seen in Tim Burton's Mars Attacks! and Peter Jackson's The Frighteners. In 1999, the diminutive actor lent his talents to another wee character, voicing the title role of Stuart Little for the film adaptation of E.B. White's beloved children's book about a walking, talking mouse. Married to actress Tracy Pollan since 1988 -- she played his long-time girl friend on Family Ties -- Fox credited her with helping him survive his battle with Parkinson's Disease, with which he was diagnosed in 1991. Fox voiced a variety of animated characters throughout the 2000s, and appeared on TV shows including CBS' The Good Wife and the FX drama Rescue Me,

Trivia: Known almost as much for his off-screen pastimes as his on-screen characterizations, Woody Harrelson is an actor for whom truth is undeniably stranger than fiction. Son of a convicted murderer, veteran of multiple arrests, outspoken environmentalist, and tireless hemp proponent, Harrelson is colorful even by Hollywood standards. However, he is also a strong, versatile actor, something that tends to be obscured by the attention paid to his real-life antics. Born in Midland, TX, on July 23, 1961, Harrelson grew up in Lebanon, OH. He began his acting career there, appearing in high-school plays. He also went professional around this time, making his small-screen debut in Harper Valley P.T.A. (1978) alongside Barbara Eden. While studying acting in earnest, Harrelson attended Indiana's Hanover College; following his graduation, he had his first speaking part (one line only) in the 1986 Goldie Hawn vehicle Wildcats. On the stage, Harrelson understudied in the Neil Simon Broadway comedy Biloxi Blues (he was briefly married to Simon's daughter Nancy) and at one point wrote a play titled Furthest From the Sun. His big break came in 1985, when he was cast as the sweet-natured, ingenuous bartender Woody Boyd on the TV sitcom Cheers. To many, he is best remembered for this role, for which he won a 1988 Emmy and played until the series' 1993 conclusion. During his time on Cheers, Harrelson also played more serious roles in made-for-TV movies such as Bay Coven (1987), and branched out to the big screen with roles in such films as Casualties of War (1989) and Doc Hollywood (1991). Harrelson's big break as a movie star came with Ron Shelton's 1992 sleeper White Men Can't Jump, a buddy picture in which he played a charming (if profane) L.A. hustler. His next film was a more serious drama, Indecent Proposal (1993), wherein he was miscast as a husband whose wife sleeps with a millionaire in exchange for a fortune. In 1994, Harrelson appeared as an irresponsible rodeo rider in the moronic buddy comedy The Cowboy Way, which proved to be an all-out clinker. That film's failings, however, were more than overshadowed by his other film that year, Oliver Stone's inflammatory Natural Born Killers. Playing one of the film's titular psychopaths, Harrelson earned both raves and a sizable helping of controversy for his complex performance. Following work in a couple of low-rated films, Harrelson again proved his mettle, offering another multi-layered performance as real life pornography magnate Larry Flynt in the controversial People Vs. Larry Flynt (1996). The performance earned Harrelson an Oscar nomination. The next year, he earned further praise for his portrayal of a psychotic military prisoner in Wag the Dog. He then appeared as part of an all-star lineup in Terrence Malick's The Thin Red Line (1998), and in 1999 gave a hilarious performance as Matthew McConaughey's meathead brother in EdTV. That same year, he lent his voice to one of his more passionate causes, acting as the narrator for Grass, a documentary about marijuana. In 2000, Harrelson starred in White Men collaborator Ron Shelton's boxing drama Play It to the Bone as an aspiring boxer who travels to Las Vegas to find fame and fortune, but ends up competing against his best friend (Antonio Banderas). The actor temporarily retired from the big screen in 2001 and harkened back to his television roots, with seven appearances as Nathan, the short-term downstairs boyfriend to Debra Messing's Grace, in producer David Kohan's long-running hit Will and Grace (1998-2006). After his return to television, Harrelson seemed content to land supporting roles for several years. He reemerged in cineplexes with twin 2003 releases. In that year's little-seen Scorched, an absurdist farce co-starring John Cleese and Alicia Silverstone, Harrelson plays an environmentalist and animal activist who seeks retribution on Cleese's con-man for the death of one of his pet ducks. Unsurprisingly, most American critics didn't even bother reviewing the film, and it saw extremely limited release. Harrelson contributed a cameo to the same year's Jack Nicholson/Adam Sandler vehicle Anger Mangement, and a supporting role to 2004's critically-panned Spike Lee opus She Hate Me. The tepid response to these films mirrored those directed at After the Sunset (2004), Brett Ratner's homage to Alfred Hitchcock. Harrelson stars in the diamond heist picture as federal agent Stan Lloyd, opposite Pierce Brosnan's master thief Max Burdett. Audiences had three chances to catch Harrelson through the end of 2005; these included Mark Mylod's barely-released, Fargo-esque crime comedy The Big White , with Robin Williams and Holly Hunter; Niki Caro's October 2005 sexual harrassment docudrama North Country, starring Charlize Theron; and the gifted Jane Anderson's period drama Prize Winner of Defiance Ohio. In the latter, Harrelson plays, Leo 'Kelly' Ryan, the drunken, increasingly violent husband of lead Julianne Moore, who manages to hold her family together with a steady stream of sweepstakes wins in the mid-fifties, as alcoholism and the financial burden of ten children threaten to either tear the family apart or send it skidding into abject poverty. Harrelson then joined the cast of maestro auteur Robert Altman's ensemble comedy-drama A Prairie Home Companion (2006), a valentine to Garrison Keillor's decades-old radio program with a strong ensemble cast that includes Meryl Streep, Lindsay Lohan and Kevin Kline. He also works wonders as a key contributor to the same year's Richard Linklater sci-fi thriller Through a Scanner Darkly, an adaptation of Philip K. Dick's 1977 novel that, like one of the director's previous efforts, 2001's Waking Life, uses rotoscoping to animate over live-action footage. It opened in July 2006 to uniformly strong reviews. As Ernie Luckman, one of the junkie hangers-on at Robert Arctor's (Keanu Reeves) home, Harrelson contributes an effective level of despondency to his character, amid a first-rate cast. After Harrelson shot Prairie and Scanner, the trades announced that he had signed up to star in Paul Schrader's first UK-produced feature, Walker, to co-star Kristin Scott-Thomas, Lauren Bacall, Ned Beatty, Lily Tomlin and Willem Dafoe. Harrelson portrays the lead, a Washington, D.C.-based female escort; Schrader informed the trades that he envisions the character as something similar to what American Gigolo's Julian Kaye would become in middle-age. Shooting began in March 2006. He also signed on, in June of the same year, to join the cast of the Coen Bros.' 2007 release No Country for Old Men, which would capture the Academy Award for Best Picture. Harrelson showed off his versatility in 2008 by starring in the Will Ferrell basketball comedy Semi-Pro as well as the thriller Transsiberian. He continued to prove himself capable of just about any part the next year with his entertaining turn in the horror comedy Zombieland, and his powerful work as a damaged soldier in Oren Moverman's directorial debut The Messenger. For his work in that movie, Harrelson captured his second Academy Award nomination, as well as nods from the Golden Globes, the Independent Spirit Awards, and the Screen Actors Guild - in addition to winning the Best Supporting Actor award from the National Board of Review. In 2012, the actor appeared as the flawed but loyal mentor to two young adults forced to compete to the death in the film adaptation of author Suzanne Collins' The Hunger Games.

Trivia: Producer Art Linson started out managing rock groups before turning to film where he has worked closely with such directors as Jonathan Demme, Amy Heckerling and Brian De Palma.

Trivia: American director Brian De Palma has always insisted that he gained his fascination with all things gory by watching his father, an orthopedic surgeon, at work. It's more likely that the principal influence on De Palma's career was Alfred Hitchcock, a fascination he has claimed to have outgrown professionally. Whatever the case, De Palma did his first film work in amateur short subjects while a student at Columbia University. Thanks to one of these films, he won a writing fellowship to Sarah Lawrence College, where he made his first feature, The Wedding Party, between 1962 and 1964. In the cast of The Wedding Party, which wouldn't be released until 1969, were Sarah Lawrence student Jill Clayburgh and a Brooklyn kid who called himself "Bobby" De Niro. De Palma's first film to gain theatrical release was 1968's Murder à la Mod, and the first to accrue critical approval was a trendy anti-war tome called Greetings (1968), again with the Brooklyn boy who by this time was known as Robert De Niro. Hi, Mom! (1970) was a similarly irreverent comedy, but De Palma was prescient enough to realize that the vogue for anti-establishment films would soon pass. Thus he began emulating Alfred Hitchcock with Sisters (1973), utilizing the split-screen technique popularized by such late-'60s pictures as Grand Prix and The Boston Strangler. De Palma not only admitted to borrowing from Hitchcock in Sisters, but also underlined the tribute by having the film scored by Hitchcock's frequent musical director Bernard Herrmann. Obsession (1976), again scored by Herrmann, was one of several De Palma imitations of Hitchcock's Vertigo (see also Body Double), and also established the director's fascination with 360-degree camera pans. Carrie (1976), De Palma's most successful film to that date (and still one of the most successful Stephen King adaptations), marked a return to the split-screen technique and wrapped the story up with another of De Palma's trademarks, the "false shock" ending which turns out to be a nightmare. There was a similar finale (again staged as a dream) in Dressed to Kill (1980), which audaciously included a shower scene à la Psycho (but the director deceived, staging the murder in an elevator). By the time Body Double came around in 1984, De Palma was all but parodying himself with gratuitous gore, slow motion, lyrical panning shots, Herrmann-esque musical scores, characters who weren't who they seemed to be, and twist-around endings. With the acclaimed Scarface (1983), the director inaugurated his "crime is not nice" period, ladling out grimly violent sequences in such films as Wise Guys (1986) and The Untouchables (1987) to show that the bad guys weren't the lovable lugs Damon Runyon had made them out to be. De Palma next explored a different kind of violence in Casualties of War (1989), a Vietnam War film that centered on the outrageous mistreatment of a Vietnamese woman by a platoon of American soldiers. Raising Cain (1992) was a full-blooded return to terror, with one of De Palma's favorite actors, John Lithgow, given free reign to express his wildest, darkest passions. Carlito's Way (1993) was another crime flick, this time with Al Pacino (who'd worked with De Palma in Scarface), and proved to be one of De Palma's most widely praised films in years. With the exception of The Bonfire of the Vanities (1990), which was a full-out failure, De Palma has remained one of a handful of truly bankable Hollywood directors capable of opening a picture on the basis of his own name rather than the names of the stars. He had another hit on his hands in 1996 with a big-budget adaptation of the TV series Mission: Impossible. Snake Eyes (1998), a thriller revolving around a political assassination, was something of a critical and commercial disappointment, but the director resurfaced two years later with Mission to Mars. A sci-fi suspense thriller, it removed the director from earthly horror and violence, only to restage it elsewhere in the solar system.De Palma was back just two years later with Femme Fatale, a typically stylish exercise featuring Rebecca Romijn-Stamos as the title character and Antonio Bandaras as the man unlucky enough to become entranced by her. After a four-year layoff De Palma returned to theaters with an adaptation of James Ellroy's The Black Dahlia. Based loosely on the infamous unsolved murder case, the book was the first of a four-book series that would also include L.A. Confidential. He got some of his best reviews in years for his 2007 Iraq war film Redacted, but the film failed to click with audiences.