Trivia: Tall, chiseled-face character actor Robert John Burke has been acting since the 1970s, but he is best known to art house audiences as a regular member of New York-based director Hal Hartley's stock company of decidedly non-Hollywood actors. Born on Long Island, Burke studied acting at S.U.N.Y. Purchase in the early '70s. After he graduated from college, Burke began acting in TV, appearing on such shows as As the World Turns and Happy Days. Though he made his feature film debut in The Chosen (1981), Burke devoted his energies in the early '80s to an experimental teaching program designed to involve students directly in the arts. Burke returned to movies and TV in the latter half of the 1980s with roles in actioner Wanted Dead or Alive (1986), TV movie comedy Pass the Ammo (1989), and late-'80s dance trend vehicle Lambada (1989). Burke's fortunes began to change when he was cast in the lead role of an enigmatic ex-con who returns to his Long Island hometown in the then-unknown Hartley's first feature, The Unbelievable Truth (1990). Shot on a shoestring budget in 11 days, The Unbelievable Truth garnered positive notice for Hartley's distinctly offbeat, dark comic sensibility and his stars' deadpan, wry performances. Burke followed The Unbelievable Truth with a supporting part in the Oscar-nominated 1930s coming of age film Rambling Rose (1991) and a high-profile starring role replacing Peter Weller as the imposing eponymous cyborg law enforcer in Robocop 3 (1992). Burke stayed busy from then on, alternating between independent movies and Hollywood projects. Working with Hartley again, Burke starred as one of a pair of brothers searching for their ballplayer-turned-anarchist father in the quirky yet appealing Simple Men (1992); he played a smaller role in Hartley's troubled romance triad Flirt (1995). Burke also acted more than once with the far less celebrated independent filmmaker Eric Schaeffer, appearing in Schaeffer's industry insider comedy My Life's in Turnaround (1993) and self-indulgent romantic comedy If Lucy Fell (1996). Outside of the New York independent scene, Burke played Reese Witherspoon's African gamekeeper father in the children's adventure A Far Off Place (1993), joined the distinguished cast populating Tombstone (1993) (the Kurt Russell version of the Wyatt Earp Western legend), appeared in Oliver Stone's third Vietnam movie, Heaven and Earth (1993), and starred as the cursed obese lawyer in Stephen King's horror yarn Thinner (1996). Continuing to show his versatility in both comedy and drama, Burke joined the supporting cast of the light-hearted buddy chase movie Fled (1996) and starred as Natasha Gregson Wagner's father in the bayou love story First Love, Last Rites (1997). Burke returned to TV in the late '90s in two acclaimed HBO productions, the ambitious miniseries From the Earth to the Moon (1998) and the wrenching Vietnam War docudrama A Bright Shining Lie (1998). At the start of the 2000s, Burke reunited with Hal Hartley for the Cannes Film Festival entry No Such Thing (2001). Drawing upon his varied experience, not to mention his formidable mien, Burke played the mammal/lizard Beast to Sarah Polley's Beauty in Hartley's singular reworking of the fairy tale romance.

Trivia: The daughter of a New York City policeman, Nancy Allen trained for a dancing career at the High School of Performing Arts, then attended Jose Quintano's School for Young Professionals. In dozens of TV commercials from the age of 15, Nancy made her first film appearance (as "Nancy"-what a stretch!) in 1973's The Last Detail. Three years later, she set the standard for all future "bitch-goddess teenagers" as the beautiful but despicable high schooler Chris in Brian De Palma's Carrie. While Chris and her greaser boyfriend (John Travolta) met with a violent but well-deserved end on-screen, Nancy herself ultimately won out by claiming director De Palma as her husband. She next displayed a keen comic sense in the role of the only teenager on Earth who doesn't love the Beatles in Robert Zemeckis' I Want to Hold Your Hand (1976); thereafter, for the next seven years she appeared only in DePalma's films. She carried on a heated argument with her own hand in Home Movies (1979), was threatened by a knife-wielding psycho in Dressed to Kill (1980), and literally died for John Travolta's art in Blow-Out (1981). After her divorce from DePalma in 1984, Nancy's film opportunities narrowed, though she was memorable as take-no-guff police officer Anne Lewis in the three Robocop flicks. In 1993, Nancy Allen joined several other veteran stars in Acting on Impulse, a made-for-cable send-up of the horror films that first brought her fame.

Trivia: Rip Torn may qualify as a "character actor" in the broadest sense of the term -- he typically fleshes out variations on the same role again and again, typecast as genially earthy, volatile, and loudmouthed good old boys. But, love him or hate him, Torn's roles over the course of more than half a century are distinct and pronounced enough to have elevated him above many of his contemporaries, into a veritable staple of American cinematic pop culture.Born Elmore Rual Torn, Jr. in Temple, TX, on February 6, 1931, and nicknamed "Rip" by his father, Torn attended Texas A&M as an undergraduate and studied animal husbandry. He intended to establish himself as a rancher after graduation, but first opted to pursue an acting career as a means to buy a ranch, mistakenly believing that he would hit Hollywood and achieve instant stardom. Instead, Torn scrounged around Los Angeles for several years as a dishwasher and short-order cook, but continued to pursue acting in his off time. Torn's persistence paid off, and he eventually landed several bit parts in movies and television series. He moved to Manhattan in the late '50s, where he formally studied acting under Lee Strasberg and danced under the aegis of Martha Graham; a wealth of movie roles followed over the next several decades, beginning with that of Brick in Actors Studio associate Elia Kazan's controversial classic Baby Doll (1956, with a script by Tennessee Williams) and, a few years later, the role of Finley in another Williams drama, the Richard Brooks-directed Sweet Bird of Youth (for which Torn received a great deal of notoriety). Additional supporting roles throughout the late '60s and early '70s included Slade in Norman Jewison's The Cincinnati Kid (1965), I.H. Chanticleer in Francis Ford Coppola's You're a Big Boy Now (1966), and Sgt. Honeywell in Cornel Wilde's Beach Red (1967).In the late '60s, two key (albeit temporary) shifts occurred in Torn's career. First, he went counterculture (and arthouse) with an unofficial trilogy of experimental roles. In the most pronounced -- Joe Glazer in Milton Moses Ginsberg's Coming Apart (1969, opposite Andy Warhol regular Sally Kirkland) -- Torn plays a nutty psychiatrist who specializes in female neuroses and decides to film all of his sessions, then his own mental breakdown. (Ginsberg films all of the action as reflected in a mirror.) The X-rated picture -- which features graphic sequences of Kirkland performing fellatio on Torn -- was (and is still) widely derided as spectacularly bad. Variety hit the proverbial nail on the head in 1969 when it concluded, "The problem with Coming Apart is that while it suggests some interesting ideas, it can't deliver any of them in cogent form....The results are not satisfactory." Neither are the second or third installments in Torn's "experimental" phase: roles in the first and third features directed by literary giant Norman Mailer, Beyond the Law (1967) and Maidstone (1970). Of Law -- an improvisational, comic piece set in a precinct house (with Torn as a character called Popcorn), The Motion Picture Guide sneered, "Barney Miller may have been inspired by this movie," and Roger Ebert declared it unintentionally funny, but those were the kindest reactions. Maidstone -- a fragmented, barely coherent drama -- stars only Mailer, as a politician-cum-film director, and Torn. This partially improvised picture became notorious for an on-camera sequence in which Torn (playing Mailer's half-brother) attacks Mailer with a hammer (allegedly for real), sans forewarning, bloodying up the author's face while the actress playing his wife screams in the background. Some wrote the scene off as a fake, but many others dissented. Variety observed in 1970: "[Torn] states he had to do it to make his character real and for the film. But he claims he pulled the hammer and had never drawn blood before while acting. The Mailer character is furious and vindictive. Mailer would not disclose whether it was real or not, but it did look ferociously authentic...."The second "shift" of Torn's career in the early '70s yielded infinitely greater success: a pair of rare leads in A-list features. He played Henry Miller opposite Ellen Burstyn in Joe Strick's marvelous, picaresque adaptation of that author's novel, Tropic of Cancer, and the abusive, booze and pill-addled country singer Maury Dann in Daryl Duke's harrowing drama Payday (1973). The pictures opened to generally spectacular reviews and raves over Torn's portrayals; Variety, for one, termed his performance in the Duke picture "excellent."While these lead roles showcased limitless dramatic ability, they unfortunately marked exceptions to the rule, and for the remainder of the '70s, '80s, and '90s, Torn contented himself with an endless (albeit impressive) array of colorful supporting turns -- dozens of them. High points include Nathan Bryce in The Man Who Fell to Earth (1976); Dr. George in Coma (1978); the boozing, hell-raising, and philandering Senator Kittner in Jerry Schatzberg's The Seduction of Joe Tynan (1979); longhaired record producer Walter Fox in Paul Simon's One Trick Pony (1980); the pirate-like Scully in Carl Reiner's Summer Rental (1985); Buford Pope in Robert Benton's sex farce Nadine (1987); the none-too-gifted afterlife attorney Bob Diamond in Albert Brooks' fantasy Defending Your Life (1991); Zed in Men in Black (1997); acid-mouthed coach Patches O'Houlihan in the Ben Stiller comedy Dodgeball: A True Underdog Story (2004); and King Louis XV in Sofia Coppola's much-ballyhooed tertiary directorial outing, Marie Antoinette (2006). His low point undoubtedly arrived in 2001, when he played Tom Green's father, Jim Brody, in the controversial comedian's yuck-fest Freddy Got Fingered (2001). (A very low point; the film's comic highlight has Torn being showered with fake elephant ejaculate.)In addition to his film work, Torn made a series of critically acclaimed contributions to the small screen throughout the '80s and '90s, most vividly as Artie on HBO's Larry Sanders Show, for which he gleaned two Cable Ace awards, three Emmy nominations, and an Emmy for Best Supporting Actor in a Comedy Series. Torn did direct one feature, the 1988 Whoopi Goldberg vehicle The Telephone, which opened and immediately closed to devastating critical reviews and dismal box office.Torn was married to actress Ann Wedgeworth from 1956 until their divorce in 1961 and Geraldine Page from 1961 until her death in 1987, and is currently married to actress Amy Wright. He is the cousin of actress Sissy Spacek.

Trivia: A supporting actor, Castle began appearing on screen in 1966.

Trivia: From busking to blockbusters to small-screen crime drama, worldly actress Jill Hennessey has proven herself as an actress with talent to spare. As easy as it may be to see only her dark beauty, don't mistake the multilingual Hennessey as a one trick pony; she's also established herself as a successful restaurateur and a talented musician. Hennessey was born three minutes after her identical twin sister, Jacqueline, in Edmonton, Alberta, Canada, in November of 1969. Her parents divorced when she was only a young girl, and her grandmother played a large part in raising her and her sister. It was during this time that young Hennessey took up cooking in order to help care for her family, and her passion for food would eventually lead her to open Hennessey's Tavern in Northvale, NJ, after establishing herself as an actress. Hennessey moved to New York following her graduation from Ontario's Grand River Collegiate, and for a time, she busked in the N.Y.C. subway, singing and playing the guitar for money. Though her career in entertainment may not have taken off quickly, it was only a matter of time before she found success. In 1988, both Hennessey and her sister got their first breaks with small roles in director David Cronenberg's acclaimed chiller Dead Ringers. In the following few years, she would repeatedly turn up on the small screen in Friday the 13th: The Series and The Hitchhiker. A three-year stint on television's popular Law & Order as ADA Claire Kincaid gained the rising starlet much exposure, and indie credit came with a supporting role in director Mary Harron's I Shot Andy Warhol. After roles in A Smile Like Yours and Most Wanted made 1997 a memorable year for her, Hennessey took the lead opposite pop star-turned-actor Jon Bon Jovi in the 1998 drama Row Your Boat. Subsequent films such as Komodo may have done little to advance Hennessey's career as a serious thespian, but she expanded into writing and directing with her all-star comedy The Acting Class in 2000. With more roles coming her way every day, Hennessey took on the daunting task of portraying none other that Jackie Kennedy in the 2001 miniseries Jackie, Ethel, Joan: The Women of Camelot. Later that year she took the lead role in the small-screen drama Crossing Jordan, and it seemed as if she had finally arrived when the show proved to be a success, running for six years.Hennessy would wpend the next several years appearing in a number or projects, like the horse racing series Luck.

Trivia: Born in Guyana on December 25, 1952, actress CCH Pounder made her first film appearance as a nurse in Bob Fosse's All That Jazz (1979). Pounder went on to play a small part in Prizzi's Honor before her first big role as truckstop owner Brenda in Bagdad Cafe. Her first TV-series assignment was as husband-murderer Dawn Murphy in the short-lived FOX sitcom Women in Prison. Many dramatic TV movies followed, including Leap of Faith, Third Degree Burn, Murder in Mississippi, and the two-part CBS miniseries Common Ground. On the big screen, she had supporting parts in Postcards From the Edge, Kurt Baker's version of The Importance of Being Earnest, and the romantic comedy Benny & Joon. After appearing in Sliver and Robocop 3, she returned to television for the role of Dr. Angela Hicks on ER, earning her an Emmy nomination for Outstanding Supporting Actress. She left the show in 1997 and went on to countless TV movies (Final Justice, Netforce, A Touch of Hope, just to name a few), as well as a couple feature films (Face/Off, End of Days) and TV miniseries (House of Frankenstein, To Serve and Protect). In 2001, she narrated the PBS documentary series Race: The Power of an Illusion and played a judge in Allison Anders' independent drama Things Behind the Sun. In 2002, she was back on television as Detective Claudette Wynn on the FOX police drama The Shield.Pounder continued to work on The Shield until the series concluded in 2007, and was nominated for Best Supporting Actress in a Drama Series by the Academy of Television Arts and Sciences for her role as Detective Wynn. The actress appeared in 2009's psychological horror The Orphan, and voiced Mo'at, the spiritual leader of the Omaticaya clan, in James Cameron's mega-blockbuster Avatar the same year. 2009 would prove a rewarding year for Pounder, as her guest appearances on the BBC/HBO series No. 1 Ladies Detective Agency would earn her an Emmy nomination for Outstanding Guest Actress in a Drama Series.

Trivia: Japanese actor Mako, born Makoto Iwamatsu, has spent most of his professional career in the United States. His first important film appearance was as Po-Han, Steve McQueen's assistant machinist, in The Sand Pebbles (1966), a performance that earned him an Oscar nomination. He remained in films into the 1990s, playing choice character parts in such films as Hawaiians (1967), Conan the Destroyer (1984), and Rising Sun (1993). Mako's TV credits include the role of Major Oshira on the weekly Hawaiian Heat (1984) and the 1990 TV movie Hiroshima: Out of the Ashes.

Trivia: African-American stage and film actor Robert Do Qui was first seen by televiewers on a weekly basis as Detective Cliff Sims in Felony Squad (1968-1969). Do Qui has worked extensively with director Robert Altman, most prominently as the sympathetic nightclub manager in Nashville (1975). In the 1980s and 1990s, he became familiar to action fans as Sgt. Reed in the three Robocop flicks. In addition to his many acting credits, Robert Do Qui served several terms as an officer of the Screen Actors Guild. He died at age 74 in 2008.

Trivia: Though best known for his work as radio station bigwig Jimmy James on the television series NewsRadio, Stephen Root is one of the busier character actors at work today, and a familiar face to television and movie audiences. Born in Sarasota, FL, on November 17, 1951, Root received a degree in acting and broadcasting from the University of Florida, and after graduating passed an audition to join the touring company of the National Shakespeare Company. After three years with the NSC, Root settled in New York City, where he began working in off-Broadway theater, making his debut in a revival of Journey's End. His first Broadway role, in So Long on Lonely Street, was a bust at the box office, but the 1987 revival of All My Sons was a big hit which generated plenty of enthusiastic press for Root. 1988 saw Root making his motion-picture debut in the George Romero horror opus Monkey Shines, and over the next several years Root worked steadily in feature films, episodic television, and made-for-TV movies, scoring recurring roles on L.A. Law, Star Trek: The Next Generation, and Blossom; guest spots on Northern Exposure, Murphy Brown, and Quantum Leap; supporting parts in Ghost, Dave, and Robocop 3; and an acclaimed turn in A Woman Scorned: The Betty Broderick Story, as well as its sequel, Her Final Fury: Betty Broderick, The Last Chapter. In 1993, Root was cast as R.O. on the television series Harts of the West; the show only lasted a season, but his next role on a series would last a bit longer; cast as Jimmy on the sitcom NewsRadio in 1995, Root would last with the show for five seasons, until the show was canceled after a disappointing final season following the death of co-star Phil Hartman. During hiatus from NewsRadio and after the series ended, Root continued his busy schedule, making memorable appearances in feature films (including Office Space and O Brother, Where Art Thou?) and guesting on other shows. Root also began doing voice work, speaking for Buck Strickland and Bill Dauterive on the animated series King of the Hill and the Sheriff on Buzz Lightyear of Star Command.Root's small-screen voice-work would soon lead to his involvement in two popular big-screen animated features. In 2002's Ice Age, audiences could hear him along with Cedric the Entertainer as a pair of Rhinos. And the next year, Root lent his pipes to the blockbuster underwater adventure Finding Nemo. While his voice became more familiar to moviegoers, Root continued to become more of a presence in live-action films as well. Turning in no less than four supporting performances in high-profile films, Root spent 2004 reteaming with the Coen brothers for The Ladykillers, showing up in a prominent role in Kevin Smith's Jersey Girl, and costarring in the broad comedies Dodgeball: A True Underdog Story, Anchorman: The Legend of Ron Burgundy, Mad Money, and Leatherheads.He remained one of the most respected and in-demand character actors of his generation appearing in a variety of projects including Mad Money, The Soloist, Everything Must Go, Red State, Cedar Rapids, and J. Edgar. He also provided numerous voices for the Oscar-winning animated feature Rango.

Trivia: African American actor Felton Perry's first film role was an activist in Haskwell Wexler's Medium Cool (1969). During Hollywood's anti-establishment period, Perry tended to be stereotyped in "radical" roles, though he was eventually permitted to expand his range. Among his best-remembered film assignments were the roles of Donald Johnson in the RoboCop films and Detective Dale in 1994's Dumb and Dumber. Felton Perry was also seen on TV as Jimmy in Matt Lincoln (1970) and Inspector Clarence McNeil in Hooperman (1987-89).

Trivia: An actor whose well-scrubbed Midwestern good looks have served him well in a wide variety of roles, Bradley Whitford was born in Madison, WI, on October 10, 1959. Whitford developed an interest in acting while in high school, and after graduating in 1977, he attended Wesleyan University, where he majored in English and Theater. After completing his studies at Wesleyan, he went on to receive a master's degree in Theater from the Juilliard Theater Center, and began pursuing an acting career in New York. Whitford made his screen debut in 1985 in a low-budget thriller called Dead As a Doorman, but received a good bit more attention for a supporting role in a 1986 TV movie, C.A.T. Squad, directed by William Friedkin. In 1987, Whitford appeared in both the New York and Los Angeles productions of Sam Shepard's drama Curse of the Starving Class; while in L.A. with the play, Whitford was cast as Jack Ford in the TV movie The Betty Ford Story. After returning to New York, Whitford continued to alternate stage roles with film assignments, and by the early '90s was appearing in a steady stream of supporting roles in such films as Presumed Innocent, A Perfect World, and Philadelphia. However, Whitford soon began scoring more substantial roles on television, including a recurring role as Norman Gardner on the series NYPD Blue and a memorable turn as a distraught father-to-be on the Emmy-award winning "Love's Labor's Lost" episode of E.R. In 1999, Whitford's finally scored the role that made him famous when he was cast as Deputy Chief of Staff Josh Lyman on the TV series The West Wing (created by Aaron Sorkin, whose play A Few Good Men had featured Whitford in its Broadway cast). Whitford's work on the series eventually earned him an Emmy Award in 2001; the same year, he was also recognized as part of the show's ensemble cast by the Screen Actor's Guild Awards (also honored with Whitford was John Spencer, who had appeared with him in the movie Presumed Innocent).Whitford appeared in The Sisterhood of the Traveling Pants in 2005, as well as the critically acclaimed comedy drama Bottleshock in 2008. The actor enjoyed a resurgence in popularity in 2012 for his turn as a ruthless, yet oddly likable businessman in director Joss Whedon's popular horror comedy Cabin in the Woods.

Trivia: Father is Chinese-Australian; mother is Japanese-American. During World War II, her mother spent a year in an internment camp in Idaho. Parents were popular husband-and-wife nightclub team, Larry and Trudie, who performed in the 1940s and '50s and appeared on The Ed Sullivan Show in 1950. Made her Broadway debut in 1962 in Nowhere to Go But Up, directed by Sidney Lumet. Provided vocals on Fred Houn's Asian American Art Ensemble's 1985 jazz album, Bamboo That Snaps Back. Appeared before Judge Judy in a 1998 episode. Father was in the original 1958 cast of Flower Drum Song, and she starred as Madame Liang in the 2002 Broadway revival. Performed in a 2007 autobiographical one-woman play called Surfing DNA. Wrote and narrated the 2008 documentary Long Story Short, which tells the story of her parents' years as performers.

Trivia: Had a long history of journalism, writing comic strips and short stories before pursuing a writing career.Worked as a data entry clerk for the 1984 Summer Olympics, a typist for a temp agency, and an usher in a Westwood movie theater before his career took off.His unproduced script Shadow Conspiracy, a Vietnam-set supernatural thriller, was partially responsible for his break in the 1980's as it landed him an agent and several script rewriting jobs for 20th Century Fox. Co-starred as Hawkins, a member of Dutch's team, in 1987's Predator.Made his directorial debut with the 2005 neo-noir crime comedy Kiss Kiss, Bang Bang.Frequently uses Christmas as the backdrop in his scripts, including Lethal Weapon, The Long Kiss Goodnight, and Iron Man 3, and this was somewhat inspired by its use in the 1975 Sydney Pollack film Three Days of the Condor.

Trivia: Heavyset comedian Jeff Garlin started doing standup comedy at his Florida college before he returned to his hometown of Chicago, IL, and joined the cast of Second City. In 1992, he made his film debut in the Dolly Parton comedy Straight Talk, followed by small roles in other features and made-for-TV movies. In 1997, he starred in his own HBO half-hour comedy special and guest starred on Everybody Loves Raymond a couple times before playing the reoccurring role of Marvin on NBC's Mad About You. After bit parts in the comedies Senseless and Austin Powers: The Spy Who Shagged Me, Garlin made the successful switch back to television. This time he tried directing and producing in addition to playing Larry David's manager, Jeff Greene, on HBO's Curb Your Enthusiasm, which would become his most recognizable role. He then hosted the short-lived variety show Late Friday and joined the cast of What About Joan for its second and final season. He made a brief return to film for Steven Soderbergh's Full Frontal and then gained co-star status with Eddie Murphy for Daddy Day Care in 2003. In 2006 he wrote, directed, and starred in the sweet indie comedy I Want Someone to Eat Cheese With, and two years later joined the Pixar family providing the voice of the ship captain in the highly-successful Wall-E. As he continued working on Curb, he found working on animated films to his liking and lent his voice to Cars 2, Toy Story 3 and ParaNorman.

Trivia: British supporting actor, onscreen from the '60s.

Trivia: Sexy and talented, with a memorably exotic look (due to a multiethnic ancestry), model-turned-actress Eva La Rue (also occasionally billed by her married name, Eva LaRue Callahan) launched her career in print work, with a heavy emphasis on covers for such periodicals as Woman's World, Latina, and Cosmopolitan en Español. La Rue segued into acting in the late '80s and early '90s, and landed a number of nonfiction television assignments, first as cohost, with the legendary Dom DeLuise, of the gag-laden series revival The New Candid Camera (1991), then as hostess of the Miss America Pageant and the Lifetime network special Weddings of a Lifetime. The ever-versatile La Rue concurrently tackled scripted roles as well. After supporting parts in many a Hollywood programmer (Robocop 3, Ghoulies III: Ghoulies Go to College, Mirror Images 2) and several years as a regular on the soap All My Children, she earned stellar notices for her portrayal of Mouseketeer-turned-beach bunny Annette Funicello in the telemovie A Dream Is a Wish Your Heart Makes: The Annette Funicello Story. She went on to perform in recurring roles on the popular series Third Watch and Soul Food. La Rue culled her broadest fan base, however, for her portrayal of lab specialist and grant writer Natalia Boa Vista on the crime series phenomenon CSI: Miami.

Trivia: American supporting actor Mark Gordon did sporadic stage, television, commercial, and screen work since the late '60s. He appeared in such films as Don't Drink the Water (1969) and Freejack (1992).