Trivia: Born September 8, 1971, to a family of entertainers, David Arquette is the youngest brother of actors Rosanna Arquette, Patricia Arquette, and Alexis Arquette, and the son of veteran bit-part actor Lewis Arquette. During David's early years, the family lived on a Virginia commune, but moved to Los Angeles so that Rosanna could pursue an acting career. David first brought his quirky, eccentric persona to the small screen in 1989, with a television adaptation of the film The Outsiders. He had his big screen debut in 1992, when he performed in a number of films, including Buffy the Vampire Slayer and Where the Day Takes You. Small roles in subsequent features followed, including 1994's Airheads, but it wasn't until his turn as a bumbling deputy in Wes Craven's Scream (1996) that he began to receive wider recognition. The same year, his visibility was further increased by a secondary role in Beautiful Girls and his turn as a struggling prostitute in Johns. 1997 brought with it Scream's highly successful sequel, the accurately titled Scream 2. In addition, it brought Dream With Fishes, a film that Arquette both acted in and co-produced. 1999 was a busy year for the actor, signaling that Hollywood was finding more room to accommodate his offbeat talent. In addition to his recurring spot in a series of creepy AT&T commercials, Arquette had major roles in three movies, the Drew Barrymore romantic comedy Never Been Kissed, Muppets From Space, and Antonia Bird's much maligned Ravenous. Arquette further increased his Hollywood visibility with his marriage to Courteney Cox, whom he wed in April 1999.He starred in the wrestling film Ready to Rumble in 2000, and returned to the Scream franchise that same year for the third film in that series. The next year he appeared as a death camp prisoner in The Grey Zone, and had a part in the action comedy 3000 Miles to Graceland. He starred in the giant-spider movie Eight Legged Freaks and played the father in The Adventures of Shark Boy and Lava Girl.In the mid-2000s, Arquette began working mostly in television, but in several different jobs. He directed several episodes of his sister Patricia's show, Medium, and acted as a producer with then-wife Cox on her series Dirt and Cougar Town (he was also a guest star on Medium and Cougar Town). Arquette continued to act, though, and had guest spots on Pushing Daisies and My Name is Earl before returning to the Scream franchise once again in 2011 (even though Arquette and Cox had separated by this point and were headed towards a divorce).Arquette began voicing Skully the parrot on the Disney Junior series Jake and the Neverland Pirates in 2011, and continued the role in the 2014 spin-off, Jake's Buccaneer Blast.

Trivia: Born October 3, 1973, in Guelph, Ontario, Canada, Neve Campbell knew she was meant to be on the stage, but not, as many would assume, as an actor. From the age of six, Campbell trained as a dancer, earning a place with the National Ballet School of Canada when she was just nine years old. However, her ambitions to be a professional dancer were cut short by a series of injuries, leading her to pursue an acting career. Campbell got her first break on the 1992 Canadian television series Catwalk, from which she garnered stateside attention. After a string of minor films, Campbell eventually landed the role of Julia Salinger on the TV series Party of Five (1994). While the program was being saved from cancellation by a massive base of fan support, Campbell was finding work in film, first in the teenage coven classic The Craft (1996). Next came a lead role in Wes Craven's horror flick Scream (1996), a huge success that would define American teen films for years to come. It was duly followed up the next year by Scream 2, which, like its predecessor, proved to be enormously popular. In 1998, Campbell appeared in three wildly divergent films, ranging from the small Canadian independent Hair Shirt to 54 to Wild Things, in which Campbell and Denise Richards starred as two high schoolers with morally questionable extracurricular activities. With the concurrent successes of these films and her television work, Campbell has proven herself to be a rare kind of performer, moving effortlessly from television to film and back, without the negative connotations experienced by previous generations of actors. She appeared opposite William H. Macy in the drama Panic in 2000, and got to draw on her dance history by starring in Robert Altman's ballet film The Company. She earned strong reviews for her work in James Toback's drama When Will I Be Loved in 2004. She continued to work steadily, but didn't have a high-profile gig until she returned to the role that first brought her movie success by starring in Scream 4 in 2011.

Trivia: Born on June 15, 1964, Courteney Cox grew up with three older siblings in Mountain Brook, an affluent Alabama town. Though Cox participated in multiple extracurricular activities during her high school years, she did not exercise her taste for acting until she dropped out of the architecture program at Mount Vernon College. Landing a contract with the prestigious Ford Modeling Agency led Cox to several commercial appearances. Her first official role arrived in 1984, when she was cast as a young debutante in one episode of the long-running soap opera As the World Turns.Her big break, however, was rooted in director Brian De Palma's decision to feature Cox as the girl pulled from the audience in Bruce Springsteen's "Dancing in the Dark" video. Years later, after the actress had gained a great deal more notoriety, this short music-video appearance became a key piece of celebrity trivia in a multitude of magazines and entertainment shows. In 1985, she starred alongside Dean Paul Martin in the forgettable series Misfits of Science. Cox reappeared on the television screen as Michael J. Fox's girlfriend, Psychology major Lauren Miller, in the '80s sitcom Family Ties. Though Cox landed bit parts in a handful of mediocre films (Mr. Destiny, The Opposite Sex and How to Live with Them) after Family Ties wrapped in 1989, her status as an actress officially gelled in 1994, when she co-starred with Jim Carrey in Ace Ventura: Pet Detective, and, most notably, won the role of Monica Geller on the hugely successful sitcom Friends. This role brought her a nomination for an American Comedy Award, as well as a prominent role in Wes Craven's Scream trilogy. Cox's role as the notoriously cutthroat reporter Gale Weathers was significant not only in terms of critical acclaim, but also because the set of Scream was where she met fellow actor David Arquette, whom she married in 1999.Although she certainly attempted to match the big screen-success of her fellow Friends castmates with such efforts as 3000 Miles to Graceland (2001), and The Longest Yard (2005), Cox-Arquette fought a tortuous uphill battle, and never managed to land a part that brought her nearly as much goodwill as the high-strung Monica. She voiced Daisy the Cow in Steve Oedekerk's 2006 animated feature Barnyard, alongside an all-star cast that includes Danny Glover, Kevin James, Wanda Sykes, Sam Elliott and Andie MacDowell. The endeavor became a double-edged sword; on one hand, most critics detested the $50 million picture; on the other, it worked wonders at the box office, as one of the top grossers of its season. Cox-Arquette's decision to join the cast of the family-friendly superhero story Zoom alongside Tim Allen and Chevy Chase didn't prove nearly as capricious. The picture suffered from relentless (though arguably justifiable) critical drubbings and performed abysmally on a commercial front, grossing just over $4 million in the week that followed its premiere - from an estimated $60 million budget. It also became the latest in Allen's long line of box office stinkers that included Christmas with the Kranks, Joe Somebody, and many others; The New York Times's Jeannette Catsoulis moaned that it "bleeds boredom from every frame," while Entertainment Weekly's Lisa Schwartzbaum observed, "this lifeless family comedy sucks the joy from every joke it touches."That same year, the trades indicated Cox's forthcoming producer credit in longtime husband David Arquette's 2007 directorial debut, the slasher picture The Tripper, with Balthazar Getty, Paul Reubens and Lukas Haas. The Hostel-like story involved a group of potheads who travel to a Woodstock-esque concert for indulgence in sensual (and visceral) pleasures, but find themselves stalked by a psychotic. Cox and Arquette each cameo in the film. 2007 also found Cox returning to TV, producing and starring in the dramatic thriller Dirt, about the seedy side of an already seedy industry - the tabloid press. The show only ran until 2008, but Cox was soon onto the next project, the sitcom Cougar Town, which she produced and starred in as well. By 2011, she was back in the movies, working on Scream 4 -- though during the production of the film, she and husband/co-star David Arquette announced they were separating; their divorce was finalized in 2013.

Trivia: The granddaughter of John Barrymore and grandniece of Ethel Barrymore and Lionel Barrymore, Drew Barrymore was born in Culver City, California on February 22, 1975. From there, she didn't waste much time getting in front of the cameras, making her first commercial at nine months and her first television movie, Suddenly Love, at the age of two. Two years later, she made her film debut, appearing as William Hurt's daughter in Altered States (1980). At the advanced age of seven, Barrymore became a true celebrity, thanks to her role as the cherubic Gertie in Steven Spielberg's E.T. The Extra-Terrestrial. The huge success of that 1982 film endeared Barrymore to millions of audience members, but following leads in two more films, Irreconcilable Differences and Firestarter (both 1984), the young actress began to succumb to a destructive lifestyle defined by drugs, alcohol, and too much partying. A child expected to behave like an adult, Barrymore began drinking at the age of nine and started taking drugs a short while later.Unsurprisingly, observers began writing Barrymore off as just another failed child star when she was barely into her teens. She made a string of (largely forgettable) movies, many of which only reinforced her image as a has-been. However, in the middle of her teen years, Barrymore entered rehab, cleaned herself up, and wrote an autobiography, Little Girl Lost, which detailed her travails with drugs and alcohol. In the early 1990s, she entered another phase in her career, gaining notoriety for playing a series of vampy, trampy trailer-park Lolitas. In this capacity, she turned in memorable performances in Poison Ivy (1992), the 1993 made-for-TV The Amy Fisher Story, and Batman Forever (1995), all of which featured her pouting seductively and showing more thigh than all the Rockettes combined. Barrymore's on-screen antics were ably complemented by the off-screen reputation she was forming at the time: first she could be seen posing nude with then-boyfriend Jamie Walters on the cover of Interview magazine, then modeling for a series of racy Guess ads, flashing David Letterman during an appearance on The Late Show as a "birthday present" to the host, and finally posing nude for Playboy in 1995.In 1996, Barrymore's image underwent an abrupt and effective transformation from slut to sweetheart. With a brief but memorable role in Wes Craven's Scream and a lead in Woody Allen's Everyone Says I Love You that featured her as a Kelly Girl for the '90s, Barrymore's career received an adrenaline shot to the heart. She began working steadily again, and she reshaped her offscreen persona into that of a delightful and sweet-natured girl trying to mend her ways. This new image was supported by her screen work, much of which featured her as a chaste heroine. Her starring role as the "real" Cinderella in Ever After (1998) was a good example, and it had the added advantage of turning out to be a fairly solid hit. Barrymore's other major 1998 film, The Wedding Singer, was another hit, further enhancing her reputation as America's new sweetheart. The following year, the actress all but put the final nail in the coffin of her wild-child reputation of years past, starring as the nerdy, lovelorn twenty-something reporter who bears the titular condition of Never Been Kissed. That movie not only marked a notable transition in Barrymore's reputation, but an advancement in her cinematic career as well. Expanding her role from actress to producer, Barrymore would continue starring in and producing such efforts as Charlie's Angels (2000), Donnie Darko (2001).Though some may have suspected that her millennial transition from sweetheart to skull-cracker in Charlie's Angels may have signaled a shift towards more action oriented roles -- and despite her return to the role in Charlie's Angels: Full Throttle (2003) -- Barrymore once again charmed audiences with another emotional comedy, Riding in Cars With Boys in 2001, while Confessions of a Dangerous Mind (2002) found Drew in the role of long-suffering girlfriend alongside Sam Rockwell's unlikely CIA operative. Though the film did not fare particularly well critically or otherwise, Barrymore took a nonetheless interesting turn as an apple-pie wife turned sinister in 2003's Duplex, and held her own against scene-chomper Ben Stiller. Barrymore teamed up with fellow Stiller-flick alumni Owen Wilson for 2004's Date School, and once again played Adam Sandler's sugar sweet girlfriend in director Peter Segal's romantic comedy Fifty-First Dates.2005 brought yet another openly fluffy romantic comedy with Fever Pitch, in which she played the straight-girl against Red Sox super-fan Jimmy Fallon, but she soon changed gears, signing on to appear in Lucky You, a gambling drama by Curtis Hanson. She was soon back to romcom terretory, with Music and Lyrics and He's Just Not That Into You, but also took on an extremly meaty character role in the 2009 HBO film Grey Gardens, in which she mimiced the particular speech and mannerisms of infamous shut-in "Little Edie" and met with major critical acclaim. Around this same time, Barrymore took on her first directorial effort, helming the modest, young-adult movie Whip It, which critics deemed a solid debut. Barrymore then took on a starring role alongside sometime boyfriend Justin Long in the 2010 comedy Going the Distance, before signing on to play an environmental activist in the feel-good period movie Big Miracle. She then took a career break in order to focus on her growing family before re-teaming with Adam Sandler in 2014 for the romcom Blended.

Trivia: From his first onscreen appearance opposite Winona Ryder in the 1996 coming-of-age tale Boys, Skeet Ulrich has invited comparisons with actors ranging from Johnny Depp to James Dean. With his cool stare and glacier-cut cheekbones, Ulrich has repeatedly been hailed as one of Young Hollywood's hottest, brightest stars, an accolade he has attempted to live up to with steady, if uneven, work.Born Brian Ray Ulrich on January 20, 1970, the actor was raised in North Carolina by his divorced father. Ulrich acquired his unusual nickname from a Little League coach who dubbed him "Skeeter" because he was small, like a mosquito. Following high school, Ulrich enrolled at New York University where he was "discovered" by playwright David Mamet, who invited him to join his celebrated Atlantic Theater Company as an apprentice. Ulrich performed in a number of productions, and during one of them, he was spotted by director Stacy Cochran, who cast him in an ABC Afterschool Special. Cochran then gave Ulrich his first screen role in Boys, in which he was cast as Winona Ryder's brutish boyfriend. 1996 proved to be a prolific year for the newly discovered actor, who followed his debut with performances in The Craft (which also featured his future Scream co-star, Neve Campbell), the Sharon Stone prison drama Last Dance, Albino Alligator, and, most notably, Scream, in which Ulrich played Campbell's unhinged boyfriend.1997 emerged as a quieter year for Ulrich, who appeared only in a small part (that, it should be noted, was much larger before the tyranny of the cutting-room floor) in James L. Brooks' critically acclaimed As Good As It Gets, and in the leading role in the largely unseen Touch. 1998 saw Ulrich take part in two more films: the obscure Vietnam drama A Soldier's Sweetheart (in which Ulrich starred with his future wife, Georgina Cates) and Richard Linklater's much-anticipated The Newton Boys, a film expected to mine box-office gold in part because of its ridiculously photogenic cast, which, in addition to Ulrich, included Matthew McConaughey, Ethan Hawke, and Vincent D'Onofrio. Despite such a powerful combination of tanned skin, flawless dentistry, and charmingly exuded testosterone, the film failed to find favor among critics or audiences. Ulrich's next feature, 1999's Chill Factor, met a similar fate, causing some to ponder what would come next for an actor who just three years earlier had been toasted as one of the most tantalizing samples that Hollywood had to offer. Ulrich fared somewhat better with Ride With the Devil: a Civil War drama directed by Ang Lee and co-starring Tobey Maguire, Jonathan Rhys Myers, Jeffrey Wright, and Jewel, it received a moderately favorable critical response.

Trivia: Making a career out of playing either sociopaths or the hyperkinetically weird, Matthew Lillard has established himself as one of the more promising, to say nothing of idiosyncratic, actors of his generation. Originally hailing from Lansing, MI, where he was born on January 24, 1970, Lillard was raised in California. His first break came in the form of Ghoulies 3: Ghoulies Go to College (1993), in which he was credited as Matthew Lynn. More auspicious work followed in John Waters' lovably warped Serial Mom (1994), which cast Lillard as the gore-obsessed son of the decidedly unhinged Kathleen Turner. The role was one of the first in which Lillard played the type of superficially normal yet profoundly wacked-out character that was to become his trademark. It was followed by a minor role in the Drew Barrymore/Chris O'Donnell doomed love vehicle Mad Love (directed by Antonia Bird in 1995) and a cyberpunk turn in Hackers (also 1995). Next up was the film that would make him famous, Wes Craven's Scream (1996). The film, in addition to simultaneously parodying and reviving the teen horror genre, helped to enhance the careers of more than a few of its actors, including David Arquette, Courtney Cox, Neve Campbell, and Skeet Ulrich.Lillard's next project of any acclaim (following such disappointments as Dish Dogs, The Curve, and Senseless, all made in 1998) was Robert Towne's Without Limits (1998), the critically lauded, if little-seen, story of the life of runner Steve Prefontaine (played by Billy Crudup, with Donald Sutherland as his coach). Lillard's subsequent film, SLC Punk! (1999), met with similarly good reviews, with praise being singled out for both Lillard's performance and that of his co-star, Michael Goorjian. The film told the story of two punks growing up in staid Salt Lake City during the Reagan years, and contained the type of small-budget charm lacking in Lillard's next two projects, Wing Commander and She's All That. Both films featured Lillard co-starring with Freddie Prinze Jr., as well as a score of bad reviews. However, while the former also succumbed to dismal box-office performance, the latter met with widespread success, virtually guaranteeing future work for Lillard and his young co-stars. Following the release of such efforts as Summer Catch and 13 Ghosts (both 2001), Lillard would take on the role of the fragile-nerved Shaggy in the live-action adaptation of the enduring cartoon Scooby-Doo in 2002. He appeared in The Baker and The Escapsit in 2008, and in 2011 he was cast in the well-reviewed made-for-cable series Homeland. That same year he appeared in the period pot comedy Your Highness.

Trivia: Appearing as a cross between Betty Boop's evil sister and a very curvaceous Hell's Angel, actress Rose McGowan made an undeniably distinct impression on Hollywood in the late '90s. With her sharp tongue and brash sensuality, McGowan has been a source of both titillation and discomfort to an industry that still hasn't quite figured out what to do with women who are both unapologetically smart and sexual.The child of hippies, McGowan was born September 5, 1975, in Florence, Italy, to a French mother and Irish father. The second oldest of six children, McGowan was raised on an Italian commune run by the Children of God cult. The controversial cult was known for panhandling as well as for taking extremely liberal approaches to parenting. Her family relocated to Oregon when McGowan was ten, and she left the commune at 15, legally emancipating herself from her parents. She supported herself with a variety of odd jobs and even lived on the streets for awhile before traveling to Los Angeles to attend an arts school. It was there that she was discovered by director Gregg Araki, who encountered her loitering outside a gym, refusing to go in because it was "too corny." Araki was busy casting his Sundance entry, The Doom Generation, and gave her the role of Amy Blue, the film's beautiful, spoiled, and morally ambiguous protagonist. Prior to her role, McGowan had only appeared as a minor character in 1992's Encino Man, making her casting in Araki's film all the more fortuitous. The Doom Generation was released in 1995, to mixed reviews and a fair amount of controversy, but helped to establish McGowan as, if not Hollywood's Next Big Thing, then Internet fodder for slavering males everywhere.The film also gave her a greater chance at steady work and she followed The Doom Generation with the low-budget thriller Kiss and Tell (1996). Subsequently, she landed a role in another thriller possessing a decidedly bigger budget, Wes Craven's Scream (1996). The film was a surprise hit and McGowan's turn as a frisky student who has an unfortunate encounter with a garage door further widened her fan base. After starring in the 1997 TV movie Devil in the Flesh, McGowan appeared in two back-to-back movies with fellow rising star Ben Affleck. First came her turn as the girl who tries to seduce a very excited Jeremy Davies in 1997's Going All the Way, followed by her role in the ski slope thriller Phantoms (1998). 1999 saw her take the lead in the independent film Jawbreaker, in which she starred with Rebecca Gayheart. As Alpha Bitch Courtney Shane, McGowan excelled in a role that was equal parts vamp, tramp, and camp. During this same period, McGowan began a relationship with gothy shock-rocker Marilyn Manson. The counter-culture pair seemed like a match made in entertainment heaven and she caused quite a stir by accompanying her beau to the 1998 MTV Movie Awards in a dress that consisted of little more than a few strands of black beads draped over her distinctly visible nude body. The two became engaged but eventually broke up over reported lifestyle differences. In 2001, a new period began in McGowan's career when star Shannen Doherty left the hit WB show Charmed, leaving directors looking for a witchy, raven-haired actress to replace her. McGowan joined costars Alyssa Milano and Holly Marie Combs and found no trouble connecting with the show's fans, staying with the series for five years--two years longer than her predecessor. As the show was wrapping up in 2006. McGowan signed up for another role that fit perfectly with her screen image. Dark, sexy, and kitschy beyond a shadow of a doubt, the over-the-top flick Grindhouse would pair the actress with directors Quentin Tarantino and Robert Rodriguez, who would each direct a full length film for the double feature. The starlet would have a small but memorable role in Tarantino's Death Proof, but she would have the starring role in Rodriguez's feature Terror Planet as a leg amputee whose appendage is replaced by a big, shiny machine gun. Over the next several years, McGowan would enjoy a successful arc on Nip/Tuck, as well as appearances in films like Conan the Barbarian and Rosewood Lane. She played a young Cora in a recurring role on Once Upon a Time and booked a series regular role on the Crackle series Chosen.

Trivia: An actor whose name became synonymous with "comic relief" during the late 1990s, Jamie Kennedy made his reputation playing a series of wise-asses in such films as the Scream trilogy and the independent comedy Clockwatchers. Born in Upper Darby, Pennsylvania, on May 25, 1970, Kennedy showed comedic inclinations from an early age, and first became inspired to pursue an acting career when he was cast as an extra in Dead Poets Society (1989). After high school, Kennedy moved to L.A., where he wanted to have a career as an extra. Unfortunately, Hollywood casting agents had other ideas, and the aspiring actor found himself working odd jobs ranging from a restaurant busboy to a gum-scraper at K-Mart. During this time, he also studied at the American/British Drama Academy and began finding stand-up work at various improv clubs. It was in one of these clubs that he caught the attention of an independent filmmaker and was subsequently cast in the little-seen The Legend of Flin Flon. The actor's bona fide entry into the film industry came with a supporting role in Baz Luhrmann's 1996 William Shakespeare's Romeo + Juliet, in which he played a fuchsia-haired thug. That same year he had a huge breakthrough in Wes Craven's Scream, which cast him as a video store clerk with an unnerving lust for horror movies. The great success of the film opened a number of doors for Kennedy, one of which led to a memorable role as an office boy in Jill Sprecher's well-received independent comedy Clockwatchers (1997), which also starred Lisa Kudrow, Parker Posey, and Toni Collette. The actor also reprised his role for the inevitable Scream 2 (1997) and Scream 3 (2000) and appeared in such slacker extravaganzas as Bongwater and Starf*cker (both 1998).Kennedy got a shot at more grown-up fare with a supporting role in David O. Russell's acclaimed Gulf War drama Three Kings (1999), and a turn as a movie studio gofer in the satirical Bowfinger (1999). His growing popularity was reflected in the number of projects he was involved with in 2000; included amongst them were Ben Younger's The Boiler Room, in which Kennedy played an ambitious young stock broker, and The Specials, an ensemble comedy that cast him as a member of a motley group of superheroes.He appeared in the movies Max Keeble's Big Move and Bug before moving to the small screen to host the series The Jamie Kennedy Experiment. He was the star of the ill-fated sequel Son of the Mask and he was one of the voiceover artists in the comedy Farce of the Penguins. His other projects include Malibu's Most Wanted, Finding Bliss, and Tyler Perry's Good Deeds.

Trivia: A graduate of the Yale School of Drama, American actor Henry Winkler, born October 30th, 1945, first appeared on Broadway and in films (Crazy Joe, The Lords of Flatbush [both 1974]) before making the guest-star rounds on TV sitcoms. He worked several times for MTM productions, appearing in such roles as Valerie Harper's date on Rhoda and a charming thief undergoing psychoanalysis on The Bob Newhart Show. In 1973, Winkler was selected among hundreds of candidates (including ex-Monkee Micky Dolenz) to play the small recurring role of Arthur "Fonzie" Fonzarelli, a leather-jacketed auto mechanic, on the new TV sitcom Happy Days. Though the series' stars were ostensibly Ron Howard, Anson Williams, and Donny Most, the bulk of the fan mail sent to Happy Days during its first season was addressed to "the Fonz." By the time the second season rolled around, Winkler was afforded second billing and a larger slice of screen time on each week's episode. Soon the more impressionable TV fans of America were parroting such Fonzie catchphrases as "Aaaaay" and "Sit on it!," while the nonplussed Winkler, who always regarded himself as a Dustin Hoffman-esque character actor, climbed to teen-idol status, complete with fan magazine interviews, posters, and Fonzie dolls. He also enjoyed a substantial salary boost, from 750 dollars per episode to (eventually) 80,000 dollars. At first, the off-stage Winkler could be as testy and sarcastic as his on-stage persona, but as Fonzie assumed "role model" proportions, the actor began comporting himself in as polite and agreeable a manner as possible. Accordingly, Fonzie became less of a Marlon Brando-type hoodlum and more of a basically goodhearted, moralistic young fellow who happened to be a motorcycle-racing dropout. By the time Happy Days ended in 1983 (by which time Winkler was elevated to top billing), Fonzie was a "drop-in," with a good job as a high school shop teacher and the possibility of a solid marriage. During his Happy Days heyday, Winkler was determined to prove he was capable of playing parts above and beyond Fonzie by taking film roles as far removed from his TV character: the troubled Vietnam vet in Heroes (1977), the vainglorious actor-turned-wrestler in The One and Only (1981), a '30s-style Scrooge in An American Christmas Carol (1982), and the timorous morgue attendant in Night Shift (1983). Following the example of his Happy Days co-star Ron Howard, Winkler also began working his way into the production and direction end of the business. In addition, Winkler used his name value for the benefit of others, remaining active in charitable and political causes. After several years away from the camera, Winkler returned to acting in the 1991 TV-movie Absolute Strangers, playing the husband of a woman caught in the middle of a volatile pro-life/pro-choice argument. And in 1993, Henry Winkler starred in the brief TV sitcom Monty, portraying a bombastic Limbaugh-type conservative TV personality. Winkler appeared in Little Nicky (2006) and You Don't Mess With the Zohan (2008), both times playing himself. Winkler continued to take small roles and guest spots on television and film throughout the 2000s.

Trivia: Displaying the kind of off-kilter charm that makes him a natural for leading roles in independent films and character parts in mainstream features, Liev Schreiber has made a name for himself on both circuits. Born October 4, 1967, in San Francisco, Schreiber was raised on New York's Lower East Side. A graduate of Hampshire College in Massachusetts, he initially wanted to become a writer, but later decided to try his hand at acting, training at both London's prestigious Royal Academy of Dramatic Arts and the Yale School of Drama.Schreiber's first acting job was on Broadway, where he appeared in In the Summer House. More theater work followed and in 1994, the actor made his film debut in the Steve Martin comedy Mixed Nuts. The film was an unequivocal flop, although Schreiber's role as a rather muscular transvestite proved to be one of the picture's few memorable features. His next project, the 1995 indie Denise Calls Up, fared a little better; despite almost non-existent box-office ratings, it was rewarded with critical approval. Following more minor film work, he landed the role of a British bouncer in the successful indie flick Party Girl (1995), which also starred nascent indie queen Parker Posey. Schreiber got an introduction to a more mainstream audience thanks to his role as killer Cotton Weary in Wes Craven's mega-hit Scream, a role he reprised in the film's sequel, Scream 2 (1997). The same year, Schreiber had leading roles in two more independent films, The Daytrippers (which again paired him with Posey) and Walking and Talking, as well as a secondary role in the bloated Mel Gibson thriller Ransom. Deftly straddling the divide between Sundance and the studio, Schreiber went on to make three major mainstream pictures in 1998: Phantoms, with Rose McGowan and Ben Affleck; Twilight with Susan Sarandon, Paul Newman, and Gene Hackman; and Sphere with Samuel L. Jackson, Sharon Stone, and Dustin Hoffman. The following year, Schreiber returned to more familiar territory with his role in Tony Goldwyn's small but successful drama A Walk on the Moon. As the man Diane Lane cuckolds for Viggo Mortensen, Schreiber mined endless possibilities from what could have been a narrow role, giving his character the sort of charming, good-intentioned inadequacy that became one of the actor's trademarks.In 2000, Schreiber returned to the role of Cotton Weary a third time to close out the Scream franchise. It was around this time that he also began doing a considerable amount of voice-over work, mainly for PBS's NOVA series. As the decade progressed, Schreiber continued to be a presence in bigger mainstream projects, such as the 2002 adaptation of Tom Clancy's The Sum of All Fears. Two years later, he could be seen in another high-profile, politically tinged thriller, this time opposite Denzel Washington in director Jonathan Demme's remake of The Manchurian Candidate.In 2005 he made his directorial and screenwriting debut with Everything Is Illuminated, and appeared in the critically acclaimed, Golden Globe-winning HBO movie Lackawanna Blues, a life-affirming film about a selfless black woman (played by S. Epatha Merkerson) in 1950s segregated New York who provides a home and a guiding hand to the youths who come to live at her boarding house. His 2006 project would be quite a departure from this sweet, poignant tale, as Schreiber took the role of Robert Thorne in John Moore's remake of the 1976 horror classic The Omen. Heavily publicized for its "666" release date (June 6th, 2006), the film pleased horror fans, as did Schreiber's performance as husband to Julia Stiles and father to the infamous Damien, a little boy who seems to harbor an evil that at best makes him disturbingly cold and at worst, places him at the crux of the devil's own plan for hell on Earth. Schreiber next went into production on The Painted Veil, an adaptation of the novel by W. Somerset Maugham. Playing the playboy whom Naomi Watts cuckolds her husband with, the actor immersed himself in the part for the drama. Meanwhile, a return to the stage in the lauded revival of Glengarry Glen Ross not only earned Schreiber a Tony award, and in 2005 he made his debut as a film director and screenwriter with the indie Everything Is Illuminated. Always up for new challenges, he played the role of the comic-book supervillain Sabertooth in the 2009 summer blockbuster X-Men Origins: Wolverine. In addition to his acting, Schreiber also has a lucrative career narrating documentaries and commercials.

Trivia: Attended The Theatre School at DePaul University at the same time as Gillian Anderson; the pair performed together in Scenes From American Life while both at school. Appeared in a Steppenwolf Theatre production of A View From the Bridge shortly after graduating from DePaul. Was a vocal coach on Backdraft. Wrote and produced the film Bloodworth (2011). Appears in the 2012 music video for Miranda Lambert's "Fastest Girl in Town." Plays the guitar in a bluegrass band called Sacred Cowboy.

Trivia: Although many people assume that The Exorcist (1974) was American actress Linda Blair's film debut, she had actually been working in commercials since age six. Blair was chosen from a field of 500 hopefuls for Exorcist because of her resemblance to the film's star, Ellen Burstyn. To the casual viewer, the film, which dealt with the Devil's possession of an innocent preteen girl, was hardly the sort of fare that any responsible parent would allow their child to appear in. But the Exorcist's director, William Friedkin, was careful to prearrange the special effects (head turning around, bloody body wounds, vomiting green bile) with the least amount of danger or trauma for Blair. From all reports, she handled the assignment like a trouper, though she balked at having her hair messed up for the purposes of the plot. Blair was nominated for an Academy Award for her Exorcist work, but this campaign was scuttled when it was learned that, not only had the girl been extensively doubled by a dummy, but her horrendous "Satan" voice, explicit obscenities and all, had been dubbed by adult actress Mercedes McCambridge. A major celebrity at 15, Blair was able for a while to parlay her Exorcist work into a series of demanding film and TV roles, most of which cast her as a much-abused victim. Her rape scene in the TV movie Born Innocent was so graphic that the network was forced to cut the scene when the film was rerun. In other appearances, Blair played a teen alcoholic, a kidnap victim, a heart-transplant patient on an endangered airliner, and her Exorcist role again in Exorcist II (1977). By this time, Blair was unable to maintain the equilibrium of her career, which degenerated into exploitative crime or girls-in-prison films. More recently, Blair was seen in Repossessed (1990), a ham-handed spoof of the film that made her famous.

Trivia: Actress Frances Lee McCain began her career on Broadway, appearing in stage shows throughout the late '60s before transitioning to the screen with a number of TV guest-appearances, as well as roles in movies like Gremlins and Footloose. The '90s would bring supporting roles in many more movies, including Scream and Patch Adams. McCain remained active in theater, especially in the San Francisco area.

Trivia: Ohio native Troy Bishop got a pretty big break for his first acting gig, playing little Tommy Horton in Terms of Endearment when he was just 11 years old. He would go on to assume other small roles in the years that followed, appearing in everything from Scream to an episode of Scrubs, but Bishop felt no particular need to limit his career to show business. He eventually attended Stanford University and became a licensed private pilot.

Trivia: One of the horror genre's best-known and most celebrated directors, Wes Craven was widely credited with reinventing the teen horror movie. Initially gaining fame and notoriety for his Nightmare on Elm Street series in the 1980s, Craven enjoyed a second wave of popularity in the 1990s with his phenomenally successful Scream series, which spoofed the teen horror genre even as they revived it. The films kicked off a trend in teen horror films, inspiring any number of imitators that, for the most part, failed to live up to Craven's own work. A product of a strict Baptist upbringing in Cleveland, OH, Craven received a B.A. in Psychology and Education from Wheaton College and earned an M.A. in Philosophy from Johns Hopkins University. After teaching humanities for awhile, Craven plunged into filmmaking as a production assistant and editor for several "B" companies. He made his directorial debut with Last House on the Left (1972), a gruesome little effort that, to put it mildly, affected different people in different ways. Some viewers found this repellently staged "revenge for rape" story profound, citing the fact that Craven based the movie on Ingmar Bergman's Virgin Spring; others, including such mainstream commentators as Leonard Maltin, have condemned Last House on the Left as utter excrement. No matter how one felt about Craven, however, one could not deny his power to manipulate his audience. This power was further evidenced with The Hills Have Eyes (1977), which again met with radically divided opinions -- and made a fortune.With Swamp Thing (1982), Craven graduated to big budgets, and also revealed a gift for comedy. Nightmare on Elm Street (1984) was an equally effective blend of gore and grim humor which spawned several sequels and served to introduce the world to Freddy Krueger, vengeful specter par excellence. The popularity of the film and its sequels established Craven as a force to be reckoned with in Hollywood, although he was only directly involved with two of the six sequels. In 1994, he directed Wes Craven's New Nightmare, a Pirandellian affair in which he and Nightmare cast regulars Robert Englund, Heather Langenkamp, and John Saxon played "themselves" -- as did Freddy Kruger! Two years later, Craven experienced another milestone in his career with Scream. The success of the film and its numerous imitators effectively established Craven as a hot mainstream commodity, and he followed the film with the equally successful (though not as critically praised) Scream 2 the following year. In 1999, he effected a radical departure from the genre with The Music of the Heart, a sentimental drama that starred Meryl Streep as a violin teacher who brings music to the lives of children in Spanish Harlem. The film was quickly dismissed by audiences and critics alike, and, in 2000, Craven returned to more familiar territory with Scream 3, the latest in his in saga of hip, ironic terror. When production difficulties and poor audience reaction resulted in Cursed failing to do for werewolf films what the Scream franchise did for slashers, Craven quickly switched gears to Hitchcockian suspense for the airborne thriller Red Eye. Lean, mean, and ultimately fairly forgettable, Red Eye did manage to keep viewers on the edge of their seats for (a scant) 85 minutes even if it didn't exactly have the legs to leave a lasting impression. Nevertheless, Red Eye did hold a special place in Craven's heart as during filming the director was wed to film producer Iya Labunka. Back on the writing block, Craven would adapt Kiyoshi Kurosawa's apocalyptic 2001 shocker Pulse for American consumption before allowing his 1977 screenplay for The Hills Have Eyes to be updated by High Tension screenwriting duo Alexandre Aja and Gregory Levasseur. The updated version was such a success that it gave birth to a sequel, The Hills Have Eyes 2, which was released in 2007. Later returning to the director's chair for a segment of Paris, je t'aime (2006) and the high-concept teen-slasher flick My Soul to Take (2010), Craven revisited one of his most famous horror franchises when he reteamed with Scream screenwriter Kevin Williamson to resurrect Ghostface in Scream 4 (2011). He later served as an executive producer on the MTV spin-off series of the same name, which debuted in 2015, shortly before he died of brain cancer at age 76.Craven occasionally curbed his stomach-churning tendencies (though not his willingness to run viewers through an emotional wringer) with his television work, including selected episodes of the Twilight Zone revival of the mid-'80s. In 1989, Craven produced a sitcom, The People Next Door, about a cartoonist who had the ability to imagine his drawings into existence.