Trivia: The daughter of artists, actress Ali MacGraw prepared for an art career of her own at Wellesley College. At 22, MacGraw entered the world of high fashion as assistant editor at Harper's Bazaar and went on to work as a photographer's assistant, at least until someone decided that her looks were far too dazzling to be kept behind the camera. Before long, she was adorning magazine covers worldwide and appearing in TV commercials (she's the beach girl in the "Polaroid Swinger" camera ads of the mid-'60s). After an unremarkable movie debut in 1968, she became a full-fledged star in 1969's Goodbye Columbus. Perhaps no one was more impressed by MacGraw's charms than Paramount executive Robert Evans, who fell in love with her and began guiding the destinies of her career (Evans became MacGraw's second husband in 1971). Her next film role was unquestionably the best: Jenny Cavilleri, the charmingly foul-mouthed, slowly dying heroine of the 1970 smash hit Love Story, which earned her an Oscar nomination. Evans continued promoting MacGraw's career even after she'd left him in favor of actor Steve McQueen, whom she'd met while filming Sam Peckinpah's The Getaway (1973), and to whom she was married from 1973 to 1978. After losing the role of Daisy Buchanan in The Great Gatsby (1974) to Mia Farrow, MacGraw took a four-year sabbatical from films. Her 1978 comeback picture was Convoy, which reunited her with Sam Peckinpah; inspired by a CB radio craze, the film was regarded as a great step backward for all concerned. After playing Alan King's long-suffering lady friend in Just Tell Me What You Want, MacGraw confined her infrequent acting appearances to the small screen. She was briefly a regular as Lady Ashley Mitchell on the weekly Dynasty, and starred in the miniseries The Winds of War (1983) and China Rose (1985). MacGraw also appeared in the TV movies Gunsmoke: The Long Ride (1992), playing a character named Uncle Jane, and Natural Causes (1994). In 1991, Ali MacGraw published Moving Pictures, her autobiography.

Trivia: John Marley's craggy face, cement-mixer voice and shock of white hair were familiar to stagegoers from the 1930s onward. Marley started out as one-half of a comedy team, but soon found that his true metier was drama. In films on an infrequent basis since 1941, Marley stepped up his moviemaking activities in the mid-1960s, playing such sizeable roles as Jane Fonda's father in Cat Ballou (1965). He won a Venice Film Festival award for his performance as a miserable middle-aged husband in John Cassavetes' Faces (1968), and was Oscar-nominated for his portrayal of Ali MacGraw's blue-collar dad in Love Story. Arguably Marley's most unforgettable assignment was The Godfather (1972), in which, as movie mogul Lou Woltz, he wakes up to find himself sharing his bed with a horse's head. John Marley's television work included a regular role on the obscure NBC daytime drama Three Steps to Heaven.

Trivia: Welsh actor Ray Milland spent the 1930s and early 1940s playing light romantic leads in such films as Next Time We Love (1936); Three Smart Girls (1936); Easy Living (1937), in which he is especially charming opposite Jean Arthur in an early Preston Sturges script; Everything Happens at Night (1939); The Doctor Takes a Wife (1940); and the major in Billy Wilder's The Major and the Minor opposite Ginger Rogers. Others worth watching are Reap the Wild Wind (1942); Forever and a Day (1943), and Lady in the Dark (1944). He made The Uninvited in 1944 and won an Oscar for his intense and realistic portrait of an alcoholic in The Lost Weekend (1945). Unfortunately, it was one of his last good films or performances. With the exception of Dial M for Murder (1954), X, The Man With X-Ray Eyes (1953), Love Story (1970), and Escape to Witch Mountain (1975), his later career was made up of mediocre parts in mostly bad films. One of the worst and most laughable was the horror film The Thing with Two Heads (1972), which paired him with football player Rosie Grier as the two-headed monster. Milland was also an uninspired director in A Man Alone (1955), Lisbon (1956), The Safecracker (1958), and Panic in Year Zero (1962).

Trivia: An eighth-generation Texan, actor Tommy Lee Jones, born September 15th, 1946, attended Harvard University, where he roomed with future U.S. Vice President Al Gore. Though several of his less-knowledgeable fans have tended to dismiss Jones as a roughhewn redneck, the actor was equally at home on the polo fields (he's a champion player) as the oil fields, where he made his living for many years.After graduating cum laude from Harvard in 1969, Jones made his stage debut that same year in A Patriot for Me; in 1970, he appeared in his first film, Love Story (listed way, way down the cast list as one of Ryan O'Neal's fraternity buddies). Interestingly enough, while Jones was at Harvard, he and roommate Gore provided the models for author Erich Segal while he was writing the character of Oliver, the book's (and film's) protagonist. After this supporting role, Jones got his first film lead in the obscure Canadian film Eliza's Horoscope (1975). Following a spell on the daytime soap opera One Life to Live, he gained national attention in 1977 when he was cast in the title role in the TV miniseries The Amazing Howard Hughes, his resemblance to the title character -- both vocally and visually -- positively uncanny. Five years later, Jones won further acclaim and an Emmy for his startling performance as murderer Gary Gilmore in The Executioner's Song. Jones spent the rest of the '80s working in both television and film, doing his most notable work on such TV miniseries as Lonesome Dove (1989), for which he earned another Emmy nomination. It was not until the early '90s that the actor became a substantial figure in Hollywood, a position catalyzed by a Best Supporting Actor Oscar nomination for his role in Oliver Stone's JFK. In 1993, Jones won both that award and a Golden Globe for his driven, starkly funny portrayal of U.S. Marshal Sam Gerard in The Fugitive. His subsequent work during the decade was prolific and enormously varied. In 1994 alone, he could be seen as an insane prison warden in Natural Born Killers; titular baseball hero Ty Cobb in Cobb; a troubled army captain in Blue Sky; a wily federal attorney in The Client; and a psychotic bomber in Blown Away. Jones was also attached to a number of big-budget action movies, hamming it up as the crazed Two-Face in Batman Forever (1995); donning sunglasses and an attitude to play a special agent in Men in Black (1997); and reprising his Fugitive role for the film's 1998 sequel, U.S. Marshals. The following year, he continued this trend, playing Ashley Judd's parole officer in the psychological thriller Double Jeopardy. The late '90s and millennial turnover found Jones' popularity soaring, and the distinguished actor continued to develop a successful comic screen persona (Space Cowboys [2000] and Men in Black II [2002]), in addition to maintaining his dramatic clout with roles in such thrillers as The Rules of Engagement (2000) and The Hunted (2003).2005 brought a comedic turn for the actor, who starred in the madcap comedy Man of the House as a grizzled police officer in tasked to protect a house full of cheerleaders who witnessed a murder. Jones also took a stab at directing that year, helming and starring in the western crime drama The Three Burials of Melquiades Estrada. In 2006, Jones appeared in Robert Altman's film adaptation of A Prairie Home Companion, based on Garrison Keillor's long running radio show. The movie's legendary director, much loved source material and all-star cast made the film a safe bet for the actor, who hadn't done much in the way of musical comedy. Jones played the consumate corporate bad guy with his trademark grit.2007 brought two major roles for the actor. He headlined the Iraq war drama In the Valley of Elah for director Paul Haggis. His work as the veteran father of a son who died in the war earned him strong reviews and an Academy Award nomination for Best Actor. However more people saw Jones' other film from that year, the Coen brothers adaptation of No Country for Old Men. His work as a middle-aged Texas sheriff haunted by the acts of the evil man he hunts earned him a Screen Actors Guild nomination for Best Supporting Actor. The actor co-starred with Stanley Tucci and Neal McDonough for 2011's blockbuster Captain America: The First Avenger, and reprised his role as a secret agent in Men in Black 3 (2011). In 2012 he played a Congressman fighting to help Abraham Lincoln end slavery in Steven Spielberg's Lincoln, a role that led to an Oscar nomination for Best Supporting Actor.

Trivia: In films since the late '60s, American actor Andrew Duncan has been seen as a character player in quite a few critical and box-office favorites. As examples, Duncan played Rev. Blauvelt in Love Story (1969), and he was Jim Carr in Slap Shot (1977). He was also prominently featured in Francis Ford Coppola's The Rain People (1969), Paul Mazursky's An Unmarried Woman (1978) and Robert Zemeckis' Used Cars (1980). For Love Story director Arthur Hiller, Andrew Duncan played minor roles in two less commercial, more personal films: The Hospital (1971) (as William Mead) and The Crazy World of Julius Vrooder (1974) (as the Chaplain).

Trivia: A one-time dancer and choreographer, American actress Sudie Bond made her Broadway debut in Summer and Smoke (1952). While she played plenty of films, notably the character of Thelma Rice in Silkwood (1983), she was most visibly employed on television. Bond played Violet Stapleton on the longrunning CBS daytime drama Guiding Light, a role eventually taken over by Kate Wilkinson. She valiantly portrayed Paul Lynde's mother on the 1972 prime time sitcom Temperatures Rising. And from 1980 through 1981, Bond was seen as Polly Holliday's mother on Flo, the briefly popular spinoff of Alice. The actress toted up additional TV credits on such series as Maude, Mary Hartman Mary Hartman and Benson. Sudie Bond died in her New York City apartment, shortly after completing a performance of the off-Broadway play The Foreigner.

Trivia: Though his early career seemed to hold the promise of major stardom for actor Ryan O'Neal, matters didn't pan out and he has become more famous for his long-term live-in relationship with 1970s poster girl-turned-movie star-of-the-week actress Farrah Fawcett than any of his '80s and '90s films. Still, O'Neal is an appealing actor and his clean-cut good looks and reddish- blond hair give him an exuberant boyishness that belies his age. His first major role was that of Rodney Harrington on the television soap opera Peyton Place (1964-1969). O'Neal is the son of screenwriter Charles O'Neal and actress Patricia Callaghan O'Neal. A California native, he spent much of his childhood living abroad. As a young man, O'Neal sometimes got into trouble and at one point served a 51-day jail sentence for assault and battery after getting into a fight at a New Year's party. Before becoming an actor, O'Neal was a lifeguard and an amateur boxer who was a one-time Golden Gloves contender. In film and television, O'Neal started out as a stunt man on Tales of the Vikings, a German television series. His parents were working on the same show. Upon his return to the States, O'Neal continued finding work in small parts on television shows, getting his first regular acting job on the Western Empire (1962). Following the demise of Peyton Place, O'Neal made his feature debut in The Big Bounce (1969), but did not get his big break until he was chosen from 300 auditioners to play Oliver Barrett opposite Ally McGraw in Arthur Hiller's maudlin adaptation of Erich Seagal's best-seller Love Story- (1970). The film was a smash hit and landed O'Neal an Oscar nomination. Two more starring roles followed this success but it was not until he played an uptight professor who finds himself beleaguered by a free-spirited, love-struck Barbra Streisand in Peter Bogdanovich's What's Up Doc? (1972) that he rivaled the success of Love Story. It has been in light, romantic fare such as this that O'Neal has excelled. His next popular role was that of an exasperated con man in Paper Moon, the charming comedy that netted his co-star and real-life daughter, Tatum O'Neal, an Oscar. O'Neal then played the title role in Stanley Kubrick's slow-paced epic Barry Lyndon (1975). By the late '70s, O'Neal's career had gone into decline and he had begun appearing in such dismal outings as Oliver's Story (the 1978 sequel to his first big hit) and The Main Event (1979) which reteamed him with Streisand. The '80s were even tougher for O'Neal, even though he appeared regularly onscreen. In 1989, O'Neal turned up in the wrenching made-for-TV-movie Small Sacrifices, which starred his lover Fawcett. Two years later, he and Fawcett starred in the short-lived television sitcom Good Sports. He followed that up with a part in the body-switch comedy Chances Are. In the nineties he appeared in the showbiz satire Burn Hollywood Burn, and the quirky detective tale Zero Effect. As the 21st century began he could be seen opposite Al Pacino in People I Know, and in the 2003 comedy Malibu's Most Wanted. After seven years away from screen, he appeared in 2012's Slumber Party Slaughter. Before hooking up with Farrah in the early '80s, O'Neal was married to actresses to Joanna Moore and Leigh Taylor-Young. His children from those marriages, Tatum and Griffin O'Neal, are both actors as is his brother Kevin O'Neal.

Trivia: Sydney Walker was a veteran stage star by the time he had his major film role playing Dr. Shapely in Love Story (1970). All told, Walker's career encompased nearly 50 years and included stints on Broadway and national tours, as well as a long residency at the American Conservatory Theater in San Francisico. His other film credits include Prelude to a Kiss (1992), in which he played Julius (the old man), and Mrs. Doubtfire (1993).