Trivia: Trained at Northwestern University's drama department, onetime salesman Claude Akins was a Broadway actor when he was selected by a Columbia talent scout for a small role in the Oscar-winning From Here to Eternity (1953). With a craggy face and blunt voice that evoked memories of Lon Chaney Jr., Akins was a "natural" for villainous or roughneck roles, but was versatile enough to play parts requiring compassion and humor. A television actor since the "live" days, Akins achieved stardom relatively late in life via such genial adventure series as Movin' On (1974), B.J. and the Bear (1979), The Misadventures of Sheriff Lobo (1979) and Legmen (1984). In his last decade, Claude Akins was a busy-and most genial-commercial spokesperson.

Trivia: American actor James Arness had an unremarkable Minneapolis childhood, but his wartime experiences shattered that normality - literally. During the battle of Anzio, Arness' right leg was peppered with machine gun bullets, and when the bones were set they didn't mend properly, leaving him with a slight but permanent limp. The trauma of the experience mellowed into aimlessness after the war. Arness became a "beach bum," lived out of his car, and worked intermittently as a salesman and carpenter. Acting was treated equally lackadaisically, but by 1947 Arness had managed to break into Hollywood on the basis of his rugged good looks and his 6'6" frame. Few of his screen roles were memorable, though one has become an object of cult worship: Arness was cast as the menacingly glowing space alien, described by one character as "an intellectual carrot," in The Thing (1951). For a time it looked as though Arness would continue to flounder in supporting roles, while his younger brother, actor Peter Graves, seemed destined for stardom. John Wayne took a liking to Arness when the latter was cast in Wayne's Big Jim McLain (1953). Wayne took it upon himself to line up work for Arness, becoming one of the withdrawn young actor's few friends. In 1955, Wayne was offered the role of Matt Dillon in the TV version of the popular radio series Gunsmoke. Wayne turned it down but recommended that Arness be cast and even went so far as to introduce him to the nation's viewers in a specially filmed prologue to the first Gunsmoke episode. Truth be told, Arness wasn't any keener than Wayne to be tied down to a weekly series, and as each season ended he'd make noises indicating he planned to leave. This game went on for each of the 20 seasons that Gunsmoke was on the air, the annual result being a bigger salary for Arness, more creative control over the program (it was being produced by his own company within a few years) and a sizeable chunk of the profits and residuals. When Gunsmoke finally left the air in 1975, Arness was the only one of the original four principals (including Amanda Blake, Milburn Stone and Dennis Weaver) still appearing on the series. Arness made plans to take it easy after his two-decade Gunsmoke hitch, but was lured back to the tube for a one-shot TV movie, The Macahans (1976). This evolved into the six-hour miniseries How the West Was Won (1977) which in turn led to a single-season weekly series in 1978. All these incarnations starred Arness, back in the saddle as Zeb Macahan. The actor tried to alter his sagebrush image in a 1981 modern-day cop series, McClain's Law -- which being set in the southwest permitted Arness to ride a horse or two. It appeared, however that James Arness would always be Matt Dillon in the hearts and minds of fans, thus Arness obliged his still-faithful public with three Gunsmoke TV movies, the last one (Gunsmoke: The Last Apache) released in 1992. In between these assignments, James Arness starred in a 1988 TV-movie remake of the 1948 western film classic Red River, in which he filled the role previously played by his friend and mentor John Wayne.

Trivia: Following her training in regional theatre and radio, red-headed actress Amanda Blake was signed by MGM in 1949, where she was briefly groomed for stardom. Among her MGM assignments was 1950's Stars in My Crown, in which she was cast for the first time opposite James Arness. Film fame eluded Amanda, especially after her sizeable role in the 1954 version of A Star is Born was almost completely excised from the release print. By 1955, she had to make do with appearances in such epics as the Bowery Boys' High Society. Amanda's fortunes took a turn for the better later in 1955, when she won the role of Miss Kitty, the euphemistically yclept "hostess" of the Long Branch Saloon on the TV western Gunsmoke, which starred James Arness as Marshal Matt Dillon. She remained with Gunsmoke until its next-to-last season in 1974. After Gunsmoke, Amanda went into semi-retirement save for a handful of film projects like the made-for-TV Betrayal (1974), the theatrical releases The Boost (1988) and B.O.R.N (1989), and the 1987 reunion project Gunsmoke: Return to Dodge. Amanda Blake died in 1989 at the age of sixty.

Trivia: Milburn Stone got his start in vaudeville as one-half of the song 'n' snappy patter team of Stone and Strain. He worked with several touring theatrical troupes before settling down in Hollywood in 1935, where he played everything from bits to full leads in the B-picture product ground out by such studios as Mascot and Monogram. One of his few appearances in an A-picture was his uncredited but memorable turn as Stephen A. Douglas in John Ford's Young Mr. Lincoln. During this period, he was also a regular in the low-budget but popular Tailspin Tommy series. He spent the 1940s at Universal in a vast array of character parts, at one point being cast in a leading role only because he physically matched the actor in the film's stock-footage scenes! Full stardom would elude Stone until 1955, when he was cast as the irascible Doc Adams in Gunsmoke. Milburn Stone went on to win an Emmy for this colorful characterization, retiring from the series in 1972 due to ill health.

Trivia: As a child, American actress Betty Hutton, born Elizabeth Thornburg in 1921, sang on street corners to help support her family after her father died. She was singing with bands by the time she was 13, eventually becoming the vocalist for the Vincent Lopez orchestra. Because of her exuberance and energy, she became known as "The Blonde Bombshell." She debuted on Broadway in Two for the Show in 1940, then in 1941, signed a film contract with Paramount. Hutton debuted onscreen in The Fleet's In (1942), and for the next decade appeared in tailor-made comedic roles and occasional dramatic roles. She sabotaged her own career in 1952, however, when she demanded that her husband (choreographer Charles O'Curran) direct her films; the studio refused and she walked out on her contract, after which she appeared in only one more film. Over the next 15 years, she worked occasionally onstage and in nightclubs, and co-starred on Broadway in Fade In Fade Out in 1965. Her career going nowhere, she attempted suicide in 1972; a friendly priest helped her find work in a Catholic rectory, and eventually she enrolled in college and earned a Master's degree. She went on to teach acting at two New England colleges. Hutton died in Palm Springs, CA, in early March 2007, at age 86. Her sister is actress Marion Thornburg.

Trivia: American actor John Hubbard was active as a choir boy in his home town of East Chicago, and upon becoming a teenager extended his performing activities to acting lessons at Chicago's Goodman Theatre. Declining movie offers until he'd finished his courses, Hubbard was signed by Paramount Pictures in 1937. Few decent roles came his way, and Hubbard's contract was sold to MGM in 1938, where he was cast in a telling role opposite Luise Rainer in Dramatic School (1938), a film that featured such other up-and-comers as Dick Haymes, Ann Rutherford, Lana Turner and Hans Conried. Also in 1938, Hubbard signed a four-picture contract producer Hal Roach; it was Roach who spotted and fully utilized Hubbard's gifts for offbeat comedy in such films as The Housekeeper's Daughter (1938), Road Show (1941) and Turnabout (1940) - the latter film featuring Hubbard as the world's first pregnant man! B-film buffs consider Hubbard's tricky dramatic performance as a murder suspect in Republic's Whispering Footsteps (1943) as his best, but it was back to comedy shortly afterwards, often in supporting roles (he fended off the comic thrusts of Abbott and Costello in Mexican Hayride [1948]). Good parts weren't plentiful in the '50s, so Hubbard exercised the usual prerogative of actors "between pictures" by selling automobiles, and later managing a restaurant. On TV, Hubbard supported the star of The Mickey Rooney Show (1954) and played Col. U. Charles Parker on the 1962 military sitcom Don't Call Me Charlie. Film work was less satisfying during this period, and in fact Hubbard found himself minus screen credit for a potentially good role in 1964's Fate is the Hunter. Comfortably off if not world-famous, John Hubbard retired from movies and his various "civilian" jobs after a character role in Disney's Herbie Rides Again (1973).

Trivia: American actor Jonathan Kidd appeared in several films from the late '50s through the mid '70s. He also appeared in a few television series. Using his birthname, Kurt Richards, he also performed in 16 Broadway plays and in a few Shakespearean tragedies.