Trivia: A goggle-eyed, ditzy blonde, Goldie Hawn's looks alone make her a natural for the kind of breathless comedy in which she originally made her name. Though she has built a lucrative career with her screen persona of a vivacious, giggly, and befuddled naif, Hawn's onscreen antics conceal her real-life level-headedness: Beneath the wide expanse of her blue eyes lies a shrewd, intelligent, and multi-talented woman. Born November 21st, 1945, Hawn was the daughter of a musician in Washington, D.C., though she grew up in a Jewish neighborhood in suburban Maryland. At the age of three, she took her first dance lesson, and by the age of 17, she was managing a dance studio while studying drama at American University. In 1964, she danced professionally at the Texas Pavilion of the New York World's Fair, and then began appearing in chorus lines in such musicals as Kiss Me Kate, Guys and Dolls, and The Boyfriend. She eventually moved to California, where her first break came when an agent saw her dancing on the Andy Griffith Show and cast her in Good Morning World, a short-lived comedy series. From there she was cast as a dancer in an innovative comedy-variety show hosted by comedians Dan Rowan and Dick Martin. It was on Laugh-In (1968-1970) that Hawn became popular. Originally a dancer on the show, her bikini-clad body painted with funny slogans and designs, she was given a few lines and proved herself a talented performer in a winning, air-headed way.Hawn made her first foray into feature films as a dancer in The One and Only, Genuine, Original Family Band (1968). Her acting debut came a year later playing Walter Matthau's ditzy, bohemian mistress in Cactus Flower (1969); she won an Oscar for her role, making it an inarguably auspicious debut. Later that year she appeared opposite Peter Sellers in There's a Girl in My Soup. These first two films and the subsequent Dollars (1971) utilized Hawn's "blonde" persona, but in 1972, she hinted that she concealed more than a talent for perkiness and comedy when she played a young woman who helps her blind lover deal with his past in Butterflies Are Free. Hawn showed even more depth as a wife who springs her husband from jail in hopes of keeping her child in Sugarland Express, Steven Spielberg's 1973 feature-film directorial debut. Two years later, she starred as Warren Beatty's girlfriend in Shampoo, further exhibiting her capacity as both a comedic and dramatic actress.Subsequently, Hawn continued to work steadily throughout the '80s and '90s, appearing in films of widely varying quality. Some highlights include the successful Private Benjamin (1980), for which Hawn earned her second Best Actress Oscar nomination, Seems Like Old Times (1982), and The First Wives Club (1996), in which she co-starred with Diane Keaton and Bette Midler. Hawn has two children by her second husband, comedian Bill Hudson, and one by her companion since 1986, actor Kurt Russell. She and Russell met on the set of Swing Shift (1984) and have since starred together in such films as Overboard (1987). Following daughter Kate Hudson's success in the wake of Almost Famous (2000), Hawn hit the big screen again in the notorious box-office bomb Town and Country (2001). Though that film did little to re-ignite her appeal as a box office draw, her turn as a free spirited former groupie in the following year's The Banger Sisters drew favorable reviews from critics and audiences and proved a solid indicator that the talented comic actress still had what it takes to bring in the laughs.

Trivia: One of the most iconic action stars of all time, Kurt Russell (born March 17th, 1951) is among the few to make the successful transition from child star to successful adult actor. As a youth, Russell aspired to follow the footsteps of his father, Bing Russell, who, in addition to being a big league baseball player, was also an actor (he was perhaps best known for his role as the sheriff on the TV Western Bonanza). That his heroes Mickey Mantle and Roger Maris did the same thing only strengthened Russell's resolve to have both a baseball and acting career.He first broke into acting on television, starring in the series The Travels of Jamie McPheeters, and he made his film debut playing the boy who kicks Elvis in the 1963 Elvis Presley vehicle It Happened at the World's Fair. After signing a ten-year contract with Disney, Russell got his big break as a juvenile actor in 1966, starring opposite Fred MacMurray in Disney's live-action feature Follow Me Boys! His association with the studio lasted through 1975, and produced such comedic family movies as The Horse in the Gray Flannel Suit (1968), The Computer Wore Tennis Shoes (1969), The Barefoot Executive (1971), and The Strongest Man in the World (1975). The last film marked Russell's final collaboration with Disney, aside from his voicing the character of Copper in the studio's The Fox and the Hound (1981). Still an avid baseball enthusiast during those years, Russell nurtured his dreams of becoming a professional ball player until a shoulder injury permanently changed his plans.After ending his association with Disney, Russell disappeared from features for a few years. He appeared in a few television movies, most notably playing the title role in Elvis, John Carpenter's made-for-television biopic. His next role as a sleazy used car salesman in Robert Zemeckis' hilariously caustic Used Cars (1980) allowed him to counter his wholesome, all-American nice guy image, and prove that he was an actor of untapped range. Director Carpenter recognized this and cast Russell as ruthless mercenary Snake Plissken in his brooding sci-fi/action film Escape From New York (1981). The role would prove to be one of legendary status, and one that would cement Russell as a cult hero for generations to come. Carpenter also cast Russell as a scientist stranded in the Antarctic in his chilling 1982 remake of The Thing. Realizing that his characters were larger than life, Russell typically played them with a subtle tongue- in-cheek quality. He also used this comic intuition in comedies like 1987's Overboard, in which he starred alongside his long-time life-partner and mother of his child Golide Hawn.In 1983, Russell moved to serious drama, playing opposite Cher and Meryl Streep in Silkwood. The success of that film helped him break into a more mainstream arena, and he was later able to win praise for his dramatic work in such films as Swing Shift (1984), Tequila Sunrise (1988), and Winter People (1989). However, it is with his performances in action films that Russell remains most widely associated. He has appeared in a number of such films, all of disparate quality. Some of Russell's more memorable projects include Big Trouble in Little China (1986), Tango and Cash (1989), Backdraft (1991), Tombstone (1993), and Executive Decision (1996). In 1996, he reprised his Snake Plissken character for Carpenter's Escape From L.A. The following year, he starred opposite Kathleen Quinlan in the revenge thriller Breakdown before returning to the sci-fi/action realm with Soldier in 1998. It would be two years before movie-going audiences would again catch a glimpse of Russell, though with his roles in 2000 Miles to Graceland (again carrying on the Elvis associations that have haunted his career) and Cameron Crowe's Vanilla Sky, the versatile actor proved that he was still very much on the scene. Is some of Russell's later day roles had stressed the action angle a bit more than the more dramatic aspects of the stories, the release of Dark Blue in 2003 combined both with Russell cast as a volitile police officer tracking a killer against the backdrop of the 1992 L.A. riots. In 2005, Russell played a frustrated father and horse-man in Dreamer: Inspired by a True Story, showing audiences that for all his on-screen bombast, he still had a sensitive side. He quickly leapt back into the action-packed saddle, however, with a leading role in 2006's remake of The Poseidon Adventure, Poseidon. Soon afterward, he accepted a role that took a decidedly self-aware perspective on his own fame as an over-the-top action star as he signed on for the leading role in Death Proof, Quinten Tarantino's half of the double-feature Grindhouse. A tribute to the fantastically violent B-exploitation films of its title, Grindhouse would cast Russell as Stuntman Mike, a literal lady-killer with a car that can be crashed and smashed without ever allowing the driver to be hurt.

Trivia: Born July 21st, 1943, Tony-winning American stage and film actor Edward Herrmann used his Fulbright scholarship to study at London's Academy of Music and Dramatic Art; several years of regional theatre led to movie and TV work. In 1977 Herrmann offered the first of his many interpretations of Franklin D. Roosevelt in the TV movie Eleanor and Franklin (He'd later be a singing FDR in the theatrical feature Annie [1982]). The actor was frequently dissatisfied with his own performances, feeling that with a little more time he could do much better. Such was the case of his portrayal of baseball great Lou Gehrig in the TV drama A Love Affair: The Eleanor and Lou Gehrig Story (1979), though Herrmann was proud of the fact that he learned to pitch and bat southpaw, something that a previous movie Gehrig, Gary Cooper, never quite mastered. His occasional villainous movie appearances notwithstanding, Edward Herrmann is to most viewers the very embodiment of intelligence and integrity; he was decidedly well cast as the erudite host of several historical documentaries on the A&E Network. In 2000, Herrmann joined the cast of Gilmore Girls as patriarch Richard Gilmore, and continued appearing in supporting roles in movies, including the headmaster in The Emperor's Club (2002), film censor Joseph Breen in The Aviator (2004) and an accountant in Factory Girl (2006). Once Gilmore Girls ended in 2007, Herrmann returned to episodic TV, with runs on Grey's Anatomy and a recurring gig on The Good Wife. In 2014, he returned to his familiar role of FDR one last time, voicing the president in the Ken Burns documentary The Roosevelts: An Intimate History. Herrmann died in 2014, at age 71.

Trivia: American actress Katherine Helmond spent nearly thirty years becoming an overnight success. Working fitfully in New York and regional theatre throughout the '50s and '60s, Helmond made ends meet by working as a drama teacher. Her first fleeting film appearances were in the Manhattan-based Believe in Me and The Hospital, both shot in 1971. She received a sizeable role in 1975's The Hindenburg, which utilized local repertory actors from throughout the midwest; she also worked with Hitchcock in 1976's Family Plot. In 1977, Katherine was cast as Jessica Tate, the scatterbrained, hedonistic matriarch on the TV sitcom Soap. She remained with the series until its cancellation in 1981; Soap left poor Jessica Tate facing a firing squad, and didn't reveal her fate until Helmond's guest appearance on the Soap spinoff Benson, wherein she played Jessica's ghost. In 1983, Katherine enrolled in the American Film Institute's Directing Workshop; she helmed the short subject Bankrupt and also several episodes of TV's Who's the Boss, in which she played Mona Robinson from 1984 through 1990. Keeping her hand in films, Katherine Helmond became a favorite of ex-Monty Python director Terry Gilliam, who cast the actress as a vain matron undergoing a really radical facelift in 1984's Brazil.

Trivia: British actor Roddy McDowall's father was an officer in the English merchant marine, and his mother was a would-be actress. When it came time to choose a life's calling, McDowall bowed to his mother's influence. After winning an acting prize in a school play, he was able to secure film work in Britain, beginning at age ten with 1938's Scruffy. He appeared in 16 roles of varying sizes and importance before he and his family were evacuated to the U.S. during the 1940 Battle of Britain. McDowall arrival in Hollywood coincided with the wishes of 20th Century-Fox executive Darryl F. Zanuck to create a "new Freddie Bartholomew." He tested for the juvenile lead in Fox's How Green Was My Valley (1941), winning both the role and a long contract. McDowall's first adult acting assignment was as Malcolm in Orson Welles' 1948 film version of Macbeth; shortly afterward, he formed a production company with Macbeth co-star Dan O'Herlihy. McDowall left films for the most part in the 1950s, preferring TV and stage work; among his Broadway credits were No Time for Sergeants, Compulsion, (in which he co-starred with fellow former child star Dean Stockwell) and Lerner and Loewe's Camelot (as Mordred). McDowall won a 1960 Tony Award for his appearance in the short-lived production The Fighting Cock. The actor spent the better part of the early 1960s playing Octavius in the mammoth production Cleopatra, co-starring with longtime friend Elizabeth Taylor. An accomplished photographer, McDowall was honored by having his photos of Taylor and other celebrities frequently published in the leading magazines of the era. He was briefly an advising photographic editor of Harper's Bazaar, and in 1966 published the first of several collections of his camerawork, Double Exposure. McDowall's most frequent assignments between 1968 and 1975 found him in elaborate simian makeup as Cornelius in the Planet of the Apes theatrical films and TV series. Still accepting the occasional guest-star film role and theatrical assignment into the 1990s, McDowall towards the end of his life was most active in the administrative end of show business, serving on the executive boards of the Screen Actors Guild and the Academy of Motion Picture Arts and Sciences. A lifelong movie collector (a hobby which once nearly got him arrested by the FBI), McDowall has also worked diligently with the National Film Preservation Board. In August, 1998, he was elected president of the Academy Foundation. One of Hollywood's last links to its golden age and much-loved by old and new stars alike -- McDowell was famed for his kindness, generosity and loyalty (friends could tell McDowall any secret and be sure of its safety) -- McDowall's announcement that he was suffering from terminal cancer a few weeks before he died rocked the film community, and many visited the ailing actor in his Studio City home. Shortly before he was diagnosed with cancer, McDowall had provided the voiceover for Disney/Pixar's animated feature A Bug's Life. A few days prior to McDowall's passing, the Academy of Motion Picture Arts and Sciences named its photo archive after him.

Trivia: Adolescent actor, onscreen from the '80s.

Trivia: Actor Frank Campanella's physical form almost single-handedly defined his Hollywood typecasting. A 6' 5" barrel-chested Italian with a great, hulking presence and memorably stark facial features, Campanella excelled as a character player, almost invariably appearing as toughs and heavies. Born to a piano builder father who played in the orchestras of Eddie Cantor, Jimmy Durante, and Al Jolson, Campanella studied music exhaustively as a young man, and trained as a concert pianist, but discovered a rivaling passion for drama and entered Manhattan College as an acting major. Campanella's career as an actor began somewhat uncharacteristically, on a light and jovial note, by playing Mook the Moon Man during the first season of the Dumont network's infamous and much-loved kiddie show Captain Video and his Video Rangers (1949-1954). One- and two-episode stints on many American television programs followed for Campanella, most on themes of crime and law enforcement, including Inside Detective (1952), The Man Behind the Badge (1954), Danger (1954), and episodes of the anthology series Playwrights '56 (1956), Studio One (1956), and Suspicion (1957) that called for gritty, thuggish, urban types. During the 1960s, Campanella sought out the same kinds roles in feature films -- a path he pursued for several decades. Turns included John Frankenheimer's 1966 Seconds (as the Man in the Station); Mel Brooks' 1968 The Producers (as a bartender); 1970's The Movie Murderer (as an arson lieutenant); the Steve Carver-directed, Roger Corman-produced gangster film Capone (1975, as Big Jim Colosimo); Ed Forsyth's 1976 Chesty Anderson -- U.S. Navy (as the Baron); Conway in Warren Beatty's 1978 Heaven Can Wait; and Judge Neal A. Lake in Michael Winner's 1982 Death Wish 2. Campanella teamed with director Garry Marshall seven times: as Col. Cal Eastland in The Flamingo Kid (1984), Remo in Nothing in Common (1986), Captain Karl in Overboard (1987), Frank the Doorman in Beaches (1988), Pops in Pretty Woman (1990), a retired customer in Frankie and Johnny (1991), and a Wheelchair Walker in Exit to Eden (1994). Campanella re-teamed with Warren Beatty for the first time since 1978 as Judge Harper in Dick Tracy (1990) and again as the Elevator Operator in Love Affair (1994). Additional series in which Campanella appeared during the 1970s and '80s included Maude, Hardcastle & McCormick, Quincy, M.E., The Love Boat, Barnaby Jones, The Rockford Files, The Fall Guy, St. Elsewhere, and many others. In middle age, Campanella parlayed his early musical training into two career choices that blended music and drama: a part on a commercial that required him to play the piano and a job as co-host of a musical program on KCSN Radio called "Offbeat Notes on Music." He also appeared on Broadway in such musicals as Guys and Dolls and Nobody Loves an Albatross. After many years of inactivity, Frank Campanella ultimately died at his home in the San Fernando Valley, of unspecified causes. He was 87. Survivors included his brother, actor Joseph Campanella, his sister-in-law, and 13 nephews and nieces.

Trivia: An actor of seemingly boundless range, New York-born Hector Elizondo began his career as a dancer. His initial training was at the Ballet Arts school of Carnegie Hall, from which he moved on to the Actors Studio. After several years' stage work, Elizondo made an inauspicious movie debut as "The Inspector" in the low-budget sex film The Vixens (1969). He was shown to better advantage in his next film, Hal Ashby's The Landlord (1970), which he followed up with strong character parts in such Manhattan-based productions as The Taking of Pelham One Two Three (1974) and Thieves (1977). With Young Doctors in Love (1982), Elizondo began his long association with director Garry Marshall, who has since cast the actor in all of his films, in roles both sizable (Matt Dillon's dad in The Flamingo Kid [1984], the cafe owner in Frankie and Johnny [1991]), and microscopic (Overboard [1987]). Elizondo's screen roles have run the gamut from scrungy garbage scow captains to elegant concierges (Pretty Woman). In addition, he has been a regular on several mediocre television series: Popi, Freebie and the Bean, Casablanca (in the old Claude Rains role of Inspector Renault), a.k.a. Pablo, Foley Square, and Down and Out in Beverly Hills, In 1994, Elizondo took on a co-starring role as a demanding chief of surgery on the popular TV medical drama Chicago Hope. Other non-Marshall highlights in his filmography include Tortilla Soup, Overboard, Necessary Roughness, and Music Within.

Trivia: A former pro baseball player, Bing Russell eased into acting in the 1950s, appearing mostly in westerns. Russell could be seen in such bonafide classics as The Horse Soldiers (1959) and The Magnificent Seven (1960), and not a few bow-wows like Billy the Kid vs. Dracula (1966). From 1961 through 1973, Russell played the semiregular role of Deputy Clem on the marathon TV western series Bonanza. When time permitted, he also dabbled in screenwriting. The father of film star Kurt Russell, Bing Russell has acted with his son on several occasions, most memorably in the role of Vernon Presley in the 1979 TV-movie hit Elvis.

Trivia: To younger generations, the slightly diminutive and balding American character actor Richard Stahl was probably best known as Howard Miller, the deadpan, stone-faced chef (and indifferent receptor of Marian Mercer's affections) on the long-running syndicated sitcom It's a Living. Stahl inherited the position from fellow supporting player Bert Remsen, and sustained it for four seasons, until the program wrapped in September 1989. But Stahl's visage graced a much broader spectrum of films and television shows than his behind-the-counter presence at the Above the Top restaurant -- and if viewers have trouble making a list, this is only a reflection on Stahl's ability to blend in successfully with fellow cast members and settings. Such is the essence of a gifted character player. Stahl made his first bow in 1966, as Steve Parsons on the "Dear Sally Rogers" episode of The Dick Van Dyke Show (its final season). He subsequently became a mainstay on the television airwaves, and his resumé reads like a laundry list of '70s and '80s hit prime time series, including but not limited to: That Girl, The Partridge Family, Love American Style, Bonanza, Columbo, All in the Family, Good Times, The Odd Couple, Maude, Happy Days, The Facts of Life, Murder, She Wrote, Hill Street Blues, and a handful of particularly memorable turns on Newhart. He reinforced his small-screen presence (and audience familiarity) with feature film appearances in such motion pictures as Five Easy Pieces (1970), High Anxiety (1977), The Flamingo Kid (1984), The American President (1995), and The Ghosts of Mississippi (1996). Stahl landed his last role with a bit part in Garry Marshall's 1999 flop, The Other Sister. He spent his final seven years in retirement, battling Parkinson's Disease, and eventually succumbed to the illness on June 18, 2006. Stahl was seventy-four.

Trivia: Former standup comedian and occasional actor Ray Combs is best remembered as a game show host on Family Feud (from 1988 to 1994) and Ray Combs' Family Challenge. He was born in Hamilton, OH, and started out performing standup at a Holiday Inn in Indianapolis. Though he became a successful game show host, Combs had a troubled personal life. He became distraught when his wife, with whom he fathered six children, filed for divorce in the mid-'90s, and he made several suicide attempts. On June 2, 1996, he was admitted to the psychiatric ward of Glendale Adventist Medical Center with head injuries. He was to be observed for 72 hours; however, 14 hours after his admittance Combs hanged himself with a bedsheet in his room.

Trivia: American actor/dancer Robert Meadows primarily worked on-stage and in ballet. He also appeared in a couple of films.