Trivia: American actress Candice Bergen was a celebrity even before she was born. As the first child of popular radio ventriloquist Edgar Bergen and his young wife Frances, Candice was a hot news item months before her birth, and headline material upon that blessed event (her coming into the world even prompted magazine cartoons which suggested that Edgar would try to confound the nurses by "giving" his new daughter a voice). Candice made her first public appearance as an infant, featured with her parents in a magazine advertisement. Before she was ten, Candice was appearing sporadically on dad's radio program, demonstrating a precocious ability to throw her own voice (a skill she hasn't been called upon to repeat in recent years); at 11 she and Groucho Marx's daughter Melinda were guest contestants on Groucho's TV quiz show You Bet Your Life. Candice loved her parents and luxuriated in her posh lifestyle, though she was set apart from other children in that her "brothers" were the wooden dummies Charlie McCarthy and Mortimer Snerd - and Charlie had a bigger bedroom than she did! Like most 1960s teens, however, she rebelled against the conservatism of her parents and adopted a well-publicized, freewheeling lifestyle - and a movie career. In her first film, The Group (1965), Candice played a wealthy young lesbian - a character light years away from the sensibilities of her old-guard father. She next appeared with Steve McQueen in the big budget The Sand Pebbles (1966), simultaneously running smack dab into the unkind cuts of critics, who made the expected (given her parentage) comments concerning her "wooden" performance. Truth to tell, Candice did look far better than she acted, and this status quo remained throughout most of her film appearances of the late 1960s; even Candice admitted she wasn't much of an actress, though she allowed (in another moment that must have given papa Edgar pause) that she was terrific when required in a film to simulate an orgasm. Several films later, Candice decided to take her career more seriously than did her critics, and began emerging into a talented and reliable actress in such films as Carnal Knowledge (1971) and The Wind and the Lion (1975). Most observers agree that Candice's true turnaround was her touching but hilarious performance as a divorced woman pursuing a singing career - with little in the way of talent - in the Burt Reynolds comedy Starting Over (1979). Candice's roller-coaster offscreen life settled into relative normality when she married French film director Louis Malle; meanwhile, her acting career gained momentum as she sought out and received ever-improving movie and TV roles. In 1988, Candice began a run in the title role of the television sitcom Murphy Brown, in which she was brilliant as a mercurial, high-strung TV newsmagazine reporter, a role that won Ms. Bergen several Emmy Awards. While Murphy Brown capped Candice Bergen's full acceptance by audiences and critics as an actress of stature, it also restored her to "headline" status in 1992 - when, in direct response to the fictional Murphy Brown's decision to become a single mother, Vice President Dan Quayle delivered his notorious "family values" speech.Murphy Brown finished its successful run in 1997, and Bergen would make a handful of big-screen appearances in the ensuing years including Miss Congeniality, Sweet Home Alabama, and The In-Laws. In 2004 she became part of the cast of Boston Legal, another hit show that ran for five often award-winning seasons. When that show came to a close, she appeared in films such as The Women, Sex and the City, and Bride Wars - where she portrayed the country's leading wedding planner.

Trivia: She is best known for creating a multitude of memorable comic characters, including Ernestine the telephone operator and the rotten five-year-old rugrat Edith Ann, on television and in her stage shows, but let it not be forgotten that Lily Tomlin is also a talented dramatic actress, something she has thus far only demonstrated in two films. She was born Mary Tomlin in Detroit, MI. She was studying premed at Wayne State University when she heard the stage calling and so dropped out to perform skits and characterizations in cabarets and coffeehouses. Tomlin made her television debut on The Garry Moore Show but didn't get her first real break until she became a regular on Rowan and Martin's Laugh-In in 1970 and stayed through 1973. The series' machine gun pace proved the perfect outlet for Tomlin's offbeat humor and gave her the opportunity to hone her skills and develop her characters. She made an auspicious film debut with a touching dramatic role as a troubled gospel singer trying to deal with her hearing-impaired children and a womanizing Keith Carradine in Robert Altman's Nashville (1975), winning an Oscar nomination for Best Supporting Actress and a New York Film Critics award for the same category. Her next film, The Late Show (1977), was also more dramatic than comic and Tomlin again won kudos, though not in the form of awards, for her work. While she started off strongly in films, her subsequent output has been of uneven quality ranging from the entertaining All of Me (1984) to the abysmal Big Business (1988). But while her film career has never quite taken flight, Tomlin remained successful on-stage, in clubs, and on television. On Broadway, Tomlin has had two successful one-woman shows, Appearing Nitely (1976) and The Search for Signs of Intelligent Life in the Universe (1986), which Tomlin made into a film in 1991. In 1996, Tomlin became a regular on the cast of the long-running sitcom Murphy Brown playing a canny news producer and foil for Candice Bergan's Murphy. That same year she would work for the first time with director David O. Russell on the film Flirting With Disaster. After returning to film with the demise of Murphy Brown, Tomlin took on supporting roles in a variety of films, such as Tea with Mussolini and Disney's The Kid. But television soon came calling again in the form of a recurring role on NBC's The West Wing as The President's eccentric personal secretary.In 2004, Tomlin teamed with Russell again for the ensemble comedy I Heart Huckabees. A subsequent visit to the animated town of Springfield found Tomlin dropping in on The Simpsons the following year, withg recurring roles on both Will and Grace and The West Wing preceding a turn as one-half of a sisterly singing act along with Meryl Streep in the 2006 Robert Altman radio-show adaptation A Prairie Home Companion. At the Oscar telecast in 2006 Streep and Tomlin presented Altman with a lifetime achievement award, delivering their speech in a style that emulated the distinctive rhythms of his films. That same year she leant her vocal talents to an animated film for the first time in her career providing the voice for Mommo in The Ant Bully, which coincidently also featured her Prairie Home Companion cohort Meryl Streep. She had a major role in Paul Schrader's The Walker, and provided a voice in the English-language version of Ponyo. She joined the cast of the award-winning cable series Damages in 2010 for that show's third season and was a series regular on Malibu Country in 2012-13, playing Reba McEntire's mother.

Trivia: Sweet, Southern Faith Ford is perhaps best known as perky anchorwoman Corky from the long-running sitcom Murphy Brown. After growing up in Virginia, where she honed her passion for acting in school plays, Ford headed off to New York at the age of 17 to pursue a career in show business. She began landing appearances on shows like Webster and the soap opera Another World before changing coasts and trying her luck in Hollywood. She landed a recurring role on the drama thirtysomething, and shortly following, she landed the now-iconic role of Corky on Murphy Brown. Ford stayed with the show through all of its nine seasons, using her downtime to try out other projects like the family movie North. When Murphy Brown ended its run, Ford executive produced and starred in the series Maggie Winters, which got excellent reviews but sadly lasted for only one season. Ford had no shortage of projects, however; she was cast in the hit show Norm in 1999, and in 2003, she took a starring role in the ABC series Hope & Faith, playing a typical, Midwestern mom whose world is turned upside down when her movie-star sister shows up at her door. The popular series lasted until 2006, when Ford started looking for a new project. She found what she was looking for with 2007's comedy series Carpoolers, a show about the hilarious and strange goings-on between a group of men who drive to work together.

Trivia: Tall, bookish-looking American actor Charles Kimbrough attended Indiana University and Yale before his first off-Broadway appearances in All for Love and Struts and Frets. Beginning in 1966, Kimbrough and then-wife Mary Jane were principal players of the Milwaukee Repertory Theatre, a troupe which included such celebrities-to-be as Michael Tucker and Judith Light. Kimbrough briefly abandoned Milwaukee for Broadway in 1969, garnering excellent revues for his appearance in the 1970 Stephen Sondheim musical Company. He returned to the Milwaukee Rep in the early '70s; so popular were Charles and his wife that, when they left Milwaukee for good in 1972, an original musical was specially commissioned for the Kimbrough's final rep appearance. Remaining active in plays, commercials, and films (The Front [1976], The Seduction of Joe Tynan [1977]), Kimbrough established himself as a reliable if not overly famous presence. Charles Kimbrough finally became a fullfledged celebrity in 1988 with his weekly appearances as newsmagazine anchorman Jim Dial on the Candice Bergen sitcom Murphy Brown.

Trivia: American actor Steve Franken was the son of a Hollywood press agent, thus he grew up discoursing in the highly stylized trade-magazine lingo that every show-business functionary was required to learn in the '40s and '50s. Sustaining himself as a stage actor in 1960, Franken was appearing in a Los Angeles production of Say Darling when he was spotted by Rod Amateau, producer-director of the TV sitcom Dobie Gillis. Amateau was looking for someone to play the insufferable rich-boy nemesis of Dobie, a role recently vacated by Warren Beatty. Thus Franken's first assignment on a Hollywood soundstage was in the role of Chatsworth Osborne Jr., snotty young millionaire overachiever (the character had been called "Milton Armitage" when Beatty played it). The character's trademark was a pained look of condescension, which Franken attributed to an ulcer that he'd suffered since the age of 14, when his mother died. Not really a regular on Dobie Gillis, Franken found himself at the unemployment office between his "Chatsworth" stints, and understandably grew to resent the character he played so well. When he did receive an outside job, it was generally as a Chatsworth type, so when Dobie Gillis ended its run in 1963, Franken sought out as many villainous roles as possible--after another "rich buddy" stint on the short-lived series Tom, Dick and Mary. Some of the actor's best work can be caught in reruns of such '60s TV series as Perry Mason and The Wild Wild West. Still, Franken didn't work as often as he should, and it was his contention that Dobie Gillis had all but ruined his career. Steve Franken persevered into the '70s and '80s, notably as an actor/director on the popular religious TV anthology Insight, with frequent appearances on the Jerry Lewis Telethons and in occasional character roles in such films as Westworld (1973).

Trivia: Believe it or don't: comedian Don Rickles--the "Merchant of Venom," "The Caliph of Calumny," "Mister Warmth"--was once a dedicated student at the American Academy of Dramatic Arts. As a movie-struck kid, Rickles aspired to share the Big Screen with such idols as Clark Gable and James Cagney. He got his wish in his first film, 1958's Run Silent Run Deep, wherein Gable topped the cast. Rickles went on to receive critical plaudits for his villainous performance in 1960's The Rat Race, and also popped up with regularity on such TV series as The Thin Man and The Twilight Zone. But truly good roles for a short, baldpated young character actor were relatively few and far between. During a long period between acting assignments, Rickles decided to work up a nightclub act. He began as a traditional stand-up comic, but when annoyed by hecklers, he instinctively insulted the insulters back as a defense mechanism. Audiences laughed harder at his impromptu insults than his prepared material, and thus the dye was cast for Rickle's show-business future. The story goes that, upon spotting Frank Sinatra in one of his audiences, Rickles impulsively cried out "Come right in, Frank. Make yourself at home. Hit somebody." The normally combative Sinatra exploded with laughter, and from that point on Rickles was "in." While the bulk of his fame and fortune rested upon his nightclub work, Rickles still kept a hand in acting, playing guest spots on TV programs like F Troop, The Andy Griffith Show, The Dick Van Dyke Show, I Spy and Run for Your Life (he was particularly good in the last-named series as a washed-up comedian facing a statutory rape charge). As his own vitriolic "self" (though rumors persist that Rickles is a pussycat off-camera), he convulsed the stars of such variety series as The Dean Martin Show and The Andy Williams Show. When Dean Martin altered his series to a "roast" format in the early 1970s, Rickles could always be counted upon for a steady stream of hilarious invectives; conversely, he took it as well as he dished it out when the Friar's Club elected him Entertainer of the Year in 1974. The one sore spot in Rickles' latter-day career was his failure to sustain a weekly TV series. The 1968 variety outing The Don Rickles Show was axed after thirteen weeks, while a 1972 sitcom of the same name barely survived the season. He had better luck as star of the 1976 comedy series C.P.O. Sharkey, which lasted two years; but in 1993, Daddy Dearest, which co-starred Rickles with "neurotic" comedian Richard Lewis, was on and off in only two months. In comparison, Rickles has done quite well in films, with choice secondary roles in such productions as Where It's At?, Kelly's Heroes (1970) and several of the "Beach Party" frivolities. In 1995, after several years away from films, Don Rickles resurfaced with a solid supporting part in Martin Scorsese's Casino, and as the voice of a singularly abrasive Mr. Potato Head in the animated Toy Story. He had a brief but memorable cameo in the comedy Dirty Work, and was the subject of his own documentary, Mr. Warmth: The Don Rickles Project. He returned to voice Mr. Potato Head in two Toy Story sequels as well as a number of Pixar shorts, and he gave voice to one of the animals in the Kevin James vehicle Zookeeper. Rickles died in 2017, at age 90.