Trivia: Long before Eddie Murphy, Andrew Dice Clay, or Howard Stern raised the ire of censors and threatened the delicate sensibilities of mainstream American good taste, there was Redd Foxx, arguably the most notorious "blue" comic of his day. Prior to finding fame in the 1970s as the star of the popular sitcom Sanford and Son, Foxx found little but infamy throughout the first several decades of his performing career; salty and scatological, his material broke new ground with its point-blank riffs and brazen discussions of sex and color, and although his party albums were generally banned from white-owned record stores, the comedian's funky narrative style and raspy delivery proved highly influential on comic talents of all ethnic backgrounds.Foxx was born John Elroy Sanford in St. Louis on December 9, 1922. While still in his teens, he became a professional performer, working as both a comedian and actor on the so-called "chitlin circuit" of black theaters and nightclubs. He formulated his stage name by combining an old nickname, "Red" (given because of his ruddy complexion), with the surname of baseball's Jimmie Foxx. After cutting a handful of explicit blues records in the mid-'40s, beginning in 1951 he often teamed with fellow comic Slappy White, a partnership which lasted through 1955. Foxx was performing at Los Angeles' Club Oasis when a representative from the tiny Dooto label contacted him about cutting an album. The comedian agreed, and was paid 25 dollars to record Laff of the Party, the first of over 50 albums of Foxx's racy anecdotes. An onslaught of Dooto releases followed, among them over half a dozen other Laff of the Party sets, The Sidesplitter, The New Race Track, Sly Sex, and New Fugg. His records were poorly distributed, and offered primarily in black neighborhoods. When they did appear in white record stores, they were sold under the counter. In the 1960s, Foxx signed to the MF label and his routines became even more explicit, as evidenced by titles like Laff Your Ass Off, Huffin' and a Puffin', I'm Curious (Black), 3 or 4 Times a Day, and Mr. Hot Pants. After a brief tenure on King, he signed to Loma, a division of Frank Sinatra's Reprise imprint. With records like Foxx A Delic and Live at Las Vegas, he became one of the very first performers to use four-letter words on major-label releases.As the 1960s wore on and long-standing cultural barriers began to crumble, Foxx's audience expanded, and he made a number of television appearances. In 1970, he made his film debut in Ossie Davis' Cotton Comes to Harlem. When the film became a surprise hit, Foxx became a hot talent, and soon signed to star in Sanford and Son, a retooled sitcom version of the British television hit Steptoe and Son. The series, which starred Foxx as junk dealer Fred Sanford, premiered in 1972 and became a huge hit, running through 1977. He also continued recording, issuing You Gotta Wash Your Ass, a live set taped at the Apollo Theater, in 1976. The short-lived programs Sanford, The Redd Foxx Show, and The Redd Foxx Comedy Hour followed; additionally, he starred in the 1976 feature Norman, Is That You?, and became a Las Vegas headliner.By the early '80s, Foxx's career hit the skids. By the end of the decade, however, his influence on the new breed of African-American comedians was openly acknowledged, and in 1989 Eddie Murphy tapped him to co-star in his black-themed crime-noir film Harlem Nights. Although the film flopped, Foxx's career was renewed, and in 1991 he began work on a new sitcom, The Royal Family. Tragically, he suffered a heart attack on the series' set and died on October 11, 1991. Still, even in death, Foxx's name remained synonymous with off-color comments; on an episode of the hit show Seinfeld broadcast several years later, Jason Alexander's character, George, was chastised for the "curse toast" he delivered at a friend's wedding, prompting an exasperated Jerry Seinfeld to exclaim, "You were like a Redd Foxx record up there!"

Trivia: Began his acting career at the age of 4 with an appearance in the Broadway play Green Pastures. Was drafted by the Army and served a tour of duty in Vietnam. Guest-starred on an Emmy-winning episode of All in the Family, which helped him earn a lead role on the popular sitcom Sanford and Son. Scaled back his acting work after experiencing a spiritual awakening and becoming a minister in 1983. Is also a writer whose works include several children's books and the memoir Second Banana: The Bitter Sweet Memoirs of the Sanford & Son Years.

Trivia: A veteran of films, television, and the Las Vegas stage, musician Steve Lawrence is probably most recognizable to film audiences as The Blues Brothers' Maury Sline. Born Sidney Leibowitz in Brooklyn, New York, on July 8, 1935, Lawrence began writing music at the age of 16 and broke into television as a performer on Steve Allen's Tonight Show in the mid-'50s. A fixture of various TV variety shows throughout the '60s, including The Carol Burnett Show, Lawrence entered the realm of film cult stardom with his role in The Blues Brothers (1980), and went on to do sporadic screen work for the next couple of decades. In addition to supporting roles in Blues Brothers 2000 (1998), the boxing drama Play It to the Bone (2000), and the crime mystery The Yards, Lawrence had a recurring role on the TV sitcom The Nanny. Along with his wife Eydie Gorme, whom he married in 1957, Lawrence was a fixture of the Las Vegas stage for a long time, where he and Gorme often performed as the supporting act for Frank Sinatra.

Trivia: Father was from Sicily, mother from Turkey, and both were Sephardic Jews. The family spoke English and Spanish and she was so fluent in the latter that after high school she worked as a translator at the United Nations. Was a high-school classmate of filmmaker Stanley Kubrick. Born Edith, she changed her name for professional reasons to Edie, but when too many people called her Eddie, she altered the spelling to Eydie. Originally given a two-week assignment in 1953 on the local New York City program, The Steve Allen Show (which would later become The Tonight Show), and had it extended every two weeks for four years. Met husband, Steve Lawrence, when the two performed as regulars on The Steve Allen Show in the mid-'50s. Paul Newman and Joanne Woodward were married the same day at the same location in Las Vegas, and were witnesses to her wedding. Had great success in the Latin-music market in the 1960s with a number of hits performed in Spanish. Considered for the role of Fanny Brice in the 1964 Broadway production of Funny Girl, but turned it down when producers wouldn't cast her husband. Following the sudden 1986 death of their 23-year-old son Michael, she and her husband took a year off from touring and performing. Steve and Eydie covered "Black Hole Sun," by the rock band Soundgarden, for the 1997 compilation album Lounge-A-Palooza.

Trivia: The son of a tennis pro, California-native Merv Griffin was evidently a born entertainer; as early as age seven, he was staging neighborhood carnivals and churning out his own one-page newspaper. Displaying a gift for music, Griffin was sent to study at a San Francisco conservatory, after which the 14-year-old led his local church choir and supported himself as a professional organist. After rubbing shoulders with the Hollywood glitterati at his uncle's tennis club, Griffin decided to make show business his life. He toured with his own USO troupe during the war, then became a Los Angeles radio pianist and singer. Because he tipped the scales at around 250 pounds, Griffin was billed as "the mystery voice" rather than have the illusion dispelled by publishing his photograph. When a fan visiting his studio laughed out loud at the sight of the porcine mystery voice, Griffin immediately went on a crash diet. It was a svelte and handsome Griffin who signed on in 1948 as a vocalist for Freddy Martin's orchestra; after scoring a hit with a recording of "I've Got a Lovely Bunch of Cocoanuts," the boyish baritone was given a contract at Warner Bros.Most of Griffin's movie appearances were in supporting roles, though he did play a substantial male lead opposite Kathryn Grayson in the 1953 Grace Moore biopic So This Is Love. (In 1982, he made a surprise return to movies as the "human punch line" to a running gag in Steve Martin's Man with Two Brains). Entering television in the mid-'50s, Griffin was a featured vocalist on the CBS Morning Show and the comedy/variety programs of Robert Q. Lewis and Kate Smith. He got his first taste of hosting his own TV program at a CBS outlet in Florida, after which he emceed such popular network game shows as Play Your Hunch (1958-1962) and Keep Talking (1960). Flourishing as his own producer in the early '60s, Griffin launched a daily, hour-long NBC talk show in 1962, which, though popular with the critics, died opposite CBS's soap opera lineup. Griffin's next foray into the chat-show world had more lasting results: in 1965, Westinghouse Broadcasting inaugurated the syndicated nighttimer The Merv Griffin Show, which after a hesitant first few months in which Merv tried to imitate rival Johnny Carson, hit its stride by peppering his showbiz palaver with controversial issues and such volatile guest stars as philosopher Bertrand Russell. The Merv Griffin Show also gave a shot in the arm to the career of irascible British character actor Arthur Treacher, who functioned as Merv's "Ed McMahon." In 1969, the CBS network, hoping to topple the mighty Carson in late night, offered Griffin his own CBS talk show. Not anxious to leave his comfortable niche, Griffin tried to throw CBS off his trail by demanding to be paid more than NBC paid Carson; to his amazement, CBS agreed. The network version of The Merv Griffin Show began in 1969 -- and ended a scant four years later, as much a victim of network censorship and indecision as lukewarm ratings. Griffin returned to syndication under the Metromedia imprimatur in 1972, remaining in the late-night race until voluntarily calling it quits in 1986. That same year, he sold his Merv Griffin Enterprises to Coca-Cola for a whopping 250 million dollars. Thanks to this deal, to his nurturing of such game-show properties as Wheel of Fortune and Jeopardy!, and to his management of numerous casinos, hotels, and resorts in both L.A. and Las Vegas, Merv Griffin closed out the 20th century as one of the wealthiest entertainer/entrepreneurs on earth, with a total net worth of well over one billion dollars. He died in August 2007 at 82 years old.

Trivia: Marlene Clark, a black supporting actress and occasional lead, appeared on screen beginning in the '70s.

Trivia: For years, character actor Howard Platt qualified as one of the small screen's most familiar faces. Devoted viewers of 1970s television will easily remember Platt; he played Hoppy the Cop, the quintessentially weird, by-the-book white police officer who made frequent stops at Fred Sanford's junkyard on the hit NBC sitcom Sanford and Son (1972-1977). Additional recurring roles included Dr. Phil Newman on The Bob Newhart Show and Marvin the Jewelry Salesman on Alice. Platt briefly enjoyed a main starring role as airline pilot Captain Doug March on the CBS adventure drama Flying High (1978) opposite Pat Klous and Connie Sellecca; unfortunately, it was canceled in late January 1979, soon after it premiered. He remained active for the following several decades, however, and extended his work into occasional features such as The Cat from Outer Space (1978), Nixon (1995), and The Rock (1996) while establishing himself as a nearly constant presence in theater as an actor and director. In 2008, Platt starred opposite Tim Robbins and Rachel McAdams in the Iraq veteran-themed drama The Lucky Ones.

Trivia: Character actor, onscreen from the '70s.

Trivia: A comedienne turned actress who rose to fame as outspoken bible-thumper Aunt Ester in Redd Foxx's hit sitcom Sanford and Son, LaWanda Page performed with such other famous contemporaries as Richard Pryor and Rudy Ray Moore before finding success on the small screen. A native of Cleveland who grew up in St. Louis, Page first hit the stage as an exotic dancer and chorus girl billed "the Bronze Goddess of Fire" (due to her penchant for playing with fire on-stage) before fully realizing her talents as a standup comic. Subsequently approached by Foxx to star in Sanford and Son, Page tickled television viewers' funny bones with her memorable role as Foxx's aggressively religious sister-in-law in the original series' spin-off The Sanford Arms, and the 1980 revival Sanford. Throughout the 1980s and '90s, Page crafted a feature-film career with minor roles in such comedies as Zapped! (1982), My Blue Heaven (1990), Friday (1995), and Don't Be a Menace to South Central While Drinking Your Juice in the Hood (1996). Always retaining her fiery approach to comedy, Page also performed on-stage in productions of The Inquest of Sam Cooke and Take It to the Lord...Or Else. On September 14, 2002, LaWanda Page died from complications of diabetes in Los Angeles, CA. She was 81.