Trivia: A founding member of the Chicago's influential Steppenwolf Theatre Company (along with Terry Kinney and Jeff Perry) when he was barely 19, Gary Sinise made his professional acting debut at the age of 17 in a 1973 production of The Physicist. Sinise himself would sum up his career best by noting that the secret to a successful career is not to focus on taking off like a rocket, but to "always keep the engine running." With a prolific and well-defined career on each side of the camera in addition to his stage work, keeping the engine running is precisely what Sinise has done, and that engine has been well maintained.Born March 17th, 1955 in Blue Island, IL, Sinise's attraction to the stage was supported early on through the encouragement of Barbara Patterson, his high school drama teacher. After a role in West Side Story, Sinise's love for the stage was set in stone, leading him to found the Steppenwolf Theatre Company, where he would meet his future wife, actress Moira Harris. Initially based in a church basement, the Steppenwolf quickly grew in stature and respectability, serving as the breeding ground for such talents as John Malkovich and Laurie Metcalf, and earning critical praise with productions like Sam Shepard's True West, which would eventually become the company's Broadway debut. Sinise's film and television career began as a director on such television series' as Crime Story and thirtysomething, eventually leading to his feature directorial debut with the rural drama Miles From Home (starring fellow Steppenwolfers Metcalf and Malkovich) and his feature acting debut in the haunting war drama A Midnight Clear (1991). Sinise's love for the stage resurfaced with his ambitious 1992 remake of Of Mice and Men (in which he also starred, again with fellow Steppenwolf alum Malkovich, in the roles they had both portrayed on stage).But it was his performance as the physically crippled and emotionally shattered Lt. Dan in Robert Zemeckis' blockbuster Forrest Gump (1994) that brought Sinise to light as an actor of considerable talent. His sensitive portrait of a once invincible soldier reduced to a pathetic self-pitying ghost of his own former glory was the perfect vessel for the actor's quiet intensity and florid emotional capabilities, and brought him the Oscar nomination for Best Supporting Actor. That same year Sinise had a starring role in the long-anticipated television adaptation of Stephen King's apocalyptic thriller The Stand.Sinise continued to display his dramatic abilities through the '90s, rejoining Gump co-star Tom Hanks in Ron Howard's Apollo 13 and starring as both Harry S. Truman and George Wallace in the biopics Truman (1995) (for which he won a Cable Ace Award and a Golden Globe) and George Wallace (1997) (for which he won an Emmy). With minor appearances in The Green Mile and Being John Malkovich (both 1999), Sinise brought in the year 2000 in a sci-fi mode, with Brian De Palma's existential thriller Mission to Mars and as a weapons engineer with questionable motives in Imposter. Throughout the next decade Sinise worked in a variety of films including The Big Bounce, The Human Stain, and The Forgotten. However he had is most visible role on the small screen when he was cast as the male lead in the third of the popular CSI series, CSI: NY. In 2006 he brought his theater trained voice to the animated Open Season.

Trivia: With her genuine smile, earthy beauty, and striking green eyes, Melina Kanakaredes staked her claim on daytime television in The Guiding Light before expanding her talents to numerous other popular series and, eventually, the silver screen.Born and raised in Akron, OH, the second-generation Greek-American was the third daughter of an insurance salesman and homemaker who began her career as an actress in a community theater production of Tom Sawyer at the age of eight. Later enrolling in Ohio State University to study music, dance, and theater but disheartened at poor inter-departmental relations, Kanakaredes opted for a conservatory education at Point Park College in Pittsburgh. Soon performing with the Pittsburgh Playhouse and appearing in commercials and industrial videos, Kanakaredes moved to New York after graduating magna cum laude and began working in dinner boat theater and off-Broadway productions. Taking her role as Greek immigrant Eleni Andros Cooper in The Guiding Light after being spotted by the William Morris Agency in 1991, Kanakaredes was nominated for two Emmys and soon began to expand to roles on NYPD Blue and OZ. Soon turning up in such features as The Long Kiss Goodnight and Rounders, the natural beauty began to gain even more footing in her feature aspirations with her turn in the Robert DeNiro heist-thriller The Score in 2001. Kanakaredes would spend the ensuing 2000's appearing frequently on TV, joining the cast of the police proceedural CSI: NY.

Trivia: A true case of fate intervening in the most unexpected of ways, the career of aspiring baseball star Carmine Giovinazzo, born August 24th, 1973,seemed decidedly grim when a major back injury dashed any hopes of achieving his childhood dreams of running the bases as millions of fans screamed in excitement. If those dreams weren't meant to come true, however, the fallen athlete would turn the negative into a positive by using his injury as a means of pushing himself to find his talent as an actor and realizing his true calling before the camera. A native of Staten Island, NY, Giovinazzo spent much of his childhood making short films as a hobby. The athlete-turned-actor was pounding the pavement soon after recovering from his career-altering injury. With the support of his family and an impressive resume that included many short films from NYU and SUNY Purchase, Giovinazzo was soon setting his sights on Los Angeles. The up-and-comer achieved an impressive feat by landing his very first audition for a small role in the pilot of Buffy the Vampire Slayer and a feature debut in the 1996 drama No Way Home, proving without a doubt that he could captivate on the big screen as well. If many of his subsequent screen roles weren't exactly memorable, he did prove promising as the lead in the 1998 thriller Fallen Arches before returning to the diamond for Spider-Man director Sam Raimi's 1999 baseball drama For Love of the Game. A stab at television with the short-lived and regrettably titled Shasta McNasty didn't further his career nearly as much as bit roles in such high-profile features as Black Hawk Down, though he did carry the 2001 crime drama The Learning Curve with suitable charm. In 2004 Giovinazzo's career was finally on the verge of breaking through with his role as forensic scientist Danny Messer on the CBS CSI spin-off CSI: NY.

Trivia: One of the more compelling actors of his generation, Hill Harper, born May 17th, 1973, has earned a reputation for turning in complex performances defined by equal parts intensity and charisma. Acting since the age of 7, Harper, a native of Iowa City, continued to nurture his interest while an undergraduate student at Brown and then as a graduate student at Harvard, where he earned degrees in law and government. During his years at Harvard, the actor was a full-time member of Boston's Black Folks Theater Company, one of the oldest and most acclaimed African-American theater troupes in the country.Harper broke into both film and television in 1993, doing recurring work on the Fox series Married...with Children and making his film debut in the short Confessions of a Dog. He had his first substantial role in a feature in Spike Lee's Get on the Bus (1996), which cast him as a UCLA film student riding a bus to the Million Man March in Washington, D.C. He went on to further demonstrate his versatility in such films as Lee's He Got Game (1998) and Christopher Scott Cherot's Hav Plenty (1997), the latter of which featured him as an egotistical pop-soul singer. The actor's profile subsequently rose on both the mainstream and independent film circuits, thanks to roles in films ranging from Beloved (1998) to the independent romantic comedy Loving Jezebel (1999) to The Skulls (2000), an entry into the teen thriller/horror genre. Harper also did some of his most acclaimed work in Jordan Walker Pearlman's The Visit (2000), an independent drama in which he starred as a prisoner dying of AIDS who tries to put his life back together.

Trivia: Brooklyn, NY, native Vanessa Ferlito grew up amid somewhat challenging circumstances as an only child (the daughter of two Italian-American hair salon owners) whose father died before she reached the age of three. She developed acting aspirations early in life and broke into the entertainment business via television, with guest spots and recurring roles on crime-themed series programs including CSI: New York and The Sopranos -- where her unmistakably ethnic, weathered but voluptuous look lent her time and again to effective portrayals of molls, mistresses, and other gritty urban female types. She landed her most prominent early feature roles in Spider-Man 2 (as a co-star in Mary Jane's play) and Quentin Tarantino's Death Proof segment of the 2007 two-episode omnibus Grindhouse (as one of the low-down women stalked and murdered by Kurt Russell's psychopath Stuntman Mike). After the Tarantino project, Ferlito joined co-stars Debra Messing and Alfred Molina for the gentle comedy Nothing Like the Holidays and worked with Tyler Perry on the farce Madea Goes to Jail (2009).

Trivia: A character actor whose beefy, imposing build (a magazine once listed him as 6'3" and 245 pounds) typecast him as thugs, hoods, and underworld heavies, performer Mike Starr was raised in the Manhattan area, as the son of a meatpacker and a five-and-dime clerk. He attended Long Island's Hofstra University on a drama scholarship, and -- after graduation -- toiled at menial jobs as a bartender and club bouncer before landing his first film role in William Friedkin's gay-themed cop thriller Cruising (1980). Many projects ensued over the following decades, including The Natural (1984), Uncle Buck (1989, in a memorable bit as a drunken clown), Ed Wood (1994), and Jersey Girl (2004). Fans of the gangster-themed comedy Mad Dog and Glory (1993), in particular, might remember Starr -- he played Harold, the wife-beater husband who gets on David Caruso's bad side, and physically suffers for it. In 2007, Starr essayed a rare lead in the character comedy Osso Bucco; he played a gangster unknowingly targeted for death and due for extermination by his cousin.

Trivia: Lead actor, onscreen from You Can't Hurry Love (1988).

Trivia: Moved from New York to Chicago in 1986 to pursue a career in improv comedy Founded the improv group Jazz Freddy in Chicago in 1992 and performed alongside future Saturday Night Live alum Rachel Dratch and future Conan O'Brien writer Brian Stack. Joined Chicago's legendary improv troupe Second City in 1996. Performs the long-running two-man improv show Pete and Paul Explain It All with Paul Vaillancourt at Improv Olympic West in Los Angeles.

Trivia: Character actor Mark Rolston specialized in everyman portrayals with a slightly understated, tough edge to them. Born in Baltimore, MD, in 1956, Rolston broke into film in the early to mid-'80s and scored his first major feature role with a turn as a private in James Cameron's effects-heavy sci-fi blockbuster Aliens (1986). Within a few years, he began turning up in supporting capacities in numerous additional features; the more visible included Weeds (1987), Prancer (1989), Body of Evidence (1993), Rush Hour (1998), and Martin Scorsese's Best Picture winner The Departed (2006). In 2008, Rolston signed on to play Erickson, who comes face to face with Jigsaw's (Tobin Bell) diabolical traps, in the fifth installment of the gore-soaked Saw franchise. Rolston also made television appearances on programs including Touched by an Angel and NYPD Blue.

Trivia: Both a member of Hollywood royalty and the Brat Pack, Emilio Estevez had the odds (and the press) against him when it came to forging a long-term career in show business. Yet, though he did become the butt of many jokes, Estevez has had the last laugh: he grew up into a prolific, if not acclaimed, actor/writer/director who managed to sidestep the celebrity pratfalls that befell his family and his Brat Pack colleagues.Born in New York on May 12, 1962, Estevez is the eldest son of actor Martin Sheen (formerly known as Ramon Estevez) and his wife, Janet. He grew up on Manhattan's Upper West Side with his two younger brothers, Ramon and Charlie, and his younger sister, Renée. Though Estevez started attending school in the New York public-school system, he transferred to a prestigious private academy once his father's career blossomed. In 1968, after Sheen landed a starring role in Catch-22 (1970), the family moved west to Malibu, CA. There, the young Estevez began writing short stories and poems. By the time he turned eight, he had already submitted a script to Rod Serling's Night Gallery television series (it was, unfortunately, rejected).When Estevez was 11, his father bought the family a portable movie camera. Estevez, his brother Charlie, and their friends, Sean and Chris Penn, and Chad and Rob Lowe, used it to make short films, which Estevez would often write. He then began acting in all the junior-high-school plays, including The Dumb Waiter, Hello Out There, and Bye, Bye, Birdie. While accompanying his father to the Philippine set of Francis Ford Coppola's Apocalypse Now (1979), Estevez got his first professional acting role as a messenger boy in the film. His scene, however, did not make the picture's final cut. After returning home to attend Santa Monica High School, Estevez grew interested in sports and did not become involved with the drama department until his senior year. Uninspired by the usual high-school productions, he wrote an original play and drafted Sean Penn to direct it. Titled Echoes of an Era, the story was based on the life of a Vietnam vet whom Estevez met while staying in the Philippines. Around the same time, he landed his first professional stage role opposite his father in Mr. Roberts at the Burt Reynolds Dinner Theater in Jupiter, FL.Estevez made his small-screen debut right after graduating from high school. He appeared in the ABC Afterschool Special Seventeen Going on Nowhere (1980) before joining his father in the cast of To Climb a Mountain (1981), an installment of the religious television series Insight. In 1981, after returning from India where he served as his father's stand-in during the taping of Gandhi (1982), Estevez landed his first feature-film role opposite Matt Dillon in Tex (1982). The film marked the first of three adaptations of S.E. Hinton's books in which Estevez would appear. A year later, he starred in Francis Ford Coppola's unforgettable adaptation of Hinton's novel The Outsiders (1983), with Dillon, Patrick Swayze, Tom Cruise, Rob Lowe, C. Thomas Howell, and Ralph Macchio.By 1983, Estevez found himself on the short list of young actors. Oliver Stone asked him to star in his Academy Award-winning Vietnam film Platoon (1986), but the director could not finance the project in time (Estevez's brother, Charlie, took the role five years later). Instead, Estevez decided to play a punk rocker-turned-car repossessor in Alex Cox's Repo Man (1984). Co-executive produced by former Monkee Mike Nesmith, the wacky comedy also starred cult favorite Harry Dean Stanton and was a lasting underground hit. Estevez next gave a successful reading for John Hughes' The Breakfast Club (1985), a film about five very different high-school kids who are forced to spend a Saturday together in detention. Judd Nelson, Anthony Michael Hall, Molly Ringwald, and Ally Sheedy rounded out the cast in what turned out to be the quintessential teen-angst film of the '80s.On the set of The Breakfast Club, Estevez refined a screenplay he had begun writing with Tom Cruise while working on The Outsiders. Based on another S.E. Hinton novel, That Was Then...This Is Now (1985) went into production under the auspices of Paramount and director Christopher Cain, with Estevez as its star. It opened to scathing reviews and little praise for its young writer, but was a moderate box-office success.Estevez's next role featured him as a recent college graduate opposite Rob Lowe, Ally Sheedy, Judd Nelson, Andrew McCarthy, Demi Moore, and Mare Winningham in St. Elmo's Fire (1985). The film debuted at the same time as a New York magazine cover story that labeled its actors (many of whom had worked together before) as the Brat Pack and elected Estevez as the "unofficial president" of the group. The actor immediately tried to shake the moniker with a part in Stephen King's directing debut, Maximum Overdrive (1986), but the film flopped. He then tried his own hand behind the camera. At age 23, he wrote, directed, and starred in Wisdom (1986), making cinematic history as the youngest feature filmmaker to take on all three roles. The picture, a meandering heist-road film, flopped.Estevez revived his career with Stakeout (1987), a hit action comedy that co-starred veteran actor Richard Dreyfuss, and Young Guns (1988), a successful youth-oriented Western helmed by That Was Then...This Is Now director Christopher Cain. The actor reprised his Young Guns role as Billy the Kid for its sequel, Young Guns 2 (1990), before writing, directing, and starring in Men at Work (1990). The buddy film, a comedy about two garbage men who become wrapped up in a murder case, also featured his brother, Charlie Sheen.After an embarrassing turn in the bizarre sci-fi thriller Freejack (1992), Estevez starred as a lawyer who is forced to coach a children's hockey team in Disney's triumphant The Mighty Ducks (1992). He filmed the spoof National Lampoon's Loaded Weapon 1 (1993) and Another Stakeout (1993), before coaching the Mighty Ducks again in D2 (1994). Estevez then agreed to make a cameo appearance in the third installment of the franchise, D3 (1996), if Disney helped finance his own picture, The War at Home (1996). Estevez produced, directed, and starred in the Vietnam-era drama, along with his father and Academy Award winner Kathy Bates. Sadly, after premiering at the Austin Film Festival, The War at Home played in only three cities.In 1998, Estevez made a comeback as the cowboy in the TNT made-for-cable spaghetti Western, Dollar for the Dead. Two years later, he directed Rated X (2000), a Showtime original movie based on brothers Jim and Art Mitchell, the troubled directors of the infamous adult film Behind the Green Door. After casting himself as Jim, Estevez recruited his own brother Charlie to play Art -- a move which gave the heralded film added clout and a moneymaking edge. Its positive press also put both brothers back in the spotlight. Nevertheless, the actor-cum-director maintained a comparatively low profile over the following half-decade, with only a scant few film appearances here and there. 2005 broke the silence, with the release of the live performance film Culture Clash in AmeriCCa -- a documentary record of an infamously acerbic Hispanic-American comedy troupe (Richard Montoya, Ricardo Salinas, Herbert Siguenza). The picture -- which received severely limited distribution (read: only a few theaters across the country) -- went almost straight to video, and the few critics who did see it scourged it as an insult to spectators and to the film's subjects.Despite this and other disappointments on the filmmaker's spotty track record, however, expectations soared for his sixth turn in the director's chair -- which also marked his most ambitious outing to date. The massive period piece/ensemble drama Bobby (2006) darkly recounted -- via a multilayered and multi-plotted script and a massive, Altmanesque ensemble cast to rival even Altman's most impressive assemblages of talent -- the events in Los Angeles' Algonquin Hotel on June 6, 1968, the night Robert F. Kennedy was shot. The cast included William H. Macy, Martin Sheen, Demi Moore, Anthony Hopkins, Sharon Stone, and Elijah Wood. Four years later, Estevez returned to direct the reflective adventure drama The Way, in which he also appeared as the son of his real life father Sheen. The film told the tale of a father who travels overseas to recover his estranged son's body after learning he perished while walking the El camino de Santiago, and ultimately decides to complete his son's pilgrimage.

Trivia: Half of the producing tandem behind the most testosterone-laden action flicks, the name Jerry Bruckheimer has become synonymous with explosive pyrotechnics and machine-gun fire. The producer of such hits as Beverly Hills Cop (1984), Top Gun (1986), and Days of Thunder (1990), Bruckheimer dissolved his partnership with hard-partying producer Don Simpson in 1995, only weeks before Simpson's death and after 14 tumultuous years together. Despite a reputation for quantity over quality, Bruckheimer has remained one of Hollywood's most successful producers ever, putting his distinctive stamp on such adrenaline-fueled hits as Con Air (1997) and Armageddon (1998).The son of German-Jewish immigrants, Bruckheimer was born on September 21, 1945. He grew up poor, living in a tiny house in a blue-collar Jewish section of Detroit. Dropped off at a weekly matinee by his mother and salesman father, Bruckheimer developed a love for the cinema that eventually channeled him toward photography. He won several local prizes before fleeing Detroit for Madison Avenue, by way of the University of Arizona, where he received a degree in psychology, and on the strength of a Bonnie and Clyde spoof he helmed for Pontiac. The future producer left a lucrative advertising job in New York to accept low-paying film work in the early '70s, part of the pursuit of his dream. He worked with director Dick Richards on his first few projects, as associate producer on The Culpepper Cattle Company (1972) and producer on Farewell, My Lovely (1975) and March or Die (1977). Bruckheimer began gaining notice through a pair of Paul Schrader films, the Richard Gere hustler film American Gigolo (1979), and the feline horror flick Cat People (1982). But it was his first pairing with old buddy Don Simpson, on the 1983 surprise smash Flashdance, that kicked off his string of hits, which has continued more or less unabated. The underdog story of a Pittsburgh arc welder with dreams of ballet dancing, Flashdance used a synthesis of music, sex, quick edits, and bold aspirations to rake in 95 million dollars -- an incredible take for an unheralded R-rated film, making it the third-highest box-office haul of 1983. Bruckheimer and Simpson were on the map and then some. Forming Simpson-Bruckheimer Productions and signing a long-term deal with Paramount, Bruckheimer and Simpson complemented each other well, likening their partnership to a strong marriage, but without the sex. Simpson's extensive industry contacts and Hollywood ladder climbing earned him the nickname "Mr. Inside," while Bruckheimer's practical experience with filmmaking, much of it through advertising, qualified him as "Mr. Outside." With both sides covered, the pair could do no wrong. Their popcorn films fed the public's need for the loud and the proud, quickly assuming iconic status and elevating such actors as Tom Cruise (Top Gun) and Eddie Murphy (Beverly Hills Cop) to bona-fide superstardom. In 1990, the team dissolved its deal with Paramount "by mutual agreement," and began a non-exclusive, five-year pact with Disney subsidiary Hollywood Pictures the following year. Initially slowed, but undaunted, Bruckheimer and Simpson had their next big wave of hits in 1995, releasing Dangerous Minds, Crimson Tide, and Bad Boys in quick succession and reaffirming their relevance. However, Simpson's behind-the-scenes drug problems were damaging the partnership irreparably, and Bruckheimer called off the professional union at the end of that successful year, at the close of production on The Rock (1996). Simpson died a month later of heart failure. As both Mr. Inside and Mr. Outside, Bruckheimer excelled. Con Air was a hit in 1997, and the Bruce Willis asteroid flick Armageddon grossed the second most of any film released in 1998, at just over 200 million dollars. Bruckheimer achieved mid-level success -- but at the cost of ever-growing critical disdain -- with the releases of Enemy of the State (1998), Gone in 60 Seconds (2000), and Coyote Ugly (2000). Hoping to mix Oscar credentials with his traditional blend of wham-bam thrills, Bruckheimer provided the muscle behind Michael Bay's 150-million-dollar-plus World War II action-romance Pearl Harbor (2001). But critics and the Academy were not as receptive to this film as to such epic tragedies as Titanic (1997) and Saving Private Ryan (1998), and issued Bruckheimer across-the-board raspberries. The film was considered an unqualified dud, its 200-million-dollar take well short of expectations. Bruckheimer did achieve a measure of redemption later that year with the release of Black Hawk Down. Ridley Scott's re-creation of an ill-fated U.S. military mission in Somalia, the film scored raves and four Oscar nominations, winning for its editing and sound. Bruckheimer expanded his production empire into television crating the enormously successful CSI franchise, as well as Without a Trace, and the multiple Emmy winning reality show The Amazing Race. He continued producing feature films as eclectic as Kangaroo Jack and Bad Company, but in 2003 he helped steer the massively successful Pirates of the Caribbean: The Curse of the Black Pearl. That film was so successful Disney agreed to finance two sequels to be produced simultaneously. The first of those to hit theaters, Dead Man's Chest, shattered box-office records for biggest opening day and biggest opening weekend, and was the first film to take in over $100 million in two days. The next film in the franchise, At World's End, was no disappointment either, and another installment, On Stranger Tides, was added in 2011 to the same box office success.Meanwhile, Bruckheimer's winning streak producing TV continued with shows like Without a Trace, The Forgotten, Take the Money & Run, the CSI family, and more. Additionally, Bruckheimer signed on to produce the big screen adaptation of The Lone Ranger in 2013.

Trivia: Practiced law in Washington, D.C., before deciding to move to Los Angeles and pursue a writing career in the entertainment industry. First audition piece was a sample script for Remington Steele, which landed her a position as a writer for Fame. Early career highlights include writing for Hardcastle & McCormick and Wiseguy, and working as an executive producer on Melrose Place. Was working on the pilot for Frogmen, which was set to star O.J. Simpson until he was arrested and jailed. Has been executive producer and showrunner of CSI: Crime Scene Investigation since its first season, making her one of the few women in the industry to hold such a position.

Trivia: Genial and handsome character actor Eddie Cahill garnered significant attention for two onscreen series portrayals during the early 2000s: that of Tag, the twentysomething assistant hired by Rachel (Jennifer Aniston) in the 2000-2001 season of the blockbuster sitcom Friends, and that of NYPD homicide detective Don Flack on the successful crime series spin-off CSI: NY (2004). In addition, he had starred in the shortlived WB comedy drama Glory Days (2002) as author Mike Dolan, but it took the CSI role to secure him lasting small-screen success. In 2004, Cahill made his first feature-film appearance, as famous goalie Jim Craig in the Olympic hockey drama Miracle, followed soon after by his role as Larry Gordon in Catherine Hardwicke's bittersweet skateboarding movie Lords of Dogtown (2005). In 2008 he appeared in both This Is Not a Test, and the drama The Narrows.

Trivia: A spunky actress with a winning on-camera presence, Anna Belknap got her start as a guest star on a wealth of popular TV series -- everything from Homicide: Life on the Street to Law & Order: SVU to Third Watch -- before her establishment as a regular on the short-lived (one-season) shows The Handler and Medical Investigation. She found more enduring success on the popular spin-off series CSI: NY. Her portrayal of Detective Lindsay Monroe, a Midwestern transplant with deep-seated emotional scars from a decade-old mass murder that she just barely survived, imparted Belknap's scenes with a tense undercurrent even as it spoke to the character's deeply moving vulnerability. 2005 marked a fortuitous year for Belknap; in addition to joining the CSI program, she signed on as Marissa in Evan Oppenheimer's gentle, techno-hip romantic comedy Alchemy. Unfortunately, that picture encountered extremely limited theatrical distribution (despite a favorable Variety review) and went almost straight to video.

Trivia: Immigrated to Canada with his family when he was 6 years old. Made his first television appearance in the 1994 made-for-TV drama The Disappearance of Vonnie. Made his feature-film acting debut in the 1998 teen horror movie Disturbing Behavior, starring Katie Holmes and James Marsden. Has appeared in several sci-fi/horror TV series, including Nickelodeon's Are You Afraid of the Dark?, Fox's The X-Files and Millennium, and the CW's Supernatural. Has a movie and television production company called Fourfront Productions, and is part-owner and frequent contributor to Louisiana's Scene magazine.

Trivia: Started acting at age 4. Studied at the Lee Strasberg Institute in Los Angeles. Wrote, directed and starred in the short film A Mi Amor, Mi Dulce (2003). At age 29, she portrayed a middle-aged woman for her role as a former housekeeper in Meet the Fockers (2004). Has does extensive voice-over work, including providing the voice of the lead character in the cartoon El Tigre: The Adventures of Manny Rivera. Has appeared in stage productions of Kindertransport, Club Soda and The Vagina Monologues. Wrote and performed in a one-woman play called Patriotic Bitch.