Trivia: Launching his career as a standup comic, American performer Richard Belzer entered the 1970s as a member of an odd New York-based comedy troupe called Channel One. Anticipating the home video explosion by over a decade, Channel One staged satirical, scatological routines lampooning the banalities of television -- and staged them in front of TV cameras, which transmitted the routines to little TV monitors, which in turn were watched by the live audience. Some of the best sketches were assembled into an X-rated comedy feature, The Groove Tube (1970), which featured Belzer, Ken Shapiro, and a brash newcomer named Chevy Chase. For the next decade, Belzer played the comedy-club circuit, popped up as a talkshow guest, and appeared in occasional films like Fame (1982). He joined still another comedy troupe in 1983, which appeared nightly on the syndicated interview program Thicke of the Night. The host was Allan Thicke, and Belzer's comic cohorts included such incipient stars as Charles Fleischer, Chloe Webb and Gilbert Gottfried. Thicke of the Night was one of the more notorious bombs of the 1983-84 season, but it enabled Belzer to secure better guest-star bookings, and ultimately a hosting job on his own program, debuting in 1986 over the Lifetime Cable Service. It was on this series that wrestler Hulk Hogan, demonstrating a stranglehold on Belzer caused the host to lose consciousness -- which prompted a highly publicized lawsuit instigated by Belzer against the Hulkster. In the early 1990s, Richard Belzer could be seen as a non-comic regular on the TV series Homicide. His Homicide character, John Munch, would become one of the longest-running fictional creations on TV appearing in more than a half-dozen other television shows, most notably Law & Order: Special Victims Unit.

Trivia: African American actor Yaphet Kotto was one of the most prominent beneficiaries of the upsurge in black-oriented theatrical pieces of the late 1950s; he appeared in many prestigious Broadway and off-Broadway productions, taking regional theatre work rather than accept stereotypical "mainstream" roles in movies and TV. Kotto's first film was Nothing But a Man (1964), an independently produced study of black pride in the face of white indifference. Though he vehemently steered clear of most of the '70s blaxploitation fare, in 1972, Kotto produced, directed and wrote the feature film Speed Limit 65 (aka The Limit and Time Limit), a one-of-a-kind "black biker" film. The biggest production with which Kotto was associated in the early 1970s was the James Bond film Live and Let Die, in which, as the villainous Mr. Big, he was blown up in the final scene (a similarly grisly fate awaited Kotto in 1979's Alien). On television, Yaphet Kotto was a regular on the TV series For Love and Honor (1983) and Homicide: Life on the Streets (1992), and was seen as Ugandan president Idi Amin in the 1977 TV movie Raid on Entebbe.

Trivia: Gaining notice in the early '90s for his Emmy-winning portrayal of Detective Francis Xavier "Frank" Pembleton on the popular television police drama Homicide: Life on the Street, tireless Chicago native Andre Braugher remained with the show through 1998 while simultaneously building a feature career with roles in such theatrical releases as Primal Fear (1996) and City of Angels (1998). A graduate of Stanford University who also received a M.F.A. from the prestigious Juilliard School, Braugher claims to have originally taken up acting to meet girls. He later changed his major after realizing his true calling during a production of Hamlet, and his first professional role came in a performance at the Berkley Shakespeare Festival. Making the leap from stage to screen with the 1989 civil war drama Glory proved an eye opening experience, and following numerous appearances as Detective Winston Blake in a series of made-for-TV Kojak features, Braugher held onto his badge by joining the cast of Homicide in 1993. Later alternating successfully between film and television, Braugher was voted one of the "50 Most Beautiful" people in a 1997 issue of People magazine; the following year, the handsome actor turned down a prominent role in the sci-fi drama Sphere in order to spend more time with his family. Jumping back into features in 2000, roles in Frequency, Duets and A Better Way to Die proved that Braugher was still in top form, and, in 2002, he turned back to the small screen with the made-for-TV feature Hack (and later reprised his role when the feature was turned into a weekly series). Following a role in the made-for-TV feature A Soldier's Girl (2002), Braugher joined the cast of the television remake of the Stephen King vampire chiller Salem's Lot (2004), then returned to television - and changed camps to tap into the underground element - on the weekly crime drama Thief. As Nick Atwater, one of the most genial and principled of all television criminals (!), Braugher evoked an unusual ethical balance in his character and tapped into the fence's deep-seated devotion to his family, even as he drummed up a fiery intensity from episode to episode. Successive years found the actor moving into supporting roles in Hollywood A-listers with a heightened emphasis on effects-heavy action, adventure and fantasy-themed material; projects included Poseidon (2006), Fantastic Four: Rise of the Silver Surfer (2007) and Stephen King's The Mist (2007).Braugher would star in the TV mini-series The Andromeda Strain in 2008, before taking on a role in the cult favorite comedy series Men of a Certain Age from 2009-2011. He would also enjoy a recurring role on House M.D., and play a memorable supporting role in the Angelina Jolie action flick Salt.

Trivia: Pleasant-looking and genial American character player Reed Diamond delivered a number of early performances prior to his first major assignment -- as Detective Mike Kellerman on the series Homicide: Life on the Street. Diamond carried the role from 1995 through 1998, and reprised it in Jean de Segonzac's 2000 feature Homicide: The Movie. After essaying the Lloyd Bridges role in that same year's telemovie remake of High Noon, Diamond then branched off into cinematic work. He was memorable as John Aaron in George Clooney's Edward R. Murrow biopic Good Night, and Good Luck., and lent supporting roles to the horror picture The Darkroom (2006) and the thriller Adrenaline (2007). Diamond continued to work on the small screen as well, playing Stuart Collins for many episodes of Judging Amy and appearing in episodes of such popular series as CSI, Law & Order, The West Wing, and Ghost Whisperer. In 2007, he scored a regular role on the short-lived sci-fi drama Journeyman, as Jack Vassar, the brother of main character Dan Vasser (Kevin McKidd). He also appeared in the first season of Joss Whedon's short-lived series Dollhouse in 2009, and the next year he landed a recurring part on the 8th season of the FOX action series 24. He returned to the big screen in 2011 playing Mark Shapiro in Moneyball, and returned to the Whedonverse with a role in the director's 2012 adaptation of Shakespeare's Much Ado About Nothing.

Trivia: Black supporting actor, onscreen from the '80s.

Trivia: After supporting roles in a handful of small films and a short stint on the soap opera All My Children, New York-born Melissa Leo gained prominence on the critically-acclaimed Barry Levinson-produced television drama Homicide: Life on the Streets. After leaving the show in 1997, Leo continued to appear in a range of features, including 1999's 24 Hour Woman. But it was her role as Benicio Del Toro's wife in 2003's 21 Grams that gave Leo her first exposure to a wide moviegoing audience. The performance also won her recognition from the L.A. Film Critics Association, who named Leo the runner-up for the Best Supporting Actress honor.Leo continued to work steadily in a series of independent films including American Gun, The Three Burials of Melquiades Estrada, and Stephanie Daley. In 2008 she landed the lead role in Courtney Hunt's debut feature Frozen River. As a financially strapped woman who turns to human-trafficking in order to earn a living, Leo earned thunderous critical praise as well as Best Actress nominations from both the Screen Actors Guild, and the Academy.Frozen River led her to steady work un a variety of projects, but it was as the matriarch of the boxing brothers in The Fighter that Leo had the biggest success of her career capturing numerous year-end critics awards as well as the Oscar for Best Supporting Actress. In the years after that she appeared in works as diverse as the remake of Mildred Pierce for HBO, and Kevin Smith's Red State.

Trivia: Lead actor, onscreen from the late '80s.

Trivia: Since his impressive debut in Nick Gomez's gritty, independent drama Laws of Gravity, leading actor Adam Trese has become a respected player in American independent cinema. He has been acting since early childhood; he made his professional debut with a bit part in a production of Othello in New York's 1979 Shakespeare Festival. The production starred Raul Julia and Christopher Walken. Trese is a graduate of State University of New York at Purchase, where his classmates included actress Parker Posey. He has also attended the competitive Actors Training Program. The darkly handsome Trese next appeared opposite Christine Lahti in a Lifetime cable network film, The Good Fight, a fact-based drama about a married couple who take on a tobacco company. He showed a facility for comedy in Alan Taylor's Palookaville (1995). He reteamed with Gomez to play a vengeful convict in Illtown (1996). In addition to his feature film work, Trese has also occasionally appeared on television shows, such as Law & Order, N.Y.P.D. Blue (on which he had a recurring role as Kim Delaney's younger brother), and on an episode of Homicide: Life on the Street directed by Gomez.

Trivia: Originally studying to be a jazz musician at the Berklee School of Music, Bronx native Frank John Hughes instead has made a career of playing hitmen and edgy guys. In 1991, he began collaborating with writer/director Robert Celestino for his film debut in True Convictions. He played a hitman in Bad Boys, a man on the run in Layin' Low, and a mobster in The Funeral. He got his first starring role in the black-and-white independent film Mr. Vincent, where he played the title character. He followed that with another low-budget indie, Urban Jungle (aka Blink of an Eye), playing an ex-con trying to start over. On the small screen, Hughes played Wild Bill in the HBO miniseries Band of Brothers and switched gears (getting rid of the mustache) for the clean-cut role of Charlie in the NBC series Players with Ice-T. Numerous television guest appearances would follow, from Law & Order to Homicide: Life on the Street. After appearing in the thriller Anacardium in 2001, Hughes got a part in Steven Spielberg 's Catch Me If You Can.