Trivia: A graduate of the Yale School of Drama, American actor Henry Winkler, born October 30th, 1945, first appeared on Broadway and in films (Crazy Joe, The Lords of Flatbush [both 1974]) before making the guest-star rounds on TV sitcoms. He worked several times for MTM productions, appearing in such roles as Valerie Harper's date on Rhoda and a charming thief undergoing psychoanalysis on The Bob Newhart Show. In 1973, Winkler was selected among hundreds of candidates (including ex-Monkee Micky Dolenz) to play the small recurring role of Arthur "Fonzie" Fonzarelli, a leather-jacketed auto mechanic, on the new TV sitcom Happy Days. Though the series' stars were ostensibly Ron Howard, Anson Williams, and Donny Most, the bulk of the fan mail sent to Happy Days during its first season was addressed to "the Fonz." By the time the second season rolled around, Winkler was afforded second billing and a larger slice of screen time on each week's episode. Soon the more impressionable TV fans of America were parroting such Fonzie catchphrases as "Aaaaay" and "Sit on it!," while the nonplussed Winkler, who always regarded himself as a Dustin Hoffman-esque character actor, climbed to teen-idol status, complete with fan magazine interviews, posters, and Fonzie dolls. He also enjoyed a substantial salary boost, from 750 dollars per episode to (eventually) 80,000 dollars. At first, the off-stage Winkler could be as testy and sarcastic as his on-stage persona, but as Fonzie assumed "role model" proportions, the actor began comporting himself in as polite and agreeable a manner as possible. Accordingly, Fonzie became less of a Marlon Brando-type hoodlum and more of a basically goodhearted, moralistic young fellow who happened to be a motorcycle-racing dropout. By the time Happy Days ended in 1983 (by which time Winkler was elevated to top billing), Fonzie was a "drop-in," with a good job as a high school shop teacher and the possibility of a solid marriage. During his Happy Days heyday, Winkler was determined to prove he was capable of playing parts above and beyond Fonzie by taking film roles as far removed from his TV character: the troubled Vietnam vet in Heroes (1977), the vainglorious actor-turned-wrestler in The One and Only (1981), a '30s-style Scrooge in An American Christmas Carol (1982), and the timorous morgue attendant in Night Shift (1983). Following the example of his Happy Days co-star Ron Howard, Winkler also began working his way into the production and direction end of the business. In addition, Winkler used his name value for the benefit of others, remaining active in charitable and political causes. After several years away from the camera, Winkler returned to acting in the 1991 TV-movie Absolute Strangers, playing the husband of a woman caught in the middle of a volatile pro-life/pro-choice argument. And in 1993, Henry Winkler starred in the brief TV sitcom Monty, portraying a bombastic Limbaugh-type conservative TV personality. Winkler appeared in Little Nicky (2006) and You Don't Mess With the Zohan (2008), both times playing himself. Winkler continued to take small roles and guest spots on television and film throughout the 2000s.

Trivia: The son of an insurance salesman, David Wayne attended Western Michigan University. While working as a statistician in Cleveland, Wayne became attracted to the local theatrical activity. Auditioning for a Shakespearean repertory company, he won the role of Touchstone in As You Like It, which he performed before an audience for the first time at the 1935 Cleveland Exposition. In 1938, he made his first New York stage appearance in Escape This Night. Classified 4F at the outbreak of World War II, Wayne volunteered for the ambulance corps, subsequently serving as a Red Cross driver in North Africa. His theatrical career really began to pick up steam after the war: cast as Og the Leprechaun in the 1947 musical hit Finian's Rainbow, he became the first actor ever to win a Tony Award. The following year, he created the role of Ensign Pulver in Mister Roberts, and in 1955 he was seen as Okinawan interpreter Sakini in Teahouse of the August Moon. While all of his major stage roles went to other actors in the film versions, Wayne enjoyed a substantial movie career of his own. Though he made his screen debut in 1947's Portrait of Jennie, Wayne was given "and introducing" billing in the Tracy/Hepburn comedy Adam's Rib (1949), in which he played capricious composer Kip Lurie. After playing Joe, cartoonist Bill Mauldin's mud-caked infantryman, in Universal's Up Front (1951), Wayne spent most of his screen time at 20th Century-Fox, where, among other things, he did two co-starring stints with Marilyn Monroe (1952's We're Not Married, 1953's How to Marry a Millionaire), played theatrical impresario Sol Hurok in Tonight We Sing (1953), starred as a tragedy-plagued small-town barber in the underrated Wait Till the Sun Shines Nellie (1953) and portrayed schizophrenic Joanne Woodward's long-suffering husband in Three Faces of Eve (1957). One of Wayne's co-stars during his Fox years was Una Merkel, who once remarked "I loved David Wayne. I think he's one of the finest actors we have. He's so good they don't know what to do with him."One place where they evidently did know what to do with Wayne was television, where he worked steadily from 1948 onward. Besides playing such prominent personages as Andrew Carnegie, Mark Twain and even "Old Scratch" (in a 1961 telecast of The Devil and Daniel Webster), he appeared in classic individual episodes of Alfred Hitchcock Presents and Twilight Zone, played "special guest villain" The Mad Hatter on Batman, and was a regular on the weekly series Norby (1955), The Good Life (1973), Ellery Queen (1975, as Inspector Queen), Dallas (1978), and House Calls (1980). In addition, Wayne appeared with New York's Lincoln Center Repertory, and was one of the hosts of the NBC weekend radio potpourri Monitor. Curtailing his activities in the late 1980s, David Wayne retired altogether in 1993, after the death of his wife of 51 years.

Trivia: Lead, onscreen from the '80s.

Trivia: African American leading man Dorian Harewood attended the University of Cincinnati before establishing his theatrical reputation, first in the cast of the Broadway rock musical Two Gentlemen of Verona, then in the road company of Jesus Christ, Superstar. He won a Theatre Guild Award for his work in the 1974 production Don't Call Back. In films since 1976's Sparkle, Harewood is best known for his powerful supporting roles, most notably the unfortunate "grunt" Eightball in Stanley Kubrick's Full Metal Jacket (1987). His television resumé includes the part of Alex Haley's father in the 1979 miniseries Roots: The Next Generation and the title roles in the made-for-TV movies The Jessie Owens Story (1984) and Guilty of Innocence: The Lenell Geter Story (1987); he has also played recurring roles on such series as Glitter, The Trials of Rosie O'Neill, and Viper. Harewood has always attributed much of his success to actress Bette Davis, who while lecturing at the U. of Cincinnati encouraged the young actor to aggressively pursue his dreams of stardom. Dorian Harewood is the husband of actress Ann McCurry.

Trivia: Cec Linder was born in Poland, began his acting career in his adopted country of Canada, then established himself by playing American characters in British films. The actor's most famous movie role was James Bond's CIA counterpart Felix Leiter in 1965's Goldfinger. From 1960 through 1964, Linder portrayed Peter Ames on the CBS TV soap opera The Secret Storm, and later replaced William Prince in the role of Ben Travis on The Edge of Night. Shortly before his death at the age of 61, Cec Linder essaying the recurring part of a district attorney in several of the American made-for-TV Perry Mason feature films.

Trivia: Michael Wincott's filmography contains a veritable rogues' gallery of brooding villains and charismatic scalawags. Interestingly, he consistently wins high marks for his performances but remains largely unknown outside of a growing circle of devoted fans. He was born in London, Ontario, and trained at the prestigious Juilliard School. He launched his professional career on the New York Stage, appearing in such productions as The Plough and the Stars, When You Comin' Back, Red Ryder, and 'Tis a Pity She's a Whore. He also appeared in a few Broadway dramas, including Sam Shepard's premiere production of States of Shock. He made his feature film debut in a Canadian production, Wild Horse Hank (1979). Some of his more memorable roles include his reprisal of his Broadway performance as a zoned-out rocker in Oliver Stone's film adaptation of Eric Bogosian's Talk Radio (1988). In villainous roles, Wincott projects a charismatic intensity that eclipses the actor behind the them, which is perhaps one reason why major stardom has eluded him. He was riveting as Top Dollar, the supervillain in The Crow (1994). Wincott's brother, Jeff Wincott, is also an actor.

Trivia: Irish actor Gerard Parkes played supporting roles on stage (beginning in 1948), radio, television, and feature films of the '70s, '80s, and '90s. He found his greatest success in Canada where he lived since 1956. One of his most recognizable roles was as Doc, the only human on Jim Henson's Fraggle Rock TV series, a role he played from 1983-87. He played another character named Doc in 1999's The Boondock Saints, and reprised the role in the 2009 sequel, The Boondock Saints II: All Saints Day. Parkes died in 2014, several days after turning 90.

Trivia: Lead actress, onscreen from the '70s.

Trivia: Supporting actor, onscreen from the '70s.