Trivia: Throughout his acting career, Albert Finney has impressed critics with his protean ability to step into a role and wear a character's persona no matter the age, nationality, or métier. In stage, film, and television productions over more than 40 years, Finney has portrayed a Polish pope, a Belgian detective, an Irish gangster, a British miser, a gruff American lawyer, a Scottish King, a German religious reformer, and an Roman warrior -- all with convincing authenticity. Finney was born on May 9, 1936, in the working-class town of Salford, Lancashire, England. After graduating from the Royal Academy of Dramatic Arts in 1955, he performed Shakespeare and quickly earned a coveted spot as understudy for the great Laurence Olivier in Shakespeare productions at Stratford-upon-Avon. On one occasion, he stepped into Olivier's shoes to play the lead role in Coriolanus, a play about the downfall of a proud Roman soldier, and won recognition that led to film roles.Finney's upbringing in Lancashire, a region of mills and smokestacks, exposed him to the kind of social injustice and economic hardship that helped prepare him for his role as a nonconformist factory worker in the 1960 film Saturday Night and Sunday Morning, a milestone in the development of British realist cinema. Critics -- who hardly noticed him in the bit-part role he played in his first film, The Entertainer -- universally praised his vibrant performance in Saturday Night. This success earned him the lead role in director Tony Richardson's 1963 film Tom Jones, adapted by screenwriter John Osborne from the Henry Fielding novel of the same name. As the wenching country boy Jones, Finney was a bawdy, rollicking, uproarious success, helping the film win four Academy awards.Rather than abandon live stage drama, Finney continued to pursue it with the National Theatre Company at the Old Vic in London, performing in Shakespeare productions and plays by other authors. He won Tony nominations for Luther and A Day in the Death of Joe Egg, as well as a best actor Oliver for Orphans. When he made his next film in 1967, he starred opposite Audrey Hepburn in Stanley Donen's Two for the Road, a comedy-drama about marital mayhem, and again won high critical praise.If there was a pattern to the types of roles he selected, it was that there was no pattern. For example, after playing a 20th century art enthusiast in 1969's Picasso Summer, he took on the role of a 19th century Dickens character in Scrooge (1970), then played a bickering husband in Alpha Beta (1973), Belgian sleuth Hercule Poirot in Murder on the Orient Express (1974), a Napoleon-era Frenchman in The Duellists (1978), a werewolf hunter in Wolfen (1981), and a plastic surgeon/murder suspect in the ludicrous Looker (1981).After winning an Academy award nomination for his performance in 1982's Shoot the Moon, Finney delivered another outstanding performance in Peter Yates' 1983 film The Dresser, which earned five Oscar nominations, including a nomination for Finney as best actor. In the film, Finney plays a boozing Shakespearean actor whose life strangely parallels the tragic life of one of the characters he portrays, King Lear. In 1984, Finney won still another Oscar nomination, as well as a Golden Globe nomination, for his role as a self-defeating alcoholic in director John Huston's Under the Volcano. In the same year, critics praised him highly for his dynamic portrayal of Pope John Paul II in an American TV production.Finney continued to take on diverse and challenging roles in the late 1980s and during the 1990s, primarily in small, independent productions. Among the films that earned him more accolades were the Coen brothers' gangster epic Miller's Crossing (1990) -- for which Finney replaced actor Trey Wilson after his untimely death -- as well as A Man of No Importance (1994), The Browning Version (1995), and Simpatico (1999). Also in 1999, he won the BAFTA TV award for best actor for his role in A Rather English Marriage. 2000's Erin Brockovich exposed Finney to the widest audience he'd seen in years: playing the hangdog attorney Ed Masry, Finney proved to be the perfect comic foil to Julia Roberts' brassy heroine, and in the process secured himself Golden Globe and Academy award nominations for best supporting actor. Though a Golden Globe Award eluded him that year, he returned in two years and won for his portrayal of Winston Churchill in the made-for-television film The Gathering Storm.2003 saw Finney in his biggest role since Erin Brockovich. In Tim Burton's Big Fish, he played Edward Bloom in present-day scenes, while Ewan McGregor assumed the role of the eccentric storyteller in flashbacks. The actor once again proved to be a favorite of the Hollywood Foreign Press when he received yet another Golden Globe nomination for his work.2006 found the now veteran actor appearing in the Ridley Scott dramedy A Good Year, in which he played the uncle to a younger version of Russell Crowe through flashbacks. He also signed on to appear in Before the Devil Knows You're Dead, a thriller staring Philip Seymour Hoffman and Marisa Tomei. In 2007 he was cast as the mastermind behind the program that created Jason Bourne in The Bourne Ultimatum, a roll he reprised five years later in The Bourne Legacy.Over the years, Finney saw the end of two major performances in his personal life: his first marriage to Jane Wenham (1957-61) and his second marriage to Anouk Aimée (1970-1978). He has one son, Simon, from his first marriage.

Trivia: A member of a generation of British actors that included Sir Laurence Olivier and Ralph Richardson, Sir Alec Guinness possessed an astonishing versatility that was amply displayed over the course of his 66-year career. Dubbed "the outstanding poet of anonymity" by fellow actor Peter Ustinov, Guinness was a consummate performer, effortlessly portraying characters that ranged from eight members of the same family to an aging Jedi master. Synonymous throughout most of his career with old-school British aplomb and dry wit, the actor was considered to be second only to Olivier in his popularity on both sides of the Atlantic. Theater critic J.C. Trewin once described Guinness as possessing "a player's countenance, designed for whatever might turn up." The latter half of this description was an apt summation of the actor's beginnings, which were positively Dickensian. Born into poverty in London on April 2, 1914, Guinness was an illegitimate child who did not know the name on his birth certificate was Guinness until he was 14 (until that time he had used his stepfather's surname, Stiven). Guinness never met his biological father, who provided his son's private school funds but refused to pay for his university education. It was while working as an advertising copywriter that Guinness began going to the theatre, spending his pound-a-week salary on tickets. Determined to become an actor himself, he somehow found the money to pay for beginning acting lessons and subsequently won a place at the Fay Compton School of Acting. While studying there, he was told by his acting teacher Martita Hunt that he had "absolutely no talent." However, Sir John Gielgud apparently disagreed: as the judge of the end-of-term performance, he awarded Guinness an acting prize and further rewarded him with two roles in his 1934 production of Hamlet. Three years later, Guinness became a permanent member of Gielgud's London company and in 1938, playing none other than Hamlet himself. In 1939, Guinness' stage version of Charles Dickens' Great Expectations, which featured the actor as Herbert Pocket, caught the attention of fledgling director David Lean. Seven years later, Lean would cast Guinness in the novel's screen adaptation; the 1946 film was the actor's second screen engagement, the first being the 1934 Evensong, in which he was an extra. It was in Lean's Oliver Twist (1948) that he had his first memorable onscreen role as Fagin, although his portrayal -- complete with stereotypically Semitic gestures and heavy makeup -- aroused charges of anti-Semitism in the United States that delayed the film's stateside release for three years. Guinness won bona fide international recognition for his work in Robert Hamer's Kind Hearts and Coronets (1949), an Ealing black comedy that featured him as eight members of the d'Ascoyne family. He would subsequently be associated with a number of the classic Ealing comedies, including The Lavender Hill Mob (1951), The Man in the White Suit (1951), The Detective (1954), and The Ladykillers (1955). In 1955, Guinness' contributions to the arts were recognized by Queen Elizabeth, who dubbed him Commander of the British Empire. Two years later, he received recognition on the other side of the Atlantic when he won a Best Actor Oscar for his role as Colonel Nicholson, a phenomenally principled and at times foolhardy British POW in The Bridge on the River Kwai. Ironically, Guinness turned down the role twice before being persuaded to take it by producer Sam Spiegel; his performance remained one of the most acclaimed of his career. In 1960, Guinness once again earned acclaim for his portrayal of another officer, in Tunes of Glory. Cast as hard-drinking, ill-mannered Scottish Lieutenant-Colonel Jock Sinclair, a role he would later name as his favorite, the actor gave a powerful performance opposite John Mills as the upper-crust British officer assigned to take over his duties. He subsequently became associated with David Lean's great epics of the 1960s, starring as Prince Feisal in Lawrence of Arabia (1962) and as Zhivago's brother in Dr. Zhivago (1965); much later in his career, Guinness would also appear in Lean's A Passage to India (1984) as Professor Godbole, an Indian intellectual. Although Guinness continued to work at a fairly prolific pace throughout the 1960s and 1970s, his popularity was on the wane until director George Lucas practically begged him to appear as Obi Wan Kenobi in Star Wars (1977). The role earned the actor his third Academy Award nomination (his second came courtesy of his screenplay for Ronald Neame's 1958 satire The Horse's Mouth) and introduced him to a new generation of fans. Guinness reprised the role for The Empire Strikes Back (1980) and Return of the Jedi (1983); although the role Obi Wan was perhaps the most famous of his career and earned him millions, he reportedly hated the character and encouraged Lucas to kill him off in the trilogy's first installment so as to limit his involvement in the subsequent films.After receiving an honorary Academy Award in 1979, Guinness did a bit of television (most notably a 1979 adaptation of John LeCarre's Tinker, Tailor, Soldier, Spy) and acted onscreen in supporting roles. In 1988 he earned a slew of award nominations -- including his fourth Oscar nomination -- for his work in a six-hour adaptation of Dickens' Little Dorrit. In addition to acting, Guinness focused his attention on writing, producing two celebrated memoirs. He died on August 5, 2000, at the age of 86, leaving behind his wife of 62 years, a son, and one of the acting world's most distinguished legacies.

Trivia: Formidable English character actress Edith Evans was celebrated for her unique voice and speech pattern. As a young woman, she held down a job while studying acting at night. In 1912 she made her professional stage debut, going on to become famous for her glorious performances of the classics both on the London stage and later on Broadway. Evans appeared in two silent films, A Welsh Singer (1915) and East Is East (1916), then went three decades before her next screen appearance, in The Queen of Spades (1949); in the meantime she devoted herself to the stage. After three films she again went seven years without a screen role, then after 1959 she began appearing in films more frequently. For her work in both Tom Jones (1963) and The Chalk Garden (1964) she received "Best Supporting Actress" Oscar nominations; for The Whisperers (1967) she won the New York Critics Award for "Best Actress," and was nominated for a "Best Actress" Oscar. Evans was an inspiration to generations of younger British stars, many of whom considered her to be their greatest influence in their professional lives. In 1946 she was made a Dame Commander of the Order of the British Empire. Her authorized biography is Dame Edith Evans: Ned's Girl (1978) by writer-director Bryan Forbes.

Trivia: Ex-Merchant Marine seaman Laurence Naismith made his London stage bow in the chorus of the 1927 musical production Oh, Boy. Naismith joined the Bristol Repertory at age 22, remaining with the troupe until joining the royal artillery at the outbreak of World War II; he spent nine years in military service, emerging with the rank of Acting Battery Commander. His officer's bearing served Naismith well in such authoritative film assignments as the ill-fated Captain Smith in A Night to Remember (1958). Other highlights in Naismith's lengthy movie career include the roles of the Prince of Wales in The Trial of Oscar Wilde (1960), Argus in Jason and the Argonauts (1963) and Merlin in Camelot (1967). A frequent visitor to Broadway, Naismith played Kris Kringle in Here's Love, Meredith Willson's 1963 musical adaptation of Miracle on 34th Street. Among Laurence Naismith's hundreds of television credits was the recurring role of Judge Fulton on the 1971 Tony Curtis-Roger Moore adventure series The Persuaders.

Trivia: Educated at Switzerland's Fischer Institute, British character actor Michael Medwin was first seen on screen in 1946's Piccadilly Incident. He essayed breezy cockney bits and supporting roles in a number of war films as well as several lighthearted comedies of the Genevieve (1953) variety. With the 1967 "mod" seriocomedy Charlie Bubbles, Medwin switched hats to become a producer; his subsequent productions have included such off-the-track fare as If... (1968) and O Lucky Man (1973) etc. Even while producing, Medwin occasionally kept his hand in the acting game. British TV fans were offered a surfeit of Michael Medwin on the popular sitcoms The Army Game (1957-72) and Shoestring (1979-80).

Trivia: British character actor, onscreen from the '60s; he often played underdogs.

Trivia: British films seemed to have no limit of actors to play pompous, self-absorbed types. Stocky actor Derek Francis was one of the better purveyors of this clichéd role. He became active in films in the early '60s, soon establishing himself with a variety of performances as businessmen, minor political functionaries and the like. Derek Francis could be seen in such films as Bitter Harvest (1963), Carry on Camping (1969), Monty Python's Jabberwocky (1977), and the German/British scare orgy To The Devil - A Daughter (1976).

Trivia: In his earliest films (his first was 1942's The Foreman Went to France), Scottish actor Gordon Jackson was often seen as a weakling or coward. As age added character to his face, Jackson eased into roles of quiet authority, notably butlers and businessmen. Of his many British and American films, the highlights of Jackson's career include Whisky Galore (1948), Tunes of Glory (1960) and The Ipcress File (1965). On television, Gordon Jackson was seen as Hudson the butler on the internationally popular serial Upstairs, Downstairs (1973-74), and he later co-starred on the domestically distributed British series The Professionals (1977-81).

Trivia: British comic actor Roy Kinnear received his training at the Theatre Workshop, and made his film debut in 1962's Tiara Tahiti. Short and already balding in his 20s, Kinnear resigned himself early on to character roles; his comic gifts enabled the actor to expand his range as a writer/performer on the fabled early-'60s British TV satirical series That Was the Week That Was. Kinnear became an American favorite for his role as mad scientist Victor Spinetti's harried assistant in the 1965 Beatles film Help!. It was the launching pad of a film career comprised mostly of comic relief and cameo roles. One of Kinnear's most popular film appearances was a two-minute bit specially written for him in A Funny Thing Happened on the Way to the Forum (1967), wherein the actor played a trainer of Roman gladiators who conducted his classes in the manner of a golf instructor. Richard Lester, director of both Help! and Forum, cast Kinnear as long-suffering lackey Planchet in the star-studded 1974 filmization of The Three Musketeers, and its sequel (shot simultaneously) The Four Musketeers (1974). With virtually every cast member -- especially Raquel Welch -- clowning it up in the Musketeers films, Kinnear's routines for the first time seemed intrusive. After a decade of variable roles, Kinnear was cast as The Common Man in the 1987 Charlton Heston remake of A Man for All Seasons; it was a brilliant tour de force, with Kinnear displaying a full and versatile range from low comedy to subtle pathos. While recreating his Planchet role in Return of the Musketeers, filmed on location in Spain, Roy Kinnear fell from a horse during a comic chase scene, suffered a heart attack, and died at the age of 54; that film premiered in 1989. Kinnear had completed work on his penultimate feature -- doing one of the voices for the kiddie cartoon The Princess and the Goblin -- not long before his death. It wrapped production in 1992 and took its stateside bow in 1994.

Trivia: South African lead actress in British films, onscreen from the late '50s.

Trivia: A former dancer and West End Revue performer, Kay Walsh entered films in 1934. Married for a time to director David Lean, Walsh appeared in Lean's In Which We Serve (1942) as Freda Lewis, This Happy Breed (1944) as Queenie Gibbons, The October Man (1947) as Molly, and Oliver Twist (1948) as Nancy Sykes. She returned to her music halls roots in the "Red Peppers" segment of Noel Coward's Tonight at 8:30 (1952). Active in films into the 1980s, Kay Walsh was also a semi-regular on the 1979 Anglo-Polish TV series Sherlock Holmes and Dr. Watson.

Trivia: A British character actor, Bayldon was onscreen from the '50s.

Trivia: Onscreen from 1948 through the mid-late 1980s, solemn-faced Marianne Stone probably appeared in more films than any other British actress her age. Though she had a few major roles early on, Stone quickly settled into featured parts and bits, often unbilled. She was equally adept at playing lower-class housewives, harpies, officious shop clerks, and ritzy society reporters, and is particularly remembered for her portrayal of Vivian Dankbloom in Stanley Kubrick's Lolita (1962). Stone was married to London show-business columnist Peter Noble.

Trivia: Known for her sweetness, Scottish actress Molly Weir played character roles on British radio, television, and feature films. She was also a popular public speaker and the author of seven books of memoirs. Her brother, Tom Weir, is a naturalist and noted television personality in Scotland.