Cover Girl

Rita Hayworth (Actor) .. Rusty Parker/Maribelle Hicks

Born: October 17, 1918
Died: May 14, 1987
Birthplace: New York City (Brooklyn), New York

Trivia: The definitive femme fatale of the 1940s, Rita Hayworth was the Brooklyn-born daughter of Spanish dancer Eduardo Cansino and Ziegfeld Follies showgirl Volga Haworth. She joined the family dancing act in her early teens and made a few '30s films under her real name, Margarita Cansino, and with her real hair color (black), including Charlie Chan in Egypt (1935) and Meet Nero Wolfe (1936). Over the next few years -- at the urging of Columbia Studios and her first husband -- she reshaped her hairline with electrolysis, dyed her hair auburn, and adopted the name Rita Hayworth. Following her performance in Only Angels Have Wings (1939), she became a major leading lady to most of the big stars, including Tyrone Power, Fred Astaire, Charles Boyer, Gene Kelly, and her second and soon to be ex-husband Orson Welles in The Lady From Shanghai (1948). Hayworth then became involved in a tempestuous romance with married playboy Aly Khan, son of the Pakistani Muslim leader Aga Khan III, and they married in 1949. Following their divorce two years later, she was married to singer Dick Haymes from 1953 to 1955, and then for three years to James Hill, the producer of her film Separate Tables (1958). Her career had slowed down in the '50s and came to a virtual standstill in the '60s, when rumors of her supposed erratic and drunken behavior began to circulate. In reality, Hayworth was suffering from the first symptoms of Alzheimer's disease. For years, she would be cared for by her daughter Princess Yasmin Khan, and her death from the disease in 1987 gave it public attention that led to increased funding for medical research to find a cure.

Gene Kelly (Actor) .. Danny McGuire

Born: August 23, 1912
Died: February 02, 1996
Birthplace: Pittsburgh, Pennsylvania, United States

Trivia: Along with Fred Astaire, Gene Kelly was the most successful song-and-dance man in film history, a towering figure in the development and enduring success of the movie musical. Born August 23, 1912, in Pittsburgh, PA, he initially studied economics, funding his education by working alternately as a soda jerk and a brick layer. With brother Fred, he also gave dancing lessons. In 1937, the Kelly brothers both unsuccessfully sought choreography work in New York. A year later, however, Gene was cast in the chorus of Leave It to Me, and in 1939 he graduated to a small role in the revue One for the Money. A more prominent performance in the drama The Time of Your Life caught the attention of Richard Rodgers, who cast him as the titular Pal Joey. Kelly left Broadway for Hollywood when David O. Selznick offered him a contract, immediately loaning him to MGM to star opposite Judy Garland in 1942's For Me and My Gal. At the insistence of producer Arthur Freed, MGM bought out the remainder of Kelly's Selznick contract, and cast him in the 1943 war drama Pilot No. 5.After the musical Du Barry Was a Lady, Kelly appeared in the all-star Thousands Cheer. The Cross of Lorraine, a Resistance drama, quickly followed. MGM then loaned him to Paramount for the Rita Hayworth vehicle Cover Girl and also allowed him to share choreography duties with an up-and-coming Stanley Donen, who continued on as his assistant; the result was a major critical and commercial hit, and while the follow-up, Christmas Holiday, passed by unnoticed, 1945's Anchors Aweigh -- which cast Kelly opposite Frank Sinatra -- earned him a Best Actor Oscar nomination, confirming his brilliance as a dancer and choreographer as well as solidifying his increasing power at the box office. In 1944, Kelly had starred in Ziegfield Follies, but the picture did not see the light of day until two years later. In the interim he served in the Navy, and upon returning from duty starred in 1947's Living in a Big Way. For 1948's The Pirate, Kelly teamed with director Vincente Minnelli, followed by a turn as D'Artagnan in The Three Musketeers. Next, in the 1948 Rodgers-and-Hart biography Words and Music, he teamed with Vera Ellen for a performance of "Slaughter on Tenth Avenue."In 1949, Kelly and Donen contributed the original story for Take Me Out to the Ball Game. Later that year, the duo was handed the directorial reins for the classic On the Town, a groundbreaking, exuberant adaptation of the Betty Comden/Adolph Green/Leonard Bernstein Broadway smash. Black Hand (a Mafia drama) and Summer Stock (another collaboration with Garland) followed before Kelly reteamed with Minnelli for 1951's masterful An American in Paris, one of the most acclaimed musicals in Hollywood history. In addition to seven Academy Awards, including Best Picture, it also earned Kelly a special Oscar in honor of "his versatility as actor, singer, director, and dancer, and specifically for his brilliant achievements in the art of choreography on film." After the stop-gap It's a Big Country, Kelly and Donen mounted 1952's Singin' in the Rain, arguably the most honored and beloved musical in the canon; a tale of Hollywood set as the silent era gave way to the sound era, it represented an unparalleled zenith for the musical comedy genre, and Kelly's centerpiece performance of the title song remains among the most indelible sequences in film. From this peak, however, there was seemingly nowhere else to go but down: Kelly traveled to Europe to qualify for tax exemption, and there shot a lifeless German thriller, The Devil Makes Three. In Britain, he began work on a planned all-ballet project, Invitation to the Dance, but the picture was never completed. Finally shown in its unfinished state in 1956, it received disastrous critical notice. In the U.K., Kelly also starred in Seagulls Over Sorrento before returning stateside for Minnelli's disappointing Brigadoon. Again working with Donen, he co-directed 1955's It's Always Fair Weather. A slight return to form, it performed poorly at the box office, another sign of the impending demise of the Hollywood musical. Kelly also directed and starred in 1957's whimsical The Happy Road, but after headlining George Cukor's Les Girls, MGM told him they had no more musicals planned for production, and he was freed from his contract. A number of independent projects were announced, but none came to fruition. Instead, Kelly starred in 1958's Marjorie Morningstar for Warners and then directed the romantic comedy The Tunnel of Love.In between appearing as a reporter in 1960's Inherit the Wind, Kelly returned to the stage: In 1958, he directed a Broadway production of the musical Flower Drum Song and two years later choreographed a Parisian ballet based on Gershwin's Concerto in F. He also appeared frequently on television, starring in a series based on Going My Way. In 1964, Kelly returned to film, appearing with Shirley MacLaine in What a Way to Go! Two years later, he starred in Jacques Demy's musical homage Les Demoiselles de Rochefort. He also continued directing, most famously 1969's Hello Dolly!, but was largely inactive during the 1970s. In 1980, he starred opposite Olivia Newton-John in the much-maligned Xanadu, but the performance was his last for the big screen. Kelly later starred in a pair of TV miniseries, 1985's North and South and Sins, but then spent his remaining years in retirement, out of the spotlight. Gene Kelly died February 2, 1996, at the age of 83.

Lee Bowman (Actor) .. Noel Wheaton

Born: December 28, 1914
Died: December 25, 1979

Trivia: Bowman attended the American Academy of Dramatic Arts and began a career as a stage actor and radio singer in the '30s. Beginning with his debut in Internes Can't Take Money (1937), he spent seven years playing second leads, often as a playboy thanks to his suave, elegant style and dapper, handsome looks. Bowman hit his stride in the mid '40s, notably in Smash-Up (1947) opposite Susan Hayward. Never a major star, he began concentrating more on his stage work in the late '40s. He briefly starred in the TV series The Adventures of Ellery Queen (1950-51). After the mid '50s Bowman retired from the screen (except for a role in Youngblood Hawke in 1964), after which he went on to become the radio and TV consultant for the Republican Senatorial and Congressional Committee in Washington and later for Bethlehem Steel, coaching politicians and businessmen in speaking and on-camera techniques.

Phil Silvers (Actor) .. Genius

Born: May 11, 1912
Died: November 01, 1985
Birthplace: Brooklyn, New York, United States

Trivia: Growing up in the squalid Brownsville section of Brooklyn, Phil Silvers used his excellent tenor voice and facility for cracking jokes to escape a life of poverty. He was discovered as a young teen by vaudevillian Gus Edwards who hired him to perform in his schoolroom act. Silvers' singing career ended when his voice changed at 16, whereupon he took acting jobs in various touring vaudeville sketches. During his subsequent years in burlesque, he befriended fellow comic Herbie Faye, with whom he would work off and on for the rest of his career. While headlining in burlesque, Silvers was signed to star in the 1939 Broadway musical comedy Yokel Boy. This led to film work, first in minor roles, then as comedy relief in such splashy 1940s musicals as Coney Island (1943) and Cover Girl (1944). Silvers became popular if not world famous with his trademark shifty grin, horn-rimmed glasses, balding pate, and catchphrases like "Gladda see ya!" He returned to Broadway in 1947, where he starred as a turn-of-the-century con man in the Jule Styne-Sammy Cahn musical High Button Shoes. In 1950, he scored another stage success as a Milton Berle-like TV comedian in Top Banana, which won him the Tony and Donaldson Awards. From 1955 through 1959, Silvers starred as the wheeling-dealing Sgt. Ernie Bilko on the hit TV series You'll Never Get Rich, for which he collected five Emmy awards. Upon the demise of this series, Silvers stepped into another success, the 1960 Styne-Comden-Green Broadway musical Do Re Mi. The failure of his 1963 sitcom The New Phil Silvers Show marked a low point in his career, but the ever scrappy Silvers bounced back again to appear in films and TV specials. In 1971, he starred in a revival of A Funny Thing Happened on the Way to the Forum (nine years after turning down the original 1962 production because he felt the show "wouldn't go anywhere."). He collected yet another Tony for his efforts -- then suffered a severe stroke in August of 1972. While convalescing, Silvers wrote his very candid autobiography, The Laugh Is on Me. He recovered to the extent that he could still perform, but his speech was slurred and his timing was gone. Still, Silvers was beloved by practically everyone in show business, so he never lacked for work. Phil Silvers was the father of actress Cathy Silvers, best known for her supporting work on the TV series Happy Days.

Eve Arden (Actor) .. Cornelia Jackson

Born: April 30, 1908
Died: November 12, 1990
Birthplace: Mill Valley, California, United States

Trivia: Little Eunice Quedens' first brush with the performing arts came at age seven, when she won a WCTU medal for her recital of the pro-temperance poem "No Kicka My Dog." After graduating from high school, she became a professional actress on the California stock company circuit. Still using her given name, she played a blonde seductress in the 1929 Columbia talkie Song of Love then joined a touring repertory theater. After another brief film appearance in 1933's Dancing Lady, she was urged by a producer to change her name for professional purposes. Allegedly inspired by a container of Elizabeth Arden cold cream, Eunice Quedens reinvented herself as Eve Arden. Several successful appearances in the annual Ziegfeld Follies followed, and in 1937 Arden returned to films as a young character actress. From Stage Door (1937) onward, she was effectively typecast as the all-knowing witheringly sarcastic "best friend" who seldom got the leading man but always got the best lines. Her film roles in the 1940s ranged from such typical assignments as sophisticated magazine editor "Stonewall" Jackson in Cover Girl (1944) to such hilariously atypical performances as athletic Russian sniper Natalia Moskoroff in The Doughgirls (1944). In 1945, she earned an Oscar nomination for her portrayal of Joan Crawford's sardonic but sympathetic business partner in Mildred Pierce. In July of 1948, she launched the popular radio situation comedy Our Miss Brooks, earning a place in the hearts of schoolteachers (and sitcom fans) everywhere with her award-winning portrayal of long-suffering but ebullient high school teacher Connie Brooks. Our Miss Brooks was transferred to television in 1952, running five successful seasons. Less successful was the 1957 TVer The Eve Arden Show, in which the star played authoress Liza Hammond. This failure was neutralized by her subsequent stage tours in such plays as Auntie Mame and Hello, Dolly! and her well-received film appearances in Anatomy of a Murder (1959) and Dark at the Top of the Stairs (1960). In 1967, she returned to TV to co-star with Kaye Ballard on the chucklesome The Mothers-in-Law which lasted two years. And in 1978, she became a favorite of a new generation with her performance as Principal McGee in the phenomenally successful film version of Broadway's Grease. In 1985, Eve Arden came out with her autobiography, The Three Phases of Eve.

Jinx Falkenburg (Actor) .. Jinx

Born: January 21, 1919
Died: August 27, 2003

Trivia: A pioneer of talk radio whose undeniable beauty and glamour also resulted in a successful modeling and film career, Jinx Falkenburg teamed with partner (and husband) Tex McCrary to innovate an entirely new form of radio entertainment. Born Eugenia Lincoln Falkenburg in Barcelona and nicknamed Jinx by her mother, the young beauty got her start in Spanish films before her stateside career took off in the late '30s. Thanks in no small part to a memorable cover shot on a 1937 issue of American Magazine, Falkenburg's career truly took hold with the release of the 1941 musical comedy Two Latins From Manhattan. An easygoing bit of entertainment that helped to ease the public's wartime woes, the film later spawned an equally popular sequel, Two Senoritas From Chicago (1943). In the time between her most popular films, Falkenburg also appeared in such efforts as Sing for Your Supper (1941) and Lucky Legs (1942). Making the acquaintance of McCray when he interviewed her for her role in the Broadway musical Hold on to Your Hats, the duo married in 1945 and teamed for the breakthrough hit Meet Tex and Jinx the following year. An innovative program, it sometimes broadcast from New York's Waldorf-Astoria Hotel in order to speak with celebrities as they stopped at the front desk to pick up their room keys. Moving to the small screen with NBC's At Home (and later the Swift Home Service Club), the pair interviewed celebrities from the comforts of their own home. In addition to being a key figure in convincing Dwight D. Eisenhower to run for the presidency, Falkenburg entertained troops during World War II and was appointed head of the Republican Party's women's division in 1954. Despite the fact that she and McCrary eventually separated, the couple never officially divorced. On August 27, 2003, a mere 29 days after the death of longtime partner McCrary, Jinx Falkenburg died of natural causes in Manhasset, NY. She was 84.

Leslie Brooks (Actor) .. Maurine Martin

Born: January 01, 1922

Trivia: At first acting under her given name of Lorraine Gettman, blonde film actress Leslie Brooks began appearing in movie bit roles in 1941. When her Warner Bros. contract was sold to Columbia, Brooks started landing more sizeable parts in such programs as Nine Girls (1944) and Cover Girl (1944). She was also seen to good advantage in Columbia's series films (The Whistler, Crime Doctor, et al.). Leslie Brooks retired from films in 1949.

Otto Kruger (Actor) .. John Coudair

Born: September 06, 1885
Died: September 06, 1974

Trivia: Erudite, silver-haired stage and screen actor Otto Kruger was a grandnephew of South African president Ohm Kruger. While attending the University of Michigan and Columbia University, Kruger switched his field of interest from music to acting. After several seasons in regional theatre, the 30-year-old Kruger made his Broadway bow in The Natural Law in 1915. That same year, he appeared in his first film, but did not actively pursue moviemaking until the talkie era. Kruger often exploited his respectable, sophisticated veneer to play villainous roles, such as the solid citizen-cum-Nazi ringleader in Hitchcock's Saboteur (1942). He was equally effective in parts calling for kindness and compassion, notably as Dr. Emil Behring, the real-life Nobel Prize winner, in Dr. Ehrlich's Magic Bullet. During World War II, Kruger, an ardent home gardener, worked as a food coordinator for the Los Angeles Country Agricultural Department. While appearing in the pre-Broadway tryouts for Advise and Consent in 1960, Kruger suffered the first of several strokes that would eventually render him inactive. Otto Kruger made his last film, Sex and the Single Girl, in 1964; he died 10 years later, on his 89th birthday.

Jess Barker (Actor) .. Coudair (as a young man)

Born: June 04, 1912

Trivia: When college-hero-handsome Jess Barker was signed by producer Walter Wanger in 1935, he was billed as Philip Barker in such Wanger productions as Trail of the Lonesome Pine (1936). He re-emerged as Jess Barker in the early 1940s, heading the casts in a handful of long-forgotten programmers. In Abbott and Costello's The Time of Their Lives (1946)., Barker plays the aristocratic fiance of Marjorie Reynolds. Barker is perhaps best known as the first husband of actress Susan Hayward; their 10-year union produced twin sons, whose custody Susan won after a bitter courtroom battle. His movie career damaged by adverse publicity, Jess Barker worked for a while in radio, then returned to the screen as a character actor in such films as Night Walker (1965).

Anita Colby (Actor) .. Anita

Born: August 05, 1914

Edward Brophy (Actor) .. Joe

Born: February 27, 1895

Thurston Hall (Actor) .. Tony Pastor

Born: May 10, 1882
Died: February 20, 1958

Trivia: The living image of the man on the Monopoly cards, Thurston Hall began his six-decade acting career on the New England stock-company circuit. Forming his own troupe, Hall toured America, Africa and New Zealand. On Broadway, he was starred in such venerable productions as Ben-Hur and Mrs. Wiggs of the Cabbage Patch. In films from 1915, Hall appeared in dozens of silents, notably the 1917 Theda Bara version of Cleopatra, in which he played Mark Antony. After 15 years on Broadway, Hall returned to films in 1935, spending the next 20 years portraying many a fatuous businessman, pompous politician, dyspeptic judge or crooked "ward heeler." From 1953 through 1955, Hall was seen as the choleric bank president Mr. Schuyler on the TV sitcom Topper. Towards the end of his life, a thinner, goateed Thurston Hall appeared in several TV commercials as the Kentucky-colonel spokesman for a leading chicken pot pie manufacturer.

Curt Bois (Actor) .. Chem

Born: April 05, 1901
Died: December 25, 1991

Trivia: German actor Curt Bois took to the stage at age seven. After experience as a cabaret performer, Bois worked with the legendary impresario Max Reinhardt and appeared in 25 German films. He left Germany to escape Hitler in 1933, then re-established himself on the Broadway stage. His first film, in which he was seen in his standard characterization of a slick, self-important European, was 1937's Tovarich. Bois' best-known film appearance was brief: he played the obsequious pickpocket ("There are vultures everywhere) in the 1942 classic Casablanca. As a result, he spent many of his last years being interviewed on the subject of that film, his stories improving with each telling. Bois went on to work with such directors as Lubitsch and Ophuls before returning to Germany in 1950. Here he continued to appear in films, and in 1955 directed the feature Ein Polterabend. One of Curt Bois' last performances was as the wizened historian who endlessly wanders Berlin in hopes of properly capturing the city on paper in Wim Wenders' Wings of Desire (1988).

Jean Colleran (Actor) .. Cover Girl

Francine Counihan (Actor) .. Cover Girl

Helen Mueller (Actor) .. Cover Girl

Cecilia Meagher (Actor) .. Cover Girl

Betty Jane Hess (Actor) .. Cover Girl

Dusty Anderson (Actor) .. Cover Girl

Born: December 17, 1918

Trivia: Columbia Pictures hired this stunning redhead as a threat to Rita Hayworth and the former Harry Conover model did turn up in several of Hayworth's early hits, including Cover Girl (1944; as "Miss Farm Journal" no less), and Tonight and Every Night (1945). Like all of Harry Cohn's starlets, Anderson did her fair share of B-pictures, including a stint in the music Western Singing on the Trail (1946), where she performs Hayworth's pièce de résistance "Put the Blame on Mame"," but retired in 1950 to marry director Jean Negulesco. She was listed as lyricist/costume designer on the screen credits to Negulesco's European-lensed Jessica (1962).

Eileen McClory (Actor) .. Cover Girl

Cornelia B. von Hessert (Actor) .. Cover Girl

Karen X. Gaylord (Actor) .. Cover Girl

Cheryl Archibald (Actor) .. Cover Girl

Peggy Lloyd (Actor) .. Cover Girl

Betty Jane Graham (Actor) .. Cover Girl

Martha Outlaw (Actor) .. Cover Girl

Susann Shaw (Actor) .. Cover Girl

Rose May Robson (Actor) .. Cover Girl

Jack Norton (Actor) .. Harry the Drunk

Born: September 02, 1889
Died: October 15, 1958

Trivia: A confirmed teetotaller, mustachioed American actor Jack Norton nonetheless earned cinematic immortality for his innumerable film appearances as a comic drunk. A veteran vaudevillian - he appeared in a comedy act with his wife Lillian - and stage performer, Norton entered films in 1934, often playing stone-cold sober characters; in one Leon Errol two-reeler, One Too Many, he was a stern nightcourt judge sentencing Errol on a charge of public inebriation! From Cockeyed Cavaliers (1934) onward, however, the Jack Norton that audiences loved began staggering his way from one film to another; it seemed for a while that no film could have a scene in a nightclub or salloon without Norton, three sheets to the wind and in top hat and tails, leaning precariously against the bar. To perfect his act, Norton would follow genuine drunks for several city blocks, memorizing each nuance of movement; to avoid becoming too involved in his roles, the actor drank only ginger ale and bicarbonate of soda. Though his appearances as a drunk could fill a book in themselves, Norton could occasionally be seen sober, notably in You Belong to Me (1940), The Fleet's In (1941) and Harold Lloyd's Sin of Harold Diddlebock (1946); he also "took the pledge" in such short comedies as Our Gang's The Awful Tooth (1938), Andy Clyde's Heather and Yon (1944) and the Three Stooges' Rhythm and Weep (1946). One of Norton's oddest roles was as a detective in the Charlie Chan thriller Shadows over Chinatown (1947), in which he went undercover by pretending to be a souse. Retiring from films in 1948 due to illness, Norton occasionally appeared on live TV in the early '50s. Jack Norton's final appearance would have been in a 1955 episode of Jackie Gleason's The Honeymooners, but age and infirmity had so overwhelmed him that he was literally written out of the show as it was being filmed - though Jackie Gleason saw to it that Norton was paid fully for the performance he was ready, willing, but unable to give.

Robert E. Homans (Actor) .. Pop the Doorman

Born: January 01, 1875
Died: July 28, 1947

Trivia: Actor Robert Emmett Homans seemingly had the map of Ireland stamped on his craggy face. As a result, Homans spent the better part of his film career playing law enforcement officers of all varieties, from humble patrolmen to detective chiefs. After a lengthy stage career, Homans entered films in 1923. A break from his usual microscopic film assignments occured in Public Enemy (1931), where Homans is given an opportunity to deliver reams of exposition (with a pronounced brogue) during a funeral sequence. And in the 1942 Universal horror programmer Night Monster, Robert Emmett Homans is alotted a sizeable role as the ulcerated detective investigating the supernatural goings-on at the home of seemingly helpless invalid Ralph Morgan.

Eddie Dunn (Actor) .. Mac the Cop

Born: March 31, 1896
Died: May 05, 1951

Trivia: In the '30s, tall, sandy-haired, deep-voiced American actor Eddie Dunn was frequently cast as a laconic police officer in the 2-reelers of comedy producers Hal Roach and Mack Sennett. The actor's feature-film roles consisted mainly of small-town bullies, prison guards, bartenders, military policemen and private detectives. Eddie Dunn was last seen in a fleeting role as a sheriff in the 1950 MGM musical Summer Stock.

Sam Flint (Actor) .. Butler

Born: October 19, 1882
Died: October 24, 1980

Trivia: Chances are when a doctor made a house call in a '40s movie, that doctor was portrayed by Sam Flint. Silver-haired, authoritative, and distinguished by an executive-style moustache, Flint entered films in the early '30s after a long stage career. Though his movie roles were usually confined to one or two scenes per picture, Flint was always instantly recognizable in his characterizations of businessmen, bankers, chairmen of the board, politicians, publishers, fathers of the bride--and, as mentioned before, doctors. In addition to his prolific feature-film work, Sam Flint was always welcome in short subjects, appearing in support of everyone from Our Gang to the Three Stooges.

Shelley Winters (Actor) .. Girl

Born: August 18, 1920
Died: January 14, 2006
Birthplace: St. Louis, Missouri, United States

Trivia: American actress Shelley Winters was the daughter of a tailor's cutter; her mother was a former opera singer. Winters evinced her mom's influence at age four, when she made an impromptu singing appearance at a St. Louis amateur night. When her father moved to Long Island to be closer to the New York garment district, Winters took acting lessons at the New School for Social Research and the Actors Studio. Short stints as a model and a chorus girl led to her Broadway debut in the S.J. Perelman comedy The Night Before Christmas in 1940. Winters signed a Columbia Pictures contract in 1943, mostly playing bits, except when loaned to United Artists for an important role in Knickerbocker Holiday (1944). Realizing she was getting nowhere, she took additional acting instructions and performed in nightclubs.The breakthrough came with her role as a "good time girl" murdered by insane stage star Ronald Colman in A Double Life (1947). Her roles became increasingly more prominent during her years at Universal-International, as did her offstage abrasive attitude; the normally mild-mannered James Stewart, Winters' co-star in Winchester '73 (1950), said after filming that the actress should have been spanked. Winters' performance as the pathetic factory girl impregnated and then killed by Montgomery Clift in A Place in the Sun (1951) won her an Oscar nomination; unfortunately, for every Place in the Sun, her career was blighted by disasters like Behave Yourself (1951).Disheartened by bad films and a turbulent marriage, Winters returned to Broadway in A Hatful of Rain, in which she received excellent reviews and during which she fell for her future third husband, Anthony Franciosa. Always battling a weight problem, Winters was plump enough to be convincing as middle-aged Mrs. Van Daan in The Diary of Anne Frank (1959), for which Winters finally got her Oscar. In the 1960s, Winters portrayed a brothel madam in two films, The Balcony (1963) and A House Is Not a Home (1964), roles that would have killed her career ten years earlier, but which now established her in the press as an actress willing to take any professional risk for the sake of her art. Unfortunately, many of her performances in subsequent films like Wild in the Streets (1968) and Bloody Mama (1970) became more shrill than compelling, somewhat lessening her standing as a performer of stature.During this period, Winters made some fairly outrageous appearances on talk shows, where she came off as the censor's nightmare; she also made certain her point-of-view wouldn't be ignored, as in the moment when she poured her drink over Oliver Reed's head after Reed made a sexist remark on The Tonight Show. Appearances in popular films like The Poseidon Adventure (1972) and well-received theater appearances, like her 1974 tour in Effect of Gamma Rays on Man-in-the-Moon Marigolds, helped counteract such disappointments as the musical comedy Minnie's Boys (as the Marx Brothers' mother) and the movie loser Flap (1970). Treated generously by director Paul Mazursky in above-average films like Blume in Love (1974) and Next Stop Greenwich Village (1977), Winters managed some excellent performances, though she still leaned toward hamminess when the script was weak. Shelley Winters added writing to her many achievements, penning a pair of tell-all autobiographies which delineate a private life every bit as rambunctious as some of Winters' screen performances.The '90s found a resurgence in Winters' career, as she was embraced by indie filmmakers (for movies like Heavy and The Portrait of a Lady), although she found greater fame in a recurring role on the sitcom Roseanne. She died of heart failure at age 85 in Beverly Hills, CA, in early 2006.

Kathleen O'malley (Actor) .. Cigarette Girl

Born: March 31, 1924

William Kline (Actor) .. Chauffeur

Victor Travers (Actor) .. Bartender

Born: January 01, 1886
Died: January 01, 1948

Robert Hill (Actor) .. Headwaiter

Born: April 14, 1886
Died: March 18, 1966

Trivia: One of the busiest directors in the field of low-budget action fare, Canadian-born Robert F. Hill is especially remembered for his contributions to serials. A one-time screen villain and a member of the Edison stock company, Hill later switched to Universal, where he was made a director. Although high-strung and nervous, the gangly Hill possessed the most important qualification for success at Carl Laemmle's San Fernando film factory: an ability to finish a project on time and under budget. By 1925, Hill assumed that he had earned a raise but "Uncle Carl" thought otherwise and the disappointed director bolted to join independent producer C.W. Patton. Their joint venture, the Western serial Idaho (1925), proved a disappointment, however, and despite Laemmle's very vocal doubts, Hill returned to Universal. There was an aborted (and frankly bizarre) attempt to produce Universal films in Japan, after which Hill returned to the serial and Western grind for good. He remained with Universal until 1940 when a new regime at the studio practically forced him to retire. The prolific Hill returned instead to Poverty Row, where he became an actor for hire and wrote screenplays under the name Rock Hawkey. A true screen veteran, Robert F. Hill retired in the mid-'50s.

John Tyrrell (Actor) .. Electrician

Born: December 07, 1902
Died: September 19, 1949

Trivia: In show business from the age of 16, John Tyrrell spent ten years as a vaudeville headliner, playing straight man in the comedy team of Tyrrell and Mack. When vaudeville died, Tyrrell tried his luck as a single, taking acting lessons and spending two seasons in stock in Connecticut to learn the rudiments of role-playing. In 1936, he was signed to a contract by Columbia Pictures, where he remained until his death in 1949. He played bits in Columbia's A-product and juicy supporting roles in the studio's serials, horror flicks, and B-grade detective series. John Tyrrell is best known to contemporary audiences for his many appearances in Columbia's two-reel comedy product, sharing screen space with such funsters as Andy Clyde, Buster Keaton, and especially the Three Stooges.

Frank O'Connor (Actor) .. Cook

Born: April 11, 1881

Eugene Anderson Jr. (Actor) .. Bus Boy

Sam Ash (Actor) .. Assistant Cook

Born: August 28, 1884
Died: October 20, 1951

Trivia: A veteran vaudeville performer from Kentucky, wavy-haired Sam Ash was fairly busy in Broadway musicals of the 1910s and 1920s, including the hugely successful Katrinka (1915), Some Party (1922; with Jed Prouty and De Wolf Hopper), and The Passing Show of 1922. Third-billed in his screen debut as one of the suspects in the Craig Kennedy mystery Unmasked (1929), Ash went on to play literally hundreds of bit parts as waiters, news vendors, ship stewards, reporters, and the like. He was popular with the Republic Pictures serial units in the 1940s, playing one of the reporters swooping down on poor Louise Currie in The Masked Marvel (1944) and a florist in Captain America (1944), to mention but two of many chapterplay roles. His final film, the Warner Bros. Western The Big Sky (1952), was released posthumously.

Vin Moore (Actor) .. Waiter

Born: January 01, 1878
Died: December 05, 1949

Trivia: Stage actor Vin Moore turned to films in 1916, first as a performer, then as screenwriter. Moore's subsequent writing credits included such programmers as Hot Hills (1928), See America Thirst (1930), and Red Rider (1940). The first of his many low-budget directorial efforts was 1930's Young Eagles. Vin Moore retired after wrapping up his directing duties on the 1940 actioner Killers of the Wild.

Ralph Sanford (Actor) .. Truckman

Born: May 21, 1899
Died: June 20, 1963

Trivia: Hearty character actor Ralph Sanford made his first screen appearances at the Flatbush studios of Vitaphone Pictures. From 1933 to 1937, Sanford was Vitaphone's resident Edgar Kennedy type, menacing such two-reel stars as Shemp Howard, Roscoe Ates, and even Bob Hope. He moved to Hollywood in 1937, where, after playing several bit roles, he became a semi-regular with Paramount's Pine-Thomas unit with meaty supporting roles in such films as Wildcat (1942) and The Wrecking Crew (1943). He also continued playing featured roles at other studios, usually as a dimwitted gangster or flustered desk sergeant. One of his largest assignments was in Laurel and Hardy's The Bullfighters (1945), in which he plays vengeance-seeking Richard K. Muldoon, who threatens at every opportunity to (literally) skin Stan and Ollie alive; curiously, he receives no screen credit, despite the fact that his character motivates the entire plot line. Busy throughout the 1950s, Ralph Sanford was a familiar presence on TV, playing one-shot roles on such series as Superman and Leave It to Beaver and essaying the semi-regular part of Jim "Dog" Kelly on the weekly Western Wyatt Earp (1955-1961).

Ralph Peters (Actor) .. Truckman

Born: January 01, 1902
Died: June 05, 1959

Trivia: Moon-faced American character actor Ralph Peters was active in films from 1937 to 1956. At first, Peters showed up in Westerns, usually cast as a bartender. He then moved on to contemporary films, usually cast as a bartender. During the 1940s, Ralph Peters could be seen in scores of Runyon-esque gangster roles like Asthma Anderson in Ball of Fire (1941) and Baby Face Peterson in My Kingdom for a Cook (1943).

Barbara Pepper (Actor) .. Chorus Girl

Born: May 31, 1915
Died: July 18, 1969

Trivia: A specialist in hard-boiled dame roles, Barbara Pepper made her first film appearances as a Goldwyn Girl; she was prominent among the nubile slaves who were garbed only in floor-length blonde wigs in Goldwyn's Roman Scandals (1933). Pepper's one shot at stardom came in King Vidor's Our Daily Bread, in which she played the sluttish vamp who led hero Tom Keene astray; unfortunately, the film was not successful enough, nor her performance convincing enough, to lead to larger parts. She spent the next 30 years in supporting roles and bits, most often playing brassy goodtime girls. A radical weight gain in the 1950s compelled Pepper to alter her screen image; she quickly became adept at portraying obnoxious middle-aged tourists, snoopy next-door neighbors, belligerent landladies, and the like. Pepper's best friend in Hollywood was Lucille Ball, another alumna of the Goldwyn Girl ranks. At one point in 1951,Pepper was a candidate for the role of Ethel Mertz on I Love Lucy. In her last decade, Barbara Pepper gained a whole new crop of fans thanks to her recurring appearances as Doris Ziffel on the TV sitcom Green Acres.

Grace Lenard (Actor) .. Chorus Girl

Born: January 01, 1920
Died: January 01, 1987

Gwen Seager (Actor) .. Cover Girl Contestant

Sally Cairns (Actor) .. Cover Girl Contestant

Born: January 01, 1919
Died: January 01, 1965

Eloise Hart (Actor) .. Cover Girl Contestant

Diane Griffith (Actor) .. Cover Girl Contestant

Wesley Brent (Actor) .. Cover Girl Contestant

Lucille Allen (Actor) .. Cover Girl Contestant

Virginia Gardner (Actor) .. Cover Girl Contestant

Helene Garron (Actor) .. Cover Girl Contestant

Muriel Morris (Actor) .. Cover Girl Contestant

Patti Sacks (Actor) .. Cover Girl Contestant

Marion Graham (Actor) .. Cover Girl Contestant

Frances Morris (Actor) .. Coudair's Secretary

Born: August 03, 1908

Trivia: American actress Frances Morris was seen in small utility roles from 1934 to 1961. At first, Morris was cast as gun molls, stewardesses, secretaries, receptionists, and maids. She was exceptionally busy in the 1940s, essaying a variety of WAVES and WACs. The following decade, she was seen in maternal roles (some of them actually given character names) in both films and TV. One of Frances Morris' better assignments was the sympathetic prison warden in the 1952 Loretta Young starrer Because of You.

Billy Benedict (Actor) .. Florist Boy

Born: April 16, 1917
Died: November 25, 1999

Trivia: Oklahoma-born William Benedict is fondly remembered by fans for his shock of unkempt blond hair; ironically, he lost his first job at a bank because he refused to use a comb. Stagestruck at an early age, the skinny, ever-boyish Benedict took dancing lessons while in high school and appeared in amateur theatricals. After phoning a 20th Century-Fox talent scout, the 17-year-old Benedict hitchhiked to Hollywood and won a film contract (if for no other reason than nerve and persistence). He appeared in the first of his many office-boy roles in his debut film, $10 Raise (1935), and spent the next four decades popping up in bits as bellboys, caddies, hillbillies, delivery men and Western Union messengers. He portrayed so many of the latter, in fact, that Western Union paid tribute to Benedict by giving him his own official uniform -- an honor bestowed on only one other actor, Benedict's lifelong friend Frank Coghlan Jr. (the two actors costarred in the 1941 serial The Adventures of Captain Marvel). In 1939, Benedict played a bicycle messenger in the Little Tough Guys film Call a Messenger; four years later he appeared with another branch of the Little Tough Guys clan, the East Side Kids, in Ghosts on the Loose. He remained with the Kids as "Skinny," then stayed on when the East Siders transformed into the Bowery Boys in 1946. As "Whitey," Benedict was the oldest member of the team, a fact occasionally alluded to in the dialogue -- though Leo Gorcey, two months younger than Benedict, was firmly in charge of the bunch. Benedict left the Bowery Boys in 1951, gradually easing out of acting; for several years, he worked as an assistant designer of miniature sets for movie special-effects sequences. He returned to performing in the 1960s, still playing the newsboy and delivery man roles he'd done as a youth. Film and TV fans of the 1970s might recall Billy Benedict as a world-weary croupier in the early scenes of The Sting (1973), and in the regular role of Toby the Informant on the 1975 TV series The Blue Knight.

William Sloan (Actor) .. Naval Officer

Grace Hayle (Actor) .. Woman Columnists

Born: January 01, 1888
Died: March 20, 1963

Trivia: American actress Grace Hayle spent most of her screen time playing bejeweled dowagers, huffy department store customers and aggressive lady journalists. Hayle proved a worthy Margaret Dumont type in Wheeler and Woolsey's Diplomaniacs (1933), supplied laughs as a ruddy-faced cyclist in The Women (1939) and played a most unlikely rhumba dancer in Two-Faced Woman (1940). One of her few credited roles was the long-suffering Madame Napaloni in Chaplin's The Great Dictator (1940). Grace Hayle remained in Hollywood long enough to appear in an early Elvis Presley film.

Fern Emmett (Actor) .. Woman Columnists

Born: March 22, 1896
Died: September 03, 1946

Trivia: Most of character actress Fern Emmett's early appearances were in westerns, where she played scores of maiden aunts, hillbilly wives, town spinsters, ranch owners and stagecoach passengers. When she moved into contemporary films, she was most often seen as a landlady or gossip. She enjoyed a rare breakaway from this established screen persona when she played a screaming murder victim in the 1943 Universal thriller Captive Wild Women. Seldom given more than a few lines in "A" features, Emmett was better-served in programmers and 2-reel comedies. Emmett so closely resembled "Wicked Witch of the West" Margaret Hamilton that some historians have lumped their credits together, even though Emmett began her film career in 1930, three years before Hamilton ever stepped before a camera. Fern Emmett was the wife of actor Henry Rocquemore.

Rudy Wissler (Actor) .. Boy

Glenn Charles (Actor) .. Boy

Jackie Brown (Actor) .. Boy

Born: May 05, 1931

Betty Brewer (Actor) .. Autograph Hound

Warren Ashe (Actor) .. Rusty's Interviewer

Born: March 05, 1903
Died: September 19, 1947

Trivia: Wavy-haired radio actor Warren Ashe looked good in a uniform and played scores of military officers in Hollywood war films. He could also play more circumspect characters, however, notably that of the magician Lani in Boston Blackie and the Law (1946), in which he ends up very much dead. Ashe was killed in a car accident little less than a year later.

John Dilson (Actor) .. Rusty's Photographer

Born: January 01, 1892
Died: June 01, 1944

Trivia: With his silvery hair and dignified bearing, American actor John Dilson was a natural for "executive" roles. In films from 1935, Dilson was usually seen playing doctors, lawyers and newspaper editors. Occasionally, however, he played against type as sarcastic working stiffs, as witness his bit as an unemployment-office clerk in The Monster and the Girl (1941). John Dilson's larger screen roles can be found in Republic serials like Robinson Crusoe on Clipper Island (1936), and Dick Tracy (1937) and in such two-reel efforts as MGM's "Crime Does Not Pay" series.

Jack Rice (Actor) .. Reporter

Born: May 14, 1893
Died: December 14, 1968

Trivia: It is quite probable that, in real life, Jack Rice was an all-around good friend and stout fellow. In films, however, the shifty-eyed, weak-chinned Rice was forever typecast as malingerers, wastrels, back-stabbers, and modern-day Uriah Heeps. He was particularly well cast as Edgar Kennedy's shiftless brother-in-law in a series of RKO two-reel comedies produced between 1934 and 1948. Rice also appeared as the snivelly Ollie in 11 entries of Columbia's Blondie series. Jack Rice remained active until 1963, five years before his death.

Ed Allen (Actor) .. Best Man

George Lessey (Actor) .. Minister

Born: January 01, 1879
Died: January 01, 1947

Miriam Lavelle (Actor) .. Specialty Dancer

Miriam Franklin (Actor) .. Specialty Dancer

Ronald Wyckoff (Actor) .. Specialty Dancer

Grace Gillern (Actor) .. Dancer

Eddie Cutler (Actor) .. Dancer

Randolph Hughes (Actor) .. Dancer

Jack Bernett (Actor) .. Dancer

George Dobbs (Actor) .. Dancer

Born: July 21, 1884

Al Norman (Actor) .. Dancer

Larry Rio (Actor) .. Dancer

Jack Boyle (Actor) .. Dancer

Virginia Wilson (Actor) .. Dancer

Betty Brodel (Actor) .. Dancer

Johnny Mitchell (Actor) .. Pianist/Maribelle's Love

Born: January 01, 1919
Died: January 01, 1951

Patti Sheldon (Actor) .. Girl

Kelly Gene (Actor)

Linda Brent (Actor) .. Chorus Girl

Edward S. Brophy (Actor) .. Joe

Born: March 27, 1895
Died: May 30, 1960

Trivia: Born in New York City and educated at the University of Virginia, comic actor Edward Brophy entered films as a small part player in 1919. After a few years, he opted for the more financially secure production end of the business, though he never abandoned acting altogether. While working as property master for the Buster Keaton unit at MGM, Brophy was lured before the cameras for a memorable sequence in The Cameraman (1928) in which he and Buster both try to undress in a tiny wardrobe closet. Keaton saw to it that Brophy was prominently cast in two of the famed comedian's talking pictures, and by 1934 Brophy was once again acting full-time. Using his popping eyes, high pitched voiced and balding head to his best advantage, Brophy scored in role after role as funny gangsters and dyspeptic fight managers (he was less effective in such serious parts as the crazed killer in the 1935 horror film Mad Love). In 1940, Brophy entered the realm of screen immortality as the voice of Timothy Mouse in Walt Disney's feature-length cartoon Dumbo (1940). Curtailing his activities in the 1950s, he did his last work for director John Ford. Brophy died during production of Ford's Two Rode Together (1961); according to some sources, the actor's few completed scenes remain in the final release version of that popular western.

Robert E. Hill (Actor) .. Headwaiter

Susan Shaw (Actor) .. Cover Girl: Vogue

Born: August 29, 1920
Died: November 27, 1978

Trivia: Onetime model Susan Shaw was groomed for movie stardom by the British Rank Organisation. Susan was seen to good advantage in such crowd-pleasers as Holiday Camp (1947), My Brother's Keeper (1948), and Quartet (1949), reaching a popularity peak around 1950. Thereafter, her film career slowly dwindled into decorative parts in lower-case productions. It is an apt comment on the vagaries of fate to note that Shaw is now best known for her worst movie, Fire Maidens From Outer Space (1955). Married to actor Albert Lieven from 1949 through 1953, her second of three husbands was actor Bonar Colleano; their son, also an actor, was Mark Colleano. Susan Shaw's credits should not be confused with those of the same-named Hollywood starlet of the 1970s.

11:20 am - 1:40 pm, Wednesday, December 10 on WBFS Movies! (32.2)