Trivia: The son of a prominent archaeologist/museum director, American actor Ted Danson grew up near the Navajo reservation in Arizona. He played basketball while at Kent School Connecticut, and then moved on to Stanford University. It was in the process of getting acquainted with an aspiring actress at Stanford that Danson found himself attending his first audition-- and by years' end had transferred to the drama department at Carnegie Tech. Marking time in non-speaking roles, Danson left the stage for the more lucrative world of TV commercials, some of which have been well-circulated on videotape since Danson has become famous. Danson's first steady TV work was as a slimy villain on the NBC soap opera Somerset. Shortly afterward, the actor attained his first film role, as a murdered cop, in The Onion Field (1978). After seeing Danson in the movie Body Heat (1981) and in an episode of the TV series Taxi, producer Glen Charles cast the actor as Sam Malone, ex-sports star and full-time barkeeper and womanizer, on the long-running, well-loved sitcom Cheers He won Emmys for the 1989-90 and 1992-93 seasons. Frequently making attempts at film stardom during the 11-season run of Cheers, Danson finally struck gold in Three Men and a Baby (1987) and its sequel Three Men and a Little Lady (1990). Danson's most recent work includes the 1996 starring role in the TV miniseries Gulliver's Travels and a co-starring role, opposite his new wife Mary Steenburgen, in the television sit-com Ink (also 1996). In 1998 Danson began a six-year run on another successful sitcom portraying the lead character on Becker, playing a caustic grump who couldn't have been further from Sam Malone's effortless charm. He continued to work steadily on the big screen as well scoring appearances in Saving Private Ryan and Mumford. He made sporadic appearances on Larry David's award-winning Curb Your Enthusiasm, and earned strong reviews for his dramatic work on the first season of the TV show Damages. He followed that up with a co-starring role on the HBO series Bored to Death, which lasted three seasons. In 2012 he could be seen in the inspirational animal movie Big Miracle.

Trivia: The ever-fascinating Nancy Travis excelled in edgy, neurotic characterizations during the 1990s; she sounds like a chain-smoker or Valium-popper even when not playing one. Graduating with a BA degree from New York University, Travis apprenticed at Circle in the Square, acted in the touring company of Neil Simon's Brighton Beach Memoirs, and starred on Broadway with Judd Hirsch in I'm Not Rappaport. As a means of continually recharging her creative batteries, she helped found the Naked Angels, an off-Broadway acting troupe. After laboring in virtual anonymity in such TV movies as Malice in Wonderland (1985), Travis was afforded top billing in the 1986 two-parter Harem, lending a little artistry and dignity to an otherwise trivial affair. Her movie breakthrough was in the role of the errant, unmarried British mother Sylvia in Three Men and a Baby (1987) and its 1990 sequel Three Men and a Little Lady. More complex roles came her way in Internal Affairs (1992), The Vanishing (1993) and Chaplin (1993); in the latter film, she appeared as the real-life Joan Barry, whose spiteful and unfounded paternity suit against Charlie Chaplin (Robert Downey Jr.) was the beginning of the end of The Little Tramp's Hollywood career. Even when playing comedy in So I Married an Axe Murderer (1993), Travis retained her ticking-bomb, "don't turn your back on me" aura. Nancy Travis' television credits of the 1990s include her gravelly voiceover work as Aunt Bernice on the animated weekly Duckman (1993- ) and her starring stint on the so-so 1995 sitcom Almost Perfect.

Trivia: Thesp Shawnee Smith's name might not be a household word, but her face will register with thousands of sci-fi and horror aficionados thanks to her supporting turns in the big-screen remakes of The Blob (1988) and Carnival of Souls (1998). Smith's recurring role as Amanda, a young woman tormented by the clown-like serial killer Jigsaw, in the popular Saw series, broadened her exposure, even as it threatened to further typecast her as a woman in peril and fix her reputation as a horror queen. Yet the actress's resume demonstrates far greater versatility than this, and it may surprise fans to discover that she claims several decades of credits in multiple genres.Born on July 3, 1970, in Orangeburg, South Carolina, Smith debuted on the big screen at 11, as a dancer, in mogul Ray Stark's multimillion-dollar production of Annie (1982). A bit part in Michael Tuchner's acclaimed telemovie Not My Kid (1985) followed, at the age of fourteen; the picture drew solid Nielsen ratings and favorable critical responses, but Smith's only amounted to a bit part. She maintained greater visibility in the late eighties, with two significant roles: Rhonda Altobello in Carl Reiner's 1987 Mark Harmon-starrer Summer School. While most critics dismissed the film, it charmed a handful of others (such as Kevin Thomas and Rita Kempley) and did outstanding box office for a programmer, grossing several times its original budget. The very same could be said of Chuck Russell's 1988 remake The Blob, and then some: in addition to delighting nostalgia-hungry moviegoers (and some critics), it purportedly acquired a loyal following, becoming - in time - something of a cult film. Over the nineties and into the 2000s, Smith evinced a predilection for slightly deeper and more intelligent fare, but kept a somewhat low onscreen profile for several years, usually (though not always) with bit parts in lower budget indie dramas. Smith also appears in director Paul Quinn's Never Get Outta the Boat, which dramatizes the lives of several recovering addicts. She landed a regular role as Linda, a not-so-bright nurse's aide, on the 1998 CBS sitcom Becker, starring Ted Danson, and stuck with the series until it wrapped in 2004.When Smith's horror film quotient skyrocketed in the early 2000s (with the Saw role) it temporarily eclipsed her involvement in more substantial fare, even as her screen activity per se crescendoed. In the vein of earlier slasher film franchises, the initial Saw entry and its sequels did exemplary box office and obtained a rabid following; surprisingly, the pictures drew a favorable response in some critical quarters, as well.

Trivia: African-American character actor James Pickens Jr. sustains one of the longest and fullest Hollywood resumés in recent memory, just in terms of sheer volume of work. Soap opera devotees may remember Pickens for one of his earliest achievements -- his portrayal of Zack Edwards on the long-running daytime drama Another World, from 1986 through 1990. Pickens subsequently divided his time between characterizations on such prime-time programs as Roseanne and Murder, She Wrote, and small roles in A-list Hollywood features. At least in the early years, these films were often, though not always, action vehicles with predominantly black casts, such as the Ice-T and Ice Cube action thriller Trespass (1992), the Wesley Snipes and Dennis Hopper cop picture Boiling Point (1993), and the bullet-ridden Hughes Brothers pictures Menace II Society (1993) and Dead Presidents (1995). Back on the small screen, Pickens could be seen on such popular series as The X-Files, The Practice, NYPD Blue, Six Feet Under, and Philly. Also, in spring 1998, he joined episode writer Larry David and co. as the detective who threw Jerry and his cronies in the slammer on the much-anticipated series finale of Seinfeld; David and Pickens re-teamed several years later for two 2005 episodes of Curb Your Enthusiasm. Pickens drew his greatest attention and acclaim, however, when he ascended from bit player to a prominent supporting role as Chief of Surgery Richard Webber on the blockbuster medical drama Grey's Anatomy. This series premiered in 2005 to sensational ratings and quickly became an American institution, thanks in no small part to Pickens's work.