Trivia: The son of a jazz concert producer, Billy Crystal grew up in the company of such music legends as Billie Holiday, Pee Wee Russell, and Eddy Condon. His mind made up by age five, Crystal knew he wanted to become a performer -- not in music but in baseball or comedy. As he later explained to TV Guide, he chose comedy "because God made me short" -- though from all reports he is one of the best ball players in show business.Learning how to make people laugh by studying the works of past masters Laurel and Hardy, Ernie Kovacs, and Jonathan Winters, Crystal began making the club rounds at 16. He was sidetracked briefly by New York University's film school, where he studied to be a director under Martin Scorsese, but upon graduation it was back to comedy when Crystal formed his own troupe, 3's Company. On his own, he developed into an "observational" comic, humor based on his own experiences and the collective experiences of his audience. He came to media attention via his impression of Howard Cosell interviewing Muhammad Ali. After doing time as an opening act for such musicians as Barry Manilow, Crystal struck out for Hollywood, in hopes of finding regular work on a TV series. In 1977, he was hired to play the gay character Jodie Dallas on Soap. Though many people expected the performer to be typecast in this sort of part, he transcended the "sissy" stereotype, making the character so three-dimensional that audiences and potential employers were fully aware that there was more to Crystal's talent than what they saw in Jodie.Thanks to Soap, Crystal became and remained a headliner and, in 1978, had his first crack at movie stardom as a pregnant man in Rabbit Test. The movie was unsuccessful, but Crystal's star had not been eclipsed by the experience; he was even entrusted with a dramatic role in the 1980 TV movie Enola Gay. His career accelerating with comedy records, choice club dates, regular appearances on Saturday Night Live, and TV guest shots, Crystal had a more successful stab at the movies in such films as This is Spinal Tap (1984), The Princess Bride (1987), Throw Momma From the Train (1987), and When Harry Met Sally (1989). Riding high after a memorable emceeing stint at the Oscar ceremony, Crystal executive produced and starred in his most successful film project to date, an uproarious middle-age-angst comedy called City Slickers (1991). In 1992, he mounted his most ambitious film endeavor, Mr. Saturday Night, the bittersweet chronicle of a self-destructive comedian. The film had great potential (as indicated by the outtakes contained in its video cassette version), but the end result died at the box office. That same year, Crystal again hosted the Oscar awards, and in 1994 he repeated his earlier success with the popular sequel City Slickers 2: The Legend of Curly's Gold.Crystal added to his directing credits the following year with the romantic comedy Forget Paris. Unfortunately, the film -- which he also produced, wrote, and starred in -- was something of a flop. He subsequently focused his energies on acting, turning up in Hamlet (1996) and Deconstructing Harry (1997). In 1998 he had another producing stint with My Giant, a comedy he also starred in; like his previous producing effort, that film also proved fairly unsuccessful. However, Crystal bounced back in 1999, executive producing and starring in Analyze This. A comedy about a mob boss, Robert De Niro, seeking therapy from a psychiatrist (Crystal), it won a number of positive reviews, convincing many that the performer was back in his element.Back in the director's chair in 2001, Crystal helmed the made-for-HBO 61*. Detailing the 1961 home-run race between Roger Maris and Mickey Mantle, 61* struck a chord with baseball sentimentalists and critics alike. Scripting and starring in America's Sweethearts the same year, Crystal also began to cultivate a voice acting career that would prove extremely successful, providing the voices for characters in Monsters, Inc., Howl's Moving Castle and Cars. As the 2010's continued to unfold, Crystal would find himself increasingly able to take the reigns on both sides of the camera, flexing his muscles as a producer and writer as well as actor, such as with the 2012 comedy Parental Guidance.

Trivia: Trained at the Hagen-Bergdorf studio, actor Daniel Stern hopscotched between stage and films during his first professional years, appearing on Broadway in Sam Shepard's True West and making his movie debut as Cyril in Breaking Away (1979). Biding his time with bits in such films as Stardust Memories (1980) and One Trick Pony (1980), Stern enjoyed a career breakthrough in the role of obsessive record collector Shrevie in Barry Levinson's Diner (1982). While he has been seen in a number of major roles since then, Stern is most fondly remembered for his portrayal of Marv, the Larry Fine-like burglar in the two Home Alone flicks of the early 1990s, and as cowboy wannabe Phil Berquist in Billy Crystal's City Slickers films. Stern's TV contributions include the role of Joey Nathan on the shortliver 1985 weekly Hometown, and a longer stint as the adult Kevin Arnold, the never-seen narrator of The Wonder Years (1989-92). Having previously directed several Wonder Years installments, Daniel Stern made his feature-film directorial bow with the 1993 baseball fantasy Rookie of the Year, and in 1995 functioned as both star and producer of the theatrical feature Tenderfoot. He went on to appear in Celtic Pride, the TV series Regular Joe, A Previous Engagement, and he played Drew Barrymore's father in her directorial debut Whip It.

Trivia: Character and supporting actor Bruno Kirby (he also billed himself as B. Kirby or Bruce Kirby) made his film debut in Young Graduates (1971). Kirby was born Bruno Quidaciolu Jr. and is the son of actor Bruce Kirby. For a while he appeared regularly on the television education drama Room 222 (1969-1974) and launched into steady carefree appearances in made-for-TV movies such as The Summer Without Boys (1973) and features such as The Harrad Experiment (1973). He first gained notice for a small role he played as Clemenza in The Godfather, Pt. II (1974). It was not until the late '80s that he began getting much larger roles and greater respect. The turn-around came when Kirby was cast as Lieutenant Hauk, the hilariously untalented wanna-be comedian, in charge of zany Robin Williams' morning radio show in Good Morning Vietnam (1987). One of his most memorable roles of the '80s was that of Billy Crystal's best buddy, a man who finds romantic bliss with Carrie Fisher, in When Harry Met Sally (1989). In 1991, he again turned in another charming performance as Ed Furillo in City Slickers (1991). In 1997, he played a supporting role in Donnie Brasco. In addition to feature-film work, he also continued to appear frequently on television series as a guest star and in movies-of-the-week. He died suddenly of leukemia, at age 57, on August 14, 2006.

Trivia: One of the screen's most grizzled actors, Jack Palance defined true grit for many a filmgoer. The son of a Ukrainian immigrant coal miner, he was born Volodymyr Palahnyuk (Anglicized as Walter Jack Palaniuk) on February 18, 1920, in Lattimer Mines, Pennsylvania. As a young man, Palance supported himself with stints as a miner, professional boxer, short-order cook, fashion model, lifeguard, and radio repairman. During WWII service, he enlisted in the AAC and piloted bombers, one of which crashed, knocking him unconscious in the process. The severe burns he received led to extensive facial surgery, resulting in his gaunt, pinched face and, ironically, paving the way for stardom as a character actor. Palance attended the University of North Carolina and Stanford University on the G.I. Bill and considered a career in journalism, but drifted into acting because of the comparatively higher wages. Extensive stage work followed, including a turn as the understudy to Anthony Quinn (as Stanley Kowalski in the touring production of A Streetcar Named Desire) and the portrayal of Kowalski on the Broadway stage, after Marlon Brando left that production. Palance debuted on film in Elia Kazan's 1950 Panic in the Streets, as a sociopathic plague host opposite Richard Widmark. He landed equally sinister and villainous roles for the next few years, including Jack the Ripper in Man in the Attic (1953), Simon the Magician (a sorcerer who goes head to head with Jesus) in The Silver Chalice (1954), and Atilla the Hun in Sign of the Pagan (1954). Palance received Best Supporting Actor Oscar nominations for his performances in both Sudden Fear (1952) and Shane (1953). Beginning in the late '50s, Palance temporarily moved across the Atlantic and appeared in numerous European pictures, with Jean-Luc Godard's 1963 Le Mépris/Contempt a particular highlight. Additional big-screen roles throughout the '60s and '70s included that of Ronald Wyatt in Freddie Francis's horror episode film The Torture Garden (1967), the monastic sadist Brother Antonin in Jesús Franco's Justine (1969), Fidel Castro in Che! (1969), Chet Rollins in William A. Fraker's Western Monte Walsh (1970), Quincey Whitmore in the 1971 Charles Bronson-starrer Chato's Land, and Jim Buck in Portrait of a Hitman (1977). Unfortunately, by the '80s, Palance largely disappeared from the cinematic forefront, his career limited to B- and C-grade schlock. He nonetheless rebounded by the late '80s, thanks in no small part to the German director Percy Adlon, who cast him as a love-struck painter with a yen for Marianne Sägebrecht in his arthouse hit Bagdad Cafe (1987). Turns in Young Guns (1988) and 1989's Batman (as the aptly named Carl Grissom) followed. In 1991, Palance was introduced to a new generation of viewers with his Oscar- and Golden Globe-winning performance in Ron Underwood's City Slickers. The turn marked something of a wish-fulfillment for the steel-tough actor, who had spent years believing, in vain, that he would be best suited for comedy. These dreams were soon realized for a lengthy period, as the film's triumph yielded a series of additional comic turns for Palance on television programs and commercials.Accepting his Best Supporting Actor award at the 1992 Academy Awards ceremony, Palance won a permanent place in Oscar history when he decided to demonstrate that he was, in fact, still a man of considerable vitality by doing a series of one-handed push-ups on stage. He reprised his role in the film's 1994 sequel, City Slickers II: The Legend of Curly's Gold.Over the years, Palance also starred in the TV series The Greatest Show on Earth (ABC, 1963-4), as a hard-living circus boss, and Bronk (CBS, 1975-6) as a pipe-smoking police lieutenant, as well as in numerous TV dramas, notably Rod Serling's Requiem for a Heavyweight (1956). From 1982-1986, he hosted the ABC revival of Ripley's Believe It Or Not. He also established himself as an author in the late '90s, by publishing the 1996 prose-poem Forest of Love. Accompanying the work were Palance's pen-and-ink drawings, inspired by his Pennysylvania farm; he revealed, at the time, that he had been painting and sketching in his off-camera time for over 40 years. After scattered work throughout the '90s and 2000s, Jack Palance died on November 10, 2006 at his home in Montecito, California. He had been married and divorced twice, first to Virginia Baker from 1949-1966 (with whom he had three children), and then to Elaine Rogers in 1987. Two of his children outlived him; the third died several years prior, of melanoma, at age 43.

Trivia: Supporting actress Patricia Wettig is best remembered for co-starring with her husband, Ken Olin, on the popular television drama series thirtysomething (1987-1991). Just before that she was a regular on St. Elsewhere (1982-1988). Wettig made her feature film debut in Guilty By Suspicion (1991). Fans of the two City Slickers films starring Billy Crystal will recognize Wettig for playing his wife Barbara. She had the lead in Taking Back My Life: The Nancy Ziegenmeyer Story, and appeared in the Stephen King adaptation The Langoliers. She had a recurring role on the popular series Alias, and was an original cast member of the drama Brothers & Sisters.

Trivia: American actress Helen Slater was trained at New York's High School for the Performing Arts. In 1984 she was signed for the leading role in Supergirl, perhaps hoping that this modest special-effects fest would do for her what Superman did for another unknown, Christopher Reeve. Alas, Supergirl was a failure, not so much due to Slater's spunky but antiseptic performance as to an uninvolving script and lackluster direction. Since Supergirl, Slater has been seen to best advantage in supporting parts, notably the sweet-tempered kidnapper in Ruthless People (1986) and cattle-drive novice Bonnie Rayburn in City Slickers (1991). In the decades to follow, Slater would appear in numerous projects, but found particular success with roles on the TV series Gigantic and The Lying Game.

Trivia: Formerly a schoolteacher, Texas-born Noble Willingham has been essaying crusty character roles since 1969. Willingham's resumé includes a brace of location-filmed Peter Bogdanovich films, The Last Picture Show (1971) and Paper Moon (1973), and the role of Clay Stone in both of Billy Crystal's City Slickers comedies. Among his TV-movie credits is the part of President James Knox Polk in 1985's Dream West. A regular on several TV series (The Ann Jillian Show, Texas Wheelers, Cutter to Houston, AfterMASH, When the Whistle Blows), Willingham is best known to 1990s viewers as Mr. Binford (of Binford Tools) in Home Improvement and C. D. Parker in Walker, Texas Ranger. Noble Willingham's most recent film assignments include Ace Ventura, Pet Detective (1994) Up Close and Personal (1996) and Space Jam (1996). In 2000, Willingham left Walker, Texas Ranger to run for Congress in Texas. After losing the election to his Democratic opponent, Max Sandlin, Willingham returned to acting with a supporting role in the Val Kilmer thriller Blind Horizon. Sadly, the part would be the actor's last. In early 2004, at the age of 72, Willingham passed away at home from natural causes.

Trivia: The memorable but fleeting appearance of American actor Tracey Walter as "Bob the Goon" in Batman was typical of Walter's career. In the grand tradition of such Hollywood character actors as Percy Helton, Dick Wessel and Louis Jean Heydt, Walter is in the "who is that?" category--familiar yet anonymous--and has developed a cult following amongst cinema buffs. The stage-trained Walters can be seen in such films as Repo Man (1984) City Slickers (1991), Pacific Heights (1992), and Philadelphia (1993). As far back as the 1984 critic's-darling sitcom Best of the West, Walter played Frog, the knuckle-dragging henchman of villain Leonard Frey.

Trivia: A former theatre and psychology major at the University of Michigan, actor David Paymer's first Broadway success was in the long-running musical Grease. He tentatively launched his film career in the tiny but telling role of a cabbie in 1979's The In-Laws, then returned to working "live" as a performer and writer for The Comedy Store. A character actor even in his early twenties, Paymer displayed his versatility in a wealth of TV supporting roles on such weeklies as Cagney and Lacey, Diff'rent Strokes, The Commish and Downtown. Billy Crystal was so impressed with Paymer's work as ice-cream entrepreneur Ira Shalowitz in City Slickers (1991) that Crystal assigned him the plum role of Stan Yankelman, long-suffering brother and business manager of Berle-like comedian Buddy Young Jr., in Mister Saturday Night (1992). Convincingly playing an age range from 20 to 75, Paymer was honored with an Oscar nomination. Dividing his time between working in films and teaching classes at the Film Actor's Workshop, David Paymer has recently been seen as the angelic Hal in Heart and Souls (1993) and real-life TV producer Dan Enright in Robert Redford's Quiz Show (1994). In the decades to come, Paymer would remain an ever-present force on screen, appearing in films like In Good Company, Drag Me to Hell, Bad Teacher, and Redbelt, as well as TV shows like Line of Fire and The Good Wife.

Trivia: African-American actor Bill Henderson may not be the same Bill Henderson listed in the British Attack on the Iron Coast (1968), but he definitely did appear in Mother, Jugs and Speed (1976), Inside Moves (1980) and Smart Alec (1986). Those who have catalogued the many failed TV series of Tim Conway will recall Henderson as Mello, blind nightclub pianist in 1983's Ace Crawford Private Eye. At least Ace Crawford made it to the airwaves; 1987's Kingpins, a comedy set in a bowling alley which featured Henderson in a supporting role, never got past the pilot stage. Bill Henderson's most prominent recent screen performance was as one of several "dude" participants of a cattle drive (he's the father in the father-son team) in the 1991 Billy Crystal comedy City Slickers.

Trivia: Born July 8th, 1944, character actor Jeffrey Tambor has built his career in comedies playing the role of the uptight boss, or more generally, the stuffy guy. After graduate school, teaching, and a prolific stage career, Tambor started making television guest-starring appearances in the early '70s. He showed up on Three's Company enough that he eventually got a spot on the spin-off series The Ropers as the disapproving next-door neighbor Jeffrey. After the show's two-season run, he did a few TV movies before landing a reoccurring roles on the television version of 9 to 5, naturally playing the Dabney Coleman boss character. Throughout the '80s and early '90s, he continued to play the role of the stuffy guy on television (The Golden Girls, L.A. Law, Max Headroom) and movies (Mr. Mom, City Slickers, Life Stinks). His big break came in 1992, when he was cast as Garry Shandling's smiling sidekick, Hank Kingsley, on HBO's The Larry Sanders Show, his most recognizable role. For the rest of the '90s, he frequently returned to playing snide characters for movies (Teaching Mrs. Tingle, How the Grinch Stole Christmas, Muppets From Space), although he would be more well-known for his work on television. In 1999, he appeared on the AMC series The Lot for its two-season run and provided voice talent for the MTV cartoon show 3 South. He played another boss type in the heist film Scorched in 2002.In 2003, Tambor joined the cast of Arrested Development for the role of George Bluth, an imprisoned millionaire and patriarch to a seriously dysfunctional family. The role would earn two Emmy nominations. Tambor tried his luck at television success once again in Welcome to the Captain, a short-lived sitcom in 2006, and returned to the big screen for the buddy comedy Twenty Good Years. He played a supporting role in 2009's critically acclaimed comedy the Invention of Lying, and played father of the bride in the megahit The Hangover. In 2011, Tambor took another supporting role for the comedy drama Win Win, and reprised his role in The Hangover for The Hangover Part 2.

Trivia: Father was U.S. Ambassador to South Africa under President Clinton. Began acting as a child and appeared in Storyville at Ford's Theatre in Washington, D.C., at age 11. Named a Presidential Scholar in the Arts at 18. First break came when he was cast in the title role of the short-lived CBS sitcom Teech in 1991.

Trivia: Lead actor, onscreen from the late '80s.

Trivia: Yeardley Smith is unarguably the keeper of one of Hollywood's most distinctive-sounding and instantly recognizable set of vocal chords; the Emmy-winning actress' most famous role is without question that of level-headed, suburban schoolgirl Lisa Simpson on the long-running animated television series The Simpsons. Though most of her live-action roles would come during the mid-'80s with such guilty pleasures as The Legend of Billie Jean and Maximum Overdrive, Smith remained active in front of the camera well into the new millennium with roles in such features as As Good As It Gets and such popular television series as Dharma & Greg. Born in Paris, France, Smith kicked off her acting career at Washington, D.C.'s Arena Stage before making the move to Broadway in Tom Stoppard's The Real Thing in 1984. A role in the after-school special Mom's on Strike marked the actress' first foray into television, and after graduating to features with a supporting role in the 1985 comedy Heaven Help Us, she gained notable exposure later that same year in the teen drama The Legend of Billie Jean. If the film failed to live up to the hype, Smith's performance (as a somewhat shy teen who discovers her own self-confidence after joining a teenage outlaw on the road) offered a scene-stealing turn that would overflow into the following year's much-maligned horror film Maximum Overdrive. A small supporting role in the 1987 teen comedy Three O'Clock High was quick to follow, and that same year, Smith would step behind the microphone for the role that would change her life. Originally conceived as a series of shorts made to run during The Tracey Ullman Show, The Simpsons proved so popular that it was soon given its very own series. Beginning in 1989, The Simpsons quickly became nothing less than a cultural phenomenon, with brother Bart's rebellious antics quickly making "Don't have a cow, man" the national catch phrase. As popular as the series was initially, few could have foreseen that it would go on to surpass The Flintstones as the longest-running animated prime-time series in the history of television. In the years that followed, Lisa would move to the forefront in many episodes, endearing her to a nation of television viewers. Though Smith would still make the occasional foray into features, with bit roles in City Slickers, Toys, Just Write, and As Good As It Gets, it was her role on The Simpsons that kept her busy throughout the 1990s and into the new millennium.Aside from voicing Lisa Simpson she didn't appear on-screen in the first decade of the 21st century, but she returned with bit parts in movies like HIGH School and New Year's Eve in 2010 and 2011.

Trivia: Actor Robert Costanzo is generally typecast an urban Italian-American, prone to mouthing such lines as "You gotta problem with that?" Costanzo began popping up with regularity in such films as Saturday Night Fever in the late '70s. The first of his many TV-series stints was as plumber Vincent Pizo, the blue-collar father of Travolta clone Joe Piza (Paul Regina), in 1978's Joe and Valerie. He retained his man-of-the-people veneer as maintenance engineer Hank Sabatino in the weekly series Checking In (1980), Lt. V.T. Krantz in the 1990 TVer Glory Days, and the voice of Detective Bullock in Warner Bros.' Batman: The Animated Series (1992). In 1995, Robert Costanzo joined the cast of television's NYPD Blue as Detective Giardella.

Trivia: As the offspring of producer/writer Naomi Foner and director Stephen Gyllenhaal, it is not surprising that Jake Gyllenhaal has been acting since childhood. Raised in Los Angeles, Gyllenhaal acted in school plays and made his winsome screen debut when he was in the fifth grade, playing Billy Crystal's son in the blockbuster summer comedy City Slickers (1991). Keeping it in the family while acting with some of the industry's most notable talents, Gyllenhaal subsequently appeared in his parents' 1993 adaptation of the novel A Dangerous Woman with Debra Winger, and played Robin Williams' son in a 1994 episode of TV's Homicide that was directed by his father. Poised to make the transition from child to adult actor, Gyllenhaal earned rave reviews, heralding him as a star in the making, for his emotionally sincere performance as real-life rocket builder Homer Hickam in the warmly received drama October Sky (1999). Though he opted to stay in school and attend college at Columbia University, Gyllenhaal continued his creative pursuits, playing in a rock band and starring as the oddball title character alongside Drew Barrymore in the Barrymore-produced Sundance Film Festival entrant Donnie Darko (2001). Gyllenhaal could be seen later that same year as the titular character in the ill-fated Bubble Boy.After co-starring on the London stage in This Is Our Youth in spring 2002, Gyllenhaal was declared one half of Entertainment Weekly's "It Gene Pool" (with sister Maggie Gyllenhaal) for his aversion to taking the easy, teen flick route. In keeping with his preference for off-center work, Gyllenhaal coincidentally played the younger love object of choice in two consecutive indie comedies, appearing as Catherine Keener's sensitive boss in Nicole Holofcener's slyly witty Lovely & Amazing (2002) and Jennifer Aniston's enticing yet disturbed co-worker in Miguel Arteta's sardonic The Good Girl (2002). As further proof that he had the acting chops to go with his sad-eyed good looks, Gyllenhaal subsequently co-starred with Dustin Hoffman and Susan Sarandon as a young man enmeshed in his dead fiancée's family in Moonlight Mile (2002).With his star on the rise and his status as a heartthrob all but cemented, it became impossible for Gyllenhaal to avoid the draw of a big summer blockbuster. In 2004, he starred alongside Dennis Quaid in the mega-budgeted The Day After Tomorrow, and the success of that film put him in another league altogether. What followed was an interesting, challenging mix of roles for the young actor. He could be seen in the fall of 2005 starring in no less than three high-profile prestige films, all of them adaptations: the delayed big-screen version of the Pulitzer-prize winning play Proof, with Gwyneth Paltrow; the Gulf War memoir Jarhead, directed by American Beauty wunderkind Sam Mendes; and Ang Lee's cowboy romance Brokeback Mountain. The first two films received an indifferent response by critics, even though Jarhead's opening-weekend gross confirmed Gyllenhaal's bankability. Lee's film, however, garnered the most acclaim of 2005, and offered him perhaps his riskiest, most rewarding role to date. Playing the closeted, romantically frustrated rancher Jack Twist, Gyllenhaal added heartbreaking shades of vulnerability to his usual frat-boy cockiness, and more than held his own opposite a memorably gruff, taciturn Heath Ledger. As praise was heaped out upon the film and its two male leads, Gyllenhaal found himself the recipient of a BAFTA award, a National Board of Review notice, and an Oscar nomination for Best Supporting Actor. Gyllenhaal would spend the next several years enjoying his status as a leading man, appearing in projects like Zodiac, Brothers, Love and Other Drugs, and Source Code.

Trivia: Actress Danielle Harris spent much of her childhood playing small supporting roles on television and in feature films. She made her feature film debut portraying Jamie Lloyd, the confused niece of slasher Michael Myers in Halloween 4: The Return of Michael Myers (1988) and its follow-up Halloween 5: The Revenge of Michael Myers (1989). She has also appeared in films such as Free Willy (1993), City Slickers (1991), and Daylight (1996). Harris' television credits include appearances on Growing Pains, One Life to Live, and a regular role on Roseanne. She also appeared in the made-for-television movies Don't Touch My Daughter and The Women Who Loved Elvis.

Trivia: The daughter of Episcopal missionaries, Jayne Meadows was born in China; she spoke nothing but Chinese until her parents returned to America in the early 1930s. The sister of Honeymooners co-star Audrey Meadows, Jayne Meadows began her film career in the mid-1940s as a contract player at MGM. Her velvety voice and self-confident bearing ruled out her being cast as simpering ingénues: Meadows excelled as cold-blooded "other women," vitriolic divorcees, and neurotic murderesses. Her best screen role was the double- and triple-crossing Mildred Haveland in Lady in the Lake (1946). For nearly five decades, Jayne was harmoniously married to her second husband, TV personality Steve Allen, with whom she has co-starred on dozens of variety programs and game shows, as well as Steve Allen's memorable PBS miniseries Meeting of Minds. Both she and her husband were nominated for Emmy Awards for their joint guest appearance on the TV series LA Law. Her more regular TV work included the third-billed role of Nurse Chambers on Medical Center (1969-73) and the part of Ken Howard's mother on the 1983 "dramedy" It's Not Easy. Meadows made an indelible impression through the power of her voice alone as Billy Crystal's gushing, unseen mom in the two City Slickers film comedies of the 1990s. She continued acting and appearing on-screen until the late 2000s; she died in 2015, at age 95.