Trivia: An everyman comic who shot to stardom thanks to a series of guest appearances on friend and fellow funnyman Ray Romano's popular sitcom Everybody Loves Raymond, Kevin James wasn't exactly the class clown fans might assume during his formative years. Though his healthy sense of humor did help the Mineola, Long Island native to make plenty of friends while growing up, it wasn't until he took a public speaking class in college that James truly discovered the power of laughter. The son of an insurance agent and a devoted housewife who only worked off-jobs when necessary to support the family, James majored in sports management at State University of New York at Cortland before dropping out to hone his talents as an entertainer in community theater and various improvisational groups. Subsequently following his older brother to the standup stage, James made his debut at Manhattan's East Side Comedy Club in 1989 to surprising, if not predictable, results. Though James made a killing his first night, a disheartening appearance the following night with the very same material and a whole new crowd would teach the aspiring comic an important lesson in failure. Undaunted by his death on-stage and determined to roll with the punches, James quickly learned that the unpredictable world of standup comedy was filled with as many ups as it was downs. His survival instinct ended up serving him well; a fateful set at the 1996 Montreal Comedy Festival became the defining performance of his early career. James was soon signed to appear on Romano's fledgling sitcom in addition to receiving his very own development deal. In 1998, The King of Queens debuted to healthy ratings. A blue-collar sitcom that countless viewers could relate to, The King of Queens detailed the life of a hapless postal carrier who shares his Queens, NY home his wife, Carrie (Leah Remini), and her eccentric father, Arthur (Jerry Stiller). With success on the small screen soon prompting James to try his talent in feature films, a supporting role in 50 First Dates and a co-starring role opposite Will Smith in Hitch found the television favorite's amiable humor translating well to the big screen. A team effort with longtime friend Romano would result in the straight-to-video comedy Grilled in 2006, with subsequent voice work in the animated family comedies Monster House and Barnyard arriving in theaters later that same year.James would maintain his position as a go-to guy for family friendly comedy over the coming years, appearing in films like I Now Pronounce You Chuck and Larry, Paul Blart: Mall Cop, Grown Ups, and Zookeeper and providing a voice in Hotel Transylvania. James then reprised his roles in Grown Ups 2, Paul Blart: Mall Cop 2 and Hotel Transylvania 2, while also appearing in Pixels, opposite his frequent co-star Adam Sandler.

Trivia: A veteran of several failed TV sitcoms, sassy Leah Remini finally scored a hit when she was cast as comedian Kevin James's wife on the CBS series The King of Queens (1998).Born June 15th, 1979 in Brooklyn, NY, Remini moved to Los Angeles as a teen. After leaving school at 14, Remini held a variety of jobs for a couple of years before deciding to try acting. Though she was advised to lose her Brooklyn accent, Remini quickly landed a guest role on ABC's gifted high schoolers sitcom Head of the Class. Working steadily from the late '80s on, Remini guest starred on a number of comedies, including Friends, Cheers (as Carla's daughter), and a year-long stint on Saved By the Bell, and began to amass a resumé of short-lived series. After starring in Living Dolls in 1989, Remini was cast in The Man in the Family (1991) and First Time Out (1995); though Fired Up (1997) looked promising, it too failed after leaving its post-Seinfeld time slot. Along with the sitcoms, Remini also appeared in the TV movie Getting Up and Going Home (1992) and Glory Daze (1996), a coming-of-age feature starring then unknown Ben Affleck. A seasoned TV actress by 1998, Remini got to put her New York roots (and accent) to successful use in The King of Queens, a family comedy in the Everybody Loves Raymond vein. As blue collar James' pretty, levelheaded wife Carrie, Remini proved an adept foil to James and a flamboyant Jerry Stiller; The King of Queens became Remini's first bona fide ratings hit.

Trivia: To the public at large, Jerry Stiller is best known as the husband and comedy partner of actress/director Anne Meara, and as the father of comedian Ben Stiller. For those addicted to the NBC sitcom Seinfeld, Stiller will never be anyone else than Frank Costanza, the eternally kvetching father of born-loser George Costanza (Jason Alexander). While Stiller would be the first to welcome recognition on these terms, to acknowledge him for the above-mentioned reasons alone would be grossly unfair. A stage performer from the age of 10, Stiller majored in drama at the University of Syracuse, then took to the road in a touring company of Peter Pan. Honing his comic timing to perfection under the tutelage of revue director Billy Barnes, Stiller chose to concentrate his laughmaking skills in the Classics, specifically Shakespeare. He made his off-Broadway debut in a 1953 production of Coriolanus, and subsequently paid homage to the Bard of Avon as a member of such prestigious troupes as the Stratford (Connecticut) Shakespeare Festival and Joseph Papp's Shakespeare in the Park. Stiller made his Broadway bow in 1975 as ill-tempered gangster Carmine Vespucci in Terence McNally's The Ritz, a part he recreated in the 1976 film version. Among his many other film credits are Lovers and Other Strangers (1970), Hairspray (1988) and the made-for-television Seize the Day (1987). The actor's series-TV resumé includes the roles of Barney Dickerson in The Paul Lynde Show (1972), Gus Duzik in Joe and Sons (1975) and Sid Wilbur in Tattinger's (1988). He also co-starred with wife Anne Meara in the syndicated Take Five with Stiller and Meara (1977), and provided voiceovers for the animated Linus the Lionhearted (1964) and the multipart Ken Burns TV special Baseball (1994). Jerry Stiller has been honored with the Radio Advertising Bureau's Voice of Imagery Award for his persuasive radio and TV spots on behalf of the Public Broadcasting System.Notable later roles included an extended run on the hit TV series The King of Queens starting in 1998, as well as appearances in son Ben's 2001 male model comedy Zoolander, and the 2007 musical Hairspray. In 2000 Stiller received a Grammy nomination for Best Spoken Word Album for the audio version of his autobiographical book "Married to Laughter: A Love Story Featuring Anne Meara." Stiller and Meara received a joint star on the Hollywood Walk of Fame in 2007, and three years later, Stiller and his wife launched the YahooWeb series Stiller & Meara, in which the pair discuss current events from their living room, which ran until Meara's death in 2015. Their son, Ben, produced the segments.

Trivia: In films since 1949's White Heat, American actor Ford Rainey most often played judges, doctors and police officials. Rainey's weekly TV roles included small-town newspaper editor Lloyd Ramsey in Window on Main Street (1961), research director Dr. Barnett in Search (1972) James Barrett in The Manhunter (1974) and Jim in The Bionic Woman (1975). Undoubtedly his most rewarding TV-series assignment was The Richard Boone Show (1963), in which, as a member of Boone's "repertory company," he was allowed to essay a different role each week. When last we saw Ford Rainey, he was playing a big-time counterfeiter on Wiseguy (1987).

Trivia: The gifted young comedian Patton Oswalt first carved a name for himself as a bit player in television programs, where he seemingly made the perfect everyman. Even those who fail to recognize the comic's agnomen doubtless encountered him as early as the mid- to late '90s, on such hit programs as NewsRadio, Dr. Katz, Mr. Show, and Seinfeld. (He was particularly memorable in the latter, as the video-store clerk who refuses to proffer a customer's address to a conniving George Costanza.) Oswalt also penned sketches for the long-running series MADtv and frequently lent his voice to Comedy Central's Crank Yankers, as one of the program's below-the-belt prank callers. Beginning in 1996 (and for at least four years thereafter), Oswalt began touring the country with his standup act and hitting comedy clubs; in 1997, he hosted his first standup special on HBO and received a positive response. Unabashedly iconoclastic and atheistic, with many routines devoted to excoriating Christianity and what he perceives as the hypocrisies of middle-American values, Oswalt buries his anti-establishment cynicism beneath a deceptively soft exterior (setting himself apart from, say, the more openly caustic and rave-happy George Carlin). Whatever the subject at hand, Oswalt displays a quick wit, a fearlessness to speak his mind, and an ability to unveil ironies behind practically everything. Regardless of one's personal convictions, Oswalt is also frequently hilarious, with his well-known impersonations of such personalities as Robert Evans and Nick Nolte absolutely unparalleled and definite high points in his routines, as are his riffs on pornography and bizarre sexual proclivities. In 1998, Oswalt landed his second recurring role on a television series, and his highest billing up through that time: that of Spence Olchin, one of the three buddies of Kevin James' Doug Heffernan, on the sitcom The King of Queens; he remained with the series for several seasons. Scattered movie roles followed -- typically bit parts at first, such as that of the scuba diver who experiences a bizarre death in the prologue of Paul Thomas Anderson's Magnolia (1999) and Hedges in Blade: Trinity (2004). Around 2004, Oswalt took a temporary siesta from acting, and re-launched himself into the arena of standup comedy. He and several friends (Brian Posehn, Zach Galifianakis, and Maria Bamford) formed the "Comedians of Comedy" troupe and mounted a coast-to-coast tour; that ensemble headlined an eponymous 2005 concert film. Oswalt issued his first standup album, Feelin' Kinda Patton, in 2004; it drew critical raves and impressive sales. He followed it up with a joint effort alongside Galifianakis, the 2005 recording Patton vs. Alcohol vs. Zach vs. Patton, and the 2006 concert film Patton Oswalt: No Reason to Complain. A sophomore solo recording, Lollipops and Werewolves, appeared in the summer of 2007.That same year, Oswalt voiced the character of Remy -- a French rat with a refined culinary instinct who single-handedly overturns Parisian haute cuisine -- in the Pixar animated film Ratatouille. It marked Oswalt's first reception of premier billing in an A-list feature and his debut work for Pixar.In 2009 he had the lead in the underrated indie drama Big Fan, as a man assaulted by the best player on his favorite football team, appeared in The Informant, and recorded the stand-up special My Weakness Is Strong. In 2011 he had a memorable turn in A Very Harold & Kumar Christmas, released the stand-up concert Finest Hour, and earned the best reviews of his career playing opposite Charlize Theron in Young Adult.Oswalt's most consistent work, though, was in television. He amassed a slew of memorable TV roles, with one-offs, recurring gigs and voice-over roles. A seasons-long arc on United States of Tara coincided with other gigs on Bored to Death and Caprica. In 2013, he had a highly-regarded and publicized guest stint on Parks and Recreation, playing a character giving a filibuster on Star Wars. That same year, he started a recurring role on Justified and began doing narration work on The Goldbergs (playing an older version of the main character, Adam Goldberg). The following year, he played identical brothers on Marvel's Agents of S.H.I.E.L.D., allowing Oswalt to return even if his character had been killed. In 2015, he played the VP's Chief of Staff on Veep. Oswalt also voices several characters on shows like BoJack Horseman and We Bare Bears.

Trivia: "My name is Orson Bean. Harvard '47, Yale Nothing." Actually, that oft-repeated introduction is a double deception: actor Orson Bean didn't go to Harvard, and his name isn't really Orson Bean. As a boy magician, Dallas Frederick Burrows borrowed the first half of his stage name from another prestidigitator of note, Orson Welles. Bean made his legitimate stage bow in 1945, then worked up a nightclub comedy act which premiered in New York at the now-defunct Blue Angel (in 1954, he hosted a summer-replacement TV series emanating from this celebrated nightspot). Landing on Broadway in the 1953 production Men of Distinction, Bean won a Theatre World Award for his work in the 1954 revue John Murray Anderson's Almanac, and Critics' Circle Awards for his performances in Mister Roberts and Say Darling. His later stage credits included Broadway's Subways are for Sleeping (1962) and Never too Late (1964) not to mention his extensive tours in the Neil Simon-Burt Bacharah musical Promises, Promises. In films from 1955, Bean's best-received screen performance was as the testifying army physician in Otto Preminger's Anatomy of a Murder (1959). An inescapable presence on TV, Bean has participated in virtually every quiz show known to man, from the familiar (To Tell the Truth, I've Got a Secret) to the obscure (Laugh Line). He was also a regular as the ineffectual Reverend Brim on the Norman Lear syndicated series Mary Hartman, Mary Hartman (1977) and Forever Fernword (1978), and more recently was seen on a weekly basis as cranky general store owner Loren Bray on Dr. Quinn, Medicine Women (1993- ). Outside of his showbiz activities, Bean has proven a difficult subject to categorize: blacklisted for his outspoken liberal views in the early 1950s, he was an ardent supporter of Richard M. Nixon in 1968. A man of many interests, Orson Bean was the founder of the arts-oriented 15th Street School of New York, the author of the oddball 1971 volume Me and the Orgon, and one of the charter members of The Sons of the Desert, the famed Laurel & Hardy appreciation society.

Trivia: Possibly in defiance of the old adage "those that can't do, teach," American actor Harold Gould gave up a comfortable professorship in the drama department of the University of California to become a performer himself. Building up stage and TV credits from the late '50s onward, Gould made his first film, Two for the Seesaw, in 1962. He divided his time between stage and screen for the rest of the '60s, winning an Obie Award for the off-Broadway production Difficulty of Concentration. Gould was prominently cast in such slick '70s products as The Sting (1973), Woody Allen's Love and Death (1975), and Mel Brooks' Silent Movie (1976) (as a classically gesticulating villain). Often nattily attired and usually comporting himself like a wealthy self-made businessman, Gould was generously employed on TV for three decades. He co-starred with Daniel J. Travanti in the 1988 American Playhouse production of I Never Sang for My Father, played WASP-ish Katharine Hepburn's aging Jewish lover in the TV movie Mrs. Delafield Wants to Marry (1986), and had regular stints on such series as The Long Hot Summer (1965), He and She (1967), Rhoda (1974) (as Rhoda's father), The Feather and Father Gang (1977), Washington: Behind Closed Doors (1977), Park Place (1981) Foot in the Door (1983), Spencer (1984) and Singer and Sons (1990). However, when the time came in 1974 to make a series out of the pilot film for Happy Days, an unavailable Harold Gould was replaced by Tom Bosley.