Trivia: Whether he's acting or co-writing brilliantly quirky character studies with director/writing partner Wes Anderson, Owen C. Wilson's work exudes an insouciant yet earnest charm and eccentric comic sensibility, making him one of the most promising new talents to emerge in the 1990s.Born in Dallas on November 18th, 1968, Wilson raised enough hell in high school to get expelled from one institution in tenth grade, but he managed to attend college at the University of Texas in Austin and graduate in 1991. Along with his degree, Wilson's Austin years resulted in a budding partnership with a like-minded creative classmate, aspiring filmmaker Wes Anderson. Their first film together, a short about a bookstore heist called Bottle Rocket, played at the 1993 Sundance Film Festival, attracting the attention of producer Polly Platt and writer/director James L. Brooks. With Brooks' support, Wilson and Anderson expanded the short into a feature, indie cult favorite Bottle Rocket (1996). Though it made little impression at the box office, Anderson and Wilson's distinctly offbeat, wry, and optimistic tale about aspiring criminal Dignan and his best friend Anthony (played by Wilson's brother Luke Wilson) earned ardent fans among cinéastes. Wilson's inspired performance as Dignan, not to mention his blond hair, large grin, and affable drawl, became his Hollywood calling card. That same year, Wilson also began a fertile association with actor/director Ben Stiller, appearing in one memorable scene as a smooth, ill-fated date in Stiller's black comedy The Cable Guy (1996).Alternating between supporting roles in Hollywood spectacles, collaborations with Anderson and Stiller, and smaller independent projects, Wilson worked steadily for the rest of the 1990s. Though he always seemed to fill the generic slot of Guy Marked for Death, Wilson still managed to bring a reliably laid-back, humorous spark to the bombastic proceedings in Anaconda (1997), Armageddon (1998), and The Haunting (1999). On a more artistically successful front, Wilson's next script with Anderson resulted in the lauded coming-of-age film Rushmore (1998). With its singular cast of characters, distinctive combination of deadpan humor and true emotion, and superb performances by Jason Schwartzman as teen prodigy Max Fischer and Bill Murray as depressed millionaire Blume, Rushmore earned prizes from the critics (if not the Academy) and proved that Bottle Rocket was no fluke. As far as acting, Wilson's ability to suggest complexity beneath a breezy surface earned positive notice for his unsettling performance as a laconic, self-styled Good Samaritan serial killer in indie thriller The Minus Man (1999).By 2000, Wilson began to take center stage in larger Hollywood projects as well. Though it was another Jackie Chan vehicle, Wilson's hilarious co-starring turn as a surfer dude-tinged outlaw in the chop socky Western Shanghai Noon (2000) nearly stole the movie. Wilson's brief appearance as a Jesus-loving, super rich romantic rival to Ben Stiller's put-upon Greg Focker was a comic highlight of the hit Meet the Parents (2000). Stiller's supermodel farce Zoolander (2001) further sealed Wilson's status as a superlative comic actor. As Zoolander's rival Hansel, Wilson's offbeat timing made him the ultimate bubble-headed mannequin; his catwalk competition with Stiller provided the biggest laughs in a hit-or-miss movie. Even as he flourished in broad Hollywood comedy, Wilson continued his partnership with Wes Anderson, co-writing with Anderson and co-starring (with his brother Luke and Stiller among others) in the unusual family story The Royal Tenenbaums (2001). Branching out into serious roles, Wilson then co-starred with The Royal Tenenbaums patriarch Gene Hackman in the military drama Behind Enemy Lines (2001). An increasingly prevalent figure in action films following the millennial turnover, Wilson followed Behind Enemy Lines with I Spy (2002) and the Shanghai Noon sequel Shanghai Knights (2003) before appearing opposite Morgan Freeman in the critical and commercial disappointment The Big Bounce and co-starring in the underwhelming big screen adaptation of Starsky & Hutch. He made his third appearance in a Jackie Chan vehicle in the 2004 Disney production Around the World in 80 Days; though poised to be a blockbuster, the mega-budgeted film was one of the biggest flops of the season.A rebound was in order, and if his supporting turn in the 2004 holiday-season blockbuster sequel Meet the Fockers wasn't enough, Wilson found his greatest leading-man success to date as foil to the bawdy Vince Vaughn in 2005's raunchy, runaway hit The Wedding Crashers. The Wilson-Vaughn pairing challenged the Wilson-Stiller hilarity quotient as a pair of divorce consultants who bide their free time crashing weddings to get laid. The $200-million smash was indeed a tough act to follow, and while 2006's You, Me and Dupree - a thematic reprise of his Wedding Crashers role in which he plays an irritating houseguest who refuses to vacate - was something of a letdown, Wilson more than made up for it that same year with a leading voice role in Pixar's Cars and a supporting turn in Stiller's special-effects comedy A Night at the Museum.For the next couple of years, Wilson continued to stick with what worked - collaborations with Anderson (The Darjeeling Limited (2007), Fantastic Mr. Fox (2009) and The Grand Budapest Hotel (2014)) and sequels in his hit franchises (Night at the Museum: Battle for the Smithsonian (2009), Little Fockers (2010) and Cars 2 (2011)). He also starred in Woody Allen's Mightnight in Paris (2011), earning a Golden Globe nomination for Best Actor in a Musical or Comedy.Romantically linked, by turns, with a pre-Ashton Demi Moore, rocker Sheryl Crow, and actress Kate Hudson, Wilson, with his shaggy blond mane, blue eyes, and (as one magazine cited humorously in its front cover headline) "unusual nose," also found himself the unlikely forebear of a new wave of Hollywood sex symbols.

Trivia: Born in an American hospital in France while his father Francis was working on the screenplay for Is Paris Burning? Appears in uncredited roles in both The Godfather and The Godfather: Part II, playing a young Sonny Corleone in the second film (who needed his hair curled before each day of shooting). Lauded for his in-camera special effects on his father's Bram Stoker's Dracula (1992), which received a BAFTA Award nomination for Visual Effects. Directed music videos for artists like Moby, Green Day and Fatboy Slim, plus all four videos for The Strokes' debut album. Became the sixth member of the Coppola family to be nominated for an Academy Award with his Best Original Screenplay nomination along with Wes Anderson for Moonrise Kingdom (2012).

Trivia: An actor who hovered far too long on the brink of stardom before getting his due recognition, Adrien Brody spent much of his early career falling victim to the slings and arrows of outrageous PR. Possessing undeniable talent and looks that recall both the wasted elegance of an Aubrey Beardsley illustration and a young and hungry Al Pacino, Brody spent much of the 1990s as a candidate for his generation's "next big thing." But despite roles in two high-profile movies -- Terrence Malick's The Thin Red Line (1998) and Spike Lee's Summer of Sam (1999) -- and the publicity that accompanied them, it was not until Brody was cast as the lead in Roman Polanski's The Pianist (2002) that he won the recognition which had previously eluded him.Born on April 14, 1973, in New York City, Brody was raised in Queens. The son of a schoolteacher and a celebrated photojournalist, he was drawn to acting from an early age. Brody's first taste of show business came when he was 12-years-old and performed as a magician at children's parties; with his mother's encouragement, he subsequently enrolled in acting classes, attending both the American Academy of Dramatic Arts and the High School for the Performing Arts. He found his earliest work in off-Broadway productions, and made his television debut in 1998 with a PBS movie and a turn as Mary Tyler Moore's son in the comedienne's ill-fated sitcom Annie McGuire. Following his professional debut, the actor returned to school and attended a year of college before being cast in Steven Soderbergh's 1993 Depression-era drama King of the Hill. The film, which cast Brody as its protagonist's delinquent mentor, met with wide critical acclaim and presented him with new opportunities. He won roles in several films, including 1994's Angels in the Outfield and 1997's The Last Time I Committed Suicide, a paean to the beat generation that co-starred Keanu Reeves, Gretchen Mol, and Claire Forlani. That same year, Brody had lead parts in The Undertaker's Wedding and Six Ways to Sunday, two fairly obscure films that paved the way for both more high-profile work and a turn as one of Vanity Fair's "Hot, Young, and Full of Fun" cover boys. With the 1999 cover and principal roles in two highly anticipated films, The Thin Red Line and Summer of Sam, Brody seemed perfectly positioned to step into the limelight. Unfortunately, his scenes in the former ended up on the cutting room floor, victims of time constraints. But Brody's turn as a bisexual punk in the latter earned positive notices, and was hailed by numerous critics as one of the strongest points in Lee's flawed but compelling film. Brody continued to do solid work in films like Barry Levinson's Liberty Heights (1999) and Ken Loach's Bread and Roses (2000), but it wasn't until he was cast as the eponymous protagonist of Roman Polanksi's The Pianist that critics -- and the Academy -- really took notice of his work. For his portrayal of the real-life Wladyslaw Szpilman, a Polish pianist struggling to survive the Holocaust in the Warsaw Ghetto, Brody invested himself mentally, emotionally, and physically in the role, and was rewarded for his dedication with numerous honors, including the French César and an Oscar that made him the youngest-ever recipient of the Best Actor award. Many observers felt the quality of his performance in the film was matched by that of his acceptance speech, given only days after the U.S. went to war with Iraq: after bestowing a long kiss on a very surprised Halle Berry, who presented him with the award, he went on to give a speech that managed to combine heartfelt gratitude with an eloquent plea for peace and goodwill. It was an accomplishment that brought much of the ceremony's audience to a standing ovation and ensured that although fame had eluded him in the past, Brody had finally and deservedly won his time in the limelight.Brody followed up his triumph as The Village idiot in M. Night Shyamalan's allegorical film, and starred in the little-seen psychological thriller The Jacket. However, in 2005, Brody starred in Peter Jackson's gargantuan remake of King Kong. He returned to more independent films as a man attempting to unravel the mysterious death of George Reeves in Hollywoodland, and teamed with Todd Haynes in his unconventional Bob Dylan biopic I'm Not There: Suppositions on a Film Concerning Dylan. Brody would cement himself as a leading in Hollywood over the coming years, with appearances in everything from precocious, indie-fare like Darjeeling Limited and The Brothers Bloom to action explosions like Predators and Wrecked.

Trivia: Double majored in Spanish Theater and Economics in college. In 1989, quit his job as a chef at the Four Seasons Biltmore Hotel's La Marina restaurant in Santa Barbara, and moved to a village in Northern Italy to study traditional Italian cooking. Opened his first restaurant, Po, in 1993 in New York City. Established the Mario Batali Foundation in 2009, which organizes fundraising to help feed and educate children. On the board of directors for The Lunchbox Fund, a non-profit that provides meals to students in South Africa.