Trivia: One of America's most respected dramatic actresses, Cicely Tyson has worked steadily as a television, film, and stage actress since making her stage debut in a Harlem YMCA production of Dark of the Moon in the 1950s. The daughter of Caribbean immigrants, Tyson was raised in Harlem. After working as a secretary and a successful model, she became an actress, landed her first jobs in off-Broadway productions, and eventually made it to the Great White Way in the late '50s.Tyson got her first real break in 1963, playing a secretary to George C. Scott on the TV series East Side/West Side, and in 1966 signed on with the daytime soap The Guiding Light. That same year, she made her credited screen debut starring opposite Sammy Davis Jr. in the drama A Man Called Adam (her first uncredited film role was in 1959's Odds Against Tomorrow). More film, television, and stage work followed, but Tyson did not truly become a star until her Oscar-nominated performance in the Depression drama Sounder (1972). An unusual beauty with delicate features, expressive black eyes, and a full, wide mouth, Tyson next hid her good looks beneath layers of old-age makeup to convincingly portray a 110-year-old former slave who tells her extraordinary life story in The Autobiography of Miss Jane Pittman (1974). A well-wrought effort, it won Tyson her first Emmy for her title role, which required her to age 91 years on the screen. Tyson subsequently had great success on television, particularly with her role in the legendary miniseries Roots (1977) and her work in The Women of Brewster Place (1989). She also continued to do a fair amount of film work, appearing in films like Fried Green Tomatoes (1991), The Oldest Living Confederate Widow Tells All (1994), The Grass Harp (1995), and Hoodlum (1997). In 1997, Tyson again donned old woman's makeup to offer a delightfully crotchety version of Charles Dickens' Scrooge in the 1997 USA Network original production Ms. Scrooge. Two years later, she had another television success -- and another Emmy nomination -- with A Lesson Before Dying, a drama set in the 1940s about a black man sentenced to death for a murder he did not commit. Tyson was later featured in a trio of popular Tyler Perry movies, including Diary of a Mad Black Woman (2005), Madea's Family Reunion (2006) and Why Did I Get Married Too? (2010). She also had a small, but pivotal, role in 2011's Oscar-nominated The Help, as Contstantine, the loving and elderly maid of Skeeter Phelan (Emma Stone).

Trivia: African-American actress Beatrice Winde built her reputation upon the New York stage, beginning with the searing off-Broadway production In White America (1963). Winde received the Theatre World Award for her performance in Ain't Supposed to Die a Natural Death. She made several films in the '80s and '90s, including A Rage in Harlem (1991) (actually filmed for the most part in Cincinnati) and Spike Lee's Malcolm X (1992). Billed as Bea Winde, the actress appeared as Lillian Foster in the waning days of the NBC-TV soap opera The Doctors.

Trivia: American actor Richard Dysart portrayed sandy-haired, distinguished corporate types for nigh onto thirty years. Several seasons of stage and TV work were followed by supporting authority-figure roles in such films as The Hospital (1971), The Crazy World of Julius Vrooder (1974) (as the title character's dad), Meteor (1978) (the Secretary of Defense) and Being There (1979) (the doctor of politico Melvyn Douglas). TV-movie credits for Dysart include The Autobiography of Miss Jane Pittman (1973), The People vs. Jean Harris (1980), Last Days of Patton (1985), the Hedda Hopper/Louella Parsons biopic Malice in Wonderland (1988), and the made-for-cable Marilyn and Bobby: Her Final Affair (1993). In 1986, Richard Dysart gained nationwide TV fame as senior law partner Leland McKenzie on the NBC weekly L.A. Law, for which he earned an Emmy Award for Best Supporting Actor in a Drama Series. He mostly retired from acting once L.A. Law ended in 1994, doing occasional voice-over work and reprising his role in an L.A. Law TV movie in 2002. Dysart died in 2015, at age 86.

Trivia: American actor Michael Murphy pursued a high school teaching career upon graduation from the University of Arizona. Among the subjects he taught was drama; good-looking and personable enough to get paid for reciting lines to an audience older than the age of 18, Murphy chucked the teaching profession to work on stage. In films since 1967, Murphy is best remembered as Jill Clayburgh's cheating -- and uncontrollably sobbing -- husband in An Unmarried Woman (1978). Michael Murphy has also functioned as a stock company player for director Robert Altman (Countdown [1968], McCabe and Mrs. Miller [1971], Nashville [1974], etc.); in 1988 Munrphy portrayed a pre-fab presidential candidate in Altman's satirical HBO miniseries Tanner. He continued to work steadily in a variety of projects including Shocker, Folks!, Batman Returns, and Altman's Kansas City, as well as the Howard Stern biopic Private Parts. As the 21st century began he could be seen in Norma Jean, Jack and Me, Live from Baghdad, and Silver City. He starred in the sequel to Tanner - Tanner on Tanner - in 2004, and when on to appear in Away From Her, X-Men: The Last Stand, and Smokin' Aces. He has been hired regularly to narrate a variety of documentaries for the American Experience series.

Trivia: Commanding African American actor Thalmus Rasulala launched his film career in such blaxploitationers of the 1960s and 1970s as Cool Breeze, Blacula, Bucktown and Friday Foster. He was prominently cast in the Emmy-winning made-for-TV feature The Autobiography of Miss Jane Pittman, played Omro in the 1977 miniseries Roots, and was one of the nine stars of the 1981 multipart drama The Sophisticated Gents. Rasulala's series-TV manifest included the occasional role of Mabel King's ex-husband on What's Happening!! (1976-79), and a substantial run on the daytime drama One Life to Live. In the 1991 TV movie Above the Law, Rasulala played a character named Crowder, which happened to be his given name. Thalmus Rasulala died of heart failure and leukemia at the age of 51; his last film, Mom and Dad Save the World (1992), was released posthumously.

Trivia: A graduate of Stanford University, professorial-looking American general purpose actor Roy Poole was busy in movies and TV from at least 1962 through the early '80s. Poole's films included Experiment in Terror (1962) and Up the Down Staircase (1971). His extensive stage credits encompassed such plays as The Bad Seed, Long Day's Journey into Night, 27 Wagons Full of Cotton and 1776. On TV, Poole was cast as a regular on three different series: The Andros Targets (1977) as Chet Reynolds, managing editor to newsman Mike Andros (James Sutorius); For Richer, For Poorer (1978) as Ira Ferguson; and the ABC daytime serial Ryan's Hope, as Neal Greer MacCurtain. And like most workaday actors, Roy Poole appeared in the occasional never-sold TV pilot, including Land of Hope (1976) and Hellinger's Law (1981).

Trivia: American actress Katherine Helmond spent nearly thirty years becoming an overnight success. Working fitfully in New York and regional theatre throughout the '50s and '60s, Helmond made ends meet by working as a drama teacher. Her first fleeting film appearances were in the Manhattan-based Believe in Me and The Hospital, both shot in 1971. She received a sizeable role in 1975's The Hindenburg, which utilized local repertory actors from throughout the midwest; she also worked with Hitchcock in 1976's Family Plot. In 1977, Katherine was cast as Jessica Tate, the scatterbrained, hedonistic matriarch on the TV sitcom Soap. She remained with the series until its cancellation in 1981; Soap left poor Jessica Tate facing a firing squad, and didn't reveal her fate until Helmond's guest appearance on the Soap spinoff Benson, wherein she played Jessica's ghost. In 1983, Katherine enrolled in the American Film Institute's Directing Workshop; she helmed the short subject Bankrupt and also several episodes of TV's Who's the Boss, in which she played Mona Robinson from 1984 through 1990. Keeping her hand in films, Katherine Helmond became a favorite of ex-Monty Python director Terry Gilliam, who cast the actress as a vain matron undergoing a really radical facelift in 1984's Brazil.

Trivia: Cincinnati native Collin Wilcox Paxton honed her performing skills with the Chicago improve troupe the Compass Players in the 1950s before moving eastward to cultivate a successful career on Broadway. She appeared in productions like The Day Money Stopped and Look, We've Come Through and also worked in the realm of movies, most notably playing Mayella Violet Ewell in the 1962 film To Kill a Mockingbird. She continued to act throughout the coming decades, appearing in Catch-22, Jaws 2, Midnight in the Garden of Good and Evil, and many other projects. Paxton passed away in 2009 at the age of 74.

Trivia: African-American actor Joel Fluellen was a respected stage performer in both all-black and integrated productions throughout the '40s. He was tentative about entering films due to the limited range of roles available for actors of his race. Certainly Fluellen had nothing to be ashamed of in such assignments as the title character's brother in The Jackie Robinson Story (1950), but such parts were the exception rather than the rule. For the most part Fluellen found himself cast as noble natives in jungle-oriented films and TV programs, with the occasional worthwhile roles in films like Friendly Persuasion (1956). Not one to hide his opinions, especially in the '40s when non-white performers were expected to keep quiet and accept whatever was given them, Fluellen lobbied loud and long for better parts and working conditions for his fellow African-American performers, and was gratified to see the picture improving in the early '70s. Still, his own roles ranged from adequate to tiny, though he invariably made an indelible impression in such black-oriented films as A Raisin in the Sun (1962), The Learning Tree (1969) and The Bingo Long Travelling All-Stars and Motor Kings (1975). After a long illness, Joel Fluellen died at age 81, of an apparently self-inflicted gunshot wound.

Trivia: Character actor Will Hare played supporting roles on stage, television and the screen from age 17 up until his death at the age of 81. He made his feature film debut in Alfred Hitchcock's The Wrong Man (1957); he made his final film appearance in Me and Veronica (1993). His television appearances include guest-starring roles on series ranging from sudsy dramas to sitcoms. Hare was among the charter members of the Actors Studio and it was there that he died of a heart attack during a rehearsal on August 28, 1997.

Trivia: American actor Warren Kenner primarily worked in theater but also occasionally worked on television and in a few feature films including Obsession (1976) and Sounder, Part 2 (1976). Kenner was the founder of the New Orleans Dashiki Project Theater. He was also the art director there for two decades.

Trivia: Former Olympic athlete Dean Smith worked as a stuntman and supporting actor on television and in feature films. In addition to participating in the 1952 Olympic Games at Helsinki, Smith also played football and was a champion rodeo rider.

Trivia: In recalling his courtroom scene in To Kill a Mockingbird, Gregory Peck recalled the vital contribution of African American actor Bill Walker, who was cast as the Reverend Sikes. "All the black people in the balcony stood," Peck noted. "My two kids didn't. When Bill said to them 'Stand up, children, your father is passing,' he wrapped up the Academy Award for me." The son of a freed slave, Walker began his stage career at a time when black actors were largely confined to shuffling, eye-rolling "Yowzah boss" bit parts. While the harsh economic realities of show business dictated that Walker would occasionally have to take less than prestigious roles as butlers, cooks, valets, and African tribal chieftains, he lobbied long and hard to assure that other actors of his race would be permitted to portray characters with more than a modicum of dignity. He also was a tireless worker in the field of Civil Rights, frequently laying both his career and his life on the line. Walker's Broadway credits included Harlem, The Solid South and Golden Dawn; his film credits were legion. Bill Walker was married to actress Peggy Cartwright, who as a child was one of the stars of the Our Gang silent comedies.