Trivia: Often cited as the founding father of gangsta rap, Ice-T has also crafted a successful film career from his hardened street persona. Despite the fact that his early roles stuck closely to his public image as a thuggish West Coast pimp, T has since proved both his versatility and his sense of humor by appearing as everything from a mutant kangaroo (Tank Girl [1995]) to, in a surprisingly effective about-face, a police officer (New Jack City [1991]). Born Tracy Marrow in Newark, NJ, in 1958 and later adapting his better-known persona as a tribute to pimp-turned-author Iceberg Slim, T was sent at age 12 to live in Califorina with an aunt after his father died of a heart attack (his mother had died four year earlier, also of a heart attack). Ice-T soon began to develop an obsession with rap music, and after serving a two-year stint in the Army, he began recording and appeared in the films Breakin' and Breakin' 2: Electric Boogaloo (both 1984). Following a near death auto accident in 1986, T devoted his life to music and released his debut album, Rhyme Pays, the following year. T gained positive accolades for his first major film role in 1991's New Jack City, in which he played a dedicated police officer, and the irony was not lost on fans the following year when he caused a stir with a song entitled "Cop Killer." After sticking close to the streets in Ricochet (1991), Trespass (1992), and Surviving the Game (1994), T took a sci-fi detour with Tank Girl and Johnny Mnemonic (both 1995). Generally appearing in straight-to-video schlock from the mid-'90s on, Ice-T could be seen as a naval pilot in Stealth Fighter (1999) and stealing a magic flute from a vengeful green meanie in Leprechaun in the Hood (2000). Though his appearances in such films grew nearly too frequent to count, T occasionally appeared in such theatrical releases as 3000 Miles to Graceland and Abel Ferrara's 'R Xmas (both 2001). After offering curious insight into the life of a pimp in the documentary Pimps Up, Ho's Down, T continued to expound on the life of a hustler in Pimpin' 101 (2003). He also took on a recurring role on the Law & Order spin-off Law & Order: Special Victims Unit and later joined the cast as a regular in the show's second season, soon becoming a popular fixture on prime time TV. T would also enjoy success on the reality circuit, starring in the candid reality show Ice Loves Coco with his wife, Nicole "Coco" Austin.

Trivia: Tall, strikingly handsome Dutch actor Rutger Hauer, the son of drama teachers, ran away from his Amsterdam home at age 15 and spent a year aboard a freighter. After coming home, he took a variety of odd jobs while attending night classes to study acting. Afterwards he joined an experimental theater troupe, remaining with them for five years. He then landed a role in a Dutch TV series in which he played a swashbuckler. He debuted onscreen as the lead in Paul Verhoeven's erotically graphic film Turkish Delight (1973); his English-speaking debut came two years later in Ralph Nelson's The Wilby Conspiracy (1975), but it failed to establish him in Hollywood and he returned to making European films. He finally broke through in America as the sociopathic cold-blooded terrorist in the Sylvester Stallone vehicle Nighthawks (1981), after which he was frequently cast as steel-cold heavies in American films. However, his range extends beyond bad guys, as shown (for example) in his role oppposite Michelle Pfeiffer in the medieval romance Ladyhawke (1985). Most of his films since 1981 have been made in America.

Trivia: Born January 30, 195, Charles Dutton attended the Yale School of Drama, and in 1983 he first appeared off-Broadway in Richard III. Before long he was delivering Tony-calibre performances in such Broadway productions as Ma Rainey's Black Bottom and The Piano Lesson. In films since 1986's No Mercy, the forceful, thunder-voiced Dutton has been seen in movies ranging from the mirth-provoking Crocodile Dundee 2 to the spine-chilling Alien 3. In 1991, Charles Dutton began a long TV run as the star of the Fox Network sitcom Roc.Dutton became an actor while serving a seven and a half-year prison sentence for stabbing a man during a street fight. While in prison, Dutton was stabbed in the neck with an ice pick during a fight with another inmate. The incident proved to be the turning point in Dutton's life when he refused to retaliate. Shortly thereafter, he became interested in drama and while serving his sentence completed a two-year college degree course. Upon his release from prison, Dutton was admitted into the Yale School of Drama. There he studied under playwright August Wilson and director Lloyd Richards.In 2000, Dutton directed The Corner, an acclaimed miniseries from HBO adapted from David Simon and Ed Burns' novel "The Corner: A Year in the Life of an Inner-City Neighborhood". The Corner won several awards, including an Emmy for Best Miniseries, and Dutton himself was honored for his direction. This would not be the last Emmy he received; the actor won Emmy Awards in 2002 and 2003 for supporting roles in televisiond dramas The Practice and Without a Trace. In 2003, Dutton starred in the made-for-TV drama D.C. Sniper: 23 Days of Fear, and continued to make appearances on popular television shows including The L Word, The Sopranos, and House, M.D. Dutton joined the cast of Threshold in 2005. While the CBS science fiction series gained a loyal following, the show was short-lived. The actor went on to appear in filmmaker John Sayles' 2007 drama Honeydripper, which follows the owner of a blues club that was revitalized by a young electric guitarist.

Trivia: Although American leading man Gary Busey has made distinguished appearances in many films, he has yet to attain the consistent popularity that would make him a major star. Born in Texas, Busey first few years were spent on an Oklahoma ranch where he learned to be a bull rider. He attended three different colleges before finally graduating in 1963, the year he became a professional drummer with the rock group The Rubber Band. Later, he billed himself as Teddy Jack Eddy and played percussion for Leon Russell, Kris Kristofferson, and Willie Nelson. In 1970, Busey made his acting debut in an episode of the TV western High Chaparel. This led to his feature film debut as a biker in Angels Hard as They Come the following year. After that Busey went on to play supporting roles (typically cast as renegades, daredevils, or good ol' boys with dubious morals) until 1978 when he made a major splash playing the lanky lead in The Buddy Holly Story, for which he did all the guitar and vocal work. His impersonation of Holly was remarkable and won him considerable acclaim and an Oscar nomination for Best Actor. Busey then went on to play leads in many films of varying quality during the early to mid-1980s. In the late '80s he returned to supporting roles and co-leads. In 1988, Busey almost died in a motorcycle accident and his near death resulted in enactment of tougher helmet laws in California.

Trivia: Of Italian/Syrian heritage, Pittsburgh native F. Murray Abraham attended the University of Texas, then studied acting under Uta Hagen in New York. The peripatetic Abraham made his stage debut in a Los Angeles production of Ray Bradbury's The Wonderful Ice Cream Suit, and, shortly before reaching the age of 29, made his New York bow in The Fantasticks. An archetypal example of the "working actor," Abraham managed for more than ten years to make a good living at his craft without ever truly achieving fame. Appearing on television in everything from All in the Family to Kojak, he was seen on several commercials, including a now-famous spot for Fruit of the Loom underwear. His big-screen roles include 1975's The Sunshine Boys (a garage mechanic); 1976's All the President's Men (one of the arresting officers at the Watergate Hotel); 1976's The Ritz (a gay bathhouse patron); and 1978's The Big Fix (a fugitive '60s activist). Abraham's "overnight" stardom came about in 1984, when he was cast as the covetous Antonio Salieri in Amadeus, and his brilliant, bravura performance won him an Oscar. Abraham remained busy throughout the 1980s and '90s, appearing in such efforts as The Name of the Rose (1986), in which he played a 14th century monk deliberately made up to look like a "living gargoyle," and the otherwise awful Bonfire of the Vanities (1990), in an uncredited, albeit pivotal, role of a prosecuting attorney. One of the most versatile actors in the business, Abraham has nonetheless never quite escaped the long shadow cast by his unforgettable portrayal of Salieri. Indeed, in Arnold Schwarzenegger's genre spoof The Last Action Hero, Abraham was pinpointed as the mystery murderer because he looked just like "the guy that killed Mozart." Once again hamming it up in that same year's National Lampoon's Loaded Weapon 1, Abraham frequently alternated big-budget Hollywood fare and more low-key, performance driven dramas and comedies through the remainder of the decade. While appearances in such films as Mimic (1997) and Star Trek: Insurrection (1998) kept Abraham a familiar face to a new generation of moviegoers, roles in such small screen efforts as Dead Man's Walk (1996) and the following year's The Color of Justice allowed him a venue to display his true skills. In 1995 Abraham portrayed famed gangster Al Capone in not one but two films; Dillinger and Capone and Baby Face Nelson. Heading into the new millennium with roles in Finding Forrester and 13 Ghosts, Abraham appeared alongside an impressive cast in The Bridge of San Luis Rey. Later schlocking it up in the nature run amuck flicks Blood Monkey and Shark Swarm, the longtime actor subsequently proved he was still as versatile as ever while gravitating toward television with roles on such popular shows as Bored to Death, Louie, and The Good Wife, as well as the made-for-TV fantasy Beauty and the Beast.

Trivia: John McGinley, often credited as John C. McGinley, has become one of the most prolific character actors in Hollywood since he first got noticed in Oliver Stone's Platoon (1986). The intense, unblinking actor specializes in sarcasm, cynicism, and a used car dealer's unctuous insincerity, meaning he can play either wacky or sinister in both comedies and dramas. Although he has appeared in six Stone films, his breakout performance came in a very different format, as the acerbic and piercingly straightforward Dr. Perry Cox on the hit NBC sitcom Scrubs (2001).McGinley was born on August 3, 1959, in New York City. Growing up in Millburn, NJ, he was more involved in sports than theater. He began studying acting at Syracuse University, continuing at N.Y.U.'s Tisch School of the Arts. McGinley then toiled both on and off-Broadway, as well as two years on the soap opera Another World, scoring his first film role in the Alan Alda-directed Sweet Liberty (1986). It was while he was serving as John Turturro's understudy on the play Danny and the Deep Blue Sea that a casting scout in Stone's employ spotted him and got him an audition for Platoon. McGinley was cast as the sycophantic Sgt. Red O'Neill in the eventual Oscar winner.McGinley followed up Platoon with another one-two punch of Stone movies, Wall Street (1987) and Talk Radio (1988). In interviews, McGinley has described theirs as a "strong working relationship," not a friendship per se with the demanding director. He appeared in a handful of other films before his fourth Stone collaboration, Born on the Fourth of July (1989), which was quickly followed by his first screenwriting effort. McGinley co-scripted and co-starred in the 1990 film Suffering Bastards, alongside Talk Radio's Eric Bogosian.The 1990s were a period of intense work for the actor, who appeared in an average of three movies a year, sometimes as many as seven -- a necessary but no less tricky feat for a character actor earning modest paychecks. The most heralded of these were David Fincher's Seven and Stone's Nixon (both 1995); the most forgettable were Highlander II: The Quickening (1991) and the Steven Seagal starrer On Deadly Ground (1994). For most moviegoers, he remained under the radar.Two showy roles in 1999 ably demonstrated McGinley's facility for comedy. As a callous efficiency expert brought aboard to reorganize (i.e., downsize) the tech firm at the heart of Office Space, McGinley grinned and joked his way through a round of heartless layoffs. A similar oiliness informed his loud, obnoxious, kiss-ass portrayal of a Jim Rome-type sports interviewer in Stone's Any Given Sunday. It was soon after, in 2001, that McGinley was brought aboard for the role destined to identify him beyond any single film. As the default mentor on Scrubs, McGinley alternated hard-knocks frankness, biting wit, and a genuine desire to be left alone, in turn creating a hilarious persona and sealing his fate as an unwitting cult figure to the young surgeons. The sitcom work schedule has given him the necessary stability to spend time with his young son, Max, who has Down's syndrome.

Trivia: Actor William McNamara's film breakthrough came in 1988 when he starred as Billy Kane in Peter and Paul Mones' urban drama The Beat. McNamara led a fairly peripatetic childhood; his interior designer mother was granted custody of McNamara after divorcing his real estate magnate father. She took him to Dallas for a time, and then Los Angeles, where McNamara met many movie stars who inspired him to become an actor. He and his mother eventually moved to New York, but McNamara continued working as a production assistant during the summers in Los Angeles. Despite some problems in his late teens, he finally ended up at Columbia University, where he studied acting and started working in a few television commercials. A summer stint with the Williamstown Theater resulted in his appearing in The Beat. Prior to that, McNamara acted in two foreign efforts, Dario Argento's Opera and the European miniseries The Secret of the Sahara (both 1987). After appearing in Peter Bogdanovich's Texasville (1990), McNamara turned to television movies, notably Wildflower (1991), which starred Patricia Arquette, and Doing Time on Maple Drive (1992), with Jim Carrey in a rare dramatic role. McNamara returned to feature films in 1992 with Aspen Extreme, and since then he has been getting larger roles in better quality films. His role in Copycat (1995) is particularly notable.

Trivia: American actor Jeff Corey forsook a job as sewing-machine salesman for the less stable world of New York theatre in the 1930s. The 26-year-old Corey was regarded as a valuable character-actor commodity when he arrived in Hollywood in 1940. Perhaps the best of his many early unbilled appearances was in the Kay Kyser film You'll Find Out (40), in which Corey, playing a game-show contestant (conveniently named Jeff Corey), was required to sing a song while stuffing his mouth full of crackers. The actor was busiest during the "film noir" mid-to-late 1940s, playing several weasely villain roles; it is hard to forget the image of Corey, in the role of a slimy stoolie in Burt Lancaster's Brute Force, being tied to the front of a truck and pushed directly into a hail of police bullets. Corey's film career ended abruptly in 1952 when he was unfairly blacklisted for his left-leaning political beliefs. To keep food on the table, Corey became an acting coach, eventually running one of the top training schools in the business (among his more famous pupils was Jack Nicholson). He was permitted to return to films in the 1960s, essaying such roles as a wild-eyed wino in Lady in a Cage (64), the louse who kills Kim Darby's father in True Grit (68), and a sympathetic sheriff in Butch Cassidy and the Sundance Kid (68). In addition to his film work, Jeff Corey has acted in and directed numerous TV series; he was seen as a regular on the 1985 Robert Blake series Hell Town and the 1986 Earl Hamner Jr. production Morningstar/Eveningstar. The following decade found Corey appearing in such films as Sinatra (1992), Beethoven's 2nd (1993) and the action thriller Surviving the Game (1994). Shortly after suffering a fall at his Malibu home in August of 2002, Corey died in Santa Monica due to complications resulting from the accident. He was 88.

Trivia: African-American actor Bob Minor gained his cinematic entree as a stuntman. His earliest speaking roles came by way of the blaxploitation pictures of the '70s. Two of the more profitable examples of this genre were Coffy (1973) and Foxy Brown (1974), both of which starred Pam Grier and featured Minor in supporting roles. The actor occasionally surfaced in mainstream films designed for a more generic audience, notably The Deep (1978) (as Wiley), White Dog (1982) and Glory (1989) but even after attaining this filmic level he couldn't quite escape such exploitation flicks as Swinging Cheerleaders (1976). Bob Minor worked with regularity on television, just missing consistent weekly work in such never-purchased pilots as Friendly Persuasion (1975), Dr. Scorpion (1978) and Samurai (1979).