Trivia: Following closely on Jackie Chan's well-calloused heels as one of the most dazzling physical performers of the silver screen, Jet Li's lightning-fast moves, friendly sense of humor, and genuine concern for his fans have endeared him to a generation of international action-film lovers as one of the most respected figures in martial arts cinema. The youngest of five siblings (consisting of two brother and two sisters) whose father died when he was only two years old, one might say that the painfully honest momma's boy has, since reaching adulthood, slightly overcompensated for his admittedly over-protected childhood (the future daredevil didn't even learn how to ride a bicycle until in his early teens). Sent during summer recess to what is now referred to as the Beijing Sports and Exercise school, Li was fatefully assigned to the wushu class and was one of a mere handful of students asked to return when the season ended and students filed back into classrooms in the fall. An exceptionally adept wushu student despite being only eight years of age, the experience boosted the confidence of the shy youth despite urges to join his classmates in after-school play. Leaving home for the first time the following year to attend competition, Li took first place at the event and was concurrently given the honor of performing at the opening ceremony of the eagerly anticipated Pan-Asian-African-Latin American Table Tennis Championships, an honor which also included the youth receiving personal praise from none other than Premier Zhou Enlai. No longer required to attend conventional schooling, the young wonder was admitted to a rigorous sports school. Eventually remaining with a group that consisted of 20 of China's finest young wushu practitioners, the students were then put through another kind of training entirely -- this time of the Western etiquette persuasion -- for an extremely important goodwill tour of the United States. Despite a potentially embarrassing international incident in which the overly excited youngster expressed his excitement when he spotted what he thought was a Chinese airplane in Hawaii (the plane was actually Tawianese, an extremely sensitive and important distinction at the time) and travels with a heavily guarded entourage, the journey went fairly well and gave Li a newfound sense of independence. Winning the coveted All-China Youth Championships upon his return to China provided Li with his first national championship title, though it was only a prelude to a slew of awards to come including a bloodied performance at the qualifying round of China's National Games, during which Li accidentally cut his head with his saber (the determined youngster didn't even realize what had happened, assuming he was simply perspiring, until his form was nearly finished). Despite his serious injury, the 12-year-old Li went on to win first place in the National Games to the amazement of the enraptured crowd. Competing frequently in the following years and surviving a close brush with death in a faulty cargo plane (the passengers were literally given pads of paper to write out their wills), Li was later appointed to an official welcoming committee for American presidents due to his previous contributions to positive Sino-American relations. Later attempting to live up to his title of "All-Around Wushu Champion of China," the 16-year-old who many referred to as all capable decided to do all he could to live up to the title by internalizing his understanding of the wushu practice through philosophy. Operating on the basic principle of Taiji (similar to yin/yang in the balance/counterbalance theory), Li began an internal voyage that would be just as rewarding as the physical labors he had so diligently pursued. Breaking into the world of film with an exciting performance in 1979's Shaolin Temple, Li's screen presence was undeniable and ignited a boom in the kung-fu film industry during the 1980s. Though he took an unsuccessful attempt at directing a few short years later with Born to Defend (1986), his acting career continued to accelerate at high speed with such hits as the Once Upon a Time in China and the Fong Sai-Yuk series in the early '90s. Rising to remarkable celebrity status due to his charm and unmatchable moves, Li gained fans in both the young and old and continued to thrill Eastern moviegoers in increasingly awe-inspiring ways. A crossover to American films began with his role as the villain in Lethal Weapon 4 (1998) (a role originally offered to Chan but turned down due to his inclination never to play the bad guy), and continued with more likable roles in Romeo Must Die and Kiss of the Dragon (2000 and 2001 respectively). Li caused something of a sensation with the release of Kiss of the Dragon when he made a special plea to parents not to bring their children to the film due to the unusually (for Li) adult-oriented violence of the film. A request virtually unheard of in the Hollywood system, Li promised parents that they would soon be able to share his high-kicking escapades with their children with the decidedly more family friendly The One a few short months later. In 2003 Li would return to stateside screens alongside DMX in Cradle to the Grave (2003), a remake of the classic Fritz Lang film M (1931) which fared only moderatly well at the box office.Just as it began to seem as if Li had forsaken the period martial arts genre on which he was weaned in favor of mainstream Hollywood success, his memorable return to the format with director Zhang Yimou's richly textured 2002 effort Hero proved to fans that he still possessed all the talent and charm he had so skillfully displayed in the previous Hong Kong hits produced before his crossover success. Despite the fact that the film drew some of the best reviews of Li's later career, however, the inexplicable decision made by U.S. distributor Miramax to sit on Hero for nearly two years before unceremoniously dumping it into stateside theaters in August of 2004 eventually caused many fans to seek out foreign releases of the critically-praised effort well before it's official U.S. release; a mournful mistake that likely resulted in diminshed sales at stateside multiplexes. A second collaboration with Kiss of the Dragon collaborator Luc Besson resulted in Unleashed, an effort many fans considered to be a notable improvement over his previous U.S. efforts, and in 2006 Li would return to the genre that launched his career one last time with the throwback martial arts biopic Fearless. A traditional-minded kung-fu epic that eschewed wirework and digital effects to focus on character and the art of fighting, Fearless proved an enormous success when it out-grossed such recent hits as House of Flying Daggars, Hero, and Crouching Tiger, Hidden Dragon upon being released into East Asian theaters in January of 2006. He made The Warlords and The Forbidden Kingdom, and had one of this most high-profile successes in the United States being part of the superstar ensemble in The Expendables, signing on for that movie's sequel two years later as well. In between those two films he could be seen in Flying Swords of the Dragon Gate and Emperor and the White Snake.

Trivia: Young R&B star Aaliyah was poised to become a dual threat in both the recording and film industries when her life was tragically cut short in an airplane accident in August 2001.She was born Aaliyah Haughton on January 16, 1979, in Brooklyn and moved to Detroit when she was five. By the time she turned nine, Aaliyah was performing publicly, even turning in a five-day stint at age 11 in Las Vegas with Gladys Knight, her uncle's ex-wife. Four years later, under the tutelage of R. Kelly, she recorded and released her first album, Age Ain't Nothin' but a Number. During this time, rumors surfaced that the pair married despite their significant age difference (and Aaliyah's status as a minor), but neither party confirmed or denied them, although the music magazine Vibe printed what appeared to be a marriage certificate showing it to be true.Aaliyah quickly ended the marriage and moved on to work with producers Missy Elliot and Timbaland, who helped get some of her work onto soundtracks -- including her hit single "Are You That Somebody?" from the Dr. Doolittle soundtrack. Her work on soundtracks -- including Anastasia and Next Friday -- led to an interest in film. She composed songs and made her acting debut in 2000's Romeo Must Die. The film was a financial success, raking in 55.9 million dollars in the U.S., despite receiving lukewarm reviews.As for Aaliyah, many reviewers overlooked her performance to comment on Jet Li's first American leading role, but those who didn't gave her more-than-passable marks. This attention helped her win parts in the Anne Rice vampire tale The Queen of the Damned -- which turned out to be her second and final film appearance (with the film still in post-production at the time of her death) -- and in The Matrix: Reloaded (the first sequel to the 1999 blockbuster The Matrix), which was only one month away from beginning principal photography when her fatal accident occurred.Aaliyah and eight other people were killed on August 25, 2001, when their chartered plane crashed shortly after takeoff. The group was returning to the United States from the Bahamas after having shot a music video for a song from her third album. An investigation into the incident revealed that the plane had been severely overloaded with luggage, thus causing what appears to have been an entirely avoidable and unmistakably tragic accident.

Trivia: A respected actor who became one of the more prominent figures in the growing African American cinema of the 1990s, Isaiah Washington has made his name in gritty crime dramas and romantic ensemble comedies alike. A native of Houston, Texas, Washington spent four years in the Air Force before studying drama at Washington, D.C.'s Howard University. Following graduation, he won a role in playwright Ntozake Shange's Spell 7 and then moved to New York to further pursue his career. He appeared in a number of stage productions, and he became one of the founding members of CityKids Repertory, a theatre group that visits high schools and community centers throughout New York.Washington began his screen career on television, appearing in the soap operas As the World Turns and One Life to Live. He made his big screen debut in Spike Lee's Crooklyn (1994), and he subsequently appeared in Lee's Clockers (1995), Girl 6 (1996), and Get on the Bus (1996), the last of which cast him as a gay man on his way to the 1995 Million Man March in Washington, D.C.Some of Washington's other memorable credits during the '90s included the Hughes brothers' Dead Presidents (1995), the warmly received ensemble romantic comedy Love Jones (1997), Steven Soderbergh's Out of Sight (1998), in which Washington gave a memorable turn as a scheming con's violent brother-in-law; Warren Beatty's Bulworth (1998), and Clint Eastwood's True Crime (1999), which cast Washington as a man awaiting execution on death row after being falsely accused of murder. In 2000, Washington could be seen starring opposite Chinese action star Jet Li in Romeo Must Die, an urban update of Romeo and Juliet set between rival Asian and African American gangs in Oakland, California.In 2005, Washington was cast as Dr. Preston Burke, one of the leads on the ABC medical-drama Grey's Anatomy. The show quickly became a runaway hit, garnering a large and loyal audience as well as Emmys and Golden Globes. However, through the show, Washington would soon gain a great deal of unwanted notoriety. In late 2006, a controversy exploded after an onset altercation between Washington and costar Patrick Dempsey, wherein the former allegedly used an anti-gay epithet to describe castmate T.R. Knight. Months of media coverage followed, and in June 2007, ABC announced that Washington was being cut from the show.Despite the controversy, it wasn't long before Washington was fielding offers from other networks. In July 2007, NBC announced that they'd nabbed him for an extended arc on the remake of The Bionic Woman.

Trivia: Challenging traditional stereotypes for Asian-American actors, Russell Wong has earned a reputation as a sexy, charismatic leading man whose good looks are matched by his skills as a performer. The sixth of seven children, Russell Wong was born on March 1, 1963, in Troy, NY; his family moved to Albany when he was a baby, where his father ran a restaurant. When Wong was seven years of age, his parents divorced, and he moved with his mother to California, settling near Yosemite. In 1981, Wong graduated from Mariposa County High School, and that fall enrolled at Santa Monica City College. Wong supported himself as a photographer and as a dancer (appearing in rock videos with David Bowie, Donna Summer, and Janet Jackson, among others) before scoring his first screen roles in 1985, appearing in a Hong Kong musical called Ge wu sheng ping (aka Musical Dancer) and in a screen adaptation of James Clavell's best-seller Tai-Pan. A number of undistinguished television and film roles followed, but Wong began breaking into better roles in 1989, when he made a memorable guest appearance on the drama series 21 Jump Street and won a leading role in Wayne Wang's acclaimed independent romantic comedy Eat a Bowl of Tea. Supporting roles in China Cry and New Jack City were to follow, and Wong found himself working with Wayne Wang again when he was cast in a meaty role in the film adaptation of Amy Tan's best-selling novel The Joy Luck Club. Wong finally scored a high-profile breakthrough role in 1994, when he was cast in the leading role in the made-for-TV movie Vanishing Son, in which he played a Chinese political activist exiled in America. The show was popular enough to spawn three sequels, and was later spun off into a syndicated TV series. After Vanishing Son ran its course, Wong moved on to more big-screen work, including major roles in Prophesy II, The Tracker, and Romeo Must Die, as well as the made-for-TV epic The Lost Empire. Russell Wong is also the brother of Michael Wong, a fellow thespian active in both Hong Kong and the United States.

Trivia: Whether on stage or the big screen, Delroy Lindo projects a powerful presence that is virtually impossible to ignore. Though it was not his first film role, his portrayal of manic depressive numbers boss West Indian Archie in Spike Lee's Malcolm X (1992) is what first attracted attention to Lindo's considerable talents. Since then, his star has slowly been on the rise and the actor has had steady opportunity to display his talent in a number of diverse films.The son of Jamaican parents, Lindo was born in London, England, on November 18, 1952. He was raised in Lewisham, England, until his teens, when he and his mother moved across the Atlantic to Toronto. Following a move to the U.S. a short time later, he became involved in acting, eventually graduating from San Francisco's renowned American Conservatory Theater. After graduation, he landed his first film role, that of an Army sergeant in More American Graffiti (1979). He would not appear in another film for a decade, spending the intervening years on the stage. In 1982, Lindo debuted on Broadway in Master Harold and the Boys, directed by the play's author, Athol Fugard. Six years later, he earned a Tony nomination for his portrayal of Harold Loomis in Joe Turner's Come and Gone.Although possessing obvious talent and the potential for a distinguished career, Lindo found himself in something of a rut during the late '80s. Wanting someone more aggressive and appreciative of his talents, he changed agents (he'd had the same one through most of his early career). It was a smart move, but it was director Spike Lee who provided the boost that the actor's career needed. The director was impressed enough with Lindo to first cast him in Malcolm X and then as patriarch Woody Carmichael in his semi-autobiographical comedy Crooklyn (1994), a role for which Lindo earned some long overdue praise. 1995 proved to be another big year for the actor, as he landed substantial supporting roles in two major films, playing a mercurial drug dealer in Barry Sonnenfeld's Get Shorty and another drug dealer in Lee's Clockers. The following year, he could be seen in yet another villainous role in Feeling Minnesota. However, he also proved that he could portray the other side of the law, in the Mel Gibson thriller Ransom, in which he played an FBI agent, and John Woo's Broken Arrow, which cast him as a colonel. He made good as baseball player Satchel Paige in the upbeat Baseball in Black and White that same year, winning himself an NAACP Image nomination in the process.Following a turn as a jaded angel opposite Holly Hunter in Danny Boyle's A Life Less Ordinary (1997), Lindo returned to a more earthly realm, further proving his talent for playing shadesters in The Cider House Rules (1999), in which he portrayed a cider house foreman who impregnates his daughter, and Romeo Must Die (2000), a loose adaptation of Romeo and Juliet that cast him as a vengeful mob boss. Following roles in Gone in Sixty Seconds (2000), Heist (2001), and The Last Castle (also 2001), Lindo re-teamed with Romeo star Jet Li for another high-kicking action opus, The One, in late 2001. Supporting roles in such high profile Hollywood films as The Core, Sahara, and Domino kept Lindo in the public eye over the course of the following decade, and in 2009 the actor lent his voice to the character of Beta in the runaway Pixar hit Up.

Trivia: Tall African-American actor D.B. Woodside is best known for two recurring series roles: that of Principal Robin Wood on Buffy the Vampire Slayer during the program's seventh and final season, and that of Wayne Palmer on the blockbuster Fox action thriller 24. Born in New York City, David Bryan Woodside stepped into drama during his teens, almost completely by accident. As a varsity football hero, he suffered from an unexpected injury on the field and happened to be looking for an alternative pursuit. While walking down a school corridor, Woodside overheard a rehearsal for the musical Brigadoon and decided, spontaneously, to check it out. The pieces fell into place, and after graduation, Woodside devoted more of his attention to dramatics -- this time, on a curricular level, first as an undergraduate at the State University of New York at Albany (where he received his B.A.) and later via his studies at the Yale University School of Drama, where he earned his Master of Fine Arts. Woodside signed with a manager and subsequently landed the role of Melvin Franklin, bassist singer for the Temptations, in the 1998 telemovie biopic of that Motown supergroup; that of Forrest in the low-budget 1998 cop thriller Scarred City; and that of Anthony Hilliard in the BET original telemovie After All. He also portrayed Colin in Andrzej Bartkowiak's big-screen martial arts update of Shakespeare's Romeo and Juliet, Romeo Must Die. The Buffy role purportedly came to Woodside some time before he agreed to accept it; he later recalled his manager phoning him on several occasions and insisting that he audition for the part. In the first two instances, Woodside declined, but with the third offer, he begrudgingly accepted and soon "fell in love with the part." Unfortunately, the series ended with that season (in 2003), but Woodside made a memorable impression. When reflecting on the series' closure in a BBC interview, he later observed, "It was sad to see these guys who had been together for seven years of their lives, who had grown up together. They were a family, and like many families they work hard and love hard. They were fantastic and welcomed me into that family for the final season. So there were quite a few tears, quite a few hugs, but they felt the need to move on." Woodside continued on to other roles, including playing "stoner" Martin, the best friend of Marguerite Moreau's Jamie Harris, in the quirky, low-budget romantic comedy Easy (2003). However, Woodside's most notable and high-profile role was that of Wayne Palmer -- the brother and Chief of Staff of President David Palmer -- on the aforementioned 24, starting with the hit show's third season (2003-2004). He then returned in season five (2005) for a handful of appearances before his character ascended to the presidency for the show's turbulent sixth season the next year.

Trivia: Edoardo Ballerini has played small roles in several films of the 1990s. He got his start off-Broadway at age 11 in a two-character play. After studying English at Wesleyan University, Ballerini went to Italy to study Latin and joined the Comedia dell'Arte Troupe. He then returned to New York to study acting further. In addition to film appearances, Ballerini also frequently works on-stage.

Trivia: While Anthony Anderson got his start in stand-up, his wide range of genre-spanning credits as a producer and actor in light comedy, pointed satires, food-based reality shows and gritty episodic dramas display his versatility and cross-audience appeal. But even though it's not immediately apparent how the points on his resume connect in one straight line, all of his work harkens back to core values of family, togetherness, responsibility, fairness, justice, and doing right in a sometimes complicated world.Born August 15, 1970, Anderson was one of four kids raised by his mother and stepfather (the man he considered his "only father I knew or cared about") in Compton, Los Angeles, California. While their neighborhood could be rough, his no-nonsense stepfather, who owned three clothing stores, instilled a respect for paternal responsibility and entrepreneurship in Anderson. While Anderson remembers seeing a teenage Dr. Dre perform at Compton's most important hip-hop venue Skateland, U.S.A., his most formative memory of a performer was watching his mother rehearse for an amateur production of A Raisin in the Sun at Compton Community College. Even though both he and his mother agree that she was a terrible actress, the impression of her becoming someone else on stage solidified his ambitions.His ambitions stoked, young Anderson seized every opportunity to perform, whether it was singing at church, competing in spelling bees, or appearing in a commercial at the age of five. After successfully auditioning for Los Angeles County High School for the Arts, he won the top prize in the NAACP's Act-So awards and gained entrance to Howard University's drama program with an audition tape that included monologues from Shakespeare and "The Great White Hope". (Anderson's stepfather, always the pragmatist, took extraordinary measures to push Anderson out of the nest after college by not only insisting he pay rent if he wanted to live at home, but also by padlocking the TV cabinet and freezer, installing a pay phone in the house, and razzing Anderson with Lassie reruns: "That dog's an actor. Where are you acting?")Too-strange-to-be-fiction family lore like that formed the basis of Anderson's stand-up comedy routines that he performed briefly under the name "Tasty Tony" while picking up small roles in TV and movies until 1999, when he landed roles both in the Martin Lawrence and Eddie Murphy comedy Life, and Barry Levinson's cinematic memoir Liberty Heights. A slew of roles in a wide range of genres followed for the next few years, culminating in recurring roles on Treme as actor-waiter Derek Watson, on The Shield as Antwon Mitchell, the drug boss turned community leader who still keeps one foot in the thug life, and on Law & Order as conservative lawman Detective Kevin Bernard, a role for which he earned four consecutive NAACP Image Award nominations for Outstanding Actor in a Drama Series. Anderson's other great passion, for food and cooking, has led to many hosting gigs on shows like Carnival Cravings with Anthony Anderson, Eating America with Anthony Anderson, the web series Anthony Eats America, and his recurring seat at the judge's table on Iron Chef America. While his everyday diet is "vegan-ish" as a way of regulating his type 2 diabetes, he's so devoted to the kitchen arts that he takes weekend classes at famed culinary academy Le Cordon Bleu's Los Angeles outpost. While his first forays into producing the sitcoms All About the Andersons and Matumbo Goldberg (both about domestic life from an African-American perspective) ended after one season, conversations with his screenwriter friend Kenya Barris about their experiences raising their children in affluent, majority-white communities that are so unlike the neighborhoods they grew up in inspired the duo to create and produce black-ish. Taking a page from unflinching sitcoms of the '70s like All In The Family and Good Times that mixed light humor with frank confrontation of social ills, Barris and Anderson folded incidents from their own lives into the show's scripts - such as the time Anderson's teenage son wanted a bar mitzvah party like all his Jewish friends, prompting Anderson to instead offer his son a hip-hop themed "bro mitzvah." Anderson received an Emmy nomination for his role as beleaguered patriarch Andre Johnson in 2015.

Trivia: Rap star DMX is following in the footsteps of Ice-T, LL Cool J, Ice Cube, Tupac Shakur, and countless other rappers who have moonlighted as actors. But if the great box office or the critical acclaim he received for his performance in the otherwise-maligned Exit Wounds means anything, chances are moviegoers will be seeing a lot more of him. Born as Earl Simmons on December 18, 1970, in Baltimore, MD, DMX got his start in the music industry as DJ within the Yonkers Street School Projects and rose to prominence guesting on tracks by LL Cool J and the Lox. Shortly after his first album debuted at the top of the Billboard charts, DMX took his first starring role in Belly, hip-hop video director Hype Williams' visually stunning but completely incomprehensible first feature. The film flopped and few noticed DMX's turn as a hyperviolent, drug-addled thug. But Belly's critical and financial shortcomings didn't deter him from acting again. He had a small role in Romeo Must Die and earned critical acclaim for his role as an enigmatic, shady businessman in Exit Wounds, which mirrored DMX's musical career by debuting atop the box office, eventually raking in upwards of 50 million dollars.

Trivia: Chinese-Canadian actor Terry Chen first achieved international recognition at the dawn of the millennium, when he appeared in two very different A-listers: Romeo Must Die, an avant-garde, martial-arts-saturated take on Romeo and Juliet (starring ill-fated pop diva Aaliyah and DMX); and Almost Famous, Cameron Crowe's nostalgic coming-of-ager about the early experience of a rock journalist-cum-roadie. Despite occasional dips into more conventional material -- a Dean Koontz telemovie, the glamorized spy film Ballistic (2002) -- Chen remained generally selective about Hollywood parts. He was memorable as a Merc Pilot in The Chronicles of Riddick, as Chin in the futuristic Will Smith sci-fi film I, Robot (2004), and as Tom Lone in War (2007), an action-filled tale about an FBI agent enmeshed in a battle between rival Asian gangs. Over the coming years, Chen would remain active on screen, appearing in movies like The A-Team and on series like Combat Hospital.

Trivia: Grew up playing ice hockey; went to school on a hockey scholarship. Worked with childhood hero Chow Yun-Fat in The Corruptor (1999). Breakthrough role was in the Showtime sci-fi series Jeremiah. Was voted No. 12 in Entertainment Tonight Canada's Top 20 Sexiest Men list. Had good friend and fellow actor Emmanuelle Vaugier as the "best man" at his 2006 wedding. Is of Chinese, Irish, Japanese and Korean descent. Active in charities to support cancer research.