Trivia: Though best known as an outspoken comedienne, Whoopi Goldberg is also a talented dramatic actress. By virtue of her distinctive appearance and a persona that is both no-nonsense and empathic, Goldberg has emerged as one of the most recognizable celebrities of the '80s and '90s.Born Caryn Johnson on November 13, 1955 in New York City, Goldberg began her long career when she was eight years old, performing with New York's Helena Rubenstein Children's Theater. She then went on to study with the Hudson Guild children's arts program and attended the prestigious High School for the Performing Arts. After graduating, Goldberg occasionally won small parts in Broadway productions such as Hair, Pippin and Jesus Christ Superstar, but also supported herself doing odd jobs like bricklaying and serving as a funeral parlor make-up artist. In 1975, Goldberg moved West and helped found the San Diego Repertory Theater, where she appeared in a number of plays, including Brecht's Mother Courage and Marsha Norman's Getting Out. After several stints with the Spontaneous Combustion improvisational troupe and work in avant-garde productions at Berkeley's Blake Street Hawkeyes theater, Goldberg devised The Spook Show, a one woman satirical production in which she played several characters. The show, which originated in San Francisco, eventually toured the U.S. and Europe, earning acclaim and the attention of director Mike Nichols. Nichols went on to direct a 1984 Broadway version of the show, which earned Goldberg Drama Desk and Theatre World awards, as well as a Grammy for the album recording.Goldberg made an auspicious Hollywood debut with her portrayal of Celie, the lead character in Steven Spielberg's controversial 1985 adaptation of Alice Walker's novel. Goldberg's moving performance was rewarded with an Oscar nomination and Best Actress Golden Globe, as well as instant stardom for the actress. Although Goldberg's film career looked promising, the actress unfortunately spent much of the decade's remainder appearing in terrible action comedies such as Fatal Beauty and Burglar (both 1987) that did not do her comic gifts justice. Her one partial success during this period was her first action comedy, Jumpin' Jack Flash (1986), which did relatively well at the box office and gave her a certain cult status. In 1988, Goldberg took a break from comedy with a memorable turn as a worldly Jamaican nanny in the otherwise unremarkable Clara's Heart. She also made numerous appearances in television specials, most notably as a co-host for the annual Comic Relief benefit for the homeless. Her attempt at sitcoms failed with the short-lived series Bagdad Cafe, but she did find greater television success with a small but crucial recurring role as the sagacious intergalactic bartender Guinan on the syndicated Star Trek: The Next Generation. Around the same time, Goldberg's film career underwent a sharp turn-around. She won acclaim playing a selfless housekeeper opposite Sissy Spacek in the provocative Civil Rights drama The Long Walk Home (1989), and then played an eccentric con artist possessing unexpected psychic powers in the 1990 smash hit Ghost. Goldberg's funny yet moving performance earned her her first Oscar and the widespread opinion that this marked her comeback performance. After a couple of missteps that had a few people rethinking this verdict, Goldberg scored again with the 1992 hit comedy Sister Act. Nominated for Golden Globes and two NAACP awards, the film spawned mass ticket sales and an unsuccessful 1993 sequel, Sister Act 2: Back in the Habit. Meanwhile, Goldberg also continued her television work with a 1992 late night talk show. A laid back affair that ran for 200 episodes, it was praised by critics but failed to secure high ratings and went on permanent hiatus after only six months. However, Goldberg continued to appear on TV with her recurring role as a Comic Relief co-host and as an MC for the Academy Awards ceremony, a role she reprised multiple times. At the same time, Goldberg continued to work in film, doing both comedy and drama and experiencing the obligatory highs and lows. Some of her more memorable roles included that of a single mother who discovers that Ted Danson, not a black genius, fathered her daughter in Made in America (1993), a lesbian lounge singer in Boys on the Side (1995), a white-middle-aged corporate executive in The Associate (1996), Angela Bassett's best friend in the 1998 hit How Stella Got Her Groove Back, and a private detective in the drama The Deep End of the Ocean (1999). In addition, Goldberg also appeared in two notable documentaries, The Celluloid Closet (1995), and Get Bruce! a piece about comedy writer Bruce Vilanch that also featured fellow comedians such as Robin Williams, Billy Crystal, Nathan Lane and Bette Midler.As the new decade dawned, Goldberg could be seen in supporting roles in projects like Rocky and Bullwinkle and the ensemble comedy Rat Race. Then, in 2003, she tried her hand at a starring sitcom role for the first time with Whoopi. The show found Goldberg playing an irreverent hotel owner and was met with mixed reviews before being cancelled mid-season.In 2004, Goldberg focused her career on voice work with appearances in Doogal, The Lion King 1 1/2, and P3K: Pinocchio3000. She continued this trend in the following years with such films as Racing Stripes and Everyone's Hero. Then, in 2007, Goldberg returned to the small-screen, replacing Rosie O'Donnell on the ABC panel show The View. Goldberg lent her voice to Pixar's Toy Story 3 in 2010, and as the narrator for 2011's documentary Being Elmo: A Puppeteer's Journey.

Trivia: During a 1994 interview with comedian Bobcat Goldthwait, The Today Show's Katie Couric became so rattled at Goldthwait's paranoiac, high-decibel responses to her questions that she repeatedly entreated him to calm down and relax. After the commercial break, a frowning Couric looked directly at the guys in the NBC control room and asked, "Why didn't you tell me he always talks like that?" Indeed, Goldthwait has never spoken when shouting will do -- at least not professionally. A popular attraction on the comedy-cabaret circuit in the early '80s, Goldthwait made his film bow as gonzo gang leader Zed in Police Academy 2: The First Assignment (1985); he revived the character -- this time as a good-guy police cadet -- in two Police Academy sequels. Though we've been treated to generous helpings of Goldthwait's marine-raiders comic style in such TV series as Capitol Critters (1992) and Unhappily Ever After (1995), his funniest appearance thus far has been his briefest: in the satirical MTV special Medusa: Dare to Be Truthful (1992), he offers a 30-second parody of Kevin Costner's aw-shucks cameo in Madonna: Truth or Dare (1991). Having previously directed his own concert video Is He Like That All the Time? (1988), Goldthwait extended his directorial activities to the 1994 theatrical feature Shakes the Clown (1994), a grimly amusing look at the underbelly of show business. While promoting Shakes on May 9, 1994, Bobcat Goldthwait made his bid for media immortality by impulsively setting fire to Jay Leno's guest couch on The Tonight Show -- an act which resulted in shocked outrage from both Leno and NBC, but did not prevent them from using this inflammatory vignette in their advertising.His career geared increasingly towards the small screen for the majority of the '90s, Goldthwait would stay in the public eye with a variety of guest appearances on such popular shows as Tales from the Crypt, ER, Sabrina the Teenage Witch, as additional roles on such animated efforts as Buzz Lightyear of Star Command; Dr. Katz, Professional Therapist; Duckman; and Lion of Oz found his services as a voice-over artist in ever-increasing demand. The trend would continue as Goldthwait lent his distinctive vocal inflections to such shows as Crank Yankers and Lilo and Stitch: The Series at the turn of the millennium, though it seemed as if his career was increasingly coming into its own behind the camera as the comic began directing episodes of Chappelle's Show and Jimmy Kimmel Live. Goldthwait's 2003 comedy feature Windy City Heat would debut on Comedy Central to the delight of fans everywhere. He directed Sleeping Dogs Lie, a low budget film about a man who must confront his fiancée when she finds out about some of his past behavior. In 2006 the newly empowered filmmaker's surprisingly tender yet shockingly outrageous romantic comedy Stay would make an impression on audiences at the Sundance Film Festival when it was nominated for the Grand Jury Prize at that year's proceedings.

Trivia: Publicity notwithstanding, Lesley Ann Warren did not exactly burst fully grown into the world in 1966 to star in the Rodgers and Hammerstein TV special Cinderella. Trained at New York's Professional Children's School, Lesley Ann studied under Lee Strasberg before making her Broadway debut in 110 in the Shade, the 1964 musical version of The Rainmaker. On the strength of Cinderella, Lesley Ann was signed to a Disney contract; but after starring in The Happiest Millionaire (1966) and The One and Only Genuine Original Family Band, she rebelled against her studio-imposed sweetness-'n'-light image. Upon replacing Barbara Bain in the long-running espionage TVer Mission: Impossible in 1970, Warren publicly emphasized that her character, Dana Lambert, was a "now" person, wise in the ways of sex. She stayed with Mission for only a year, after which she established herself as a leading light in the made-for-TV movie field, frequently cast as an older woman involved romantically with a much-younger man. She earned an Academy Award nomination for her hilarious performance as bleach-blond gangster's moll Norma in Victor/Victoria (1981), then starred in a couple of intriguing Alan Rudolph-directed dramas, Choose Me (1984) and The Songwriter (1986). Her more recent roles include Molly, the homeless woman in Mel Brooks' Life Stinks(1991), who goes into a "death throes" act whenever she feels like it, and the barracuda booking agent for c-and-w star George Strait in Pure Country (1994). For nearly a decade, Lesley Ann Warren was the wife of producer/hairstylist Jon Peters.

Trivia: Though he would return to higher education nearly three decades later, Texas native G.W. Bailey left college and spent the mid-'60s working at local theater companies. Determined to establish an acting career for himself, a young Bailey moved to California in the 1970s and worked in a variety of settings. From appearances on television's Starsky and Hutch and Charlie's Angels to stage productions of Shakespearian classics, Bailey, despite his lack of professional experience, proved a surprisingly versatile actor. He did not, however, attain significant mainstream recognition until 1981, when he was cast as pool-hall con artist Private Rizzo in CBS's long-running series M*A*S*H. The exposure led to five large supporting roles on a variety of feature-length television dramas, and ultimately, a very different type of performance all together: that of the imposing yet incompetent Lieutenant Harris in the lowbrow cop comedy Police Academy (1984). His Police Academy role was reprised as sequels were churned out in rapid succession, and he was cast as a similarly inept authority figure in 1987's Mannequin.Though the 1980s found Bailey immersed in fairly unmemorable film roles (mainly comedies and dark thrillers), he was able to forge a more than respectable resumé in the realm of television movies, including the popular Murder in Texas (NBC, 1981), On Our Way (CBS, 1985), Spy Games (ABC, 1991), and Dead Before Dawn (ABC, 1993). His television roles offered a G.W. Bailey quite unlike Lieutenant Harris, and he was able to develop a following and a steady reputation as a supporting actor. Eventually, he was able to add "college graduate" to his list of accomplishments, as his mid-'90s stint at Southwest Texas State University proved successful as well. In 2004, Bailey lent his vocal chords to Disney's animated musical Western Home on the Range.He was cast as Lt. Provenza on The Closer, a show that would be for a time the highest rated scripted program on basic cable, and he would stay on the show for its entire run.

Trivia: Lead actress Anne DeSalvo first appeared onscreen in the early 80s.

Trivia: With a talent as large as his girth, John Goodman proved himself both a distinguished character actor and engaging leading man. A native of St. Louis, MO, Goodman went to Southwest Missouri State University on a football scholarship, but an injury compelled him to seek out a less strenuous major. He chose the university Drama Department, attending classes with such stars-to-be as Tess Harper and Kathleen Turner. Moving to New York in 1975, he supported himself by performing in children's and dinner theater, appearing in television commercials, and working as a bouncer. Goodman made his off-Broadway debut in a 1978 staging of A Midsummer Night's Dream, and, a year later, graduated to Broadway in Loose Ends. His best Broadway showing was as the drunken, brutish Pap in Big River, Roger Miller's 1985 musical adaptation of Huckleberry Finn. Goodman has occasionally played out and out villains or louts (The Big Easy, Barton Fink), but his essential likeability endeared him to audiences even when his onscreen behavior was at its least sympathetic. He contributed topnotch supporting appearances to such films as Everybody's All-American (1988), Sea of Love (1989), Stella (1989), and Arachnophobia (1990), and starred in such films as King Ralph (1991), The Babe (1992, as Babe Ruth), Born Yesterday (1993), and The Flintstones (1994, as Fred Flintstone). Goodman did some of his best work in Matinee (1992), in which he starred as William Castle-esque horror flick entrepreneur Lawrence Woolsey, and topped himself in The Big Lebowski (1998), playing a quirky security-store owner. He was seen the following year with Nicolas Cage and Ving Rhames in Martin Scorsese's Bringing out the Dead as an ambulance driver.Between 1988 and 1996, Goodman appeared as blue-collar patriarch Dan Conner on the hit TV sitcom Roseanne, a role that earned him four Emmy nominations and a Golden Globe award; his additional TV credits included two 1995 made-for-cable movies: the title role in Kingfish: A Story of Huey P. Long and Mitch in A Streetcar Named Desire, for which he earned another Emmy nomination. Announcing that the 1996-1997 season of Roseanne would be his last, Goodman limited himself to infrequent appearances on the series, his absences explained away as a by-product of a heart attack suffered by his character at the end of the previous season.After making his 10th appearance on Saturday Night Live (2000), Goodman could be seen playing a red-faced bible salesman in director Joel Coen's award winning O Brother, Where Art Thou (2000), and participated in Garry Shandling's film debut What Planet Are You From? (2000). He could be spotted playing an Oklahoma cop in The Adventures of Rocky and Bullwinkle (2000), while Coyote Ugly (2000) and Storytelling (2001) found Goodman stepping back into the role of over-protective father. Interestingly enough, he donned hippie-gear to play a goth-chick's Leelee Sobieski dad in 2001's My First Mister. Though Goodman's status as an amiable big guy was well established by the early 2000's, he didn't actually appear on-screen for two of his most beloved roles. In The Emperor's New Groove (2000), Goodman lent his vocal talents for the part of Pacha, a poor farmer who taught a spoiled prince (David Spade) some valuable lessons about life, love, and the meaning of societal standing. Any film-going youngster will recognize Goodman's voice as Monsters, Inc.'s kind-hearted Sully, the furry blue monster who risked life and limb to return a little girl to her home; and who other than Goodman would have been appropriate to voice the part of Baloo, The Jungle Book 2's (2003) freewheeling bear? 2001's ill received One Night at McCool's features Goodman as one of three men lusting after Liv Tyler's character, while 2002's Dirty Deeds took John to Australia, where he played an American mafia-goon thoroughly ill suited to the intricacies of culture down under. Though 2003's Masked and Anonymous was skewered by fans and critics alike, it did give Goodman the chance to work with industry bigwigs Jessica Lange, Jeff Bridges, Penélope Cruz, and legendary singer/songwriter Bob Dylan. In 2004, Goodman got even more involved in the realm of family friendly movies and TV, lending his voice to the character of Larry on the animated show Father of the Pride. The next few years in his career would include many more such titles, like Cars, Evan Almighty, and Bee Movie, and in 2008, he played Pops Racer in the candy-colored big screen adaptation of the popular cartoon Speed Racer. By this time, Goodman had become a go-to guy for PG fare, and signed on next to provide the voice of Big Daddy for the jazz-age animated film The Princess and the Frog. He earned good reviews for his work in the made-for-HBO biopic of Jack Kervorkian You Don't Know Jack in 2010. The next year he appeared in The Artist, the Best Picture Oscar winner, as the head of a Hollywood studio, and in another of the Best Picture nominees playing the doorman in Extremely Loud and Incredibly Close.

Trivia: Lead actor, onscreen from the '80s.

Trivia: Multi-talented Michael Nesmith has come a long way from playing the quiet Monkee in the little wool cap on the popular 1960s sitcom The Monkees. Since then he has proven himself an innovator in musical genres and music videos -- his work in the latter area led to the creation of the MTV network. Nesmith is also a movie and television producer. Born in Houston, TX, Nesmith is the son of Bette Nesmith Graham, the woman who invented Liquid Paper correction fluid. Before auditioning for The Monkees in 1965, Nesmith had served a two-year stint in the Air Force, worked as a backup musician in Nashville, performed in a Los Angeles-based folk-rock duo with his friend John London, composed songs, including "Mary, Mary" and "Different Drum," and recorded a few singles. While with the Monkees, Nesmith wrote several of their hits and helped persuade the Monkees' "handlers" to allow them to produce their own records. He left the television group after completing their only feature film, Head (1968), to form his own band and then launched his solo career. In 1977, he designed a new television show called Popclips, in which he utilized live music clips while counting down the week's chart-toppers. The show is credited for inspiring the genesis of MTV. Nesmith's mother died in 1980 and left him half of her Liquid Paper fortune (worth over 20 million dollars). Nesmith then launched his own record and film production company, Pacific Arts, which became the number one source of American music videos in the '80s, and won the first Video Grammy for it in 1981. In the late '80s, Nesmith made his own filmmaking debut with the inventive music video "Elephant Parts." He reunited with the Monkees and continued to occasionally perform with them. In 1997, he and the group appeared in an hour-long television special and also released a new album, Justus.

Trivia: In the entertainment industry, writer/director/producer Hugh Wilson's name is synonymous with comedy, though in the late '90s, he turned to more dramatic subject matters. Although Wilson spent the latter part of his 20-plus-year career primarily involved in feature films, such as the hit First Wives Club (1995) (starring Goldie Hawn, Bette Midler, and Diane Keaton), Wilson is perhaps best known for his television work, notably as the creator and executive producer of the hilarious sitcom WKRP in Cincinnati (1978-1982) and the Emmy-winning comedy/drama Frank's Place which he created with former WKRP star Tim Reid. A native of Miami, Wilson started out working as a major contributor to a newsletter for the Armstrong Cork corporation. There he met Jay Tarses and Tom Patchett. Years later, Tarses and Patchett became comedy writers for The Bob Newhart Show. Remembering that Wilson too shared a similar gift for comedy writing, they invited him to join their team. By that time, Wilson was working with an advertising firm in Atlanta. He accepted the offer and soon was writing for the classic comedy with his former colleagues. Wilson also wrote for other shows, proving he had a knack for the medium, and in the mid-'70s became a producer of The Tony Randall Show. In 1978 Wilson agreed to create a new sitcom for MTM helmer Grant Tinker. Basing the premise upon his experiences in radio and advertising in Atlanta, Wilson came up with WKRP. Set in a failing radio station, it chronicled the colorful lives of eight members of the station as they tried to cope with changing the format from elevator music to Top 40 rock & roll. Not only did Wilson create and produce the show, he also served as its head writer. Frank's Place ran from 1987 to 1988. Unlike the zany WKRP, this was a low-key and off-beat ensemble piece about a stuffy Boston professor who discovers that his late, estranged father has left him a Creole restaurant in New Orleans. Moments of drama punctuated the funny business. Critics loved the show, but audiences found it puzzling and the series folded after a year. Wilson's big break in feature films came when he wrote the script for the low-brow but widely popularPolice Academy (1984), which also marked Wilson's directorial bow. His subsequent film credits include Rustler's Rhapsody (1985) and Guarding Tess (1994), which starred Shirley MacLaine and Nicholas Cage as a feisty, fussy presidential widow and the Secret Service man assigned to protect her. In 1997 Wilson made his first foray into a nonhumorous project as a script writer on the television miniseries chronicle of President Teddy Roosevelt's founding and leading of the famous elite cavalry group. The following year, Wilson produced an acclaimed, independent low-budget crime drama, Southie, about a New Yorker who returns to his Boston family and finds them in cahoots with mobsters.