Trivia: Had the Fates smiled upon her, the versatile Beverly Garland would have been one of the biggest female stars in films. She started out well, with a plum part in the noir classic DOA (1949), in which she was billed as Beverly Campbell. Alas, Garland was never one to keep her opinions to herself, and her pointed comments about some of her DOA colleagues turned her into a Hollywood pariah before her career had even begun. She eventually worked her way back up the ladder with supporting roles in theatrical features and guest-star assignments on television. Garland rapidly earned a reputation as a "good luck charm" for TV-pilot producers, who could usually count on a sale if Garland was featured in their product. She guested on the first episode of Medic as an expectant leukemia victim, and was co-starred in the pilots of no fewer than three Rod Cameron TV vehicles: City Detective, State Trooper and Coronado 9, all of which sold. In the mid-1950s, Garland was briefly the inamorata of quickie producer/director Roger Corman, who prominently cast her in such cheapies as It Conquered the World (1955) and Not of This Earth (1956). She starred in the 1957 syndicated TV series Policewoman Decoy, which permitted her to adopt a variety of convincing guises in the line of duty. From the 1960s on, Garland was everyone's favorite TV wife or mother: she played Bing Crosby's wife in The Bing Crosby Show (1964), Fred MacMurray's wife on the last three seasons (1969-72) of My Three Sons, Stephanie Zimbalist's mother in Remington Steele (1982-86) and Kate Jackson's mother on Scarecrow and Mrs. King (1983-87). Active into the 1990s, Beverly Garland supplemented her acting income with her job as spokesperson for a major Midwestern travel agency. She died in 2008 at age

Trivia: Of English, French and Irish descent.At six months old, joined his parents for the first time onstage.Attended business college and worked in an appliance corporation.Developed makeup skills which he learned from his father.Started working in films in 1930 after his father's death.In 1935, changed his stage name to Lon Chaney Jr.Played classic movie monsters like a wolf man, Frankenstein's Monster, a mummy and a vampire (Dracula's son).

Trivia: Richard Crane was recruited by Hollywood in his early twenties, making his screen debut in the 1940 Joan Crawford vehicle Susan and God (1940). Crane coasted on his good looks and pleasant personality throughout the war years, while most of Hollywood's top leading men were in uniform, appearing in 20th Century Fox's Happy Land (1943) and A Wing and a Prayer (1944). By 1951, he was accepting make-work jobs along the lines of the Columbia serial Mysterious Island. His film career in almost total eclipse, Crane briefly rallied as star of the popular syndicated sci-fi TV series Rocky Jones, Space Ranger (1953). He was later seen in the supporting role of Lt. Gene Plethon on TV's Surfside Six (1961-1962). Richard Crane's last big-screen appearance was in Surf Party (1964).

Trivia: The daughter of an actress (Elaine Inescort) and a British journalist, Frieda Inescort learned the intricacies of High Society on a first-hand basis as the personal secretary of Lady Astor. Thus it was hardly surprising that Inescort would specialize in playing haughty grande dames when she went into acting. She made her first Broadway appearance in the 1922 production The Truth About Blayds, then went on to appear in a number of Shaw plays. In films from 1935 to 1960, she was at her imperious best as Miss Bingley in Pride and Prejudice. Multiple sclerosis forced Frieda Inescort into an all-too-early retirement.

Trivia: American general-purpose actor Douglas Kennedy attended Deerfield Academy before trying his luck in Hollywood, using both his own name and his studio-imposed name Keith Douglas. He was able to secure contract-player status, first at Paramount and later at Warner Bros. Kennedy's Paramount years weren't what one could call distinguished, consisting mainly of unbilled bits (The Ghost Breakers [1940]) and supporting roles way down the cast list (Northwest Mounted Police [1940]); possibly he was handicapped by his close resemblance to Paramount leading man Fred MacMurray. Warner Bros., which picked up Kennedy after his war service with the OSS and Army Intelligence, gave the actor some better breaks with secondary roles in such A pictures as Nora Prentiss (1947), Dark Passage (1948), and The Adventures of Don Juan (1949). Still, Kennedy did not fill a role as much as he filled the room in the company of bigger stars. Chances are film buffs would have forgotten Kennedy altogether had it not been for his frequent appearances in such horror/fantasy features as Invaders from Mars (1953), The Alligator People (1959) and The Amazing Transparent Man (1960), playing the title role in the latter. Douglas Kennedy gain a modicum of fame and a fan following for his starring role in the well-circulated TV western series Steve Donovan, Western Marshal, which was filmed in 1952 and still posting a profit into the '60s.

Trivia: Like most African-American performers of his generation, comic actor Dudley Dickerson played more than his fair share of Pullman porters, bell-boys, waiters, and shoe-shine boys. But from the late '30s until the mid-'50s, Dickerson was the most prominent black actor working in two-reel comedies. Contracted by Columbia's short subject department, the roly-poly supporting comic brought a refreshing energy to his portrayals of, yes, Pullman porters, shoe-shine boys, and the always demeaning "frightened Negro domestic." Closer in type to Mantan Moreland than Stepin Fetchit, Dickerson was especially good opposite Charley Chase in His Bridal Fright (1940) and the Three Stooges in A-Plumbing We Will Go (1940). Dickerson played a Pullman porter once again in his final film The Alligator People (1959), after which he concentrated on television work. The veteran comic died of cerebral thrombosis.

Trivia: Sad-eyed, mustachioed actor Hal K. Dawson appeared in several Broadway productions of the 1920s. During the run of Machinal, Dawson was the roommate of fellow actor Clark Gable; throughout his later Hollywood career, Gable saw to it that Dawson was given parts in such films as Libeled Lady (1936) and To Please a Lady (1951). Even without Gable's help, Dawson enjoyed a long and productive movie and TV career, usually playing long-suffering personal secretaries and officious desk clerks. Hal K. Dawson was a lifelong member of the Masquers Club, and, in the twilight of his life, was made an honorary member of the Pioneers of Radio Club.

Trivia: The son of actors Lon Chaney and Cleva Creighton, Creighton Tull Chaney was raised in an atmosphere of Spartan strictness by his father. He refused to allow Creighton to enter show business, wanting his son to prepare for a more "practical" profession; so young Chaney trained to be plumber, and worked a variety of relatively menial jobs despite his father's fame. After Lon Sr. died in 1930, Creighton entered movies with an RKO contract, but nothing much happened until, by his own recollection, he was "starved" into changing his name to Lon Chaney Jr. He would spend the rest of his life competing with his father's reputation as The Man With a Thousand Faces, hoping against hope to someday top Lon Sr. professionally. Unfortunately, he would have little opportunity to do this in the poverty-row quickie films that were his lot in the '30s, nor was his tenure (1937-1940) as a 20th Century Fox contract player artistically satisfying. Hoping to convince producers that he was a fine actor in his own right, Chaney appeared as the mentally retarded giant Lennie in a Los Angeles stage production of John Steinbeck's Of Mice and Men. This led to his being cast as Lennie in the 1939 film version -- which turned out to be a mixed blessing. His reviews were excellent, but the character typed him in the eyes of many, forcing him to play variations of it for the next 30 years (which was most amusingly in the 1947 Bob Hope comedy My Favorite Brunette). In 1939, Chaney was signed by Universal Pictures, for which his father had once appeared in The Hunchback of Notre Dame (1923) and The Phantom of the Opera (1925); Universal was launching a new cycle of horror films, and hoped to cash in on the Chaney name. Billing Lon Jr. as "the screen's master character actor," Universal cast him as Dynamo Dan the Electric Man in Man Made Monster (1941), a role originally intended for Boris Karloff. That same year, Chaney starred as the unfortunate lycanthrope Lawrence Talbot in The Wolf Man, the highlight of which was a transformation sequence deliberately evoking memories of his father's makeup expertise. (Unfortunately, union rules were such than Lon Jr. was not permitted to apply his own makeup). Universal would recast Chaney as the Wolf Man in four subsequent films, and cast him as the Frankenstein Monster in The Ghost of Frankenstein (1942) and the title role in Son of Dracula (1943). Chaney also headlined two B-horror series, one based upon radio's Inner Sanctum anthology, and the other a spin-off from the 1932 film The Mummy. Chaney occasionally got a worthwhile role in the '50s, notably in the films of producer/director Stanley Kramer (High Noon, Not As a Stranger, and especially The Defiant Ones), and he co-starred in the popular TV series Hawkeye and the Last of the Mohicans. For the most part, however, the actor's last two decades as a performer were distinguished by a steady stream of cheap, threadbare horror films, reaching a nadir with such fare as Hillbillies in a Haunted House (1967). In the late '60s, Chaney fell victim to the same throat cancer that had killed his father, although publicly he tried to pass this affliction off as an acute case of laryngitis. Unable to speak at all in his last few months, he still grimly sought out film roles, ending his lengthy film career with Dracula vs. Frankenstein(1971). He died in 1973.