Trivia: Steve McQueen was the prototypical example of a new sort of movie star which emerged in the 1950s and would come to dominate the screen in the 1960s and '70s -- a cool, remote loner who knew how to use his fists without seeming like a run-of-the-mill tough guy, a thoughtful man in no way an effete intellectual, a rebel who played by his own rules and lived by his own moral code, while often succeeding on his own terms. While McQueen was one of the first notable examples of this new breed of antihero (along with James Dean, Marlon Brando, and Paul Newman), he was also among the most successful, and was able to succeed as an iconoclast and one of Hollywood's biggest box-office draws at the same time.Terrence Steven McQueen was born in Indianapolis, IN, on March 24, 1930. In many ways, McQueen's childhood was not a happy one; his father and mother split up before his first birthday, and he was sent to live with his great uncle on a farm in Missouri. After he turned nine, McQueen's mother had married again, and he was sent to California to join her. By his teens, McQueen had developed a rebellious streak, and he began spending time with a group of juvenile delinquents; McQueen's misdeeds led his mother to send him to Boys' Republic, a California reform school. After ninth grade, McQueen left formal education behind, and after a spell wandering the country, he joined the Marine Corps in 1947. McQueen's hitch with the Leathernecks did little to change his anti-authoritarian attitude; he spent 41 days in the brig after going Absent With Out Leave for two weeks.After leaving the Marines in 1950, McQueen moved to New York City, where he held down a number of short-term jobs while trying to decide what he wanted to do with his life. At the suggestion of a friend, McQueen began to look into acting, and developed an enthusiasm for the theater. In 1952, he began studying acting at Sanford Meisner's Neighborhood Playhouse. After making an impression in a number of small off-Broadway productions, McQueen was accepted into Lee Strasberg's prestigious Actor's Studio, where he further honed his skills. In 1956, McQueen made his Broadway debut and won rave reviews when he replaced Ben Gazzara in the lead of the acclaimed drama A Hatful of Rain. The same year, McQueen made his film debut, playing a bit part in Somebody Up There Likes Me alongside Paul Newman, and he married dancer Neile Adams. In 1958, after two years of stage work and television appearances, McQueen scored his first leading role in a film as Steve, a noble and rather intense teenager in the sci-fi cult item The Blob, while later that same year he scored another lead, in the television series Wanted: Dead or Alive. McQueen's moody performances as bounty hunter Josh Randall elevated him to stardom, and in 1960, he appeared in the big-budget Western The Magnificent Seven (an Americanized remake of The Seven Samurai), confirming that his new stardom shone just as brightly on the big screen. In 1961, McQueen completed his run on Wanted: Dead or Alive and concentrated on film roles, appearing in comedies (The Honeymoon Machine, Love With a Proper Stranger) as well as action roles (Hell Is for Heroes, The War Lover). In 1963, McQueen starred in The Great Escape, an action-packed World War II drama whose blockbuster success confirmed his status as one of Hollywood's most bankable leading men; McQueen also did his own daredevil motorcycle stunts in the film, reflecting his offscreen passion for motorcycle and auto racing. (McQueen would also display his enthusiasm for bikes as narrator of a documentary on dirt-bike racing, On Any Sunday).Through the end of the 1960s, McQueen starred in a long string of box-office successes, but in the early '70s, he appeared in two unexpected disappointments -- 1971's Le Mans, a racing film that failed to capture the excitement of the famed 24-hour race, and 1972's Junior Bonner, an atypically good-natured Sam Peckinpah movie that earned enthusiastic reviews but failed at the box office. Later that year, McQueen would team up again with Peckinpah for a more typical (and much more successful) action film, The Getaway, which co-starred Ali MacGraw. McQueen had divorced Neile Adams in 1971, and while shooting The Getaway, he and MacGraw (who was then married to producer Robert Evans) became romantically involved. In 1973, after MacGraw divorced Evans, she married McQueen; the marriage would last until 1977.After two more big-budget blockbusters, Papillon and The Towering Inferno, McQueen disappeared from screens for several years. In 1977, he served as both leading man and executive producer for a screen adaptation of Ibsen's An Enemy of the People, which fared poorly with both critics and audiences when it was finally released a year and a half after it was completed. In 1980, it seemed that McQueen was poised for a comeback when he appeared in two films -- an ambitious Western drama, Tom Horn, which McQueen co-directed without credit, and The Hunter, an action picture in which he played a modern-day bounty hunter -- and he wed for a third time, marrying model Barbara Minty in January of that year. However, McQueen's burst of activity hid the fact that he had been diagnosed with mesothelioma, a highly virulent form of lung cancer brought on by exposure to asbestos. After conventional treatment failed to stem the spread of the disease, McQueen traveled to Juarez, Mexico, where he underwent therapy at an experimental cancer clinic. Despite the efforts of McQueen and his doctors, the actor died on November 7, 1980. He left behind two children, Chad McQueen, who went on to his own career as an actor, and daughter Terry McQueen, who died of cancer in 1998.

Trivia: To hear him tell it, Robert Vaughn has spent most of his acting career getting very well paid for being artistically frustrated. Born in Manhattan and raised in Minnesota, Vaughn went straight from college drama classes to his first film, the juvenile delinquent opus No Time to Be Young (1957). Ever on the search for "meaningful" roles, Vaughn signed to play a survivor of a nuclear apocalypse in what he assumed would be a serious, politically potent drama: the film was released as Teenage Caveman (1957). Though Oscar-nominated for his performance as a crippled, alcoholic war veteran in The Young Philadelphians (1959), Vaughn didn't rise to full stardom until 1964, where he was signed to play ultra-cool secret agent Napoleon Solo in the TV espionage series The Man From U.N.C.L.E. (1964-1968). He swore at that time that he'd never, ever subject himself to the rigors of another television series, but in 1972 he was back to the weekly grind in the British series The Protectors. In films, Vaughn has been most effective as an icy, corporate heavy, notably in Bullitt (1968) and Superman III (1982). On-stage, Vaughn has exhibited a special fondness for Shakespeare (Hamlet in particular); he was given an excellent opportunity to recite the Bard's prose on film when he played Casca in Julius Caesar (1970). A dyed-in-the-wool liberal activist, Vaughn worked on his Masters and Ph.D. in political science at L.A. City College during his U.N.C.L.E. years; his doctoral thesis was later expanded into the 1972 history of the HUAC, Only Victims. Vaughn later had several recurring roles on TV shows like The Nanny and Law & Order and the British series Hustle and Coronation Street. He died in 2016, just shy of his 84th birthday.

Trivia: Born Jacqueline Fraser, in Weybridge, England, onetime model Jacqueline Bisset was vaulted into stardom on the strength of two 1967 films: In the over-produced spy spoof Casino Royale, she attracted attention as the alluring Giovanni Goodthighs; even more impressive (so far as critics were concerned) was her near-microscopic role in Stanley Donen's Two for the Road, in which Bisset plays the vacationing British schoolgirl whose sudden case of the measles makes the rest of the plot possible. (She reprised and expanded upon this bit in a film-within-a-film in François Truffaut's Day for Night in 1973.) First cast on the basis of her looks alone, Bisset later developed into a top-notch actress, as evidenced by her performances in The Grasshopper (1969) and The Thief Who Came to Dinner (1972). She came to so despise her earlier sexpot image that she insisted that no still photos of her wet T-shirt scenes in The Deep (1977) be reproduced for publication. That year, Newsweek magazine voted her "the most beautiful film actress of all time." In 1978, she played another famous Jackie (although not so named) in The Greek Tycoon, an à clef version of the Aristotle Onassis saga. A more mature but no less dazzlingly beautiful Bisset was later seen in a kinky secondary role in Zalman King's Wild Orchid (1990). The actress received critical acclaim in 2001 for her portrayal of a dying woman's search for the daughter she never knew in Christopher Munch's drama The Sleepy Time Gal. She continued to work steadily in a variety of projects including playing Jacqueline Kennedy in American's Prince: The John F. Kennedy Jr. Story, Domino, Death in Love, and An Old Fashioned Thanksgiving, as well as appearing on the TV series Nip/Tuck.

Trivia: Character actor Don Gordon was well into middle age when he made the transition from stage and TV to films. Gordon was most generally cast as a cop, though he also effectively portrayed gangland henchmen. His film credits included such gutsy fare as Bullitt (1968), Fuzz (1971), The Towering Inferno (1974), Lethal Weapon (1987) and Die Hard (1988). On television, he played Lt. Hank Bertelli on The Blue Angels (1960), Prentiss on Lucan (1977), and Harry on The Contender (1980). Gordon died in 2017, at age 90.

Trivia: A former violinist, character actor Simon Oakland made his Broadway debut in 1948's The Skipper Next to God. Oakland's later stage credits include Light Up the Sky, The Shrike and Inherit the Wind. In films from 1957, Oakland was often cast as an outwardly unpleasant sort with inner reserves of decency and compassion. In I Want to Live (1958) for example, he played a journalist who first shamelessly exploited the murder trial of death-row inmate Susan Hayward, then worked night and day to win her a reprieve. And in Hitchcock's Psycho (1960), he had a memorable curtain speech as a jumpy, jittery, apparently neurotic psychiatrist who turned out to be the only person who fully understood transvestite murderer Anthony Perkins. Conversely, Oakland played his share of out-and-out villains, notably the bigoted Officer Schrank in West Side Story (1961). Far busier on television than in films--he once estimated that he'd appeared in 550 TV productions--Oakland was seen almost exclusively on the small screen after 1973. Within a five-year period, he was a regular on four series: Kolchak: The Night Stalker, Toma, Black Sheep Squadron and David Cassidy, Man Undercover. After a long losing bout with cancer, Simon Oakland died one day after his 63rd birthday.

Trivia: One of Hollywood's most distinguished, popular, and versatile actors, Robert Duvall possesses a rare gift for totally immersing himself in his roles. Born January 5, 1931 and raised by an admiral, Duvall fought in Korea for two years after graduating from Principia College. Upon his Army discharge, he moved to New York to study acting at the Neighborhood Playhouse, where he won much acclaim for his portrayal of a longshoreman in A View From the Bridge. He later acted in stock and off-Broadway, and had his onscreen debut as Gregory Peck's simple-minded neighbor Boo Radley in To Kill a Mockingbird (1962).With his intense expressions and chiseled features, Duvall frequently played troubled, lonely characters in such films as The Chase (1966) during his early film career. Whatever the role, however, he brought to it an almost tangible intensity tempered by an ability to make his characters real (in contrast to some contemporaries who never let viewers forget that they were watching a star playing a role). Though well-respected and popular, Duvall largely eschewed the traditionally glitzy life of a Hollywood star; at the same time, he worked with some of the greatest directors over the years. This included a long association with Francis Ford Coppola, for whom he worked in two Godfather movies (in 1972 and 1974) and Apocalypse Now (1979). The actor's several Oscar nominations included one for his performance as a dyed-in-the-wool military father who victimizes his family with his disciplinarian tirades in The Great Santini (1980). For his portrayal of a has-been country singer in Tender Mercies -- a role for which he composed and performed his own songs -- Duvall earned his first Academy Award for Best Actor. He also directed and co-produced 1983's Angelo My Love and earned praise for his memorable appearance in Rambling Rose in 1991. One of Duvall's greatest personal triumphs was the production of 1997's The Apostle, the powerful tale of a fallen Southern preacher who finds redemption. He had written the script 15 years earlier, but was unable to find a backer, so, in the mid-'90s, he financed the film himself. Directing and starring in the piece, Duvall earned considerable acclaim, including another Best Actor Oscar nomination.The 1990s were a good decade for Duvall. Though not always successful, his films brought him steady work and great variety. Not many other actors could boast of playing such a diversity of characters: from a retired Cuban barber in 1993's Wrestling Ernest Hemingway to an ailing editor in The Paper (1994) to the abusive father of a mentally impaired murderer in the harrowing Sling Blade (1996) to James Earl Jones's brother in the same year's A Family Thing (which he also produced). Duvall took on two very different father roles in 1998, first in the asteroid extravaganza Deep Impact and then in Robert Altman's The Gingerbread Man. Throughout his career, Duvall has also continued to work on the stage. In addition, he occasionally appeared in such TV miniseries as Lonesome Dove (1989) and Stalin (1992), and has even done voice-over work for Lexus commercials. In the early 2000s, he continued his balance between supporting roles in big-budget films and meatier parts in smaller efforts. He supported Nicolas Cage in Gone in 60 Seconds and Denzel Washington in John Q., but he also put out his second directorial effort, Assassination Tango (under the aegis of old friend Coppola, which allowed him to film one of his life's great passions -- the tango. In 2003, Kevin Costner gave Duvall an outstanding role in his old-fashioned Western Open Range, and Duvall responded with one of his most enjoyable performances.Duvall subsequently worked in a number of additional films, including playing opposite Will Ferrell in the soccer comedy Kicking & Screaming, as well as adding a hilarious cameo as a tobacco king in the first-rate satire Thank You For Smoking. In 2006 he scored a hit in another western. The made for television Broken Trail, co-starring Thomas Haden Church, garnered strong ratings when it debuted on the American Movie Classics channel. That same year he appeared opposite Drew Barrymore and Eric Bana in Curtis Hanson's Lucky You.In 2010, Duvall took on the role of recluse Felix "Bush" Breazeale for filmmaker Aaron Schneider's Get Low. The film, based on the true story of a hermit who famously planned his own funeral, would earn Duvall a nomination for Best Actor at the SAG Awards, and win Best First Feature for Schneider at the Independent Spirit awards. He picked up a Best Supporting Actor nod from the Academy for his work in 2014's The Judge, playing a beloved judge on trial for murder.

Trivia: A prolific character player whose lived-in face was his fortune, Norman Fell attended Temple University, served in World War II, then took acting lessons at the American Academy of Dramatic Art and the Actors' Studio. Fell entered films in 1959, playing such peripheral roles as the radio technician in Inherit the Wind (1960) until achieving a measure of fame as a detective named Meyer Meyer on TV's 87th Precinct (1961). His meatier film assignments included the role of Mr. McCleery in The Graduate (1967) and a pushy American tourist in If It's Tuesday, It Must Be Belgium (1969). In 1966, Fell was cast as the second lead in the pilot for the Girl From UNCLE series, but "skewed old" and was replaced by Noel Harrison. Fell finally achieved TV stardom as the sex-obsessed landlord Mr. Roper in the popular 1970s sitcom Three's Company, which resulted in a spin-off vehicle for Fell titled The Ropers (both series were based on British TV originals; the English equivalent of The Ropers was George and Mildred). A later video vehicle for Fell, 1982's Teachers Only, was less successful. Norman Fell made his final film appearance in the independent feature The Destiny of Marty Fine (1996).

Trivia: African-American actor/director Georg Stanford Brown was seven-years-old when his family moved from Havana to Harlem. Chronically absent during his high school years, Brown was invited to drop out by his frustrated teachers. At 15, he organized a singing group called the Parthenons, which broke up after a single network TV appearance. He moved to Los Angeles at 17, where, after passing the college entrance exam, he enrolled in the L.A. City College theater program. "I just wanted to take something easy," he explained later, "but after a while I really got to like it." He liked it well enough to study further at New York's American Musical and Dramatic Academy. Making his professional stage debut in Joseph Papp's Central Park Shakespearean productions, Brown headed back to L.A., certain that his theatrical credits would assure him steady work in films and TV, which they did, though at a molasses-slow pace. After increasingly larger roles in such films as The Comedians (1967), Bullitt (1968), and Colossus: The Forbin Project (1971), Brown was cast as officer Terry Webster on the Aaron Spelling-produced TV series The Rookies, which ran from 1972 to 1976. After Rookies, Brown began curtailing his acting in favor of directing. He helmed several episodes of TV's Hill Street Blues, as well as such made-for-TV movies as Grambling's White Tiger (1981), Miracle of the Heart: A Boys' Town Story (1986), Stuck With Each Other (1989), Father and Son: Dangerous Relations (1992), and The Last POW: The Bobby Garwood Story (1993). In 1986, Georg Stanford Brown won an Emmy for his direction of the Cagney and Lacey episode "Parting Shots," which starred his then-wife Tyne Daly.

Trivia: Lead and supporting atcor, onscreen from 1956.

Trivia: Born to a Syrian-Lebanese family in Brooklyn, Victor Tayback grew up learning how to aggressively defend himself and those he cared about, qualities that he'd later carry over into his acting work. Moving to California with his family, the 16-year-old Tayback made the varsity football team at Burbank High. Despite numerous injuries, he continued his gridiron activities at Glendale Community College, until he quit school over a matter of principle (he refused to apologize to his coach for breaking curfew). After four years in the navy, Tayback enrolled at the Frederick A. Speare School of Radio and TV Broadcasting, hoping to become a sportscaster. Instead, he was sidetracked into acting, working as a cab driver, bank teller and even a "Kelly Girl" between performing gigs. Shortly after forming a little-theatre group called the Company of Angels, Tayback made his movie debut in Door-to-Door Maniac (1961), a fact he tended to exclude from his resumé in later years. His professional life began to improve in 1967, when he won an audition to play Sid Caesar's look-alike in a TV pilot. Throughout the early 1970s the bulging, bald-domed actor made a comfortable living in TV commercials and TV guest-star assignments, and as a regular on the detective series Griff (1973) and Khan (1975). In 1975, he was cast in the secondary role of Mel Sharples, the potty-mouthed short-fused owner of a greasy spoon diner, in the theatrical feature Alice Doesn't Live Here Anymore. When the film evolved into the weekly TV sitcom Alice in 1976, Tayback was engaged to recreate his "Mel" characterization. He remained with the program for the next nine years. In contrast to his gruff, abusive screen character, Tayback was dearly loved by the rest of the Alice cast, who regarded him a Big Brother and Father Confessor rolled into one. Five years after Alice's cancellation, Vic Tayback died of cancer at the age of 61; one of his last screen assignments was the voice of Carface in the animated feature All Dogs Go to Heaven.

Trivia: With his chiseled, sharp features and distinctive raspy voice, American character actor Ed Peck was often cast as a policeman or a military man in feature films and television shows -- notably on the TV series Happy Days where he played police officer Kirk -- of the '60s through the early '80s. He made his debut on the afternoon television series Major Dell Conway of the Flying Tigers in the early '50s.

Trivia: Paul Genge was an American character actor who appeared in a few films between the late 1950s and early 1970s. He began in East-Coast theater and in 1936 debuted on Broadway in Hamlet opposite Olivia de Havilland and Leslie Howard. Genge came to Hollywood in 1958 and the following year debuted in The FBI Story. Other films he worked in include North by Northwest (1959), The Sandpiper (1965) and Bullitt (1968).

Trivia: Aprea is a supporting actor, onscreen from Bullitt (1968); he married Cherie Latimer.

Trivia: Bill Hickman is best known for his stunt work and expert driving in films of the '60s and '70s. Hickman specialized in chase scenes and prime examples of his work can be seen in such films as Bullitt, The Love Bug, The French Connection and What's up, Doc? He started out as a child appearing in the "Our Gang" series. Later in his career he also did some directing.

Trivia: American supporting and occasionally leading actor Robert Lipton made his feature-film debut with his sister, Peggy Lipton, in Blue (1968). He went on to appear on television, notably as Dr. Jeff Ward in the daytime serial As the World Turns from 1978 through 1984.

Trivia: American actor Roger Bowen spent most of the 1960s playing "preppie" types on a number of TV commercials. His film bow was in 1968's Petulia, but Bowen's big movie break came in 1970, when he created the role of lackadaisical Colonel Henry Blake in the Robert Altman film M*A*S*H (1970). While it was another TV-ad veteran, McLean Stevenson, who would play Col. Blake on the television version of M*A*S*H, Roger Bowen hardly lacked exposure in the early 1970s. He gained a fan following as Hamilton Majors Jr., the pleasantly snooty Ivy League boss of Herschel Bernardi on the TV sitcom Arnie (1970-72). After Arnie, Bowen joined the cast of The Brian Keith Show (1972), then returned to commercials and movie cameo roles, showing up briefly in such films as Heaven Can Wait (1978), The Main Event (1979) and Zapped (1981). In the early 1980s, Roger Bowen enjoyed another round of weekly TV work with recurring roles on House Calls, At Ease, and Suzanne Pleshette is Maggie Briggs. He made his final film appearance in the Bill Murray/Richard Dreyfus vehicle What About Bob? (1991). In addition to performing Bowen was a talented comedy writer who penned satirical sketches for television and theatre. He co-founded Chicago's Second City and also wrote 11 novels including Just Like a Movie.

Trivia: After one year in college as an art major Cassidy dropped out and got married, but the marriage didn't last. She moved to San Francisco and worked successfully as a model; she also appeared briefly in two films shot there, Bullitt (1968) and Fools (1970), then went four years without another screen role, meanwhile finding some work in TV commercials. Her first significant screen appearance was in a small role in the San Francisco police drama The Laughing Policeman (1974), which led to work in two more films that year; in the second of these, Bank Shot (1974), she got her first prominent billing. Cassidy had many unmemorable roles over the next few years, finally making an impression in a successful film with Blade Runner (1982); after that she got better roles in better films, but has yet to become a widely known screen actress.

Trivia: Character actress Marjorie Eaton came to films in middle age. From 1946 on, she appeared onscreen in such films as Anna and the King of Siam (1946), The Time of Their Lives (1946), Witness for the Prosecution (1957) and Mary Poppins (1964), usually cast as domestics. She also did some voiceover work in the Disney feature-length cartoons of the 1950s and 1960s. Marjorie Eaton died shortly after appearing in her last film, 1986's Crackers.

Trivia: Though best known for portraying rather ditzy blondes in television series such as Three's Company and Step by Step, there is much more to Suzanne Somers than meets the eye. In addition to acting, Somers has found success as an author, poet, entrepreneur, spokeswoman, nightclub performer and talkshow hostess. The daughter of a secretary and high school athletic coach, Somers briefly attended a private Catholic School until she was expelled for passing notes to her friends. Following graduation from public school, Somers attended Lone Mountain College in San Francisco. Marrying and divorcing early, Somers had a child to support, so she sought out modelling and acting work, with a few stints as a cocktail waitress. TV bit roles and fleeting appearances in such San Francisco-based films as Bullitt (1968) led to a decorative girl-friday job on a TV game show hosted by Alan Hamel, whom she eventually married. Always just on the brink of stardom, Somers took whatever job came along, gaining a measure of attention as the mysterious "blonde in the car" in the 1973 film American Graffiti (a role later expanded for the film's reissue after Somers became famous). One audition struck gold in 1977 when Somers was cast as the dumbest of dumb blondes Chrissy on the ABC sitcom Three's Company where Somers scored a hit with viewers. This being the Fonzie/Farrah Fawcett Majors era of TV idolatry, Somers was suddenly catapulted into sex-symbol status, with one of her "pin-up" photos selling 500,000 copies. This sudden fame led Somers to insist upon a salary raise - but the producers weren't prepared to pay $100,000 weekly for an actress previously receiving $30,000, nor did they want to give her a percentage of profits. Somers tried to break her contract, but was held to it by the producers, who forced her into what was virtually an extra role, limiting her weekly appearance to one minute, physically separated from her co-stars. Somers was off the show by 1980, and up until 1986 rarely appeared on television. Instead, Somers found success headlining a Las Vegas show where she pulled down $100,000 for each performance. The comeback began with a 1986 syndicated situation comedy, She's the Sheriff, which lasted two years. In the '90s, Somers began marketing exercise equipment products such as the Thighmaster and Buttmaster, via television infomercials. The products' success have made Somers a millionaire...again. She was the mom on the long-lived ABC sitcom Step By Step throughout the 1990s, also appearing in Serial Mom and No Laughing Matter. As the new century began she became a fitness guru by writing multiple books about aging, appearing in the 2009 documentary How to Live Forever in that capacity.